My Overall Chart: 1701-1800
by 
Romanelli 
- Chart updated: 06/20/2026 14:45
- (Created: 02/11/2024 17:32).
- Chart size: 100 albums.
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1972 – COLUMBIA
Produced By PAUL SIMON, ART GARFUNKEL & ROY HALEE
1. Mrs. Robinson
2. For Emily, Whenever I May Find Her (Live)
3. The Boxer
4. The 59th Street Bridge Song (Feelin’ Groovy) (Live)
5. The Sound Of Silence
6. I Am A Rock
7. Scarborough Fair / Canticle
8. Homeward Bound (Live)
9. Bridge Over Troubled Water
10. America
11. Kathy’s Song (Live)
12. El Condor Pasa (If I Could)
13. Bookends
14. Cecilia
Paul Simon and Art Garfunkel had been a duo since back in 1957 when they were known as Tom And Jerry. They broke up in 1970, and with the exception of a bunch of one off’s, they never really got back together. Too much history, and all good things must, you know. In 1972, Columbia released Greatest Hits, an album that has remained in print and which has had good sales ever since. The songs span from their debut album in 1964 to their finale in 1970, with four live tracks (they had not released a live album at the time), and the rest from their studio albums. At the time, the live tracks added value to the album, but they have all since been released on live albums. It’s a pleasant compilation, offering nothing other than what you would expect…the greatest hits.
For those new to the duo, this is a perfect introduction, although there probably aren’t many who haven’t heard them by now. It has the immediacy of the hits, but it lacks the charm that their albums had with the non radio tracks that were often just as good. It might have been better, actually without the live tracks, which they faded the applause into the following studio tracks for a strange effect. Like most greatest hits albums, you pretty much know what’s coming next, which makes it great for roadtrips, but not the best serious listen. Still…”America”, “Scarborough Fair”, “Mrs. Robinson” and “The Boxer” all under one roof is pretty fantastic. You won’t need this if you’re a big fan, because you’ll already have everything else. But it’s still pretty great. [First added to this chart: 02/11/2024]
Produced By PAUL SIMON, ART GARFUNKEL & ROY HALEE
1. Mrs. Robinson
2. For Emily, Whenever I May Find Her (Live)
3. The Boxer
4. The 59th Street Bridge Song (Feelin’ Groovy) (Live)
5. The Sound Of Silence
6. I Am A Rock
7. Scarborough Fair / Canticle
8. Homeward Bound (Live)
9. Bridge Over Troubled Water
10. America
11. Kathy’s Song (Live)
12. El Condor Pasa (If I Could)
13. Bookends
14. Cecilia
Paul Simon and Art Garfunkel had been a duo since back in 1957 when they were known as Tom And Jerry. They broke up in 1970, and with the exception of a bunch of one off’s, they never really got back together. Too much history, and all good things must, you know. In 1972, Columbia released Greatest Hits, an album that has remained in print and which has had good sales ever since. The songs span from their debut album in 1964 to their finale in 1970, with four live tracks (they had not released a live album at the time), and the rest from their studio albums. At the time, the live tracks added value to the album, but they have all since been released on live albums. It’s a pleasant compilation, offering nothing other than what you would expect…the greatest hits.
For those new to the duo, this is a perfect introduction, although there probably aren’t many who haven’t heard them by now. It has the immediacy of the hits, but it lacks the charm that their albums had with the non radio tracks that were often just as good. It might have been better, actually without the live tracks, which they faded the applause into the following studio tracks for a strange effect. Like most greatest hits albums, you pretty much know what’s coming next, which makes it great for roadtrips, but not the best serious listen. Still…”America”, “Scarborough Fair”, “Mrs. Robinson” and “The Boxer” all under one roof is pretty fantastic. You won’t need this if you’re a big fan, because you’ll already have everything else. But it’s still pretty great. [First added to this chart: 02/11/2024]
1977 - CHISWICK
Produced By SPEEDY KEEN
1. Motorhead
2. Vibrator
3. Lost Johnny
4. Iron Horse / Born To Lose
5. White Line Fever
6. Keep Us On The Road
7. The Watcher
8. Train Kept A-Rollin’
9. City Kids
10. Beer Drinkers And Hell Raisers
11. On Parole
12. Instro
13. I’m Your Witch Doctor
Motorhead is viewed as a massively important part of the history of metal. It’s impossible to deny that. But don’t forget that Motorhead was also a big piece of punk as well. Released three months before the debut album by Sex Pistols, Motorhead combines metal, punk and rock and roll into one heavy, loud and pissed off disc. Lemmy Kilmister was fired from Hawkwind and then formed and fronted this band, which he did until his death in 2015. This album was a hot mess of burning guitar riffs, fast driving songs, and insane sounding vocals. It wasn’t a hit, and it was pretty much a failure as far as sales went, but it still lives to this day as a melting pot of everything that was great about heavy rock in the late seventies. Like the rest of Motorhead’s career, you won’t find an ounce of compromise here.
