Listed below are the best albums of the 1960s as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 4 hours ago).
"Taken from my forum thread on albums and stuff this is a more complete and overlong review of this great album: This is one of those things which almost seems to good to be true. I mean, this album is stunning, mesmerizing, completely overwhelming for me personally. Yet, this is also an album whi...""Taken from my forum thread on albums and stuff this is a more complete and overlong review of this great album:
This is one of those things which almost seems to good to be true. I mean, this album is stunning, mesmerizing, completely overwhelming for me personally. Yet, this is also an album which has almost no associated info, the artist is a near-total mystery, the album is almost completely lost to the world. How can something this pristine be so overlooked?
I know there are thousands of stories like this, albums which are incredible, artists which are so talented and yet are oppressed or ignored for various reasons through history. But experiencving this album finally drove home how vulnerable and precious art and artistic expression is.
Musically, this album is a delicate 35 minute experience with in the main John Phillips, his guitar and some tamboruine and some other instrumentation to fill it up. The lyrics are densitive, stunning, at times funny and at times incredibly incisive. The guitar work is first rate. Phillips sounds like he was classically trained at times, the picking is sharp and beautiful. His singing is sweet, and intimate, kind of like a "breathy" whispery style most of the times, in the same vein as Jackson C Frank, Nick Drake, Stuart Murdoch and other music nerd faves. And the compositions and songs are all, and I mean all, fabulous and just absolutely beautiful.
Now I liked this a lot on first listen. But I kept coming back to it, over and over. Again, it seemed too good. Surely, this was good in comparison to its status, surely I was blowing up the quality of this album in my head due to how relatively unknown it was, it can't be really THAT good. That was what I was thinking I'd conclude on subsequent listens. Well, it never happened. I am listening again now, and it shimmers and fills my heart with life and my mind with big ideas even now - and perhaps more than ever - on my 20th or so listen.
The stand out tracks are the utterly beautiful opener "Ballad of a Tall Man" (Jackson C Frank-level gorgeous), the oh so seductive and subtly dark, Proto-Elliott Smith song "Peppermint Wind", the incisive and surprisingly virtuosic guitar instrumental "The Rock", the absolutely absurdly catchy, cutting and twee genius of "Paint Box Jester" (this one really reminds me of some lost Belle and Sebastian classic), the excellent closing track "Look At The Time Fly", the heartbreaking tale of a little girl who lost her hands in a bombing in the song "Permutation Child", the absolutely stunning floating reassuring pick-me-up "Whisper To The Wind" etc.
And I really mean it when i say "etc" cuz there is not a bad song here. The album starts with 6 tracks which absolutely slay and drop my jaw with how great it is. The middle portion goes more in the direction of magical, donovan-esque fantasy lyrics and is more of an enchanting experience. Its great during the middle portion, but not as stunning as the beginning. But then the album closes 5 straight perfect songs starting with Whisper To the Wind" through "Sylvia" (SYLVIA! How have I not yet mentioned Sylvia?! Its one of the most beautiful folk songs I've ever heard) and continues to the end with Permutation Child and Look At The Time Fly.
As a closing point on this, honestly if you love Nick Drake, Belle and Sebastian, Jackson C Frank, acoustic Elliott Smith, folk music, dreamy ballads of sheer heaven, or music in general (which is most of us here) I think you'll really love this. It also has a distinctly DIY, lo fi style, this is just amateur enough with its fun little triangle-exploits and home recording vibes to keep the fun coming. That last part didn't make much sense. And outside of the otherwise stunning "Mulberry Avenue" there is very little in the way of rough, scratchy, old-worn-out-record sounds on this album. "[+]Reply
"Nothing wrong with this. The bluesy R&B band with some good songs hits the mark decently. The usual mid-sixties brit thing that was repeated so many times. Lacks some of the power and twist of the Stones."Reply
"I just heard the most interesting track from the best of RR kirk titled " Variations on a theme from Hindemith"..really liked it, but the album is not on this website yet, so this was the only place that I could comment. Reminded me a little of "Blues on Bach" by the Modern Jazz Quartet, but of c...""I just heard the most interesting track from the best of RR kirk titled " Variations on a theme from Hindemith"..really liked it, but the album is not on this website yet, so this was the only place that I could comment. Reminded me a little of "Blues on Bach" by the Modern Jazz Quartet, but of course totally different jazz palate. By the way, "Blues on Bach" was a relatively consistent seller for Atlantic right up until 1994 when I left record retail."[+]Reply
"This is a slighty disappointing beach boys album. It's so short of material that it features a pathetic bit of studio banter between Brian Wilson and Mike Love, and a completely pointless drum solo from Dennis. But let's not get too down, this record also features the brilliant, fun,fun,fun, don'...""This is a slighty disappointing beach boys album. It's so short of material that it features a pathetic bit of studio banter between Brian Wilson and Mike Love, and a completely pointless drum solo from Dennis. But let's not get too down, this record also features the brilliant, fun,fun,fun, don't worry baby,keep an eye on summer and the absolutely gorgeous, warmth of the sun. So, about a third of this album is great, the rest, a combination of ok, awful, and pointless. So-so. "[+]Reply
"Pretty much one of the tests for whether you like modern jazz or not. Every received idea/cliche about that most rarefied beast is present here in abundance."Reply
"Great album, even if i cannot understand Hungarian at all!!! Perfect link between beat and classic rock; the most surprising is... Hungarian language perfectly fits with rock!"Reply
"Actually, for many persons i know, one of the masterpieces of rock; frankly i do not considerate it like this, and most of all, i even could considerate this as the best album from Colosseum, but not big difference with the others. Anyway, for proto hard rock and prog lovers, cannot be missed."Reply