Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
"Footwork-related electronic music was a relatively new phenomenon for me when I first heard Double Cup in 2013, and this album's contribution to my musical universe was only made more poignant by the untimely death of Rashad Harden the following year from an accidental drug overdose. At least we ...""Footwork-related electronic music was a relatively new phenomenon for me when I first heard Double Cup in 2013, and this album's contribution to my musical universe was only made more poignant by the untimely death of Rashad Harden the following year from an accidental drug overdose. At least we can say he left behind a small but important body of work. For me the strongest moment on this album is the smothering sensuality of "Let U No," where the bass lines smack as hard as ever, but they're placed low in the mix rather than serving as the track's central axis, creating a varied sonic topography that's smooth and easy on the ears. "[+]Reply
"'East' vs 'Circus Animals' ? which is Chisels best album ? It's an Australian pub debate with no clear winner , they are both great albums , personally I've always preferred the more accessible 'East' mainly because it was my first Chisels album and has always held a special place in my heart Int...""'East' vs 'Circus Animals' ? which is Chisels best album ? It's an Australian pub debate with no clear winner , they are both great albums , personally I've always preferred the more accessible 'East' mainly because it was my first Chisels album and has always held a special place in my heart
Interestingly around the time 'Circus Animals' was released Cold Chisel were developing a strong following in Germany of all places and toured there in support but unfortunately they never quite hit it big and they returned to Australia to a hero's welcome
'Circus Animals' is clearly in the conversation for one of Australia's best albums of all time , it's not better than 'Back In Black' , 'Diesel and Dust' or 'Kick' but its around the mark "[+]Reply
"At first, I was disappointed. I thought the album was imitation psyche and too noodley. About 8 listens and I realized it pushes boundaries a bit and is filled with the same wry lyrics and bouncy melodies that characterize Pavement/Malkmus' best work."Reply
"The U.S. Version is a much stronger album. 1) Ballroom Blitz 2) Six Teens 3) No You Don't 4) A.C.D.C. 5) I Wanna Be Committed 6) Sweet F.A. 7) Fox On the Run 8) Set Me Free 9) Into the Night 10) Solid Gold Brass. Not one bad track. A great party album from my High School years- big in the States."Reply
"An underrated artist and underrated album. Squeezing out sparks, is one of the great British LP's of the seventies. Parker and co. create a sound similar to what Elvis Costello would sound like a year or so down the line. SOS, features some fantastic songs, such as, discovering Japan, waiting for...""An underrated artist and underrated album. Squeezing out sparks, is one of the great British LP's of the seventies. Parker and co. create a sound similar to what Elvis Costello would sound like a year or so down the line. SOS, features some fantastic songs, such as, discovering Japan, waiting for the ufos, and the brilliant, you can't be too strong. A superb album then, deserves more credit. "[+]Reply
"(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like t...""(Post Hardcore meets Noise rock meets noise pop at points. Some cool electronic bits, some messy hardcore excellence as well as bits of mathy virtuosity, this album is just a really LOUD, at times thrilling, always interesting mix of genres that mostly work really well. Check it out if you like these styles or if you want to damage your ears as efficiently as possible.)
This is the 3rd (or is it 4th?) official album by this Detroit hardcore punk/post hardcore band The Armed. In prep for this anticipated release of went back and listened to some of their earlier songs and albums. They were loud, wild, mathcorey, knotty bits of post hardcore and quite good. But, based only on the singles from Ultrapop, it felt like they had drastically changed their sound. This interesting and pretty cool evolution made me even more hyped about this album.
All in all Ultrapop lived up to my hype. The main surprise was that the 3 songs I had heard on repeat before hearing the whole thing - “All Futures”, “An Iteration”, and “Average Death” - are probably 3 of the 5 most divergent songs from their post hardcore sound. Most of the other tracks, while having a ridiculously loud mix and some elements added, were essentially “classic The Armed” - meaning a majority of the songs here are gnarly and nasty and discordant walls of hardcore insanity. The strangely pop-oriented, tuneful experimentation is much less present in the songs that were not released early on streaming services. This wasn’t blatant, like, false advertising and I’m not mad, just surprised.
