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4061.

Saturation 

 Urge Overkill

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"Rolling Stones bassist Bill Wyman said of Saturation in 1993, "Urge Overkill, a band made up of some very smart boys acting dumb, had a ambivalent year, cursed, you might say, by the granting of all their wishes. The band had a good record company enthused about promoting a good record, and good ...""Rolling Stones bassist Bill Wyman said of Saturation in 1993, "Urge Overkill, a band made up of some very smart boys acting dumb, had a[n] ambivalent year, cursed, you might say, by the granting of all their wishes. The band had a good record company enthused about promoting a good record, and good wishes and support from all quarters: both alterative and mainstream radio, the press, MTV, Nirvana, you name it. Yet for some reason, while the group's very smart record sold respectably, it never really clicked with buyers. Nor did its even smarter videos turn on the MTV kids. On balance, the band was either too smart about being dumb or too dumb about being smart." I think Wyman was on to something, and he seems to have offered a compelling explanation for why an album as consistently good as Saturation has widely been regarded as little more than a footnote in the annals of nineties rock. I think it's a grunge album that's both poppier and catchier than a lot of the other nineties grunge bands and more sophisticated than a lot of the bands that music fans perceived as edgier. "Sister Havana" and "Positive Bleeding" are two of the best straight-ahead rock songs of the decade. "  [+]  Reply

- buzzdainer | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

60 charts

Rank Score:

359

Rank in 1993:

68

Rank in 1990s:

661

Overall Rank:

4,061

Average Rating:

 73 (82 votes)

Comments:

1

4062.

All We Love We Leave Behind 

 Converge

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"Hopefully this will go down as a classic, this is Converge's best work since Jane Doe."  Reply

- TheHolyKiwi | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

87 charts

Rank Score:

359

Rank in 2012:

74

Rank in 2010s:

711

Overall Rank:

4,062

Average Rating:

 78 (103 votes)

Comments:

3

4063.

Revolution Radio 

 Green Day

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"Feeling meh about this album. This felt quite repetitive for me to listen and sometimes I feel like I've heard something like this before. All I just feel is just meh. I'm sure if you're a major fan you would like it, but someone else I don't know..."  Reply

- F1Aaron | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

102 charts

Rank Score:

359

Rank in 2016:

58

Rank in 2010s:

712

Overall Rank:

4,063

Average Rating:

 63 (195 votes)

Comments:

14

4064.

Jolene 

 Dolly Parton

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"Fantastic country album. Don't know why this is so low rated. All good songs and 'Jolene' and 'I will always love you'. The latter so much better than the Whitney Houston version. A must have!"  Reply

- MarkusN | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

96 charts

Rank Score:

359

Rank in 1974:

67

Rank in 1970s:

680

Overall Rank:

4,064

Average Rating:

 77 (100 votes)

Comments:

4

4065.

Does This Look Infected? 

 Sum 41

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"This is the first album that I truely fell in love with as a 13 y/o teenager."  Reply

- givensisa | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

55 charts

Rank Score:

359

Rank in 2002:

70

Rank in 2000s:

684

Overall Rank:

4,065

Average Rating:

 68 (90 votes)

Comments:

4

4066.

Wildlife 

 La Dispute

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"Interesting but not very musically. I really enjoy the storytelling, but the voice can get tedious and the stories dull towards the end of the album. It just becomes not as interesting as you go on, but in general its a fun listen."  Reply

- seb7 | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

59 charts

Rank Score:

359

Rank in 2011:

90

Rank in 2010s:

713

Overall Rank:

4,066

Average Rating:

 76 (75 votes)

Comments:

3

4067.

Volta 

 Björk

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"Not as good as any of Bjork's previous albums, but "Earth Intruders" is a pretty great song."  Reply

- alexfields | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2007

Appears in:

145 charts

Rank Score:

358

Rank in 2007:

74

Rank in 2000s:

685

Overall Rank:

4,067

Average Rating:

 70 (262 votes)

Comments:

14

4068.

