My Overall Chart: 901-1000
by
Romanelli 
- Chart updated: 06/05/2026 16:15
- (Created: 04/20/2013 23:32).
- Chart size: 100 albums.
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[First added to this chart: 06/05/2026]
Year of Release:
1971
Appears in:
Rank Score:
1,125
Rank in 1971:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
2005 – UNIVERSAL SOUTH
Produced By MIKE MCCLURE
1. Fightin’ For
2. After All
3. Dimebag
4. Breakdown
5. Sister
6. When It All Goes Down
7. Final Curtain
8. Late Last Night
9. Blues For You
10. SS #10
11. Lighthouse Keeper
12. This Time Around
13. Who Do You Love
14. Bad Habit
This was one fine band. And no, they are nowhere near being from Canada. The name actually comes from the four original band members (Grady Cross, Cody Canada, Randy Ragsdale and original bassist Matt Weidermann). This band hails from Oklahoma, and they had a nice 15 year run as one of alt-country and southern rock’s better bands. Garage is the fifth of their seven albums, and it’s pretty much their best work. It’s also their most rocking album, featuring some terrific guitar work and songs that fall well outside of the usual fare for country music. It’s heavy yet tuneful, lyrical and lovely, and never snoozy. Cross Canadian Ragweed made some fine records during the first decade of the 2000’s before they split up in 2010, and none finer than 2005’s Garage, which was named because of their desire to capture the sound of a garage band.
It worked. This is a rock and roll record. It’s as rock as anything by Drive-By Truckers or Lynyrd Skynyrd. Count that as a victory. “Fightin’ For”, “Late Last Night”, and “This Time Around” are highlights…but the real keeper here is “Dimebag”, a tribute to Pantera guitarist Dimebag Darrell, who had been killed onstage a few months before. The album also features a Bo Diddley cover, and maybe the heaviest and coolest alt country track ever in “Lighthouse Keeper”, which features a Skynyrd like guitar finish. It’s absolutely glorious. CCR (now, where have I heard those letters together before?) had a wonderful career, and any of their albums are worth checking out. But Garage is the one you really want to have. Unsung alt-country heroes. At their ultimate rocking very best. You’ll be very happy with this one. [First added to this chart: 03/24/2026]
Produced By MIKE MCCLURE
1. Fightin’ For
2. After All
3. Dimebag
4. Breakdown
5. Sister
6. When It All Goes Down
7. Final Curtain
8. Late Last Night
9. Blues For You
10. SS #10
11. Lighthouse Keeper
12. This Time Around
13. Who Do You Love
14. Bad Habit
This was one fine band. And no, they are nowhere near being from Canada. The name actually comes from the four original band members (Grady Cross, Cody Canada, Randy Ragsdale and original bassist Matt Weidermann). This band hails from Oklahoma, and they had a nice 15 year run as one of alt-country and southern rock’s better bands. Garage is the fifth of their seven albums, and it’s pretty much their best work. It’s also their most rocking album, featuring some terrific guitar work and songs that fall well outside of the usual fare for country music. It’s heavy yet tuneful, lyrical and lovely, and never snoozy. Cross Canadian Ragweed made some fine records during the first decade of the 2000’s before they split up in 2010, and none finer than 2005’s Garage, which was named because of their desire to capture the sound of a garage band.
