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2971.

The Rip Tide 

 Beirut

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"@gussteivi I'm not sure what you've been listening to but 'boring' is the least appropriate word to describe all those artists."  Reply

- dfulfo01 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

136 charts

Rank Score:

518

Rank in 2011:

61

Rank in 2010s:

486

Overall Rank:

2,971

Average Rating:

 75 (184 votes)

Comments:

12

2972.

Signify 

 Porcupine Tree

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"This album needs and deserves commenting on! So here's what I've written about it on my chart: In my opinion, this is everything OK Computer is made out to be and more - a reflection on our primal human nature and its dislocation in a modern industrialized world. The album features beautiful soun...""This album needs and deserves commenting on! So here's what I've written about it on my chart: In my opinion, this is everything OK Computer is made out to be and more - a reflection on our primal human nature and its dislocation in a modern industrialized world. The album features beautiful soundscapes and a chilly atmosphere as it traverses genres and unravels a brilliant collection of songs from my very favourite band of all time. ...listen to it!"  [+]  Reply

- SquishypuffDave | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

100 charts

Rank Score:

518

Rank in 1996:

61

Rank in 1990s:

504

Overall Rank:

2,972

Average Rating:

 78 (188 votes)

Comments:

10

2973.

Free For All 

 Art Blakey & The Jazz Messengers

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"This album is mentioned as a prime example of "What Rudy Van Gelder Did 'Wrong'" in an article under that title at the Reverb com site, which is a gear trading site all musicians go to. I recommend doing a search for that title and checking out the article for a brief but excellent discussion of ...""This album is mentioned as a prime example of "What Rudy Van Gelder Did 'Wrong'" in an article under that title at the Reverb com site, which is a gear trading site all musicians go to. I recommend doing a search for that title and checking out the article for a brief but excellent discussion of RVG (the superstar recording engineer for Blue Note records as I'm sure you know if you're here) and his recording techniques that he tried to keep secret, including comments from those who hate this kind of recording. On this album, the article says "Blakey’s drums are like a series of explosions, nearly blowing out the microphones and thoroughly drowning out Cedar Walton’s piano and Reggie Workman’s bass." It also says, and I agree, that this album is "some of the most visceral and exciting jazz you’ll ever hear in your life.""  [+]  Reply

- | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1965

Appears in:

85 charts

Rank Score:

517

Rank in 1965:

23

Rank in 1960s:

262

Overall Rank:

2,973

Average Rating:

 77 (76 votes)

Comments:

1

2974.

Blackout 

 Britney Spears

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"Best album in its genre. The genre being the synthpop revival of the ‘00s, which was without doubt the most important genre of that decade. The Madonna generation had matured and started making their own music. There was tough competition: Kylie Minogue, Beyonce, Gwen Stefani, Madonna herself. Bu...""Best album in its genre. The genre being the synthpop revival of the ‘00s, which was without doubt the most important genre of that decade. The Madonna generation had matured and started making their own music. There was tough competition: Kylie Minogue, Beyonce, Gwen Stefani, Madonna herself. But Britney definitely took the crown with this one. If the genre was rock however (or anything related to it), people on this site would cum all over it even if the album was half as good. But since it is pop, we see these salty old heads, edgy declinists and indie purists with anger boners pop up who can’t possibly understand how something that is mainstream can also be good at the same time."  [+]  Reply

- Boltzmann | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2007

Appears in:

77 charts

Rank Score:

517

Rank in 2007:

53

Rank in 2000s:

500

Overall Rank:

2,974

Average Rating:

 61 (177 votes)

Comments:

18

2975.

Color Theory 

 Soccer Mommy

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"wow, this would've smashed the charts in the 90s and maybe early 2000s. lyrically sophie takes us to the strange mess of her mind, and it's not easy to swallow, to be honest. sometimes it hurts, how true it is and how one can relate. but somehow it's not a fully depressing album, because you hear...""wow, this would've smashed the charts in the 90s and maybe early 2000s. lyrically sophie takes us to the strange mess of her mind, and it's not easy to swallow, to be honest. sometimes it hurts, how true it is and how one can relate. but somehow it's not a fully depressing album, because you hear how making music is helping her comprehend all those things. favs: bloodstream, circle the drain, royal screw up (an amazing starting trio), crawling in my skin, lucy. i really, really love this one, probably my favourite of 2020 this far. "  [+]  Reply

- lestbutnotleast | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

174 charts

Rank Score:

517

Rank in 2020:

37

Rank in 2020s:

174

Overall Rank:

2,975

Average Rating:

 73 (182 votes)

Comments:

13

2976.

Wild Gift 

 X (US)

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"A criminally underrated album on these charts! I know that Los Angeles is a better album but I’ve always connected better with Wild Gift. Favorites: Adult Books, Once Over Twice, White Girl, We’re Desperate, Universal Corner"  Reply

- MaxStorm98 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

138 charts

Rank Score:

517

Rank in 1981:

52

Rank in 1980s:

443

Overall Rank:

2,976

Average Rating:

 75 (142 votes)

Comments:

11

2977.