Motorhead was recorded in just three days on a minimal budget by a band that was out of their minds on speed. The sound is often muddy and almost painfully thick. But there’s also an intensity that they were able to capture that makes this record special. The title track is a punk masterpiece. Everything else almost smells like a dark club filled with stale beer. The poor production actually makes it a better album. Lemmy shows his writing and vocal abilities, and Motorhead was off and running. The bonus tracks are leftovers from the sessions that were released in 1980 as an EP, including a nifty cover of ZZ Top’s “Beer Drinkers And Hell Raisers. This is a fun and important document of not just metal and punk, but also of how much fun rock and roll really can be. [First added to this chart: 03/07/2026]
Produced By SPEEDY KEEN
1. Motorhead
2. Vibrator
3. Lost Johnny
4. Iron Horse / Born To Lose
5. White Line Fever
6. Keep Us On The Road
7. The Watcher
8. Train Kept A-Rollin’
9. City Kids
10. Beer Drinkers And Hell Raisers
11. On Parole
12. Instro
13. I’m Your Witch Doctor
Motorhead is viewed as a massively important part of the history of metal. It’s impossible to deny that. But don’t forget that Motorhead was also a big piece of punk as well. Released three months before the debut album by Sex Pistols, Motorhead combines metal, punk and rock and roll into one heavy, loud and pissed off disc. Lemmy Kilmister was fired from Hawkwind and then formed and fronted this band, which he did until his death in 2015. This album was a hot mess of burning guitar riffs, fast driving songs, and insane sounding vocals. It wasn’t a hit, and it was pretty much a failure as far as sales went, but it still lives to this day as a melting pot of everything that was great about heavy rock in the late seventies. Like the rest of Motorhead’s career, you won’t find an ounce of compromise here.
Motorhead was recorded in just three days on a minimal budget by a band that was out of their minds on speed. The sound is often muddy and almost painfully thick. But there’s also an intensity that they were able to capture that makes this record special. The title track is a punk masterpiece. Everything else almost smells like a dark club filled with stale beer. The poor production actually makes it a better album. Lemmy shows his writing and vocal abilities, and Motorhead was off and running. The bonus tracks are leftovers from the sessions that were released in 1980 as an EP, including a nifty cover of ZZ Top’s “Beer Drinkers And Hell Raisers. This is a fun and important document of not just metal and punk, but also of how much fun rock and roll really can be. [First added to this chart: 03/07/2026]
Year of Release:
1977
Appears in:
Rank Score:
240
Rank in 1977:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
2003 – LOST HIGHWAY
Produced By JAMES STROUD
1. I Didn’t Come Here (And I Ain’t Leavin’)
2. Night Life
3. Blue Eyes Crying In The Rain
4. Homeward Bound
5. Beer For My Horses
6. Crazy
7. To All The Girls I’ve Loved Before
8. The Wurlitzer Prize
9. She Loves My Automobile
10. Angel Flying To Close To The Ground
11. A Song For You
12. I Couldn’t Believe It Was True
13. Last Thing I Needed First Thing This Morning
14. Run That By Me One More Time
15. One Time Too Many
Hey, look. It’s yet another duets album. Seems like these are everywhere these days. Well, in 2003, Willie Nelson threw an all-star concert a few weeks in advance of his 70th birthday. Still a young pup, Willie got a bunch of super famous folks to come and sing with him at the Beacon Theatre in New York. It was filmed, and aired on television the following month. It’s since been available on DVD (with 25 tracks) which is going to be the best way to experience this. The CD version of Live And Kickin’ cuts it down to just under an hour, with fifteen tracks. As with pretty much every other multi guest duets album, there are some great matchups, and a few head scratchers. Shania Twain sounds bland, Elvis Costello, even with his wife Diana Krall, sounds out of place…happens a lot with these kinds of albums.