Under The Bushes Under The Stars 

 Guided By Voices

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"I bought this on cassette when it came out and was hooked. I listened to it several times in a row without stopping and haven't stopped listening to it for 20 years. In the span of albums from "Box" through "Under the Stars," Robert Pollard draws inspiration from the entire history of rock after ...""I bought this on cassette when it came out and was hooked. I listened to it several times in a row without stopping and haven't stopped listening to it for 20 years. In the span of albums from "Box" through "Under the Stars," Robert Pollard draws inspiration from the entire history of rock after about 1965, possibly paying tribute or even satirizing the sensibility of Bowie in the early 70s, Pink Floyd, the Beatles and Stones, Genesis and obscure prog, plus 70s art-pop like Wire and the Clean. Earlier GBV albums like "Bee Thousand," "Alien Lanes" and "Same Place the Fly Got Smashed" seem to have more satirical or humorous moments (e.g. "Blatant Doom Trip," "Hot Freaks" and "Chicken Blows") while "Under the Bushes" is more of a serious musical effort full of beauty, nostalgia and emotional power. There are still some funny references to psychedelia and Ziggy Stardust-era mod sensibilities, sometimes by Tobin Sprout ("It's Like Soul Man"). ... Pollard's practice of sequencing many short tracks, each one built on a strong musical concept, might have been inspired by the series of tracks that ends The Beatles' "Abbey Road" or the entirety of the White Album. And "Under the Bushes" draws particular inspiration from Genesis' "The Lamb Lies Down on Broadway." You can here it in moody, watery passages and lyrical content, lots of references to marine life as a metaphor for sexual discovery and the mystery of biological urges. (A psychedelic take on human reproduction is one of Pollard's main themes throughout his career, along with transportation, middle class American life and alcoholism.) So on the Genesis album, we have aquatic sexual symbols like "lamia" that are part of a story of adolescent sexual discovery, while on "Under the Bushes" we have "Underwater Explosions" and the surreal life forms of "Look at Them." ("Look at them, they're sensitive, and they inch out.") "Burning Flag Birthday Suit" is most evocative of early Genesis prog tracks with its changing, contemplative musical narrative and completely surreal lyrics that might be symbolic of nothing and refer only to psychedelic and prog-rock surrealism in general. In other words, it might only be a formal reference without any symbolic content. Of course the greatest strength of this album is in the melodies and song structures, inspired by years of listening to the Beatles, prog rock and psychedelic folk. I also think Pollard's expressive, Peter Gabriel style of singing is one of the reasons I keep coming back to the album. Some of the most memorable moments are in the pleading choruses of "Acorns and Orioles," "No Sky" and "Look at Them," the melancholia of "Bright Paper Werewolves" and the spinning chandeliers of "Big Boring Wedding." "  [+]  Reply

- larryrrr | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

52 charts

Rank Score:

358

Rank in 1996:

82

Rank in 1990s:

662

Overall Rank:

4,068

Average Rating:

 74 (68 votes)

Comments:

3

4069.

Friday Night In San Francisco 
Live

 Al Di Meola / John McLaughlin / Paco De Lucía

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"Recorded live at The Warfield Theatre, December 1980. Three Tenor of the Guitarists!"  Reply

- Error Finn | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

72 charts

Rank Score:

358

Rank in 1981:

69

Rank in 1980s:

596

Overall Rank:

4,069

Average Rating:

 78 (93 votes)

Comments:

3

4070.

Headquarters 

 The Monkees

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"The people who dismiss the Monkees without ever having listened to them, and who refer to them derisively as a "band" (never without quotation marks), can never really be convinced of their merits. I don't have ill feelings toward these people because they had the whole media telling a story abou...""The people who dismiss the Monkees without ever having listened to them, and who refer to them derisively as a "band" (never without quotation marks), can never really be convinced of their merits. I don't have ill feelings toward these people because they had the whole media telling a story about the Monkees that wasn't really true. I'm gonna skip over the music for a minute and talk about the relationship between the band and the label/company. Somebody commented on here that the Monkees represented the end of musical integrity and the triumph of the love of money. The thing is, if the Monkees are not important for their music, they are important for being a group, perhaps the first, that stood up AGAINST this paradigm. The Monkees came around in the mid-to-late 60s. What do you think was going on before this? I'll tell you-- companies were putting together groups of men or women who could sing, and then they were choosing songs written by professional songwriters under contract, and they were recording those songs in the studio with session musicians. That's just the way it was done (with a few exceptions). It was rare that any groups would play their own instruments either on record or on stage. That's how the corporations liked it--Total Control. If it sounds familiar, it's because that's how the Monkees started out. Yes, they were prefabricated. Nobody's going to deny that. But, they because an extremely important band because they broke the mold. Somehow, they and a couple of allies they had in the company, waged a war in order to control their own musical destiny. They shouldn't be denigrated for having started out just the same as so many other groups; they should be celebrated for showing the music world that artists are not puppets to be controlled by corporations. They have to have free will. As for the album Headquarters, they played every note, and it turns out they were talented guys. Does the album stand up with the greats? Well, no, but it is one of the better albums of the year. Moreover, it is better than just about any other talented band at the time that were playing their own instruments and writing their own songs. Much of this is due to the prodigious talents of Michael Nesmith, who's song "You Just May Be the One" is an extraordinary study in pop hooks, and is the best tune on the albums. His other songs, along with Micky's "Randy Scouse Git" are the album's other best songs. The album is weakest when it is borrowing corporate tunes, written for money, like those by Boyce and Hart, and Mann and Weil. Like most of the songs on the first two Monkees albums, these songs lack heart. Nesmith's were always the best because he was an artist recording his own tunes. So many of the songs that Don Kirshner selected were so flat because they were written for a paycheck. "  [+]  Reply

- OutOfSpace | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

116 charts

Rank Score:

358

Rank in 1967:

50

Rank in 1960s:

338

Overall Rank:

4,070

Average Rating:

 73 (136 votes)

Comments:

7

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Total albums: 10,000. Page 407 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	709	7%
1970s	1,424	14%
1980s	1,415	14%
1990s	1,601	16%
2000s	1,725	17%
2010s	1,964	20%
2020s	824	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,002	50%
	2,654	27%
	431	4%
	336	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%