Ultraviolence (studio album) by Lana Del Rey

Album Rating: 85.00
(935/11)

1.Cruel World. 85
2.Ultraviolence. 89
3.Shades Of Cool. 77
4.Brooklyn Baby. 84
5.West Coast. 90
6.Sad Girl. 86
7.Pretty When You Cry. 87
8.Money Power Glory. 84
9.Fucked My Way Up To The Top. 86
10.Old Money. 91
11.The Other Woman. 76

I bought this album when it first came out in 2014 but it wasn't until 7 years later in the summer of 2021, that I listened to it again and realised just how incredible an album it is. It's her strongest album in my opinion.

Light 6

This is probably the strongest 80 there is, considering the album took a little downhill on the 2nd half. Really good tho.

Never thought Lana could be so emotional this way. "Cruel World", "Shades of Cool" and "West Coast" are really powerful tracks. Best album of her for sure.

Solid album, though it fades towards the end. She still has that Billie Holiday sound in a lot of her songs.

Best tracks: Shades of Cool, Brooklyn Baby, Cruel World

From Boltzmann 12/30/2019 19:52

I get a bit sad listening to her music, because - well, in the first place because of her music of course, but also because I notice I will never feel the full extent of her music, because her music is mostly made for and from the perspective of women. I'll never experience putting up her music in my teens and just vibe hard to it. And at the same time I'm glad something like this can exist in our time: music that is women's own.

From Boltzmann 12/30/2019 12:42

The hip hop production is lost or unrecognizable, but she doesn't need it. What's left is very good and one-of-a-kind baroque pop.

From rogue 06/14/2019 18:07

This is still one of my favorite records to listen to in the summertime. Slow, sexy, beautiful.

Lana's strongest record. Although Born to Die and Lust For Life are solid albums, her distinct 'noir-Americana' persona that others have mentioned gets muddled by the heavyhanded poppy electronic rhythm sections on those two. This one (despite the heavy use of reverb) sounds far more organic than the others.

Here, I think we get the pure melancholic extract of her sound. It's an album with an old soul, but also veers on the edge of being straight-up dream pop. While the tracklisting loses a bit of steam in the second half, it pulls itself together at the end with a strong finish. The end result is a strong album that almost sounds timeless.

Perhaps it is simply my addiction to this sound, but I love this record. Something about the way her voice effortlessly shifts timbres from line-to-line and shimmers alongside those guitars...Like the chorus to 'Shades of Cool'...Damn. Perhaps it is not the most -adventurous-, but man do I find this album irresistible.

Highlights: Shades of Cool, Brooklyn Baby, Black Beauty, Cruel World

Least Favorite: Money Power Glory