It worked. This is a rock and roll record. It’s as rock as anything by Drive-By Truckers or Lynyrd Skynyrd. Count that as a victory. “Fightin’ For”, “Late Last Night”, and “This Time Around” are highlights…but the real keeper here is “Dimebag”, a tribute to Pantera guitarist Dimebag Darrell, who had been killed onstage a few months before. The album also features a Bo Diddley cover, and maybe the heaviest and coolest alt country track ever in “Lighthouse Keeper”, which features a Skynyrd like guitar finish. It’s absolutely glorious. CCR (now, where have I heard those letters together before?) had a wonderful career, and any of their albums are worth checking out. But Garage is the one you really want to have. Unsung alt-country heroes. At their ultimate rocking very best. You’ll be very happy with this one. [First added to this chart: 03/24/2026]
1972 – CURTOM
Produced By CURTIS MAYFIELD
1. Little Child Runnin’ Wild
2. Pusherman
3. Freddie’s Dead
4. Junkie Chase (Instrumental)
5. Give Me Your Love (Love Song)
6. Eddie You Should Know Better
7. No Thing On Me (Cocaine Song)
8. Think (Instrumental)
9. Superfly
As a producer and songwriter during his peak in the 1960’s and 70’s, Curtis Mayfield was matched only by the great Smokey Robinson…and Robinson was always reluctant to step into anything even mildly controversial. Mayfield, who began his career with The Impressions, was never afraid to air it all out, singing about racial issues, drugs, and violence. Superfly, the soundtrack to the 1972 blaxploitation film about a drug dealer, came on the heels of Marvin Gaye’s What’s Going On album, and the two stand as the ultimate in concept soul albums about issues of the day. Because of the subject matter of the film he was writing for, Mayfield’s album is more immediate and in your face. It is also the pinnacle of Mayfield’s career. Superfly has nothing second rate on it anywhere, and is simply a genius work through and through…not only one of the greatest soul and funk albums of the 70’s, but also one of the best of all time.
While everything here is strong, there are two tracks that really stand out here. The title track (and closer) is a sly, funk driven track with punctuating horns that is immediate and perfect. The other track is “Freddie’s Dead”, a song about a character in the movie who is run over by a car. It is a great song driven by a perfect guitar riff and a wonderfully executed string arrangement. These tracks made Mayfield’s career, and those who were sold by them got to experience the rest of the greatness of Superfly. Mayfield remained prolific through the 70’s before slowing down in the 80’s. In 1990, a bank of stage lights fell on him, leaving him paralyzed from the neck down, effectively ending his career. He died in 1999, leaving behind a most impressive body of work…none of it greater than Superfly. This album is pure greatness, and you really should own it. [First added to this chart: 03/02/2026]
Produced By CURTIS MAYFIELD
1. Little Child Runnin’ Wild
2. Pusherman
3. Freddie’s Dead
4. Junkie Chase (Instrumental)
5. Give Me Your Love (Love Song)
6. Eddie You Should Know Better
7. No Thing On Me (Cocaine Song)
8. Think (Instrumental)
9. Superfly
As a producer and songwriter during his peak in the 1960’s and 70’s, Curtis Mayfield was matched only by the great Smokey Robinson…and Robinson was always reluctant to step into anything even mildly controversial. Mayfield, who began his career with The Impressions, was never afraid to air it all out, singing about racial issues, drugs, and violence. Superfly, the soundtrack to the 1972 blaxploitation film about a drug dealer, came on the heels of Marvin Gaye’s What’s Going On album, and the two stand as the ultimate in concept soul albums about issues of the day. Because of the subject matter of the film he was writing for, Mayfield’s album is more immediate and in your face. It is also the pinnacle of Mayfield’s career. Superfly has nothing second rate on it anywhere, and is simply a genius work through and through…not only one of the greatest soul and funk albums of the 70’s, but also one of the best of all time.
While everything here is strong, there are two tracks that really stand out here. The title track (and closer) is a sly, funk driven track with punctuating horns that is immediate and perfect. The other track is “Freddie’s Dead”, a song about a character in the movie who is run over by a car. It is a great song driven by a perfect guitar riff and a wonderfully executed string arrangement. These tracks made Mayfield’s career, and those who were sold by them got to experience the rest of the greatness of Superfly. Mayfield remained prolific through the 70’s before slowing down in the 80’s. In 1990, a bank of stage lights fell on him, leaving him paralyzed from the neck down, effectively ending his career. He died in 1999, leaving behind a most impressive body of work…none of it greater than Superfly. This album is pure greatness, and you really should own it. [First added to this chart: 03/02/2026]
Year of Release:
1972
Appears in:
Rank Score:
3,127
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1993 – WARNER WESTERN
Produced By RICHARD BENNETT
1. Dreams Of Wounded Knee
2. Praises
3. Two Hawks
4. Reservation Road
5. Tumbleweed
6. Faith Of A Child
7. Many Trails
8. Trail Of Freedom
9. Inter-Tribal Pow Wow Song
10. Kokopelli’s Journey
11. My People
An incredibly gifted Native American artist. The Red Road is the major label debut by Bill Miller, a Mohican born on a Wisconsin reservation. He had been gaining a strong reputation for a decade before getting a slot opening on a tour for Tori Amos, who screamed his praises loudly enough to gain him a big label deal. The Red Road is a showcase of everything that Miller can do…he rocks, he plays Americana from a point of view not usually heard. He tells stories, and he’s an expert Native flute player. He is also, very unapologetically, deeply connected to his Native roots, and wears his heritage on his sleeve. Sometimes with anger. The most accessible songs on The Red Road are the more conventional ones. “Tumbleweed” is simply great, a beautiful, shuffling acoustic Native American story that is riveting.