As for the album as a whole, it’s very good, bordering on GREAT. The production is really ridiculous. By ridiculous I mean LOUD like REALLLLY LOUD. It’s almost Sleigh Bells-level of tinnitus-inducing. And actually it works really well for the music. The music being this maximalist melding of incredibly forthright and aggressive post hardcore with noise pop and subtle electronic and pop elements nestled underneath. The walls of unhinged sound that storm out of my headphones when I hear this record are brilliant and mostly invigorating.
The musicianship is pretty solid. It’s not the most mind-bogglingly complex and the chops aren’t on another plane, but they suffice. (Note: I’m not a musician and for all I fucking know a musician may hear this and think these guys are the second coming of the Mahavishnu Orchestra or something. Just my perception as a neophyte.) But, honestly, the fact that at times the band sounds, well, like a hardcore punk band rather than a Mathcore band, is what makes a lot of the unhinged moments work more. It sounds slightly off time at points, the band isn’t always in perfect lockstep, and it makes for a more classic punk experience in amongst all these distinctly alien-to-punk-and-Hardcore elements.
The critiques I have and the reason this album isn’t quite the AOTY candidate that I thought it may be based off first listen and those excellent pre-release singles, are vague and somewhat two-fold. And, again, both critiques are somewhat vague and incredibly personal no doubt.
For one I feel that the album somehow has a mild personality crisis. When it is going ape shit with the noisy, oppressively loud hardcore it is consistently awesome. When the band is doing a weird quasi-MBV kinda thing where there is clearly some gorgeous melodies underneath thick slabs of noise and muck, it sounds absolutely awesome. EDIT: hey this is me. That MBV comparison was sticking in me craw and I think that is because it’s a bit of a stretch and they aren’t too similar stylistically. But at points there is a certain element of hiding rich and sweet melodies under lots of noise that is somewhat similar). And yet I don’t personally feel these two styles are melded or meshed into a beautiful and brilliant complete cohesive whole. The sum of the parts is somehow less than the 2 individual stylistic achievements.
The other thing is that I feel this album doesn’t quite consistently blow me away. This is much less of a clear-cut, in my mind, problem. And honestly both issues may slowly dissolve into time as I revisit this beast. But for now I feel that the initial momentum of the album which is created by a brilliant and visceral run of tracks to start, is dampened quite a bit in the middle before the album ends with a pretty brilliant run of gems again. Again, with almost any album that I love the core sound of, this critique usually abates over time and many listens.
Overall, this is indeed a creative, blistering, intense and loud (loud in ways I haven’t heard in almost any other album this year) record that, for the most part, sticks the landing on integrating some electronic, noise pop, and other disparate sounds into the post-hardcore central sound/style. Really excellent album and recommended.
"[+]Reply
"I think there needs to be a subgenre of indie folk called sylvan folk. It would encompass all those artists whose music evokes dense old growth forests, undulating earth covered in moss and wildflowers, and places populated by woodland sprites and ancient spirits. It's music that conjures up a ro...""I think there needs to be a subgenre of indie folk called sylvan folk. It would encompass all those artists whose music evokes dense old growth forests, undulating earth covered in moss and wildflowers, and places populated by woodland sprites and ancient spirits. It's music that conjures up a romantic mythical past that probably never really existed, or was wiped out by Black Plague. The Decemberists would fit into this genre, as would Fleet Foxes, and Midlake, and Florence + the Machine. I'm not sure about Sylvan Esso, though their name certainly would. And Daughter. Check out "Youth" from this album to get a sense of what I mean. It's not so much about the lyrical content--best summed up by the line "Most of us are bitter over someone"--but more about the nostalgic, wistful, dreamy, romantic feeling created by the swirls of guitar reverb and Elena Tonra's haunting vocals."[+]Reply
"I'm surprised this EP hadn't been added before. It's a nice collection of songs to play after the original In Rainbows. Favorite songs: "Down is the New Up", "Bangers + Mash", "4 Minute Warning". The last one is actually one of my all-time favorite Radiohead songs. It should've been included in t...""I'm surprised this EP hadn't been added before. It's a nice collection of songs to play after the original In Rainbows. Favorite songs: "Down is the New Up", "Bangers + Mash", "4 Minute Warning". The last one is actually one of my all-time favorite Radiohead songs. It should've been included in the original album."[+]Reply