My Overall Chart: 2201-2300
by 
Romanelli 
- Chart updated: 05/02/2026 20:15
- (Created: 02/17/2024 13:51).
- Chart size: 100 albums.
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2007 – COLUMBIA
Produced By DAVE ERINGA, GREG HAVER & LOZ WILLIAMS
1. Send Away The Tigers
2. Underdogs
3. Your Love Alone Is Not Enough (Feat. Nina Persson)
4. Indian Summer
5. The Second Great Depression
6. Rendition
7. Autumnsong
8. I’m Just A Patsy
9. Imperial Bodybags
10. Winterlovers
One of my favorite British bands that American audiences have completely missed out on. Manic Street Preachers were great throughout the nineties before hitting a rut with their sixth album, Know Your Enemy (2001). But in 2007, they came back to life with their eight record, Send Away The Tigers. Back and big as they were in the nineties, with massive guitars and vocals, as well as smart and well crafted songs, this is a joy of an album. The Manics have been a trio since the 1995 disappearance of Richey Edwards, but they sound so much bigger than that. To hear this band rock this hard and be so back on top of their songwriting is truly a joy. The same core three members have been here since the very beginning…something not a lot of bands can boast about.
“Underdogs” is a great song. “Your Love Alone Is Not Enough” includes co-lead vocals by Nina Persson of The Cardigans. “Indian Summer” and “Autumnsong” are also highlights. Send Away The Tigers is not quite at the same level as their nineties classics The Holy Bible and Everything Must Go, but it has moments where the songs would be right at home on those discs. There’s also a hidden cover of John Lennon’s “Working Class Hero”. Truth be told…even a less than perfect, but very good, Manics album is worthwhile. America has truly missed out on this terrific band, who keep right on rolling. They’ve released fourteen albums to date, and they continue to tour with hopefully more new music on the way. At least, one can hope. [First added to this chart: 04/26/2026]
Produced By DAVE ERINGA, GREG HAVER & LOZ WILLIAMS
1. Send Away The Tigers
2. Underdogs
3. Your Love Alone Is Not Enough (Feat. Nina Persson)
4. Indian Summer
5. The Second Great Depression
6. Rendition
7. Autumnsong
8. I’m Just A Patsy
9. Imperial Bodybags
10. Winterlovers
One of my favorite British bands that American audiences have completely missed out on. Manic Street Preachers were great throughout the nineties before hitting a rut with their sixth album, Know Your Enemy (2001). But in 2007, they came back to life with their eight record, Send Away The Tigers. Back and big as they were in the nineties, with massive guitars and vocals, as well as smart and well crafted songs, this is a joy of an album. The Manics have been a trio since the 1995 disappearance of Richey Edwards, but they sound so much bigger than that. To hear this band rock this hard and be so back on top of their songwriting is truly a joy. The same core three members have been here since the very beginning…something not a lot of bands can boast about.
“Underdogs” is a great song. “Your Love Alone Is Not Enough” includes co-lead vocals by Nina Persson of The Cardigans. “Indian Summer” and “Autumnsong” are also highlights. Send Away The Tigers is not quite at the same level as their nineties classics The Holy Bible and Everything Must Go, but it has moments where the songs would be right at home on those discs. There’s also a hidden cover of John Lennon’s “Working Class Hero”. Truth be told…even a less than perfect, but very good, Manics album is worthwhile. America has truly missed out on this terrific band, who keep right on rolling. They’ve released fourteen albums to date, and they continue to tour with hopefully more new music on the way. At least, one can hope. [First added to this chart: 04/26/2026]
[First added to this chart: 04/16/2026]
Year of Release:
2007
Appears in:
Rank Score:
9,225
Rank in 2007:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
1986 – COLUMBIA
Produced By EDDIE MONEY, RICHIE ZITO & DAVID KERSHENBAUM
1. Take Me Home Tonight
2. One Love
3. I Wanna Go Back
4. Endless Nights
5. One Chance
6. We Should Be Sleeping
7. Bring On The Rain
8. I Can’t Hold Back
9. Stranger In A Strange Land
10. Calm Before The Storm
Eddie Money’s sixth album, Can’t Hold Back, exists today for only one reason: his duet with Ronnie Spector on “Take Me Home Tonight”. It was a grand comeback for Spector, and for Money, it became his first top ten single since “Baby Hold On” in 1978. The song was everywhere in 1986, and propelled Can’t Hold Back to platinum status. Money had been slowly fading away since the dawn of the eighties when his short string of early hits dried up. This is the more mature and adult contemporary version of Money, despite the rocking of “Take Me Home Tonight”…the record soon starts drifting into a sea of eighties synthesizers and mellow love songs with just a dash of electric guitars to remind us all that Eddie Money did, indeed, once rock.
