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5941.

Relics 
Compilation

 Pink Floyd

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"With some songs not on the studio albums, this is a fantastic compilation. It stands on it's own in greatness along side the other early albums. A fantastic early collection"  Reply

- mrmcrook | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

93 charts

Rank Score:

226

Rank in 1971:

93

Rank in 1970s:

940

Overall Rank:

5,941

Average Rating:

 77 (304 votes)

Comments:

12

5942.

Desolation Boulevard 

 Sweet

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"The U.S. Version is a much stronger album. 1) Ballroom Blitz 2) Six Teens 3) No You Don't 4) A.C.D.C. 5) I Wanna Be Committed 6) Sweet F.A. 7) Fox On the Run 8) Set Me Free 9) Into the Night 10) Solid Gold Brass. Not one bad track. A great party album from my High School years- big in the States."  Reply

- matterhornrider | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

75 charts

Rank Score:

226

Rank in 1974:

89

Rank in 1970s:

941

Overall Rank:

5,942

Average Rating:

 73 (96 votes)

Comments:

1

5943.

Circus Animals 

 Cold Chisel

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"'East' vs 'Circus Animals' ? which is Chisels best album ? It's an Australian pub debate with no clear winner , they are both great albums , personally I've always preferred the more accessible 'East' mainly because it was my first Chisels album and has always held a special place in my heart Int...""'East' vs 'Circus Animals' ? which is Chisels best album ? It's an Australian pub debate with no clear winner , they are both great albums , personally I've always preferred the more accessible 'East' mainly because it was my first Chisels album and has always held a special place in my heart Interestingly around the time 'Circus Animals' was released Cold Chisel were developing a strong following in Germany of all places and toured there in support but unfortunately they never quite hit it big and they returned to Australia to a hero's welcome 'Circus Animals' is clearly in the conversation for one of Australia's best albums of all time , it's not better than 'Back In Black' , 'Diesel and Dust' or 'Kick' but its around the mark "  [+]  Reply

- Brad1770 | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1982

Appears in:

44 charts

Rank Score:

226

Rank in 1982:

96

Rank in 1980s:

858

Overall Rank:

5,943

Average Rating:

 69 (46 votes)

Comments:

3

5944.

Morph The Cat 

 Donald Fagen

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""Morph the Cat" from 2006, is Donald Fagen's third solo album. Apart from the absence of Steely Dan's partner Walter Becker, the musicians are almost the same as on Steely Dan's latest album from 2003 "Everything Must Go". The sound is thus not surprisingly very similar to Steely Dan's, and as Fa..."""Morph the Cat" from 2006, is Donald Fagen's third solo album. Apart from the absence of Steely Dan's partner Walter Becker, the musicians are almost the same as on Steely Dan's latest album from 2003 "Everything Must Go". The sound is thus not surprisingly very similar to Steely Dan's, and as Fagen also takes care of the vocals in the group, it can be difficult to detect differences between Steely Dan and Fagen solo. There is for me something indefinable magic that often is missing on solo albums. This applies to some extent also in this case, although I obviously respect and accept that album was very well received and even awarded a Grammy. As always, most of Fagen lyrics are very interesting and have a substance that gives rise to interpretation and reflection. This is particularly true of the songs on "Morph the Cat" while I find many of the actual songs somewhat less interesting than those on Steely Dan's albums. Musically these sangs can be ghard to distinguish from each other and for me it is very much the lyrics that makes me able to tell them apart. Songs I want to highlight are "Morph the Cat", "The H Gang" and "The Night Belongs to Mona", that all have lyrics that give food for thought, while musically they are also among the most interesting. Also the lighter "Security Joan" is an uplifting acquaintance, which proves both twinkle in his eye and humor with Fagen; You might call Fagen’s bid for a new "Lovely Rita". "  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2006

Appears in:

39 charts

Rank Score:

226

Rank in 2006:

101

Rank in 2000s:

1,017

Overall Rank:

5,944

Average Rating:

 74 (41 votes)

Comments:

1

5945.

