Listed below are the best albums of 2021 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 4 hours ago).
"Maybe it's because I was too excited for this and set the bar too high, but I sadly found it a bit underwhelming, it left something more to be desired. I fail to see how this comes even close to his best work. Still, there were some great moments, like the self-titled track."Reply
"(Really cool mix of Soul, R&B, Gospel, Blues, Hip Hop, Neo-Soul, Jazz etc etc. And maybe most remarkable is how Batiste and Co. are able to make these varied sounds and textures meld into a coherent album. Not just a coherent album, but a joyous, celebratory, powerful, bright, inspiring album. On...""(Really cool mix of Soul, R&B, Gospel, Blues, Hip Hop, Neo-Soul, Jazz etc etc. And maybe most remarkable is how Batiste and Co. are able to make these varied sounds and textures meld into a coherent album. Not just a coherent album, but a joyous, celebratory, powerful, bright, inspiring album. One of my favorite listens recently and highly recommended.)
Right from the jump, with the absolute stunner that is the opening track "WE ARE", this album treats us to such euphoric, spiritual joy, its hard for me to imagine anyone who enjoys soul/gospel/R&B/Blues or the rich history of Black American music NOT at least liking this. That opening track sets the mood so high and does so so forcefully it's truly impressive.
From there the album takes on a historical tour of some of the greatest musicians and movements of the last hundred years. One song sounds like some Sly and the Family Stone jam, then the next sounds like the modern Stevie Wonder or Marvin Gaye, then you'll be hearing some D'Angelo or Duke Ellington vibes, then some soulful blues of Albert King, and on it goes. The Neo-Soul and Conscious Hip Hop thrown in and done quite well and ably as well just adds yet another layer to this buffett of truly great and enriching music.
If the album has a major flaw, or flaws, its that the whiplash created by switching up with such dexterity between so many different genres and tempos can be I bit discombobulating. The other flaw is the well-worn go to critique of "iT's sO dErIvAtive!". And, jokes aside, I can hear where this make-believe person is talking about. Most of these sounds and styles are so FULLY embraced and integrated by Batiste that it really does feel like he is pouring himself and what makes him unique into the influences. On occasion I also feel like the sounds are a bit derivative. These moments are rare and even when that feeling of unoriginality comes in, the songs and the performances are so strong I find this critique fade away behind my bobbing head and stupid grin.
This is a refreshingly alive, vital, joyous and optimistic sounding album. It has a brightness and a hope that is infectious. The way the album starts is stunningly great. Track 1 "WE ARE", track 2 "TELL THE TRUTH", track 3 "CRY" (another song of the year candidate), track 4 "I NEED YOU", and track 6 "BOY HOOD" are each flawless. Its rare an album comes out the gates THIS. FREAKING. HAAARD.
Of course with such a beginning its likely to fall off a little in the second half lest it be one of the 20 best songs ever made. And fall off a bit it does. Still some of the songs on side 2 are quite stunning. The D'Angelo-ish jam "ADULTHOOD", and the anthemic Sly-esque "FREEDOM" being a couple examples of latter half gems.
Of course it would be silly to end a comment on this album without remarking on Jon Batiste as a vocalist and a musician. He is a great, personable, almost effervescent force as a vocalist. He radiates some kind of warmth and relatability that I love to hear and is what has been the main driving force behind me listening to this album for hours today. And as a musician, well, he got this band together, arranged these songs, assembled this album and made this music - I think he is a world-class musician and artist. Glad I found this and heard it. It really has brightened up my day."[+]Reply
""I Know I'm Funny Haha" shows Faye Webster solidifying her sound. Faye has created this blend of country guitars and light R&B vocals that set her apart from the indistinct singer song writer norm. "Cheers" in particular has a fantastic guitar breakdown at the end. The contrast is the song writin..."""I Know I'm Funny Haha" shows Faye Webster solidifying her sound. Faye has created this blend of country guitars and light R&B vocals that set her apart from the indistinct singer song writer norm. "Cheers" in particular has a fantastic guitar breakdown at the end. The contrast is the song writing. Webster will introduce an intriguing idea and it will be stopped after two of three lines. Greater exploration is needed for the audience to really connect with feelings. Webster has her sound, now she needs to deepen it. "[+]Reply
"Being an Australian I’m probably more than a little biased in saying Courtney Barnett is a national treasure & proof that if someone can go from their bedroom in Preston Melbourne to global stardom and appearing on Ellen within a short few years, well, anyone can And despite the middling critical...""Being an Australian I’m probably more than a little biased in saying Courtney Barnett is a national treasure & proof that if someone can go from their bedroom in Preston Melbourne to global stardom and appearing on Ellen within a short few years, well, anyone can
And despite the middling critical reviews this album title gives away it’s secret because when it comes to ‘Things Take Time Take Time’ they really do take time with a release that’s takes patience and repeated rotations to fully appreciate and enjoy
"[+]Reply
"One of the best albums of 2021. Not as good as Velocity: Design: Comfort or You Will Never Know Why but this album is a blast of sound from start to finish. So glad this came out this year."Reply
"It's like Nas was made to fit in with these new school beats. I surprisingly enjoyed this a bit. For me, the best version of a sound im not particularly fond of. That being said: Store Run Moments Nobody Features some nice soulful beats and Nas delivers. Hit-boy's production is on point."Reply
"I’ve been a huge Deafheaven guy since they blew me away with ‘Sunbather’ some 8 years post & through ‘New Bermuda’ and ‘Ordinary Corrupt..” they have been a staple of my regular musical diet. As such I have been tracking this 2021 release for the past 18 months and from the get go the word has co...""I’ve been a huge Deafheaven guy since they blew me away with ‘Sunbather’ some 8 years post & through ‘New Bermuda’ and ‘Ordinary Corrupt..” they have been a staple of my regular musical diet. As such I have been tracking this 2021 release for the past 18 months and from the get go the word has consistently been it’s different , fans be warned
So here it is ‘ Infinite Granite’ and yes different it is , I was expecting as much but to actually finally hear the 180 degree turn is simply jarring. Gone completely are the deep Black Metal vocals and heavy heavy guitars instead replaced with swirling dream pop that harkens back to 1990’s bands such as Swervdriver, Ride, Lush and Slowdive
To fully appreciate this album you need to play a trick of the mind and the trick is DONT think about Deafheaven when you listen to this album simply think as if its a band you’re hearing for the very first time. Music wise I quite like it being partial to the Dream Pop gene since funny enough the 90’s
If you want to listen to some hardcore Black Metal DONT even think about this album
If you are in the mood for some Dream Pop look no future than ‘Infinite Granite’
It’s as simple as that "[+]Reply