Airs
by Loren Mazzacane Connors

Airs by Loren Mazzacane Connors
Year: 1999
Overall rank: 15,047th   Overall chart history
Average Rating: 
76/100 (from 16 votes)
  Ratings distribution   Average rating history
Accolades:
Award Top albums of 1999 (238th)
Award Top albums of of the 1990s (2,356th)
Award Best albums of all time (15,047th)

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Loren Mazzacane Connors bestography

Airs is ranked as the best album by Loren Mazzacane Connors.

Loren Mazzacane Connors album bestography « Higher ranked
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This album (15,047th)
Airs
Lower ranked (43,656th) »
Evangeline

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Airs track list

  Track ratings The tracks on this album have an average rating of 74 out of 100 (all tracks have been rated).

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Airs rankings

Airs rankings summary
Overall rank: 15,047th | 1990s rank: 2,356th | 1999 rank: 238th  Overall chart history
Calculated from aggregate positions across 60,000 charts (2 million album rankings).Help Click to see how the rankings are calculated (Last updated: 4 hours ago)

Airs collection

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Airs ratings

Average Rating: 
76/100 (from 16 votes)
  Ratings distribution Help Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AV
where:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.

Showing latest 3 ratings for this album.  | Show all 16 ratings for this album.

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08/21/2026 22:07 Skip25  Ratings distribution  3284/100
 
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02/14/2026 13:38 DommeDamian  Ratings distribution  7,83748/100
 
95/100
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12/02/2021 21:53 CellarDoor  Ratings distribution  8,91779/100

Rating metrics: Help Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)

This album is rated in the top 5% of all albums on BestEverAlbums.com. This album has a Bayesian average rating of 76.0/100, a mean average of 78.4/100, and a trimmed mean (excluding outliers) of 78.4/100. The standard deviation for this album is 14.4.


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Airs favourites

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Airs forum mentions

This album has been referenced 16 times on the forums, Explore the wider forum discussion to see what members have said about it.
“What album are you listening to right now?”
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“Albums on my 1990s chart with ten votes or less: This list says more about which genres are neglected here than it does about underrated bands, but oh well.”
View forum post →

From Skinny 06/13/2015 07:18 in Best Guitar Albums Ever
“Skinny, there's a guitarist that I'm very surprised you didn't decide to mention Oh yeah, Matt Bellamy from Muse. Anyway, forgot these two...”
View forum post →

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Airs comments

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From 06/03/2014 21:35 | #113648
Slight, poetic, improvised solo guitar pieces, each of which has its own feel and yet fits perfectly into the wider suite. It retains some semblance of blues and folk music throughout, but never really sounds like either. It has the same lucid, intangible quality that makes Selected Ambient Works vol. 2 one of my favourite records, but it doesn't try to be as consciously abstract as that record. This is just the sound of a person who has mastered their instrument, and can pull from it sounds that have this old-world familiarity and at the same are like very little else I've heard. It just feels so pure, so utterly detached from the immediacy of modern life, and somehow still indelibly linked to our society, with its use of nothing but the one instrument that more than any other epitomises post-War Western society, the electric guitar. It conveys that strange sense of being dragged around unwittingly yet voluntarily in those necessary if meaningless circles that make up our daily routes and routines - not to mention displays the same crystalline, economic beauty drawn from the mundanity/absurdity of everyday life - that I get from reading Paul Auster's City of Glass. If all of this is making the album sound terribly pretentious, I apologise. It's just me who's pretentious. This album is stunning.
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