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9451.

You? Me? Us? 

 Richard Thompson

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Year of Release:

1996

Appears in:

22 charts

Rank Score:

129

Rank in 1996:

179

Rank in 1990s:

1,522

Overall Rank:

9,451

Average Rating:

 75 (20 votes)

Comments:

0

9452.

New Fragility 

 Clap Your Hands Say Yeah

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"It's the vocals that make or break this album, depending on your perception. They are so dominant, they barely leave any space for the other parts to develop, they demand your full attention. There was some Bono and some Thom Yorke influences among others, though I'm sure there was a much more st...""It's the vocals that make or break this album, depending on your perception. They are so dominant, they barely leave any space for the other parts to develop, they demand your full attention. There was some Bono and some Thom Yorke influences among others, though I'm sure there was a much more striking one that I struggle to recall right now. The one part of this record I definitely won't forget is Where They Perform Miracles, it stands head and shoulders above the rest of the album. In general the second half was preferable, but I can't tell if it was actually better or it had to do with getting used to their style. Overall, respectable and enjoyable, though far from anything exciting or revolutionary."  [+]  Reply

- kokkinos | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

32 charts

Rank Score:

129

Rank in 2021:

155

Rank in 2020s:

758

Overall Rank:

9,452

Average Rating:

 69 (43 votes)

Comments:

6

9453.

Ode To Dawn Wiener: Embarrassing Love Songs 

 Nicole Dollanganger

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Year of Release:

2013

Appears in:

6 charts

Rank Score:

129

Rank in 2013:

211

Rank in 2010s:

1,824

Overall Rank:

9,453

Average Rating:

 71 (9 votes)

Comments:

0

9454.

Time And Place 

 Lee Moses

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"This is one powerful soul album. The cover of california dreaming is breathtaking in its emotion and power. A really really good gritty soul record."  Reply

- glynspsa | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

43 charts

Rank Score:

129

Rank in 1971:

139

Rank in 1970s:

1,373

Overall Rank:

9,454

Average Rating:

 80 (30 votes)

Comments:

4

9455.

The Riddle 

 Nik Kershaw

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"A great eighties album which still sounds fresh to me today. Good flow from start to finish. 'The Riddle' and 'You Might' shine through as favourites for me. I remember seeeing Nik Kershaw at the Cornwall Coliseum in the eighties and was so impressed when he moved from keyboards to guitar to drum...""A great eighties album which still sounds fresh to me today. Good flow from start to finish. 'The Riddle' and 'You Might' shine through as favourites for me. I remember seeeing Nik Kershaw at the Cornwall Coliseum in the eighties and was so impressed when he moved from keyboards to guitar to drums with ease. I put The Riddle slightly behind Human Racing."  [+]  Reply

- Junomoogmello | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1984

Appears in:

28 charts

Rank Score:

129

Rank in 1984:

137

Rank in 1980s:

1,338

Overall Rank:

9,455

Average Rating:

 70 (27 votes)

Comments:

2

9456.

What Burns Never Returns 

 Don Caballero

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Year of Release:

1998

Appears in:

42 charts

Rank Score:

129

Rank in 1998:

148

Rank in 1990s:

1,523

Overall Rank:

9,456

Average Rating:

 77 (57 votes)

Comments:

0

9457.

Muse Sick-N-Hour Mess Age 

 Public Enemy

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"Like so many others, Public Enemy blazed a trail, but were left behind by those who surged forward through the door they kicked open. Hip-hop had evolved, and Public Enemy hadn't. This album is forgettable."  Reply

- junodog4 | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1994

Appears in:

28 charts

Rank Score:

129

Rank in 1994:

178

Rank in 1990s:

1,524

Overall Rank:

9,457

Average Rating:

 69 (42 votes)

Comments:

1

9458.

The Theory Of Whatever 

 Jamie T

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"Jamie comes back after a period away with his best work. You can tell some of the songs were written in an earlier era, but the best songs on the album (The Old Style Raiders/Between The Rocks/Old Republican) rank up there with Sheila and Zombie in the pantheon of his best. 50,000 Unmarked Bullet...""Jamie comes back after a period away with his best work. You can tell some of the songs were written in an earlier era, but the best songs on the album (The Old Style Raiders/Between The Rocks/Old Republican) rank up there with Sheila and Zombie in the pantheon of his best. 50,000 Unmarked Bullets, while the last and initially most unassuming song in the album is sneakily good when you give it some attention. Initially a writing exercise to rid himself of writer's block, the song imagines Kim Jong Un as a child at boarding school dealing with the attention of being the son of Kim Jong Il and the breakdown of his relationship with a girl called Laura. "  [+]  Reply

- baz1860 | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

10 charts

Rank Score:

129

Rank in 2022:

148

Rank in 2020s:

759

Overall Rank:

9,458

Average Rating:

 75 (12 votes)

Comments:

1

9459.