But there is a lot more on The Red Road worth hearing. “Reservation Road” and “My People” show why Amos was so enamored of him. People had a hard time grasping the rest, and it doesn’t always fit into the world of a pop album, but tracks like the instrumental “Dreams Of Wounded Knee”, the Native chanting on “Inter Tribal Pow Wow Song”, and the spoken word story “Many Trails” show how versatile and unconventional Miller can really be. His best album remains the stunning, electric and angrier Raven In The Snow, but The Red Road is not far behind, and while not an album designed for massive sales, it is a refreshing break from what the world of alternative rock was in 1993, and a great way to introduce yourself to some real Americana…from the viewpoint of one who has seen the other side of the coin. [First added to this chart: 02/27/2026]
Produced By RICHARD BENNETT
1. Dreams Of Wounded Knee
2. Praises
3. Two Hawks
4. Reservation Road
5. Tumbleweed
6. Faith Of A Child
7. Many Trails
8. Trail Of Freedom
9. Inter-Tribal Pow Wow Song
10. Kokopelli’s Journey
11. My People
An incredibly gifted Native American artist. The Red Road is the major label debut by Bill Miller, a Mohican born on a Wisconsin reservation. He had been gaining a strong reputation for a decade before getting a slot opening on a tour for Tori Amos, who screamed his praises loudly enough to gain him a big label deal. The Red Road is a showcase of everything that Miller can do…he rocks, he plays Americana from a point of view not usually heard. He tells stories, and he’s an expert Native flute player. He is also, very unapologetically, deeply connected to his Native roots, and wears his heritage on his sleeve. Sometimes with anger. The most accessible songs on The Red Road are the more conventional ones. “Tumbleweed” is simply great, a beautiful, shuffling acoustic Native American story that is riveting.
But there is a lot more on The Red Road worth hearing. “Reservation Road” and “My People” show why Amos was so enamored of him. People had a hard time grasping the rest, and it doesn’t always fit into the world of a pop album, but tracks like the instrumental “Dreams Of Wounded Knee”, the Native chanting on “Inter Tribal Pow Wow Song”, and the spoken word story “Many Trails” show how versatile and unconventional Miller can really be. His best album remains the stunning, electric and angrier Raven In The Snow, but The Red Road is not far behind, and while not an album designed for massive sales, it is a refreshing break from what the world of alternative rock was in 1993, and a great way to introduce yourself to some real Americana…from the viewpoint of one who has seen the other side of the coin. [First added to this chart: 02/27/2026]
2001 – COLUMBIA
Produced By CAKE
1. Opera Singer
2. Meanwhile, Rick James…
3. Shadow Stabbing
4. Short Skirt / Long Jacket
5. Commissioning A Symphony In C
6. Arco Arena
7. Comfort Eagle
8. Long Line Of Cars
9. Love You Madly
10. Pretty Pink Ribbon
11. World Of Two
There are two things that once made Cake (or CAKE) a good and fun band. They rocked, and they had a sense of humor. Both of these things made Fashion Nugget a success. The lack of both of these things make Comfort Eagle more of a bore than anything. They do step up and make “Short Skirt / Long Jacket” a fine track, but beyond that, there’s not a whole lot to recommend this one. Singer John McCrea sounds bored, and seems to have forgotten his sense of melody much of the time. The charm of having a trumpet player in the band (Vince DiFiore) seems to have been lost as well, as his instrument is used more sparingly than ever.