On the plus side, Willie is in pretty fine form. Duets with him can be difficult, because his voice is so distinct, but here, he sings quite beautifully. He often sings out of rhythm when singing harmony, but it also seems as if he never misses a note. He’s certainly no Art Garfunkel, but he still manages to make harmonizing with Paul Simon on “Homeward Bound” work. The best moment here (and it’s better on video) is “A Song For You”, with Leon Russell and a tired sounding Ray Charles. Of course, it’s Willie, and ultimately, he has the ability to make it all work out. The fact that it’s all live makes it better, as there’s no wondering if the duet partners were ever in the same room or not, and even though the songs all run together to sound like it’s all one long single take (it was not), there’s enough magic here to make it worthwhile. But get the video on this one. [First added to this chart: 03/10/2026]
Produced By JAMES STROUD
1. I Didn’t Come Here (And I Ain’t Leavin’)
2. Night Life
3. Blue Eyes Crying In The Rain
4. Homeward Bound
5. Beer For My Horses
6. Crazy
7. To All The Girls I’ve Loved Before
8. The Wurlitzer Prize
9. She Loves My Automobile
10. Angel Flying To Close To The Ground
11. A Song For You
12. I Couldn’t Believe It Was True
13. Last Thing I Needed First Thing This Morning
14. Run That By Me One More Time
15. One Time Too Many
Hey, look. It’s yet another duets album. Seems like these are everywhere these days. Well, in 2003, Willie Nelson threw an all-star concert a few weeks in advance of his 70th birthday. Still a young pup, Willie got a bunch of super famous folks to come and sing with him at the Beacon Theatre in New York. It was filmed, and aired on television the following month. It’s since been available on DVD (with 25 tracks) which is going to be the best way to experience this. The CD version of Live And Kickin’ cuts it down to just under an hour, with fifteen tracks. As with pretty much every other multi guest duets album, there are some great matchups, and a few head scratchers. Shania Twain sounds bland, Elvis Costello, even with his wife Diana Krall, sounds out of place…happens a lot with these kinds of albums.
On the plus side, Willie is in pretty fine form. Duets with him can be difficult, because his voice is so distinct, but here, he sings quite beautifully. He often sings out of rhythm when singing harmony, but it also seems as if he never misses a note. He’s certainly no Art Garfunkel, but he still manages to make harmonizing with Paul Simon on “Homeward Bound” work. The best moment here (and it’s better on video) is “A Song For You”, with Leon Russell and a tired sounding Ray Charles. Of course, it’s Willie, and ultimately, he has the ability to make it all work out. The fact that it’s all live makes it better, as there’s no wondering if the duet partners were ever in the same room or not, and even though the songs all run together to sound like it’s all one long single take (it was not), there’s enough magic here to make it worthwhile. But get the video on this one. [First added to this chart: 03/10/2026]
Year of Release:
2003
Appears in:
Rank Score:
3
Rank in 2003:
Rank in 2000s:
Average Rating:
Comments:
1988 – DECCA
Produced By MICHAEL HAAS
1. Fennimores Lied
2. Casars Tod
3. Die Moritat Von Mackie Messer
4. Salomon-Song
5. Die Ballade Von Der Sexuellen Horigkeit
6. Zu Potsdam Unter Den Eichen
7. Nannas Lied
8. Lied Des Lotteriagenten
9. Alabama-Song
10. Denn Wie Man Sich Bettet
11. Je Ne T’Aime Pas
12. I’m A Stranger Here Myself
13. Westwind
14. Speak Low
Ute Lemper is an award winning German actress who has appeared in several films and plays…but she is also a very prolific singer who has recorded more than twenty albums since her debut in 1986. Kurt Weill was a composer who lived from 1900-1950 in both Germany and the United States. Lemper recorded four albums of Weill’s music in the eighties and nineties, including this one. Perhaps the best known song from this set is “Die Moritat Von Mackie Messer”, later known in English as “Mack The Knife”, which Weill wrote in 1928 for the play The Threepenny Opera. Lemper’s take on this music is highly listenable. She’s a very dramatic and powerful voice, and she sings this older music like she’s standing at center stage in front of a packed house. Lemper absolutely has the voice to sing this music with the flair it deserves.
