Mountains Of Sorrow, Rivers Of Song
by Amos Lee

Mountains Of Sorrow, Rivers Of Song by Amos Lee
Year: 2013
Release date: 2013-10-08
Overall rank: 67,817th   Overall chart history
Average Rating: 
73/100 (from 2 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 2013 (1,721st)
Award Top albums of the 2010s (17,348th)
Award Best albums of all time (67,817th)

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Amos Lee bestography

Mountains Of Sorrow, Rivers Of Song is ranked 7th best out of 11 albums by Amos Lee on BestEverAlbums.com.

The best album by Amos Lee is Amos Lee which is ranked number 19632 in the list of all-time albums with a total rank score of 53.

Amos Lee album bestography « Higher ranked (67,222nd)
My New Moon
This album (67,817th)
Mountains Of Sorrow, Rivers Of Song
Lower ranked (67,817th) »
Mountains Of Sorrow, Rivers Of Song

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Mountains Of Sorrow, Rivers Of Song rankings

Rankings summary
Overall rank: 67,817th | 2010s rank: 17,348th | 2013 rank: 1,721st

Mountains Of Sorrow, Rivers Of Song collection

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Mountains Of Sorrow, Rivers Of Song ratings

Average Rating: 
73/100 (from 2 votes)
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RatingDate updatedMemberAlbum ratingsAvg. album rating
 
75/100
 
04/13/2022 10:27 Moondance  Ratings distribution  20,19672/100
 
80/100
 
01/01/2019 22:03 buzzdainer  Ratings distribution  3,33879/100
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Rating:  
80/100
From 06/17/2017 16:04 | #192766
Around the time this album came out, I was introduced to Amos Lee by my friend Jennifer, whose musical tastes I had come to recognize as impeccable. So I was a little late arriving to the Amos Lee party, given the strength of the albums he'd already released by then. Perhaps because this was the first one I heard, though, it remains my favorite. It's the album on which Amos Lee goes full-on Nashville, though I'd argue that he went to Nashville and made it his own rather than the other way around. He takes a classic Americana folk soul sound and inflects it with with a strong dose of social and economic justice, as on the great "High Water," with lyrics and themes reminiscent both of Bessie Smith's "Deep Water Blues" and the Uncle Tupelo song of the same name. Given what a student Amos Lee is of American musical history, I'm certain he was well aware of both references, and fusing them together in a conscious and intentional way.
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