Squeezing Out Sparks 

 Graham Parker & The Rumour

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"An underrated artist and underrated album. Squeezing out sparks, is one of the great British LP's of the seventies. Parker and co. create a sound similar to what Elvis Costello would sound like a year or so down the line. SOS, features some fantastic songs, such as, discovering Japan, waiting for...""An underrated artist and underrated album. Squeezing out sparks, is one of the great British LP's of the seventies. Parker and co. create a sound similar to what Elvis Costello would sound like a year or so down the line. SOS, features some fantastic songs, such as, discovering Japan, waiting for the ufos, and the brilliant, you can't be too strong. A superb album then, deserves more credit. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1979

Appears in:

106 charts

Rank Score:

226

Rank in 1979:

97

Rank in 1970s:

942

Overall Rank:

5,945

Average Rating:

 76 (110 votes)

Comments:

7

5946.

Hiss Spun 

 Chelsea Wolfe

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Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

2017

Appears in:

76 charts

Rank Score:

226

Rank in 2017:

124

Rank in 2010s:

1,108

Overall Rank:

5,946

Average Rating:

 75 (58 votes)

Comments:

0

5947.

Loose 

 Nelly Furtado

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"Another instance where the rockists on this website skew the ratings of an album that deserves better. This is a seriously well crafted Spanish R&B album. Nelly Furtado and Timbaland's chemistry is astounding."  Reply

- Anti | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2006

Appears in:

80 charts

Rank Score:

226

Rank in 2006:

102

Rank in 2000s:

1,018

Overall Rank:

5,947

Average Rating:

 69 (102 votes)

Comments:

7

5948.

Real Emotional Trash 

 Stephen Malkmus & The Jicks

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"At first, I was disappointed. I thought the album was imitation psyche and too noodley. About 8 listens and I realized it pushes boundaries a bit and is filled with the same wry lyrics and bouncy melodies that characterize Pavement/Malkmus' best work."  Reply

- rilex | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

68 charts

Rank Score:

226

Rank in 2008:

90

Rank in 2000s:

1,019

Overall Rank:

5,948

Average Rating:

 76 (42 votes)

Comments:

4

5949.