The music here is played by the RIAS Berlin Kammerensemble, tastefully and admirably so. The stars here are not the orchestra, but Weill and especially Lemper. Because he died young, and because he’s been somewhat forgotten (at least outside of Germany), there aren’t a lot of recordings from his lifetime, so having Lemper to help keep his legacy alive is a godsend. These performances by Lemper are brilliant, and deserve to be heard. (“Alabama-Song” puts The Doors version into a whole new light.) And if you enjoy this music…well, there’s a pretty large and impressive catalog of Lemper’s music to explore: albums of tributes to other artists, as well as her own material. Her Kurt Weill albums are all great, though. A heartfelt and entertaining tribute to a songwriting genius from the past. [First added to this chart: 03/14/2026]
Produced By MICHAEL HAAS
1. Fennimores Lied
2. Casars Tod
3. Die Moritat Von Mackie Messer
4. Salomon-Song
5. Die Ballade Von Der Sexuellen Horigkeit
6. Zu Potsdam Unter Den Eichen
7. Nannas Lied
8. Lied Des Lotteriagenten
9. Alabama-Song
10. Denn Wie Man Sich Bettet
11. Je Ne T’Aime Pas
12. I’m A Stranger Here Myself
13. Westwind
14. Speak Low
Ute Lemper is an award winning German actress who has appeared in several films and plays…but she is also a very prolific singer who has recorded more than twenty albums since her debut in 1986. Kurt Weill was a composer who lived from 1900-1950 in both Germany and the United States. Lemper recorded four albums of Weill’s music in the eighties and nineties, including this one. Perhaps the best known song from this set is “Die Moritat Von Mackie Messer”, later known in English as “Mack The Knife”, which Weill wrote in 1928 for the play The Threepenny Opera. Lemper’s take on this music is highly listenable. She’s a very dramatic and powerful voice, and she sings this older music like she’s standing at center stage in front of a packed house. Lemper absolutely has the voice to sing this music with the flair it deserves.
The music here is played by the RIAS Berlin Kammerensemble, tastefully and admirably so. The stars here are not the orchestra, but Weill and especially Lemper. Because he died young, and because he’s been somewhat forgotten (at least outside of Germany), there aren’t a lot of recordings from his lifetime, so having Lemper to help keep his legacy alive is a godsend. These performances by Lemper are brilliant, and deserve to be heard. (“Alabama-Song” puts The Doors version into a whole new light.) And if you enjoy this music…well, there’s a pretty large and impressive catalog of Lemper’s music to explore: albums of tributes to other artists, as well as her own material. Her Kurt Weill albums are all great, though. A heartfelt and entertaining tribute to a songwriting genius from the past. [First added to this chart: 03/14/2026]
1970 – EPIC
Produced By SLY STONE
1. I Want To Take You Higher
2. Everybody Is A Star
3. Stand!
4. Life
5. Fun
6. You Can Make It If You Try
7. Dance To The Music
8. Everyday People
9. Hot Fun In The Summertime
10. M’Lady
11. Sing A Simple Song
12. Thank You (Falletinme Be Mice Elf Agin)
The run of success for Sly & The Family Stone was remarkable…and terribly short. How remarkable? This greatest hits album came out in 1970, and consists of songs from only three albums, all released between 1968 and 69. It contains three new songs from 1969…after which the band had one really great album (There’s A Riot Goin’ On from 1971). After that? They made five more albums that almost no one noticed, had no major hits, and were gone and almost forgotten by 1982. A sad story indeed, marked by personnel issues and drug use. But this compilation that covers the 3 year period between 1968 and 1970 shows just how incredible this band was. Even though it was for such a short period of time. This music does not lie…it is all amazing.
