Modern Vampires Of The City (album) by Vampire Weekend
Condition: Like New
Ships to: Worldwide
Go to store
Ships to: Worldwide
Go to store
Ships to: Worldwide
Go to store
Vampire Weekend bestography
Modern Vampires Of The City is ranked as the best album by Vampire Weekend.
Listen to Modern Vampires Of The City on YouTube
Modern Vampires Of The City track list
Top-rated track as rated by BestEverAlbums.com members.
Modern Vampires Of The City rankings
Latest 20 charts that this album appears in:
You can include this album in your own chart from the My Charts page!
Modern Vampires Of The City collection
Showing latest 20 members who have this album in their collection | Show all 397 members
Modern Vampires Of The City ratings
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this album. | Show all 1,196 ratings for this album.
|Rating||Date updated||Member||Album ratings||Avg. album rating|
|17 hours ago||martinjaa||442||87/100|
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album is rated in the top 1% of all albums on BestEverAlbums.com. This album has a mean average rating of 81.0/100. The trimmed mean (excluding outliers) is 82.4/100. The standard deviation for this album is 16.0.
Modern Vampires Of The City favourites
Showing latest 20 members who have added this album as a favourite | Show all 231 members
Modern Vampires Of The City comments
Showing latest 10 comments | Show all 122 comments |
Most Helpful First | Newest First | Maximum Rated First | Longest Comments First
(Only showing comments with -2 votes or higher. You can alter this threshold from your profile page. Manage Profile)
The halls of Columbia University birthed Vampire Weekend, a baroque pop outfit with a pension for utilizing world music. They were critically lauded soon after, but in the eyes of those who equate surroundings to people, they were little more than privileged rich boys who gained the favor of those with power in the industry. The band shrugged such ridiculous claims off and just kept on keeping on. In other words, they kept making some of the best pop music of the decade. Nevermore was their genius more validated than with 2013's Modern Vampires of the City. Sporting a crystalline sheen and drastically more sinister tone, Vampire Weekend concocted its best collection of tracks to date.
Seemingly alternating between uptempo, positively-charged romps and sentimental, breezy ballads, Modern Vampires of the City prioritizes balance far more than the band's prior work. The first landmark comes in the form of third track Step, which twinkles triumphantly leaving Rostam Batmanglij's production as the hallmark of the sweepingly gorgeous cut. The album soon receives an adrenaline shot in the form of Diane Young, a full-gear stomper which emphasizes a desire to live life at its fullest, with no regrets about being rebellious or young for that matter. One of the album's most audacious excursions comes in the form of tenth track Ya Hey. Frontman Ezra Koenig's vocal delivery is in stark contrast to the rest of the album, invoking religious fervor at a subdued pace.
As convention would have it, Modern Vampires of the City is indeed a pop record. It's one that takes risks, nudges away stereotypical classification and entrenches Vampire Weekend as a prominent force in modern music. Provocatively written, skillful executed and exquisitely produced, the album is a testament to the blossoming creativity of a young group on the rise, with much success predicted to follow. The album has a warm quality and has effectively become a comfort piece for me, calling back to better times. It's a record for those with youthful flesh and minds with temperaments far beyond their years.
"Ancestors told me that their girl was better
She's richer than Croesus, she's tougher than leather
I just ignored all the tales of a past life
Stale conversation deserves but a bread knife"
2. Finger Back
3. Don't Lie
Favorite Tracks: Unbelievers, Hanna Hunt, Everlasting Arms
It's just not for me I guess, the songwriting is weird and I don't care for the vocalist. Good production though.
Not only one of the top 3 records of the decade, one of my absolute favorite albums of all time...Masterwork!
One of the best albums of the decade!
Top Tracks: "Step", "Hannah Hunt", "Don't Lie"
Lyrically dense and catchy as hell. Probably their best album, even though it includes some of their worst songs ("Hudson", "Young Lion", and "Worship You" are all contenders).
Favorite tracks: Unbelievers, Step
Standouts: Diane Young, Hannah Hunt
Least Favorites: Young Lion, Obvious Bicycle, Finger Back
Modern Vampires is the third album on the line of Vamipres Weekend's evolution. It is an inprovement on everything they had done to that date. The opening and closing tracks tie together to call the beginning and end from an story.
Modern Vampires is their most impressive album in all terms, but still is not that far ahead their previous efforts. I think Vampire Weekend still has something to bring us in 2019, I hope they really release their album, It is my most antecipated release, I've been waiting for It since 2016 and year after year they delay it. From the line that we are getting from them, their next one will be even better, I Hope.
At first listen this just sounds like FIFA music and that is what I thought it was until I looked into the lyrics. They're incredibly dense and complex. It is impressive how well they make catchy music while also saying so much. However, none of the songs really stick out to me. I like all of them but I can't say I love any of them. It just doesn't grab me like some other albums do.