Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 3 hours ago).
"One of the sensations of 2011, this LA-based band tick all the right boxes. Steeped in the psyche-garage tradition of the 60s, the band effortlessly merge a multitude of reference points from the past without their music ever sounding staid or derivative. Ditties reminiscent of Syd Barrett-era Pi...""One of the sensations of 2011, this LA-based band tick all the right boxes. Steeped in the psyche-garage tradition of the 60s, the band effortlessly merge a multitude of reference points from the past without their music ever sounding staid or derivative. Ditties reminiscent of Syd Barrett-era Pink Floyd combine with 70s new wave and the psychosis of Suicide underpinned with jazz, soul, psychobilly and punk accents that are never far from the surface. This album is a breath of fresh air. "[+]Reply
"Let's face it Hamilton Leithauser has got the sort of name that screams head of the IMF rather than kick-ass rock n roller but ...he manages to get away with it...just. Teaming up with Rostam from Vampire Weekend seems to have been a fortuitous experience with the songs being a more concise and c...""Let's face it Hamilton Leithauser has got the sort of name that screams head of the IMF rather than kick-ass rock n roller but ...he manages to get away with it...just.
Teaming up with Rostam from Vampire Weekend seems to have been a fortuitous experience with the songs being a more concise and coherent set than his time with The Walkmen as well as turning out one of the best albums of the year."[+]Reply
"Album Rating: 76.09 (837/11) Perfume Genius (Glory - USA - Mar 25) - Glory 28.03.2025 Another very good Perfume Genius album, albeit one that once again hits the mid-70s without ever endangering the decade chart. Rubber boots on an escalator. Album highlight 'Dion' tells the story of that broken ...""Album Rating: 76.09
(837/11)
Perfume Genius (Glory - USA - Mar 25) - Glory
28.03.2025
Another very good Perfume Genius album, albeit one that once again hits the mid-70s without ever endangering the decade chart. Rubber boots on an escalator.
Album highlight 'Dion' tells the story of that broken leg, of that broken neck and that broken conversation between Fergie and Bryan Richardson. Sky blue thinking under the hammer with Huckerby on Dube.
1.Perfume Genius (Glory - USA - Mar 25) - It's A Mirror 78
2.Perfume Genius (Glory - USA - Mar 25) - No Front Teeth (Feat. Aldous Harding) 76
3.Perfume Genius (Glory - USA - Mar 25) - Clean Heart 73
4.Perfume Genius (Glory - USA - Mar 25) - Me & Angel 75
5.Perfume Genius (Glory - USA - Mar 25) - Left For Tomorrow 75
6.Perfume Genius (Glory - USA - Mar 25) - Full On 72
7.Perfume Genius (Glory - USA - Mar 25) - Capezio 67
8.Perfume Genius (Glory - USA - Mar 25) - Dion 81
9.Perfume Genius (Glory - USA - Mar 25) - In A Row 79
10.Perfume Genius (Glory - USA - Mar 25) - Hanging Out 83
11.Perfume Genius (Glory - USA - Mar 25) - Glory 78
Ranked in order:
* Perfume Genius (Glory - USA - Mar 25) - Hanging Out 83
* Perfume Genius (Glory - USA - Mar 25) - Dion 81
* Perfume Genius (Glory - USA - Mar 25) - In A Row 79
* Perfume Genius (Glory - USA - Mar 25) - It's A Mirror 78
* Perfume Genius (Glory - USA - Mar 25) - Glory 78
* Perfume Genius (Glory - USA - Mar 25) - No Front Teeth (Feat. Aldous Harding) 76
* Perfume Genius (Glory - USA - Mar 25) - Me & Angel 75
* Perfume Genius (Glory - USA - Mar 25) - Left For Tomorrow 75
* Perfume Genius (Glory - USA - Mar 25) - Clean Heart 73
* Perfume Genius (Glory - USA - Mar 25) - Full On 72
* Perfume Genius (Glory - USA - Mar 25) - Capezio 67"[+]Reply
"Yes it’s over very quickly, but my God, who could withstand much more adrenaline soaked sonic brutality! The best record ever crafted to whip young men into a bloodthirsty frenzy."Reply
"I really like this album. First studio album following 'Ace of Spades' was always a hard ask but I think they done a great job. Only a couple of songs on this are sub par but overall it still cracks at the full on pace you'd expect from Motorhead"Reply
""Nicely Out of Tune" was Lindisfarne's 1970 debut-album. Lindisfarne's music is catchy folk-inspired music; maybe it could be described as a British version of Lovin' Spoonful's good-time music. Lovin' Spoonful had John Sebastian and Lindisfarne had Alan Hull; both great singers and songwriters. ..."""Nicely Out of Tune" was Lindisfarne's 1970 debut-album. Lindisfarne's music is catchy folk-inspired music; maybe it could be described as a British version of Lovin' Spoonful's good-time music.
Lovin' Spoonful had John Sebastian and Lindisfarne had Alan Hull; both great singers and songwriters. Hull contributes 7 of the original album's 11 songs, and he is obviously the dominating personality in the band. Songs like "Lady Eleanor", "Winter Song", "Scarecrow Song" and "We Can Swing Together" are simply outstanding.
"Turn a Deaf Ear" written by Rab Noakes is another highlight; actually there are no weak tracks on the album. Rod Clements, another fine song-writer in the band, wrote two of the songs and especially "Road to Kingdom" is great and a Lindisfarne classic.
"Nicely out of Tune" and the follow-up, "Fog on the Tyne", are the two most consistent Lindisfarne albums, and both are highly recommendable. "[+]Reply
"One of my all-time favourite albums and I can't understand why others don't think it a classic as well. It's a fusion of pop, reggae, funk, soul, jazz and electronica and despite being 40 years old still sounds fresh and undated. Listen to those first beats/bars of 'Asylums In Jerusalem' and tell...""One of my all-time favourite albums and I can't understand why others don't think it a classic as well. It's a fusion of pop, reggae, funk, soul, jazz and electronica and despite being 40 years old still sounds fresh and undated. Listen to those first beats/bars of 'Asylums In Jerusalem' and tell me that doesn't sound cool AF. The lyrics are about philosophy ... and sex. "[+]Reply
"There was some mild controversy going into this release, I guess, but ultimately the only thing striking while listening to it was the general indifference of nearly everything here. There was some buzz about bringing Rostam into the mix, but all that seemed to aid the production was with hammeri...""There was some mild controversy going into this release, I guess, but ultimately the only thing striking while listening to it was the general indifference of nearly everything here. There was some buzz about bringing Rostam into the mix, but all that seemed to aid the production was with hammering the sound completely flat, as it all just sort of lazily mix-n'matches VHI-style AdultContemporary balladry with indie rock and electropop and even some light R&B with rarely any noticeable difference in sound or movement whatsoever. Every progression seems to flow horizonantly without ever really rising, scattering or peaking. Yes, I understand I'm well past the age where her songs and their lyrics could've felt more impactful and she seems like a perfectly nice person whose gotten some undeserved hate revolving around the usual modern questions of internet-bred-artist's authenticity, but this really just shows off the kind of modern bastardization/algorithm way of producing music that has really wallpaper'd so-called "genre-mixing" into lightweight, comforting, vanilla blandness. Nothing unlistenable here, and "Bags" is indeed a nice track, but Immunity is pretty much an in-one-ear, out-the-other release that leaves little impression either way. Not saying she doesn't have potential (especially if she can find a way to inject some semblance of spark or spotenaity into her songs), but so far the musical hype feels as questionable as the personal backlash. "[+]Reply