This is one of the most solid greatest hits albums ever released. These songs are among the best of the end of the sixties, and you will know almost all of them. “I Want To Take You Higher”, “Everyday People”, “Stand!”, “Dance To The Music”…Sly Stone and his band were such an amazing musical force. Bi-racial at a time when that was not normal, sharp writing, great performances, hooks to the end of the world. It’s too bad that Sly and company couldn’t keep things together (at one point, Sly Stone was homeless in Los Angeles). But MAN. 1969-71 for this band was one amazing small stretch of genius. And the best of it is all right here on a single disc. It’s always been an amazing collection, and one that you must have. Sly & The Stone were, for a moment, truly great. [First added to this chart: 03/24/2026]
Produced By SLY STONE
1. I Want To Take You Higher
2. Everybody Is A Star
3. Stand!
4. Life
5. Fun
6. You Can Make It If You Try
7. Dance To The Music
8. Everyday People
9. Hot Fun In The Summertime
10. M’Lady
11. Sing A Simple Song
12. Thank You (Falletinme Be Mice Elf Agin)
The run of success for Sly & The Family Stone was remarkable…and terribly short. How remarkable? This greatest hits album came out in 1970, and consists of songs from only three albums, all released between 1968 and 69. It contains three new songs from 1969…after which the band had one really great album (There’s A Riot Goin’ On from 1971). After that? They made five more albums that almost no one noticed, had no major hits, and were gone and almost forgotten by 1982. A sad story indeed, marked by personnel issues and drug use. But this compilation that covers the 3 year period between 1968 and 1970 shows just how incredible this band was. Even though it was for such a short period of time. This music does not lie…it is all amazing.
This is one of the most solid greatest hits albums ever released. These songs are among the best of the end of the sixties, and you will know almost all of them. “I Want To Take You Higher”, “Everyday People”, “Stand!”, “Dance To The Music”…Sly Stone and his band were such an amazing musical force. Bi-racial at a time when that was not normal, sharp writing, great performances, hooks to the end of the world. It’s too bad that Sly and company couldn’t keep things together (at one point, Sly Stone was homeless in Los Angeles). But MAN. 1969-71 for this band was one amazing small stretch of genius. And the best of it is all right here on a single disc. It’s always been an amazing collection, and one that you must have. Sly & The Stone were, for a moment, truly great. [First added to this chart: 03/24/2026]
1992-HOLLYWOOD
VARIOUS PRODUCERS
1. We Will Rock You
2. We Are The Champions
3. Another One Bites The Dust
4. Killer Queen
5. Somebody To Love
6. Fat Bottomed Girls
7. Bicycle Race
8. You’re My Best Friend
9. Crazy Little Thing Called Love
10. Now I’m Here
11. Play The Game
12. Seven Seas Of Rhye
13. Body Language
14. Save Me
15. Don’t Stop Me Now
16. Good Old Fashioned Lover Boy
17. I Want To Break Free
In the world of compilation albums, this may be the biggest mess of them all. Originally released in 1981, Queen’s Greatest Hits was a pretty accurate picture of the band’s history in hit singles from the beginning through 1980 and Flash Gordon. But over the years, a change in labels and a misguided attempt to appease every market turned the album into a wreck. For starters, there is no chronological flow at all, making things hard to follow. Songs were added, taken off, and even a “companion edition” called Classic Queen was released to help make up for the confusion. It didn’t work. So what’s wrong here? The only thing you really have to take notice of is that the bands most successful song, “Bohemian Rhapsody”, is nowhere to be found. Red flag? You bet.
