Vergangenheitsbewältigung (Crater Speak) (studio album) by Slauson Malone
Condition: New
Condition: New
Slauson Malone bestography
Vergangenheitsbewältigung (Crater Speak) is ranked 2nd best out of 4 albums by Slauson Malone on BestEverAlbums.com.
The best album by Slauson Malone is A Quiet Farwell, Twenty Sixteen To Twenty Eighteen which is ranked number 12020 in the list of all-time albums with a total rank score of 96.
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Listen to Vergangenheitsbewältigung (Crater Speak) on YouTube
Vergangenheitsbewältigung (Crater Speak) track list
The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).
Vergangenheitsbewältigung (Crater Speak) rankings
All 9 charts that this album appears in:
Year | Source | Chart | Rank | Rank Score |
---|---|---|---|---|
2025 | ![]() | Top 99 Music Albums of 2020 | 96/99 | 0 |
2025 | juanr1096 | Top 100 Music Albums of 2020 | 30/100 | 4 |
2025 | ![]() | 2020 Honorable Mentions | 17/54 | - |
2024 | ![]() | Greatest Short Releases | 19/20 | - |
2023 | ![]() | Top 99 Music Albums of 2020 | 78/99 | 1 |
2023 | sonicdiscourse | Top 100 Music Albums of 2020 | 58/100 | 2 |
2022 | LosWochos | Top 100 Music Albums of 2020 | 81/100 | 1 |
2021 | ![]() | Top Albums of 2020 (101-200) | 22/58 | - |
2021 | badger | Top 71 Music Albums of 2020 | 62/71 | 1 |
Total Charts: The total number of charts that this album has appeared in. | 9 | |||
Total Rank Score: The total rank score. | 9 |
You can include this album in your own chart from the My Charts page!
Vergangenheitsbewältigung (Crater Speak) collection
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Vergangenheitsbewältigung (Crater Speak) ratings

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Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
80/100 ![]() | 10/10/2023 17:26 | LosWochos | ![]() | 75/100 |
75/100 ![]() | 03/24/2023 05:28 | juanr1096 | ![]() | 78/100 |
80/100 ![]() | 05/08/2021 18:05 | ![]() | ![]() | 79/100 |
65/100 ![]() | 03/01/2021 04:27 | ![]() | ![]() | 72/100 |
60/100 ![]() | 12/26/2020 19:02 | dougcummings | ![]() | 72/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 71.7/100, a mean average of 71.0/100, and a trimmed mean (excluding outliers) of 71.0/100. The standard deviation for this album is 8.3.
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Vergangenheitsbewältigung (Crater Speak) comments
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The Germans are often ridiculed for their habit of constructing obscenely long compound words. As Mark Twain once quipped: “Some German words are so long that they have a perspective”. Theirs might not be the most elegant solution, yet I’ve always been envious of how their individual words can convey complex emotion where English has to scrabble for a concessive clause or conjunction. The closest my mother tongue can compare, is when it artificially constructs them from other languages. ‘Nostalgia’ – from the Greek words nostos (a homecoming) and algos (pain) – is a good example; originally coined by a 17th century Swiss doctor to describe traumatised homesick soldiers, it now evokes all the nuance we associate with memory, comfort, longing, regret.
The title of Jasper Marsalis’ second EP as Slauson Malone encompasses all this and more. The collision of two German words ‘die Vergangenheit’ (the past) and ‘die Bewältigung’ (coping with) first came into use as a post-WWII theoretical term to describe the nation’s reckoning with its immediate history, though it has since been used to describe similar cultural processes elsewhere.
Marsalis’ use here isn’t monumental, it’s personal. Having split from sound art collective Standing on the Corner (see above entry), last year he released his solo debut A Quiet Farwell, 2016–2018, a feverish half hour of experimental hip hop and ambient plunderphonics marked by a brooding air of apocalypse plain even in its opening line: “The world is coming to an end”.
On the artwork for Vergangen…, the fiery black sun from A Quiet…’s cover has been shrunk down to a tattoo on Marsalis’ forearm. Vergangen… isn’t interested in cataclysm, it examines how each of us are shaped by our own immediate pasts, our individual traumas. It’s a motif made literal by the samples and lyrics from A Quiet… reopened here like old wounds, by the nagging question that refuses to stay forgotten: “Are you scared?”. To someone in the eye of their own storm, the devastation might as well be world-ending.
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