More than anything else, though, the band sounds like they want this to be over already. Which works to your advantage, because maybe the best thing about Comfort Eagle is that it’s barely 35 minutes long. When inspired and on point, this is a fun band to listen to. When they are neither of those things, the result is a flat effort like Comfort Eagle. Even crafty song titles can’t save the tracks from being so so, and the singles “Arco Arena” and “Love You Madly” failed for good reason. If you like Cake, you should stick to the earlier stuff. Comfort Eagle has none of that magic, and it’s disappointing to hear a band that can have the energy that they have had in the past sound so flat and out of it. [First added to this chart: 03/31/2016]
Produced By CAKE
1. Opera Singer
2. Meanwhile, Rick James…
3. Shadow Stabbing
4. Short Skirt / Long Jacket
5. Commissioning A Symphony In C
6. Arco Arena
7. Comfort Eagle
8. Long Line Of Cars
9. Love You Madly
10. Pretty Pink Ribbon
11. World Of Two
There are two things that once made Cake (or CAKE) a good and fun band. They rocked, and they had a sense of humor. Both of these things made Fashion Nugget a success. The lack of both of these things make Comfort Eagle more of a bore than anything. They do step up and make “Short Skirt / Long Jacket” a fine track, but beyond that, there’s not a whole lot to recommend this one. Singer John McCrea sounds bored, and seems to have forgotten his sense of melody much of the time. The charm of having a trumpet player in the band (Vince DiFiore) seems to have been lost as well, as his instrument is used more sparingly than ever.
More than anything else, though, the band sounds like they want this to be over already. Which works to your advantage, because maybe the best thing about Comfort Eagle is that it’s barely 35 minutes long. When inspired and on point, this is a fun band to listen to. When they are neither of those things, the result is a flat effort like Comfort Eagle. Even crafty song titles can’t save the tracks from being so so, and the singles “Arco Arena” and “Love You Madly” failed for good reason. If you like Cake, you should stick to the earlier stuff. Comfort Eagle has none of that magic, and it’s disappointing to hear a band that can have the energy that they have had in the past sound so flat and out of it. [First added to this chart: 03/31/2016]
Year of Release:
2001
Appears in:
Rank Score:
467
Rank in 2001:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 12/29/2019]
[First added to this chart: 04/20/2013]
[First added to this chart: 05/14/2014]
Year of Release:
1973
Appears in:
Rank Score:
1,042
Rank in 1973:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1993 – MAVERICK
Produced By DAVID GAMSON, ANDRE BETTS, BOB POWER & ME’SHELL NDEGEOCELLO
1. Plantation Lullabies
2. I’m Diggin’ You (Like An Old Soul Record)
3. If That’s Your Boyfriend (He Wasn’t Last Night)
4. Shoot’n Up And Gett’n High
5. Dred Loc
6. Untitled
7. Step Into The Projects
8. Soul On Ice
9. Call Me
10. Outside Your Door
11. Picture Show
12. Sweet Love
13. Two Lonely Hearts (On The Subway)
Michelle Johnson changed her name to NdegeOcello, Swahili for free as a bird, and embarked on a life as a masterfully soulful and agonizingly misunderstood artist. A sultry singer and rapper, a gifted songwriter, and a monster bass player (she once tried out for Living Colour), she also has just enough of an eclectic personality that, with the exception of two early songs, has allowed her to survive for over two decades in the business without becoming a massive superstar. Plantation Lullabies is her debut album, and it showcases the many sides of NdegeOcello. She’s a bohemian, a somewhat militant feminist, politically savvy (none of which translates to huge popularity), and loaded with an amount of soul comparable to anyone on Motown in the 60’s. The results can be puzzling, but are mostly more than satisfying. When this album is at its best, it’s a huge breath of fresh air.
