Vergangenheitsbewältigung (Crater Speak) (studio album)
by Slauson Malone

Vergangenheitsbewältigung (Crater Speak) by Slauson Malone
Year: 2020
Release date: 2020-09-16
Overall rank: 59,888th   
Average Rating: 
72/100 (from 10 votes)
     
Accolades:
Award Top albums of 2020 (1,463rd)
Award Top albums of the 2020s (6,550th)
Award Best albums of all time (59,888th)

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Slauson Malone - A Quiet Farwell / Vergangenheitsbewaltigung Crater Speak Vinyl
Condition: New

$180.00


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Slauson Malone bestography

Vergangenheitsbewältigung (Crater Speak) is ranked 3rd best out of 4 albums by Slauson Malone on BestEverAlbums.com.

The best album by Slauson Malone is A Quiet Farwell, Twenty Sixteen To Twenty Eighteen which is ranked number 12093 in the list of all-time albums with a total rank score of 95.

Slauson Malone album bestography « Higher ranked (20,040th)
Excelsior
This album (59,888th)
Vergangenheitsbewältigung (Crater Speak)
Lower ranked (59,888th) »
Vergangenheitsbewältigung (Crater Speak)

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Vergangenheitsbewältigung (Crater Speak) track list

   The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).

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Vergangenheitsbewältigung (Crater Speak) rankings

Rankings summary
Overall rank: 59,888th | 2020s rank: 6,550th | 2020 rank: 1,463rd

Vergangenheitsbewältigung (Crater Speak) collection

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Vergangenheitsbewältigung (Crater Speak) ratings

Average Rating: 
72/100 (from 10 votes)
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80/100
 !
10/10/2023 17:26 LosWochos   46,61175/100
 
75/100
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03/24/2023 05:28 juanr1096   6,05178/100
 
80/100
 !
05/08/2021 18:05 CellarDoor   8,02979/100
 
65/100
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03/01/2021 04:27 baystateoftheart   2,78272/100
 
60/100
 !
12/26/2020 19:02 dougcummings   2,02772/100

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This album has a Bayesian average rating of 71.7/100, a mean average of 71.0/100, and a trimmed mean (excluding outliers) of 71.0/100. The standard deviation for this album is 8.3.

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Vergangenheitsbewältigung (Crater Speak) comments

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Rating:  
80/100
From 01/19/2021 21:13 | #264692
The Germans are often ridiculed for their habit of constructing obscenely long compound words. As Mark Twain once quipped: “Some German words are so long that they have a perspective”. Theirs might not be the most elegant solution, yet I’ve always been envious of how their individual words can convey complex emotion where English has to scrabble for a concessive clause or conjunction. The closest my mother tongue can compare, is when it artificially constructs them from other languages. ‘Nostalgia’ – from the Greek words nostos (a homecoming) and algos (pain) – is a good example; originally coined by a 17th century Swiss doctor to describe traumatised homesick soldiers, it now evokes all the nuance we associate with memory, comfort, longing, regret.

The title of Jasper Marsalis’ second EP as Slauson Malone encompasses all this and more. The collision of two German words ‘die Vergangenheit’ (the past) and ‘die Bewältigung’ (coping with) first came into use as a post-WWII theoretical term to describe the nation’s reckoning with its immediate history, though it has since been used to describe similar cultural processes elsewhere.

Marsalis’ use here isn’t monumental, it’s personal. Having split from sound art collective Standing on the Corner (see above entry), last year he released his solo debut A Quiet Farwell, 2016–2018, a feverish half hour of experimental hip hop and ambient plunderphonics marked by a brooding air of apocalypse plain even in its opening line: “The world is coming to an end”.

On the artwork for Vergangen…, the fiery black sun from A Quiet…’s cover has been shrunk down to a tattoo on Marsalis’ forearm. Vergangen… isn’t interested in cataclysm, it examines how each of us are shaped by our own immediate pasts, our individual traumas. It’s a motif made literal by the samples and lyrics from A Quiet… reopened here like old wounds, by the nagging question that refuses to stay forgotten: “Are you scared?”. To someone in the eye of their own storm, the devastation might as well be world-ending.
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