Listed below are the best albums of the 2020s (so far) as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 1 hour ago).
"(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like t...""(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like these styles or if you want to damage your ears as efficiently as possible.)
This is the 3rd (or is it 4th?) official album by this Detroit hardcore punk/post hardcore band The Armed. In prep for this anticipated release of went back and listened to some of their earlier songs and albums. They were loud, wild, mathcorey, knotty bits of post hardcore and quite good. But, based only on the singles from Ultrapop, it felt like they had drastically changed their sound. This interesting and pretty cool evolution made me even more hyped about this album.
All in all Ultrapop lived up to my hype. The main surprise was that the 3 songs I had heard on repeat before hearing the whole thing - “All Futures”, “An Iteration”, and “Average Death” - are probably 3 of the 5 most divergent songs from their post hardcore sound. Most of the other tracks, while having a ridiculously loud mix and some elements added, were essentially “classic The Armed” - meaning a majority of the songs here are gnarly and nasty and discordant walls of hardcore insanity. The strangely pop-oriented, tuneful experimentation is much less present in the songs that were not released early on streaming services. This wasn’t blatant, like, false advertising and I’m not mad, just surprised.
As for the album as a whole, it’s very good, bordering on GREAT. The production is really ridiculous. By ridiculous I mean LOUD like REALLLLY LOUD. It’s almost Sleigh Bells-level of tinnitus-inducing. And actually it works really well for the music. The music being this maximalist melding of incredibly forthright and aggressive post hardcore with noise pop and subtle electronic and pop elements nestled underneath. The walls of unhinged sound that storm out of my headphones when I hear this record are brilliant and mostly invigorating.
The musicianship is pretty solid. It’s not the most mind-bogglingly complex and the chops aren’t on another plane, but they suffice. (Note: I’m not a musician and for all I fucking know a musician may hear this and think these guys are the second coming of the Mahavishnu Orchestra or something. Just my perception as a neophyte.) But, honestly, the fact that at times the band sounds, well, like a hardcore punk band rather than a Mathcore band, is what makes a lot of the unhinged moments work more. It sounds slightly off time at points, the band isn’t always in perfect lockstep, and it makes for a more classic punk experience in amongst all these distinctly alien-to-punk-and-Hardcore elements.
The critiques I have and the reason this album isn’t quite the AOTY candidate that I thought it may be based off first listen and those excellent pre-release singles, are vague and somewhat two-fold. And, again, both critiques are somewhat vague and incredibly personal no doubt.
For one I feel that the album somehow has a mild personality crisis. When it is going ape shit with the noisy, oppressively loud hardcore it is consistently awesome. When the band is doing a weird quasi-MBV kinda thing where there is clearly some gorgeous melodies underneath thick slabs of noise and muck, it sounds absolutely awesome. EDIT: hey this is me. That MBV comparison was sticking in me craw and I think that is because it’s a bit of a stretch and they aren’t too similar stylistically. But at points there is a certain element of hiding rich and sweet melodies under lots of noise that is somewhat similar). And yet I don’t personally feel these two styles are melded or meshed into a beautiful and brilliant complete cohesive whole. The sum of the parts is somehow less than the 2 individual stylistic achievements.
The other thing is that I feel this album doesn’t quite consistently blow me away. This is much less of a clear-cut, in my mind, problem. And honestly both issues may slowly dissolve into time as I revisit this beast. But for now I feel that the initial momentum of the album which is created by a brilliant and visceral run of tracks to start, is dampened quite a bit in the middle before the album ends with a pretty brilliant run of gems again. Again, with almost any album that I love the core sound of, this critique usually abates over time and many listens.
Overall, this is indeed a creative, blistering, intense and loud (loud in ways I haven’t heard in almost any other album this year) record that, for the most part, sticks the landing on integrating some electronic, noise pop, and other disparate sounds into the post-hardcore central sound/style. Really excellent album and recommended.