The hit here is “If That’s Your Boyfriend (He Wasn’t Last Night)”, and it’s a fine track (her other hit was, of all things, a duet with John Mellencamp on a cover of Van Morrison’s “Wild Night”). Other highlights include the perfectly titled “I’m Diggin’ You (Like An Old Soul Record)”, “Outside Your Door”, and “Call Me”. It has uneven moments, but it’s evident why this album sparked a movement towards this kind of soul music, and why she’s still held in such high regard. NdegeOcello has released ten albums since Plantation Lullabies, none of which has hit it big, which seems to suit her just fine. When she’s on, she’s loaded with cool and soul, things that we could all use a little bit more of in our lives. This is her best work, not perfect by any means, but it’s a portrait of a young soul singer finding her voice, different and unique as it may be. [First added to this chart: 06/04/2020]
Produced By DAVID GAMSON, ANDRE BETTS, BOB POWER & ME’SHELL NDEGEOCELLO
1. Plantation Lullabies
2. I’m Diggin’ You (Like An Old Soul Record)
3. If That’s Your Boyfriend (He Wasn’t Last Night)
4. Shoot’n Up And Gett’n High
5. Dred Loc
6. Untitled
7. Step Into The Projects
8. Soul On Ice
9. Call Me
10. Outside Your Door
11. Picture Show
12. Sweet Love
13. Two Lonely Hearts (On The Subway)
Michelle Johnson changed her name to NdegeOcello, Swahili for free as a bird, and embarked on a life as a masterfully soulful and agonizingly misunderstood artist. A sultry singer and rapper, a gifted songwriter, and a monster bass player (she once tried out for Living Colour), she also has just enough of an eclectic personality that, with the exception of two early songs, has allowed her to survive for over two decades in the business without becoming a massive superstar. Plantation Lullabies is her debut album, and it showcases the many sides of NdegeOcello. She’s a bohemian, a somewhat militant feminist, politically savvy (none of which translates to huge popularity), and loaded with an amount of soul comparable to anyone on Motown in the 60’s. The results can be puzzling, but are mostly more than satisfying. When this album is at its best, it’s a huge breath of fresh air.
The hit here is “If That’s Your Boyfriend (He Wasn’t Last Night)”, and it’s a fine track (her other hit was, of all things, a duet with John Mellencamp on a cover of Van Morrison’s “Wild Night”). Other highlights include the perfectly titled “I’m Diggin’ You (Like An Old Soul Record)”, “Outside Your Door”, and “Call Me”. It has uneven moments, but it’s evident why this album sparked a movement towards this kind of soul music, and why she’s still held in such high regard. NdegeOcello has released ten albums since Plantation Lullabies, none of which has hit it big, which seems to suit her just fine. When she’s on, she’s loaded with cool and soul, things that we could all use a little bit more of in our lives. This is her best work, not perfect by any means, but it’s a portrait of a young soul singer finding her voice, different and unique as it may be. [First added to this chart: 06/04/2020]
[First added to this chart: 05/21/2017]
Total albums: 100. Page 1 of 10
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My Overall Chart: 901-1000 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 2 | 2% | |
| 1960s | 3 | 3% | |
| 1970s | 17 | 17% | |
| 1980s | 23 | 23% | |
| 1990s | 37 | 37% | |
| 2000s | 15 | 15% | |
| 2010s | 3 | 3% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| John Prine | 3 | 3% | |
| Kanye West | 2 | 2% | |
| The B-52's | 2 | 2% | |
| Blind Melon | 2 | 2% | |
| Various Artists | 2 | 2% | |
| Amy Grant | 2 | 2% | |
| Cross Canadian Ragweed | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
|
69 | 69% | |
|
21 | 21% | |
|
3 | 3% | |
|
3 | 3% | |
|
1 | 1% | |
|
1 | 1% | |
|
1 | 1% | |
| Show all | |||
My Overall Chart: 901-1000 chart changes
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Other custom charts by Romanelli
| Title | Source | Type | Published | Country |
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| My Overall Chart: 101-200 | Custom chart | 2026 | ![]() | |
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My Overall Chart: 901-1000 ratings
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Showing all 5 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| 11/08/2020 02:04 | DJENNY | 4,336 | 100/100 | |
| 10/01/2016 19:25 | 456 | 90/100 | ||
| 04/01/2016 19:31 | 312 | 84/100 | ||
| 02/05/2014 17:01 | PauloPaz | 1,759 | 89/100 | |
| 06/02/2013 11:43 | 653 | 91/100 |
My Overall Chart: 901-1000 favourites
My Overall Chart: 901-1000 comments
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From
dihansse 04/01/2016 19:33 | #163102
Some of my favourite albums are here and also some that I think is garbage (come on: pump up the jam) but I suppose it's normal because it's your 900 to 1000 favorites. In any case congratulations for making the effort to construct such a fine top 1000
Helpful? (Log in to vote) | 0 votes (0 helpful | 0 unhelpful)
From
Romanelli 10/11/2013 20:13 | #88246
I hope that's not a problem for you...:)
Helpful? (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)
From
tgarritsen 10/11/2013 18:10 | #88235
You really like this site
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