Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 2 hours ago).
"ZEN MASTER CALLAHAN I started out in search of ordinary things Like how much a tree bends in the wind… (Jim Cain) Love is the king of the beasts And when it gets hungry it must kill to eat (Eid Mad Clack Shaw) Bill callahan is a naturalist. An observer of life. Like some modern day equivalent of ...""ZEN MASTER CALLAHAN
I started out in search of ordinary things
Like how much a tree bends in the wind… (Jim Cain)
Love is the king of the beasts
And when it gets hungry it must kill to eat (Eid Mad Clack Shaw)
Bill callahan is a naturalist. An observer of life. Like some modern day equivalent of Thoreau hanging out at Walden’s. His observations are both objective and reflective. He’s the observer from without looking within. Not passing judgement. Just observing. Detached. Allowing the world to come to him at its own pace. In its own time. Just simply observing how life is instead of how he wants it to be. Callahan’s easily one of the finest lyricists of the last twenty-some years. Each time I listen to a line from one of his songs it has the ability to take on new meaning. Like the poetry of a zen master, his poetry is endless. Expansive. Taking you deeper & deeper with each reading. Each spin.
And Callahan has also mastered a genre I never would have thought I of all people would even tolerate never mind LOVE - Adult Contemporary! Mind you, this is adult contemporary for FREAKS. And somehow, someway he even one ups the mighty Nick Cave as the best adult contemporary artist of the indie kingdom. Which is saying a shitload because, let’s be honest, Nick Cave invented this genre for pete’s sakes.
And each song offers up many a hidden treasure. Chocked filled with little touches. Little embellishments. For instance, in “Eid Ma Clack Shaw” he occasionally shouts out a “Pow! POW!” as if he’s karate chopping some old Ikea furniture. to bits. (Please do NOT inform me that he’s really just saying “How”. Jeez don’t ruin it for me. That’s not nearly as cool. xp) Or take the drums on “All Thoughts Are Prey.” They start as gently echoes as some hallucinating guitar winds through the song, but then all of sudden at about the one minute mark the drums become maniacal, a beast coming to life, frothing and whipping itself into a fury as the song progresses. Becoming more & more chaotic. Free. And all the songs are tricked out like this. Subtle intricate beauty that slowly reveals and unfolds upon the listener. Seemingly changing with each spin. Yes, these songs are alive. And Callahan’s simply channeling what he feels into these songs. Normally I HATE when an album is embellished with strings and horns and the like. I mean they can sound so fake. So Phony. But not here. Oh No! They’re inventive. Constantly changing as the songs need them to. Unlike so many string arrangement that sound just thrown in as an afterthought by some producer who doesn’t even understand the song nor the artist. No. These arrangements are clearly part of the song themselves. Living, breathing entities that shift and change as the song does. As the song breathes. And just perhaps these are the most tasteful strings ever done for a rock record EVER.
Grade: A+. The finest adult contemporary recording ever recorded. It stands as the gold standard for the entire genre. A touchstone with which to compare similar entities such as Lambchop or Tindersticks and yes even the master himself, Nick Cave. And I seriously thought about vaulting this fully realized album all the way to number ONE. But… Not yet. And so it perches itself like a bird in a tree at number three. "[+]Reply
"Imagine, if you will, a giant rollercoaster that lasts for about 35 minutes. Except there's no delay for going up. You're basically going down down down, upside-down, left, down, down, DOWN the whole time. Aaaaaaaaaaaaaaaaaaahhhh!!!! (there should have been more !!!!s in this review) There is lik...""Imagine, if you will, a giant rollercoaster that lasts for about 35 minutes. Except there's no delay for going up. You're basically going down down down, upside-down, left, down, down, DOWN the whole time. Aaaaaaaaaaaaaaaaaaahhhh!!!! (there should have been more !!!!s in this review) There is like one slow spot at the end of Blood on Our Hands, but that's like a little porthole in this Death Star of Rock."[+]Reply
"I think people are spending too much time comparing it to their best album whatever that might be, instead of just listening. When you compare albums then you will miss out on loving it. Now for the album, I love it all, maybe one or two tracks near the end not as much but there's plenty to love ...""I think people are spending too much time comparing it to their best album whatever that might be, instead of just listening. When you compare albums then you will miss out on loving it.
Now for the album, I love it all, maybe one or two tracks near the end not as much but there's plenty to love here I think.
