The Future's Void (studio album) by EMA
EMA bestography
The Future's Void is ranked 2nd best out of 4 albums by EMA on BestEverAlbums.com.
The best album by EMA is Past Life Martyred Saints which is ranked number 4892 in the list of all-time albums with a total rank score of 283.
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The Future's Void track list
The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).
The Future's Void rankings
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The Future's Void collection
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The Future's Void ratings

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av = trimmed mean average rating an item has currently received.
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Showing latest 5 ratings for this album. | Show all 57 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
70/100 ![]() | 03/20/2024 02:47 | ![]() | ![]() | 80/100 |
80/100 ![]() | 08/28/2023 03:12 | PapaShiz86 | ![]() | 79/100 |
80/100 ![]() | 08/11/2021 15:04 | ![]() | ![]() | 84/100 |
80/100 ![]() | 02/28/2021 04:18 | ![]() | ![]() | 80/100 |
85/100 ![]() | 07/08/2020 15:54 | Kuusineo | ![]() | 85/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 68.6/100, a mean average of 67.9/100, and a trimmed mean (excluding outliers) of 67.9/100. The standard deviation for this album is 17.0.
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The Future's Void comments
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The meat of the sandwich is very good and at times transcendant, as the middle songs really shine for all their different reasons, but an especially overwrought-but-disparate opening and a somewhat whimper of a closer fails to make this the indie-rock supernova it's clearly aiming to be. Still good-to-occasionally great but not quite the disquieting, very personal masterpiece that was her debut.
The first two songs are good, the rest is terrible.
A Beauty, but an icy beauty that feels like Im never truly going to know fully. Cold and meditative, in contrast to Past Life Martyred Saints which was so intensely, violently personal, it has it's own certain appeal but in the end it feels like it's a launching pad for an even bigger (shockingly that still seems possible even after this monolith of a record) idea in the future. Not as layed-bare or instantly engaging as it's predeccessor, though it's theme of humankind's emotional decay in the digital age feels like a more outward-looking continuation of the homespun, close-to-the-heart themes of Past-Life Martyred Saints. While it doesn't quite hit it out of the park (at least on first listen), it already begs for a repeat play, and the album's mid-section (on purely musical terms) is stunning. I think this one is just going to need more time and re-plays to really sink in.

This album is awesomely amazing.
I can't get over how good Smolder is, it's just this totally engulfin, huge song. 3Jane is also really powerful. Her vocal trills put through distortion are some of the most chilling sounds I think a human can make.
And although it doesn't sound like them, this album reminds me a lot of Nirvana, just because of the spirit behind it. It's kind of lackadaisical, but pissed off and rebellious.
In the vein of the Yeah Yeah Yeahs. Like most successful sophomore outputs, much bigger, cleaner, and ambitious than its predecessor. EMA looks to have become even more comfortable in her sound, the atmosphere she is looking to create. Variety of intriguing distortion.
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