Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
"This is my all time favourite album. The layers of guitar, the ingenuity of instrumental, the pain of the lyrics and the feeling of the voice are all perfect in my opinion. If you are not willing to give this album 3 or 4 listens, don't bother. You will not like it the first time, however, if you...""This is my all time favourite album. The layers of guitar, the ingenuity of instrumental, the pain of the lyrics and the feeling of the voice are all perfect in my opinion. If you are not willing to give this album 3 or 4 listens, don't bother. You will not like it the first time, however, if you have a few hours to spend, then go right ahead and you may find one of your favourite albums of all time. I believe that the nature of genius is not supreme intelligence, being able to a nice bit of maths in your head, or spout a load of polysyllabic words that sound impressive. I believe that the nature of genius is being able to create something that people just can't understand where it came from. A bit of artwork, music, literature or something where you find yourself thinking 'Where the hell did that come from?'. This album certainly falls into this category. "[+]Reply
"This album is fantastic. Yes, it may be very lo-fi, but the compositions and arrangements are superb. It's neo-progressive/experimental rock at its a absolute best. I can't say enough about this record."Reply
"Nightwish's best and most eclectic release. Sure, it's cheesy in a few places, but that's just par for the course for the genre. Song of Myself is one of the best songs in the symphonic metal genre (and easily a top-5 Nightwish track) if you exclude the lengthy poem coda (I still like that segmen...""Nightwish's best and most eclectic release. Sure, it's cheesy in a few places, but that's just par for the course for the genre. Song of Myself is one of the best songs in the symphonic metal genre (and easily a top-5 Nightwish track) if you exclude the lengthy poem coda (I still like that segment through). Slow, Love, Slow proves that Anette is a great singer. The lead single, Storytime, rivals Nightwish's best singles. The Crow, The Owl, and the Dove is a beautiful tune that was accompanied by a touching fan-made music video. Ghost River is the perfect balance between symphonic and power metal. What puts this album above the rest of the catalog is the sheer scope and number of above average songs - there are very few duds on this album."[+]Reply
"Air provides a psychedelic caress between the disassociative culture that gave us ambient music and the idealistic and naive world of post war America which gave us The Birth of Cool. Synthesizers pulsate in a vast but colorless world of texture like a throbbing Ansel Adams photo; then angelic vo...""Air provides a psychedelic caress between the disassociative culture that gave us ambient music and the idealistic and naive world of post war America which gave us The Birth of Cool. Synthesizers pulsate in a vast but colorless world of texture like a throbbing Ansel Adams photo; then angelic voices and soaring guitars drip from the sky like water color. All done with the subtlety and garishness of a flirtatious look that lasts a second too long. "[+]Reply
"the first time i heard this, i had absolutely no idea what to make of it. i imagine it's an acquired taste for most people, but even on first listen there was something in it that really caught my attention, and kristin hersh ended up becoming one of my all-time favorite musicians through her wor...""the first time i heard this, i had absolutely no idea what to make of it. i imagine it's an acquired taste for most people, but even on first listen there was something in it that really caught my attention, and kristin hersh ended up becoming one of my all-time favorite musicians through her work with Throwing Muses, then her solo records, and then her work with 50 Foot Wave."[+]Reply
"Earlier this week I was blessed with an absolutely crippling case of insomnia and, in my dazed, "can't fucking believe I'm awake at 6am" state, I figured I'd give that darned new Coldplay record a shot. "Ghost Stories" had actually landed pretty nicely on my ears just a few years prior and all, s...""Earlier this week I was blessed with an absolutely crippling case of insomnia and, in my dazed, "can't fucking believe I'm awake at 6am" state, I figured I'd give that darned new Coldplay record a shot. "Ghost Stories" had actually landed pretty nicely on my ears just a few years prior and all, so...why not give it a go? "Experimental" was a claim I was never going to buy: we all knew what this "double album" was going to be before launching in.
...Or did we?