What saves this is the fact that all of the songs that ARE here are excellent. Even without “Rhapsody” or “Tie Your Mother Down” or their first hit, “Keep Yourself Alive”, the list is strong, and the listen is entertaining, if not confusing. This is the version that was released in 1992 by Hollywood Records. If you wanted to, you could search out the eight different versions of this and find the one that suits you best. Of course, if you have all of the band’s early albums, you won’t need to do that. Which is probably best, being that in addition to the eight versions of this, there are 14 other Queen compilations out there. Be very afraid. [First added to this chart: 09/27/2024]
VARIOUS PRODUCERS
1. We Will Rock You
2. We Are The Champions
3. Another One Bites The Dust
4. Killer Queen
5. Somebody To Love
6. Fat Bottomed Girls
7. Bicycle Race
8. You’re My Best Friend
9. Crazy Little Thing Called Love
10. Now I’m Here
11. Play The Game
12. Seven Seas Of Rhye
13. Body Language
14. Save Me
15. Don’t Stop Me Now
16. Good Old Fashioned Lover Boy
17. I Want To Break Free
In the world of compilation albums, this may be the biggest mess of them all. Originally released in 1981, Queen’s Greatest Hits was a pretty accurate picture of the band’s history in hit singles from the beginning through 1980 and Flash Gordon. But over the years, a change in labels and a misguided attempt to appease every market turned the album into a wreck. For starters, there is no chronological flow at all, making things hard to follow. Songs were added, taken off, and even a “companion edition” called Classic Queen was released to help make up for the confusion. It didn’t work. So what’s wrong here? The only thing you really have to take notice of is that the bands most successful song, “Bohemian Rhapsody”, is nowhere to be found. Red flag? You bet.
What saves this is the fact that all of the songs that ARE here are excellent. Even without “Rhapsody” or “Tie Your Mother Down” or their first hit, “Keep Yourself Alive”, the list is strong, and the listen is entertaining, if not confusing. This is the version that was released in 1992 by Hollywood Records. If you wanted to, you could search out the eight different versions of this and find the one that suits you best. Of course, if you have all of the band’s early albums, you won’t need to do that. Which is probably best, being that in addition to the eight versions of this, there are 14 other Queen compilations out there. Be very afraid. [First added to this chart: 09/27/2024]
2002 – HEAVENLY
Produced By DOVES, STEVE OSBORNE & MAX HEYES
1. Intro
2. Words
3. There Goes The Fear
4. M62 Song
5. Where We’re Calling From
6. N.Y.
7. Satellites
8. Friday’s Dust
9. Pounding
10. Last Broadcast
11. The Sulphur Man
12. Caught By The River
The trio that is Doves (Jimi Goodwin and twin brothers Jez and Andy Williams) hit their peak with their second album in 2002. The Last Broadcast is a successful follow up to their debut, Lost Souls. It’s a surprisingly consistent set of recordings, especially given that almost every song was recorded at a different location. A top selling album in their native UK (as all of their releases have been), it was their highest charting album in America (where they have been considerably less successful), reaching only #83. “There Goes The Fear” is their highest charting single, despite the fact that the band pulled it from shelves after just one day. Simply because they wanted to. They pulled the other two singles for the same reason as well. Not the coolest move, but their choice.
“There Goes The Fear” is the clear highlight here. “Caught By The River” is a fine closer, and “Pounding” is good as well. “M62 Song” was recorded under a motorway that circles Manchester, and is credited to members of King Crimson as it is based on their 1969 song “Moonchild”. Much of the album was done in a country setting, with the band having said the songs came quickly and easily. This was followed up by another #1 seller, 2005’s Some Cities. Their lack of American success has not been a problem for them, as their 2025 album, Constellations For The Lonely, made it five straight UK top five entries. Further proof that the two audiences don’t always agree…and proof that in many cases, Americans simply miss out on really good bands and albums. [First added to this chart: 04/14/2026]
Produced By DOVES, STEVE OSBORNE & MAX HEYES
1. Intro
2. Words
3. There Goes The Fear
4. M62 Song
5. Where We’re Calling From
6. N.Y.
7. Satellites
8. Friday’s Dust
9. Pounding
10. Last Broadcast
11. The Sulphur Man
12. Caught By The River
The trio that is Doves (Jimi Goodwin and twin brothers Jez and Andy Williams) hit their peak with their second album in 2002. The Last Broadcast is a successful follow up to their debut, Lost Souls. It’s a surprisingly consistent set of recordings, especially given that almost every song was recorded at a different location. A top selling album in their native UK (as all of their releases have been), it was their highest charting album in America (where they have been considerably less successful), reaching only #83. “There Goes The Fear” is their highest charting single, despite the fact that the band pulled it from shelves after just one day. Simply because they wanted to. They pulled the other two singles for the same reason as well. Not the coolest move, but their choice.