One Life Stand 

 Hot Chip

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"I enjoyed listening to it but despite all compliments like consistency, bravery of shifting music style or mellow songs, the conclusive point is that there isn't any big deal about the album."  Reply

- alistamina | Helpful?  (Log in to vote) | +1 votes (2 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2010

Appears in:

135 charts

Rank Score:

517

Rank in 2010:

44

Rank in 2010s:

487

Overall Rank:

2,977

Average Rating:

 72 (168 votes)

Comments:

7

2978.

Labyrinthitis 

 Destroyer

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"Pretty sure this is the most I've enjoyed Destroyer. Loved the singles and the album has a great flow. Has like a similarity to early Brian Eno which includes Another Green World and like a hint of Talking Heads so like that Eno/Byrne album or something? I dunno it's super cool and exciting music...""Pretty sure this is the most I've enjoyed Destroyer. Loved the singles and the album has a great flow. Has like a similarity to early Brian Eno which includes Another Green World and like a hint of Talking Heads so like that Eno/Byrne album or something? I dunno it's super cool and exciting music so yeah.. :-P"  [+]  Reply

- ExTeaSea | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

117 charts

Rank Score:

517

Rank in 2022:

36

Rank in 2020s:

175

Overall Rank:

2,978

Average Rating:

 74 (117 votes)

Comments:

5

2979.

Evermore 

 Taylor Swift

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"Hot take, but this is the better album between this and Folklore. Dessner's production and writing grounds the album, lots of fantastic collaborators, and just more fulfilling. The final track, Evermore, is Swift at her all-time best."  Reply

- ledaero | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2020

Appears in:

128 charts

Rank Score:

516

Rank in 2020:

38

Rank in 2020s:

176

Overall Rank:

2,979

Average Rating:

 74 (189 votes)

Comments:

17

2980.

The Sinking Of The Titanic (1975) 

