Fifth Dimension
by The Byrds

From Boltzmann 07/21/2021 00:13 | #271784 | TOP COMMENT Vote up your preferred comments and the comments with the most votes will be flagged.

Here they introduce a trippy style of guitar playing that basically involves never letting the tones ring out and accelerating and slowing down in a fractal-like manner that has grown on me the - what is it? - four times I've come around listening to it. With "Mr. Spaceman" they show they can still as easily bust out their jangly folk/garage rock tunes even without covering Bob. On the rest of the tracks they stay true to their garage rock roots no matter how spacey their guitar solos become, which prevents them from becoming obnoxious like Frank Zappa and Captain Beefheart; all I'll say to those who didn't take previous remark well is: you can't change a genre if you've diverted so much from it that you aren't in the genre anymore. (Edited)

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Excellent Psychedelic album. In my opinion, worth owning just for '5D' and 'Eight Miles High'. Has to be on any Psychedelic fans wish list if they don't already own it. (Edited)

From mdbaxter 12/04/2019 19:07 | #245365 | TOP COMMENT Vote up your preferred comments and the comments with the most votes will be flagged.

The Byrds continue to push the frontier of popular music forward with this release; this time mostly into psychedelia. The guitars are great. They're clean when they need to be and chaotic when they can be. I really admire the risks taken on this record. This is one of the most commercially successful bands of the 60s making music that they want to make. "I See You" and "What's Happening?" are two of my favorites for their almost hallucinogenic qualities. "Hey Joe" is a great take on the classic, not the best but still good. There are some misses like "I Come and Stand at Every Door" or "2-4-2 Fox Trot" but they're still enjoyable for their ambition. (Edited)

From dmercado 09/28/2017 06:19 | #198845

This album's a mixed bag with very high points (8 miles high to be exact) and a slew of mediocre filler to compensate for the departure of Gene Clark - the main songwriter. So we'll take it track by track:

Eight Miles High and 5D are incredible songs that deserve reviews of their own and marked a pivotal point in psychedelic rock.

Mr. Spaceman is no throwaway - it's the Byrd's first foray mixing country with 60's rock, later blossoming into Sweetheart of the Rodeo with Gram Parsons. I See You and WhAt's HAppEninG?!?! are good tracks with sounds and themes built on in the next two albums. Captain Soul and 2-4-2 Fox Trot try out Stax and special effects to less noteworthy results.

There are 4 covers. Wild Mountain Thyme and John Riley are very good rock adaptations of traditional British songs, surpassing the Joan Baez versions. I Come And Stand At Every Door is a decent cover of the Pete Seeger adaptation. Hey Joe was "discovered" by David Crosby but the band refused to record; then The Leaves and Love made it a minor hit. This version is worse and my least favorite inclusion. Crosby should have included Psychodrama City instead.