“There Goes The Fear” is the clear highlight here. “Caught By The River” is a fine closer, and “Pounding” is good as well. “M62 Song” was recorded under a motorway that circles Manchester, and is credited to members of King Crimson as it is based on their 1969 song “Moonchild”. Much of the album was done in a country setting, with the band having said the songs came quickly and easily. This was followed up by another #1 seller, 2005’s Some Cities. Their lack of American success has not been a problem for them, as their 2025 album, Constellations For The Lonely, made it five straight UK top five entries. Further proof that the two audiences don’t always agree…and proof that in many cases, Americans simply miss out on really good bands and albums. [First added to this chart: 04/14/2026]
Year of Release:
2002
Appears in:
Rank Score:
1,248
Rank in 2002:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
1972 – ODEON
Produced By MILTON MIRANDA
1. Tudo Que Voce Podia Ser
2. Cais
3. O Trem Azul
4. Saidas E Bandeiras No. 1
5. Nuvem Cigana
6. Cravo E Canela
7. Dos Cruces
8. Um Girassol Da Cor Do Seu Cabelo
9. San Vicente
10. Estrelas
11. Clube Da Esquina No. 2
12. Paisagem Da Janela
13. Me Deixa Em Paz
14. Os Povos
15. Saidas E Bandeiras No. 2
16. Um Gosto De Sol
17. Pelo Amor De Deus
18. Lilia
19. Trem De Doido
20. Nada Sera Como Antes
21. Ao Que Vai Nascer
Clube Da Esquina is one of the greatest and most important Brazilian albums ever recorded. It’s also the name of the musical collective that played on it. Milton Nascimento and Lo Borges are the two lead vocalists, and the album is credited to them, while being named after the collective. It’s a double album, and it covers pretty much every style of music that was important in 1972. Brazilian critics were not kind to the album, finding fault with both Nascimento and Borges, but the people understood, and have made it a must have record. This was the already seasoned Nascimento’s fifth album, but for Borges, it’s his debut recording. He was just 19 when it was recorded, although his involvement with Clube Da Esquina began when he was just eleven years old.
In the world of Brazilian pop music, this is a huge document. The collective makes engaging and entertaining music, and the vocals of Nascimento and Borges are the perfect compliment. The acoustic guitar work in particular is of special note. Only two of the songs are not original works” “Dos Cruces” is a Spanish bolero from the 1950’s, and “Me Deixa Em Paz” is by the important Brazilian songwriter Monsueto. This music is all of huge importance in Brazil, and both singers were catapulted into stardom from it. This two record set is worth taking the time to sit down and discover it, for sure. You’ll find something you like here…rock and roll, classical, traditional songs, influences from The Beatles and 50’s vocal groups. This is a classic and great album well worth diving into. [First added to this chart: 04/14/2026]
Produced By MILTON MIRANDA
1. Tudo Que Voce Podia Ser
2. Cais
3. O Trem Azul
4. Saidas E Bandeiras No. 1
5. Nuvem Cigana
6. Cravo E Canela
7. Dos Cruces
8. Um Girassol Da Cor Do Seu Cabelo
9. San Vicente
10. Estrelas
11. Clube Da Esquina No. 2
12. Paisagem Da Janela
13. Me Deixa Em Paz
14. Os Povos
15. Saidas E Bandeiras No. 2
16. Um Gosto De Sol
17. Pelo Amor De Deus
18. Lilia
19. Trem De Doido
20. Nada Sera Como Antes
21. Ao Que Vai Nascer
Clube Da Esquina is one of the greatest and most important Brazilian albums ever recorded. It’s also the name of the musical collective that played on it. Milton Nascimento and Lo Borges are the two lead vocalists, and the album is credited to them, while being named after the collective. It’s a double album, and it covers pretty much every style of music that was important in 1972. Brazilian critics were not kind to the album, finding fault with both Nascimento and Borges, but the people understood, and have made it a must have record. This was the already seasoned Nascimento’s fifth album, but for Borges, it’s his debut recording. He was just 19 when it was recorded, although his involvement with Clube Da Esquina began when he was just eleven years old.