Psyche is possibly my favourite song, the singers voice is top quality and good to see Massive Attack purely using instruments which they hadn't done before for an album.
They have a new album out this year apparently and looking forward to that as they are one of my very favourite artists. "[+]Reply
"Definitely much more pop oriented than than their first three albums, but it works well.It's probably best known for I Wanna Be Sedated, but everything here is good."Reply
"Procol Harum's 1967 album is easily among the greatest debut-albums ever released. In fact, it could be the greatest. In a highly original way Procol Harum succeeded in combining raw rhythm'n blues with classical music. With Keith Reid's dark mysterious lyrics and Brooker's soulful voice these 19...""Procol Harum's 1967 album is easily among the greatest debut-albums ever released. In fact, it could be the greatest.
In a highly original way Procol Harum succeeded in combining raw rhythm'n blues with classical music. With Keith Reid's dark mysterious lyrics and Brooker's soulful voice these 1967 recordings sound as attractive and relevant as ever. Their sound is quite unique, and it's hard to mistake these early Procol Harum recordings from any other band's output.
Some versions contain all tracks from both the American 11 tracks version and the European 10 tracks release. Actually several tracklistings of the album were released, but the the most important difference was whether they contained "Homburg" or "A Whiter Shade of Pale". Some versions also miss "Good Captain Clack".
Other bonus-tracks are the B-side to "A Whiter Shade of Pale", ""Lime Street Blues", a great R&B track.
Early versions of songs later to appear on their second album "Shine on Brightly" have also been included. All great and highly interesting. The original version "Magdalene" has only survived from an acetate, so the sound obviously is not as good as could hoped for. Otherwise all tracks sound great.
It's very hard to bring forward tracks from the original album, as they all in different ways are of the highest quality. Obviously their to early hit-singles stand out, but in the same vein you'll find outstanding songs like "Salad Days" and "Repent Walpurgis". The bluesier side of the band is shown on tracks like "Something Following Me" and "Cerdes", but even these two have the classical "PH" feel to them. Among the up-beat tracks "Conquistador" and "Kaleidoscope" are the closest you get straight-forward rock-music. "Mabel" and "Good Captain Clack" are Procol Harum at their most unceremonious. An incredibly strong album. "[+]Reply
"One of the best albums of the 2000s(if not the best), extremely underrated because its from Fall Out Boy Favorite tracks: 1)Shipped Gold Standard 2)Disloyal Order 3)America's Suitehearts/20 Dollar Nose Bleed"Reply
"A pseudo-concept album from the perspective of an ex-partier, wavering between nostalgia at the good moments of being part of the drug-fueled rock and roll scene of Minneapolis past, and acknowledgement that that time of life incubated and exacerbated the tragedies of adulthood for many of those ...""A pseudo-concept album from the perspective of an ex-partier, wavering between nostalgia at the good moments of being part of the drug-fueled rock and roll scene of Minneapolis past, and acknowledgement that that time of life incubated and exacerbated the tragedies of adulthood for many of those involved.
Sonically, the album is propelled by Franz Nicolay's unflichingly "glam" keys and equally spectacular guitar solos. There are echos of Springsteen and other late 70's to 80's anthemic rock. There are some tracks whose corniness detracts from the poignancy of others. All in all, a fun and easily repeatable listen if you don't pay too much attention to the lyrics, but on further listening, Boys and Girls in America can serve as a reflective meditation on the price of the hedonism of youth. "[+]Reply
"In my opinion, Wilco lost its experimenting creative edge and slid a bit towards adult contemporary fare on albums "sky blue sky" and "wilco (the album)". There were a couple songs like "bull black nova" and "impossible germany" that stretched the new, adult wilco sound, but for the most part, th...""In my opinion, Wilco lost its experimenting creative edge and slid a bit towards adult contemporary fare on albums "sky blue sky" and "wilco (the album)". There were a couple songs like "bull black nova" and "impossible germany" that stretched the new, adult wilco sound, but for the most part, they sounded more like a band fine in where it was at, ready to put out solid rock shows and nothing more. i long for "summerteeth", "yankee hotel foxtrot" and "a ghost is born" (despite its overreaching guitar feedback).
Enter "the whole love" which pushes at their current boundaries a little more, and is all the better for it, nicely summed up on opening track "art of almost". Nels Cline brings the shredder too, which augments a bunch of the songs, like on "standing o"."[+]Reply