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Grand Guignol 

 Naked City

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"The greatest combination ever of punk, classical and jazz."  Reply

- Jbalbinolr | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1992

Appears in:

17 charts

Rank Score:

129

Rank in 1992:

154

Rank in 1990s:

1,525

Overall Rank:

9,459

Average Rating:

 74 (15 votes)

Comments:

1

9460.

Animal 

 LUMP

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"(Really solid artsy indietronica/art pop or rock/etc album. This actually a fairly hard to describe sound, but its all good. Really, really good.) So, LUMP is a collaboration between Laura Marling (love her she is great) and Mike Lindsay (uhhh… never heard of him). And, well, these 2 they make mu...""(Really solid artsy indietronica/art pop or rock/etc album. This actually a fairly hard to describe sound, but its all good. Really, really good.) So, LUMP is a collaboration between Laura Marling (love her she is great) and Mike Lindsay (uhhh… never heard of him). And, well, these 2 they make music. Its like pop and indie and has electronic elements, and it is quite hard to narrow down exactly what genre this should be. There are pianos and electronic synth parts, and big orchestral sounds, and there are super sexy eargasmic rhythms, and there are sad ballads and there is poetic lyricism, and there a whole atmosphere created on this album that is unique and powerful and warm and somehow just about the best thing released this year in some ways. It sounds like these 2 have great chemistry. Laura has a great voice. And these songs utilize her instrument in varied and always quite gorgeous ways. On “Red Snakes” it’s a sad sorrowful voice, on a song like “Gamma Ray” her voice has this sexy, imposing, deeper power. On a track like “Paradise” she sounds almost deadened at times and cold in an intriguing way… Anyway, news flash, Laura Marling is incredible. Oh, and, like, the sky is blue… fucking DUH! Mike and Laura just absolutely killed it with the vocal arrangements and sounds here. The main thing that I always notice more than anything else on this album is how GREAT the bass tones and the heavy-footed rhythms sound. It feels so heavy and tangible and just, idk, like it feels like your head is being rattled. Its brilliant. And the melodies and the other synthetic and organic sounds that are built around these deep foundations are always quite cool and ear-catching. For an example of this dope heavy rhythm sound check out “Gamma Ray” or “Paradise”. “Hair On the Pillow” is alright, I guess. Its just a little electronic instrumental. Doesn’t add much. But outside of that track and perhaps the short little number “Oberon” which also seems a bit throwaway, the rest of the track list is pretty much fat-free and bursting with supple, beautiful musical ideas. Also, something really cool about this album is how it closes. It saves the best for last, folks! That twin guitar melody and harmonizing on the closer, “Phantom Limb” is mesmerizing especially when paired with the gentle gorgeousness of Marling’s vocal performance. Then the song just builds and goes into a cool progressive electronic passage and then the horn comes in and it just keeps going! Its fabulous! That bookend paired with the opener (aka the other bookend), “Bloom at Night” and the stunning electronic swirl that starts that amazing opener, you have yourself an amazing opening and closing of this very neat, tidy, cool as fuck, album. Yes, the whole Closing Credits Reading by Marling at the end of “Phantom Limb” is a bit strange and I’m not sure how I feel about it. All things considered it doesn’t take much if anything away from this beautiful record. If I have any critique or anything that maybe is holding me back from proclaiming this a standout, top-tier album for this year, its that there is a feeling I get of mild interest, or kind of a laid back and not particularly impassioned vibe coming off this album like an odor. Not a bad, fecal or BO type odor, just a hint, an aura, or whatever. I get the feeling this is a couple friends who get along and whenever they are in touch there is a quickening of creative juices. They start bandying back and forth their ideas that maybe wouldn’t fit on their main band’s albums or on Marling’s solo albums. And they get in a studio, and they put their heads together and they make these, admittedly glistening and gorgeous, songs. So, the album feels slightly cold and calculated. That may just be the intended sound or message or vibe that these artists want to exhibit, or it may just be a product of this style or genre. I don’t know. But it makes me feel like this isn’t a major release, just a side project. A really cool side project rife with cool musical ideas, but not the main dish all the same. Still, I recommend this album very much. Its gorgeous and if you like Art Pop, or Indietronica, or lowkey ballads with some subtle and gorgeous production or you like albums that just exude calm, cool, and chill, you’ll like this a lot methinks."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

39 charts

Rank Score:

129

Rank in 2021:

156

Rank in 2020s:

760

Overall Rank:

9,460

Average Rating:

 74 (38 votes)

Comments:

2

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Total albums: 10,000. Page 946 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,415	14%
1990s	1,600	16%
2000s	1,725	17%
2010s	1,967	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,999	50%
	2,657	27%
	431	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%