 Gavin Bryars

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"Royal Mail Ship Titanic was comprised of nine decks and three million rivets, fitted with a total of 29 boilers which fed two reciprocating steam engines and one low-pressure turbine that allowed the ship to reach speeds of up to 21 knots at a staggering length of just under 883 feet from bow to ...""Royal Mail Ship Titanic was comprised of nine decks and three million rivets, fitted with a total of 29 boilers which fed two reciprocating steam engines and one low-pressure turbine that allowed the ship to reach speeds of up to 21 knots at a staggering length of just under 883 feet from bow to stern. She required three years to complete and her hardware was (and in many ways still is) a miracle of science and sat comfortably at the pinnacle of technological advancement when it first launched from Southampton in April of 1912. Her luxury accommodations and various architectural adornments were equally unrivaled and positioned Titanic as a mobile, sparkling rendezvous which out-twinkled the finest hotels of the stationary variety. Her promenade deck was surely the most winsome, featuring a myriad of ornamental configurations whose inspirations date as far back as the Renaissance Era. It was a structural phenomenon and a major artery of artistic design allowing the blood of inspiration to flow and provide oxygen to dreams. In hindsight, it became the most appropriate locale for an ending of tragic, Shakespearian proportions. How do you successfully compartmentalize and synthesize her indominable aura and legacy into a 25-minute piece of art? Or, better yet, does one even try? Henry James Beauchamp, 28, 2nd Class Dorothy Sage, 14, 3rd Class Thomas Andrews, Naval Architect, 39, 1st Class When Gavin Bryars first enrolled at Sheffield University, his primary focus of study was philosophy, which no doubt engrained within him an acute perspective, optimal for when the eventual transition into music beckoned. He began his ever-evolving, sonic trek by dabbling in the world of jazz, employing the upright bass as his instrument of choice, first traditionally, then tinted with a sheen for the avant-garde. Like many visionaries, his taste for the conventional soon withered, as did his interest towards playing. It wasn't until a move abroad that his artistic sensibilities would come into full focus. He briefly studied under the minimalist icon, John Cage, and rapidly gained an esteem for the uncolored edges of sonic exploration. He returned to England soon after to pursue a teaching role at Portsmouth College of Fine Art. Here, he would pen his most significant and enduring work, a monument as much as it is a marvel, firmly in tune with the ship it honored. Jack Phillips, Marconi Wireless Operator, 25, Crew Augusta Charlotta Lindblom, 45, 3rd Class Henry Michael Mitchell, 71, 2nd Class Titanic was equipped with 16 watertight bulkheads, ones that fatally didn't rise above D deck. This caused the unimaginable amount of water rushing in, as a result of the 300-foot gash which parted her double hull, to spill over each of these watertight compartments in succession, dragging Titanic's bow underneath the waterline. The promenade deck, once grounds for regalia and soirees, would soon be a scene of hysteria and stampede for the better portion of two hours and forty minutes. Despite the myth, Titanic's marketing never brandished an "unsinkable" moniker, but her inexorable descent into the icy Atlantic remains a chilling exemplar of nature's dominion over the impudence of man. As dinner jackets, newly-molded china and suitcases in abundance homogenized with the sea, in congruence to the legend, Titanic's orchestra played until they were submerged in order to calm their terrified fellow men and women. 57 years onward, Gavin Bryars would use this symphonic motif as the basis for his masterpiece. Salli Helena Rosblom, 2, 3rd Class Henriette Yvois, 24, 2nd Class Toufik Nakhli, 17, 3rd Class Bryars originally planned for 'The Sinking of the Titanic' to be purely conceptual and free of the limitations that a tangible performance would provide. Nevertheless, Bryars eventually performed the piece in 1972 with its first revision surfacing in 1975. It's often viewed as an open work, consistently subject to re-toolings and re-imaginings, yet, the conceptual framework stays intact, akin to the still majestic, but ghostly shipwreck located 12,500 feet from the trough of the waves. Bryars was intrigued by the peculiar concept of how the orchestral sounds of Titanic's players would locomote when rendered subaqueous. Put simply, how would they sound if they were able to play until they met the ocean floor? As the music would theoretically distort, morph and provide a very divergent timbre, the reverberating sound waves would serve as one final sonic footnote, a siren song and elegy for the once mighty ship to be accompanied by during its final descent. Using the hymn 'Autumn' by Barthélemon as a skeleton, a piece present during the sinking by witness testimony (though more likely ‘Songe d’Autumne’ by Archibald Joyce), Bryars translated his initial theory into classical composition. The first rework was featured as the inaugural release in a decet of albums on the Brian Eno-founded label 'Obscure Records' in 1975. On it, Bryars plays a dual role of conductor and pianist, as he captains a weighty, solemn procession shepherded by strings which sound as if they have been in use since 1912 and keys befitting a piano in a dilapidated chateau which strike heavily and originate from a floor above and two rooms over. There's a pulsating hum which envelopes the piece in its entirety that aims to simulate the water's annulments which results in a shadowy, yet tranquil experience that furnishes an idea of a bleak, yet dignified acceptance of death. This assimilation into liquid continues for nearly a half hour, broken only briefly by the attestations from survivor Eva Hart, when finally, the damp resonance ceases from a place below and no longer in sight. It is, without hesitation, a triumph of aural intention and realization which offers consistent treasures upon re-visitation. Engelhart Cornelius Ostby, 64, 1st Class Eric Rice, 7, 3rd Class Emil Christmann, 29, 3rd Class The record's B-Side has received acclaim and has carved out a place of reverence in its own right. 'Jesus' Blood Never Failed Me Yet' is less an art project and more of a humanistic observation set to music. Anchored by an audio sample of a destitute reaffirming his allegiance to God, the song is fairly more traditional than the title track, save for the inclusion of minute escalations in the instrumentational flow. The set of players return from 'Sinking' and the musical coloring remains unaltered as they craft another circular, albeit less oxidizing auditory space. Swelling strings coalesce into a autonomous power source only halting for a brief moment as plucked guitar strings dance above them as if they were native to a nautical lullaby. Its relationship with the former track isn't directly analogous, yet it does occupy emblematic territory. It doesn't strain one's imagination to make the connection that it could resemble the last words of an inebriated passenger, life jacket-clad and clinging to debris, requesting absolution in the face of the impending hereafter. Bryars' composition expertly paints a portrait of a regretless sage singing to the starless night, kept warm in the glassy waters by faith alone, defiant in the face of 'Titanic's colossal vortex. Aloisia Haas, 24, 3rd Class Arthur Webster Newell, 58, 1st Class Captain Edward Smith, 62, Crew Who could have imagined, as the collective stood on Titanic's port side in anticipation of her maiden voyage, the kind of lightning rod the steamer would become for art, literature, music and film? It's easy to forget, while some had their personal effects taken to their room and others were being checked for lice, that the ship that would carry both subsets, man and woman, rich and poor, was made of iron. It was, at the time, an inanimate object with the sole purpose of passage. Now, it's a ghost, a shadow and a vivid memory in the minds of those who never walked her decks. It lies at 41°43′57′′ N 49°56′49′′ W. Today, with modern technology, we can view what remains of the vessel. You'd swear you could see it breathe, iron and all. Even if it wasn't 'Nearer My God to Thee', the truth endures, Titanic's musicians played to the end. We can only hope it sounded this beautiful. Standout Tracks: 1. The Sinking of the Titanic 2. Jesus' Blood Never Failed Me Yet 97.5"  [+]  Reply

- DriftingOrpheus | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

60 charts

Rank Score:

516

Rank in 1975:

49

Rank in 1970s:

519

Overall Rank:

2,980

Average Rating:

 76 (53 votes)

Comments:

2

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Total albums: 10,000. Page 298 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,424	14%
1980s	1,413	14%
1990s	1,600	16%
2000s	1,726	17%
2010s	1,962	20%
2020s	827	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,005	50%
	2,655	27%
	431	4%
	335	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%