Welp, turns out, we basically did. Everyday Life is not pushing pop-rock-anthem boundaries another band hasn't pushed (and pushed more successfully) before: U2 has been doing this shit since "All that You Can't Leave Behind." That said, after a decade of half-hearted attempts at more straightforward pop, it seems that Martin and co. have finally chosen to (belatedly) acknowledge that their strength lies in tender balladry and chorus-driven anthems. This plays to their advantage. Chris Martin, despite his desire to front a neo-disco outfit, has not lost his superhuman touch with the sentimental: "Orphans", "Old Friends", and "Champion of the World" all pluck heartstrings with greater force than any of the next-best Coldplay tracks of the 2010s (Charlie Brown, Always in My Head...Magic?). Frankly, I don't see much use in delving in to the more traditional highlights: what's to be gained from reminding you that Coldplay is really fucking good at being...Coldplay?
Except that's not really all that happened.
Oh no. Not at all.
No, this record is bizarre, and what's damn bizarre about this record is the borderline-abrasive genre hopping. Let's break down the "Coldplay-not-doing-Coldplay-shit" just for kicks:
Broken (I refuse to capitalize the E, sorry Chris): Straight vocal gospel. Like...played totally, 100% straight. This is, again, right out of the U2 playbook (everyone knows the best version of "I Still Haven't Found..." is the gospel-choir infused cut on Rattle and Hum), but still...that our British boys refrained from breaking into a reverb-addled gospel-hybrid-thing is commendable. Again, though, just...bizarre. Think about this. Then listen to it. It doesn't get any less weird.
Arabesque: It's been a few weeks, so we're used to it now...but...the Kuti family is playing on a Coldplay track. The Kuti family is playing on a Coldplay track and it's not a fucking gimmick. Gimmick-be-damned, "Arabesque" is a poorly-named heavy hitter of a song, the centerpiece of "Everyday Life", and blessed with thick-ass electric piano, horns galore, and Martin successfully writing the "we're all one" message Bono hasn't been able to string together in years. The only downside to this number is how it brings the degrees of separation between Kuti and the Chainsmokers down to one.
When I Need a Friend: I'm fucking losing my mind. Is this fucking real? Chris Martin singing with a church choir (like, traditional church choir) over found-sounds? Do I even need to talk about this? It's fucking great. Fuck. Fuck.
Èkó: Joni-esque guitar. Flower-child folk-music. They just keep hitting us with this shit, huh? It's well executed, too! I've lost the ability to speak critically about what's going on here; all I know is that the sounds aren't weird, it's just weird to hear them coming from Coldplay. It might be even weirder that it's actually good.
Cry Cry Cry: Chris Martin and the Coldtones. How long has Martin been into doo-wop and why is it just now manifesting in his musical direction? It's hard to imagine this track translating to a Coldplay show (not that they'll be playing any on an international level, I suppose), but it almost feels like I'm being toyed with at this point. "Bet you didn't know I like Dion, assholes"- Chris Martin, 2019
بني آدم: Why is this baroque piano piece on the record? Because Chris Martin is already richer than god, that's why.
What a bold, anti-commercial move from a band I had written off as selling-out harder than Tekashi69 in court. I'm not sure that this genre-hopping approach served the record's flow particularly well, but it might've been the only way the Coldplay family could challenge the ever-growing perception of the band as a brand rather than...well, a band.
How did "Cry Cry Cry" end up being good. Fuck."[+]Reply
"James Brown's absolute highpoint is hard to pinpoint, as he released such a gigantic amount of records in his golden age, and for that same reason the records themselves were often filled with uninteresting fillers plus unimaginative reruns. To finish off the TV analogy they invented the album eq...""James Brown's absolute highpoint is hard to pinpoint, as he released such a gigantic amount of records in his golden age, and for that same reason the records themselves were often filled with uninteresting fillers plus unimaginative reruns. To finish off the TV analogy they invented the album equivalent of a laugh track. Good on ya, corporate PR guys, glad it didn't catch on.
But if we allow ourselves to ignore that for a second, we hear an album with the absolutely most essential funk standards. I truly believe that this album is what most funk and disco heroes were imagining when they started their band."[+]Reply