In the world of Brazilian pop music, this is a huge document. The collective makes engaging and entertaining music, and the vocals of Nascimento and Borges are the perfect compliment. The acoustic guitar work in particular is of special note. Only two of the songs are not original works” “Dos Cruces” is a Spanish bolero from the 1950’s, and “Me Deixa Em Paz” is by the important Brazilian songwriter Monsueto. This music is all of huge importance in Brazil, and both singers were catapulted into stardom from it. This two record set is worth taking the time to sit down and discover it, for sure. You’ll find something you like here…rock and roll, classical, traditional songs, influences from The Beatles and 50’s vocal groups. This is a classic and great album well worth diving into. [First added to this chart: 04/14/2026]
Year of Release:
1972
Appears in:
Rank Score:
3,990
Rank in 1972:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
2000-A&M
No Production Credits listed
1. Feelin' Alright
2. With A Little Help From My Friends
3. Delta Lady
4. She Came In Through The Bathroom Window
5. Cry Me A River (Live)
6. The Letter (Live)
7. High Time We Went
8. You Are So Beautiful
9. The Jealous Kind
10. Many Rivers To Cross
11. Up Where We Belong (with Jennifer Warnes)
I bought this because I needed the Cocker version of "With A Little Help From My Friends" for a band I was in...and it was the only Cocker album there that had it. The A&M 20th Century Masters series is fine for the casual fan, but there are no credits at all, no notes, skimpy packaging, and worst of all, it contains the last 4 songs. Cocker was a master cover artist in his day, taking on The Beatles, Traffic, The Box Tops, and others with a fiery originality. His later material is weak, and should be sought out only by serious fans.
Tracks 1-7 are all worth having. Tracks 8-10 are not. And track 11 is just an abomination, showing how far Cocker slipped. Look for a better Cocker compilation. He has more great music than there is on here, and you can get it without the lousy songs included at the end. [First added to this chart: 04/28/2024]
No Production Credits listed
1. Feelin' Alright
2. With A Little Help From My Friends
3. Delta Lady
4. She Came In Through The Bathroom Window
5. Cry Me A River (Live)
6. The Letter (Live)
7. High Time We Went
8. You Are So Beautiful
9. The Jealous Kind
10. Many Rivers To Cross
11. Up Where We Belong (with Jennifer Warnes)
I bought this because I needed the Cocker version of "With A Little Help From My Friends" for a band I was in...and it was the only Cocker album there that had it. The A&M 20th Century Masters series is fine for the casual fan, but there are no credits at all, no notes, skimpy packaging, and worst of all, it contains the last 4 songs. Cocker was a master cover artist in his day, taking on The Beatles, Traffic, The Box Tops, and others with a fiery originality. His later material is weak, and should be sought out only by serious fans.
Tracks 1-7 are all worth having. Tracks 8-10 are not. And track 11 is just an abomination, showing how far Cocker slipped. Look for a better Cocker compilation. He has more great music than there is on here, and you can get it without the lousy songs included at the end. [First added to this chart: 04/28/2024]
[First added to this chart: 04/29/2026]
Total albums: 100. Page 1 of 10
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My Overall Chart: 1701-1800 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 3 | 3% | |
| 1970s | 21 | 21% | |
| 1980s | 26 | 26% | |
| 1990s | 25 | 25% | |
| 2000s | 18 | 18% | |
| 2010s | 6 | 6% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
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| Various Artists | 5 | 5% | |
| Louis Armstrong | 2 | 2% | |
| Phil Ochs | 2 | 2% | |
| "Weird Al" Yankovic | 2 | 2% | |
| James Brown | 1 | 1% | |
| Eagles | 1 | 1% | |
| Simon & Garfunkel | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
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|||
| |
68 | 68% | |
 |
16 | 16% | |
 |
8 | 8% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 1701-1800 chart changes
| Biggest fallers |
|---|
| Down 1 from 31st to 32ndBefore These Crowded Streets by Dave Matthews Band |
| Down 1 from 32nd to 33rdAhead Of Their Time by The Mothers Of Invention |
| Down 1 from 33rd to 34thFrom The Witchwood by Strawbs |
| New entries |
|---|
| Life After Death by The Notorious B.I.G. |
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