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"Sounding a little like classic ELO, especially on the second track, "It Ain't Over", the duo brings forth another album of sparkling garage rock/blues and an early favorite for the best album of 2022."Reply
"There is an auteur spirit to “The Gods We Can Touch”. Aurora frames the album with explorations of femininity and tributes to pagan deities. Her fae voice compliments the vision quite well giving a bit of magic to every line. The concept's limitation is its volume. The project never leaves a midd...""There is an auteur spirit to “The Gods We Can Touch”. Aurora frames the album with explorations of femininity and tributes to pagan deities. Her fae voice compliments the vision quite well giving a bit of magic to every line. The concept's limitation is its volume. The project never leaves a middle volume and that hinders. If it were quieter, it could develop a real sense of intimacy and if it was louder, it could be a ground proclamation. In the middle, it’s not as potent as it could be."[+]Reply
"Album Rating: 76.09 (837/11) Perfume Genius (Glory - USA - Mar 25) - Glory 28.03.2025 Another very good Perfume Genius album, albeit one that once again hits the mid-70s without ever endangering the decade chart. Rubber boots on an escalator. Album highlight 'Dion' tells the story of that broken ...""Album Rating: 76.09
(837/11)
Perfume Genius (Glory - USA - Mar 25) - Glory
28.03.2025
Another very good Perfume Genius album, albeit one that once again hits the mid-70s without ever endangering the decade chart. Rubber boots on an escalator.
Album highlight 'Dion' tells the story of that broken leg, of that broken neck and that broken conversation between Fergie and Bryan Richardson. Sky blue thinking under the hammer with Huckerby on Dube.
1.Perfume Genius (Glory - USA - Mar 25) - It's A Mirror 78
2.Perfume Genius (Glory - USA - Mar 25) - No Front Teeth (Feat. Aldous Harding) 76
3.Perfume Genius (Glory - USA - Mar 25) - Clean Heart 73
4.Perfume Genius (Glory - USA - Mar 25) - Me & Angel 75
5.Perfume Genius (Glory - USA - Mar 25) - Left For Tomorrow 75
6.Perfume Genius (Glory - USA - Mar 25) - Full On 72
7.Perfume Genius (Glory - USA - Mar 25) - Capezio 67
8.Perfume Genius (Glory - USA - Mar 25) - Dion 81
9.Perfume Genius (Glory - USA - Mar 25) - In A Row 79
10.Perfume Genius (Glory - USA - Mar 25) - Hanging Out 83
11.Perfume Genius (Glory - USA - Mar 25) - Glory 78
Ranked in order:
* Perfume Genius (Glory - USA - Mar 25) - Hanging Out 83
* Perfume Genius (Glory - USA - Mar 25) - Dion 81
* Perfume Genius (Glory - USA - Mar 25) - In A Row 79
* Perfume Genius (Glory - USA - Mar 25) - It's A Mirror 78
* Perfume Genius (Glory - USA - Mar 25) - Glory 78
* Perfume Genius (Glory - USA - Mar 25) - No Front Teeth (Feat. Aldous Harding) 76
* Perfume Genius (Glory - USA - Mar 25) - Me & Angel 75
* Perfume Genius (Glory - USA - Mar 25) - Left For Tomorrow 75
* Perfume Genius (Glory - USA - Mar 25) - Clean Heart 73
* Perfume Genius (Glory - USA - Mar 25) - Full On 72
* Perfume Genius (Glory - USA - Mar 25) - Capezio 67"[+]Reply
"Grande is one of those generally popular artists that I innately hated. Their huge popularity and commercial success smothered my own artistic appreciation. This is her latest and, for my taste at least, finest release. The musical ride is still gentle but greatly enjoyable. She just gets better ...""Grande is one of those generally popular artists that I innately hated. Their huge popularity and commercial success smothered my own artistic appreciation. This is her latest and, for my taste at least, finest release. The musical ride is still gentle but greatly enjoyable. She just gets better and better, with every album release."[+]Reply
"Teardrinker and Gobblers of Dregs are up there with my favorite Mastodon songs. A lot of other songs on this album I really enjoy listening to, in particular The Crux and More Than I Could Chew. I think this collection falls under that category of double albums that would have benefitted from bei...""Teardrinker and Gobblers of Dregs are up there with my favorite Mastodon songs. A lot of other songs on this album I really enjoy listening to, in particular The Crux and More Than I Could Chew. I think this collection falls under that category of double albums that would have benefitted from being pared down to a lean single album, but once all the music sinks in, it's a solid listen all the way through."[+]Reply
"Not quite as memorable as Raising Sand, but certainly a great album. Amazing musical chemistry and a few really great tracks. Burnett's production is once again impeccable."Reply