Moa Anbessa (studio album) by Gétatchèw Mèkurya, The Ex & Guests
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Gétatchèw Mèkurya, The Ex & Guests bestography
Moa Anbessa is ranked as the best album by Gétatchèw Mèkurya, The Ex & Guests.
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Moa Anbessa track list
The tracks on this album have an average rating of 76 out of 100 (all tracks have been rated).
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Moa Anbessa rankings
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Moa Anbessa ratings
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Showing latest 5 ratings for this album. | Show all 16 ratings for this album.
| Rating | Date updated | Member | Album ratings | Avg. album rating |
|---|---|---|---|---|
80/100  | 10/17/2023 13:58 |  EyeKanFly | | 66/100 |
60/100 | 10/10/2023 10:07 |  Dingerbell | | 62/100 |
75/100 | 01/17/2021 16:11 | LosWochos | | 75/100 |
75/100 | 12/04/2020 17:36 |  babyBlueSedan | | 64/100 |
80/100 | 12/02/2020 22:51 | OFarrio | | 75/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 15% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 74.4/100, a mean average of 75.6/100, and a trimmed mean (excluding outliers) of 75.6/100. The standard deviation for this album is 10.3.
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JoaoMoreira 06/15/2020 01:26
Really enjoyed the live sound of it all. I've associated it with a sort of Buena Vista Social Club sound with Rock'n'Roll approach. In the other hand, not a big a fan of this post-hardcore vocals.
Getatchew Mekurya brings all the magic to this record.
Sandrof1969 02/20/2018 19:02
… e poi, nel bel mezzo di un decennio in cui sembrava che non accadesse niente di nuovo in musica ( e spesso era così ), salta fuori un disco che rompe alcune barriere ( le poche rimaste… ) e che, addirittura, rimette in discussione alcuni fatti fondanti la storia della musica. Abituati a considerare come "crossover" la musica di artisti inglesi o americani che si invaghiscono di culture cosiddette terzomondiste, sorprese non poco il fatto che si fosse potuto realizzare un disco da parte di un gruppo di formazione punk olandese ( ! ) in collaborazione con un sassofonista settantenne ( !!) etiope ( !!! ). Non solo: sorprese scoprire che costui, famosissimo in patria, suonava una sorta di jazz imparentato con la musica di John Coltrane, solamente prima di Coltrane ( !!!! ).
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