Ultrapop 

 The Armed

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"(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like t...""(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like these styles or if you want to damage your ears as efficiently as possible.) This is the 3rd (or is it 4th?) official album by this Detroit hardcore punk/post hardcore band The Armed. In prep for this anticipated release of went back and listened to some of their earlier songs and albums. They were loud, wild, mathcorey, knotty bits of post hardcore and quite good. But, based only on the singles from Ultrapop, it felt like they had drastically changed their sound. This interesting and pretty cool evolution made me even more hyped about this album. All in all Ultrapop lived up to my hype. The main surprise was that the 3 songs I had heard on repeat before hearing the whole thing - “All Futures”, “An Iteration”, and “Average Death” - are probably 3 of the 5 most divergent songs from their post hardcore sound. Most of the other tracks, while having a ridiculously loud mix and some elements added, were essentially “classic The Armed” - meaning a majority of the songs here are gnarly and nasty and discordant walls of hardcore insanity. The strangely pop-oriented, tuneful experimentation is much less present in the songs that were not released early on streaming services. This wasn’t blatant, like, false advertising and I’m not mad, just surprised. As for the album as a whole, it’s very good, bordering on GREAT. The production is really ridiculous. By ridiculous I mean LOUD like REALLLLY LOUD. It’s almost Sleigh Bells-level of tinnitus-inducing. And actually it works really well for the music. The music being this maximalist melding of incredibly forthright and aggressive post hardcore with noise pop and subtle electronic and pop elements nestled underneath. The walls of unhinged sound that storm out of my headphones when I hear this record are brilliant and mostly invigorating. The musicianship is pretty solid. It’s not the most mind-bogglingly complex and the chops aren’t on another plane, but they suffice. (Note: I’m not a musician and for all I fucking know a musician may hear this and think these guys are the second coming of the Mahavishnu Orchestra or something. Just my perception as a neophyte.) But, honestly, the fact that at times the band sounds, well, like a hardcore punk band rather than a Mathcore band, is what makes a lot of the unhinged moments work more. It sounds slightly off time at points, the band isn’t always in perfect lockstep, and it makes for a more classic punk experience in amongst all these distinctly alien-to-punk-and-Hardcore elements. The critiques I have and the reason this album isn’t quite the AOTY candidate that I thought it may be based off first listen and those excellent pre-release singles, are vague and somewhat two-fold. And, again, both critiques are somewhat vague and incredibly personal no doubt. For one I feel that the album somehow has a mild personality crisis. When it is going ape shit with the noisy, oppressively loud hardcore it is consistently awesome. When the band is doing a weird quasi-MBV kinda thing where there is clearly some gorgeous melodies underneath thick slabs of noise and muck, it sounds absolutely awesome. EDIT: hey this is me. That MBV comparison was sticking in me craw and I think that is because it’s a bit of a stretch and they aren’t too similar stylistically. But at points there is a certain element of hiding rich and sweet melodies under lots of noise that is somewhat similar). And yet I don’t personally feel these two styles are melded or meshed into a beautiful and brilliant complete cohesive whole. The sum of the parts is somehow less than the 2 individual stylistic achievements. The other thing is that I feel this album doesn’t quite consistently blow me away. This is much less of a clear-cut, in my mind, problem. And honestly both issues may slowly dissolve into time as I revisit this beast. But for now I feel that the initial momentum of the album which is created by a brilliant and visceral run of tracks to start, is dampened quite a bit in the middle before the album ends with a pretty brilliant run of gems again. Again, with almost any album that I love the core sound of, this critique usually abates over time and many listens. Overall, this is indeed a creative, blistering, intense and loud (loud in ways I haven’t heard in almost any other album this year) record that, for the most part, sticks the landing on integrating some electronic, noise pop, and other disparate sounds into the post-hardcore central sound/style. Really excellent album and recommended. "  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

67 charts

Rank Score:

226

Rank in 2021:

85

Rank in 2020s:

431

Overall Rank:

5,949

Average Rating:

 70 (54 votes)

Comments:

2

5950.

If You Leave 

 Daughter (UK)

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"I think there needs to be a subgenre of indie folk called sylvan folk. It would encompass all those artists whose music evokes dense old growth forests, undulating earth covered in moss and wildflowers, and places populated by woodland sprites and ancient spirits. It's music that conjures up a ro...""I think there needs to be a subgenre of indie folk called sylvan folk. It would encompass all those artists whose music evokes dense old growth forests, undulating earth covered in moss and wildflowers, and places populated by woodland sprites and ancient spirits. It's music that conjures up a romantic mythical past that probably never really existed, or was wiped out by Black Plague. The Decemberists would fit into this genre, as would Fleet Foxes, and Midlake, and Florence + the Machine. I'm not sure about Sylvan Esso, though their name certainly would. And Daughter. Check out "Youth" from this album to get a sense of what I mean. It's not so much about the lyrical content--best summed up by the line "Most of us are bitter over someone"--but more about the nostalgic, wistful, dreamy, romantic feeling created by the swirls of guitar reverb and Elena Tonra's haunting vocals."  [+]  Reply

- buzzdainer | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

77 charts

Rank Score:

226

Rank in 2013:

125

Rank in 2010s:

1,109

Overall Rank:

5,950

Average Rating:

 75 (78 votes)

Comments:

7

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Total albums: 10,000. Page 595 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,424	14%
1980s	1,414	14%
1990s	1,600	16%
2000s	1,725	17%
2010s	1,964	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,002	50%
	2,655	27%
	431	4%
	336	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%