On the back of “Take Me Home Tonight”, there were three more singles released from the album. But “We Should Be Sleeping”, “I Wanna Go Back”, and “Endless Nights” lacked the punch of the opening track, and they lacked, well, Ronnie Spector. Ultimately, Can’t Hold Back is an almost average album with one fine track, lost in a sea of mid eighties records by artists whose better days (the seventies) were behind them. Money soldiered on for a while, releasing four unknown albums in the nineties before all but hanging it up. There was a disc in 2007, and that was that for Eddie Money. He passed away in 2019, leaving behind a bunch of rocking tracks from the seventies and one big hit from this album. Seek out a hits package if you want the song…the rest is not so satisfying. [First added to this chart: 04/14/2026]
Produced By EDDIE MONEY, RICHIE ZITO & DAVID KERSHENBAUM
1. Take Me Home Tonight
2. One Love
3. I Wanna Go Back
4. Endless Nights
5. One Chance
6. We Should Be Sleeping
7. Bring On The Rain
8. I Can’t Hold Back
9. Stranger In A Strange Land
10. Calm Before The Storm
Eddie Money’s sixth album, Can’t Hold Back, exists today for only one reason: his duet with Ronnie Spector on “Take Me Home Tonight”. It was a grand comeback for Spector, and for Money, it became his first top ten single since “Baby Hold On” in 1978. The song was everywhere in 1986, and propelled Can’t Hold Back to platinum status. Money had been slowly fading away since the dawn of the eighties when his short string of early hits dried up. This is the more mature and adult contemporary version of Money, despite the rocking of “Take Me Home Tonight”…the record soon starts drifting into a sea of eighties synthesizers and mellow love songs with just a dash of electric guitars to remind us all that Eddie Money did, indeed, once rock.
On the back of “Take Me Home Tonight”, there were three more singles released from the album. But “We Should Be Sleeping”, “I Wanna Go Back”, and “Endless Nights” lacked the punch of the opening track, and they lacked, well, Ronnie Spector. Ultimately, Can’t Hold Back is an almost average album with one fine track, lost in a sea of mid eighties records by artists whose better days (the seventies) were behind them. Money soldiered on for a while, releasing four unknown albums in the nineties before all but hanging it up. There was a disc in 2007, and that was that for Eddie Money. He passed away in 2019, leaving behind a bunch of rocking tracks from the seventies and one big hit from this album. Seek out a hits package if you want the song…the rest is not so satisfying. [First added to this chart: 04/14/2026]
[First added to this chart: 03/08/2026]
1986 – MUTE
Produced By DEPECHE MODE, GARETH JONES & DANIEL MILLER
1. Black Celebration
2. Fly On The Windscreen – Final
3. A Question Of Lust
4. Sometimes
5. It Doesn’t Matter Two
6. A Question Of Time
7. Stripped
8. Here Is The House
9. World Full Of Nothing
10. Dressed In Black
11. New Dress
12. But Not Tonight
One of the greatest bands of the eighties, Depeche Mode could do no wrong for the entire decade. Despite this, they didn’t really catch on in America outside of a few singles until the nineties. Black Celebration is their fifth album, and it’s a pretty dark affair. It’s also a really terrific album. The songwriting from Martin Gore was growing by leaps and bounds, and the band was perfecting their pop electronic sound. And as dark as they may have tried to be, the hits just kept coming. Because a great hook is a great hook, and Depeche Mode had them in spades. And they have never run out of gas…the band has released fifteen studio albums, the latest being from 2023 that was a top twenty seller almost everywhere in the world. They have still got it.
Black Celebration is just that…a celebration of dark music. The one-two punch of the title track and “Fly On The Windscreen” should have you hooked right away. “Stripped” was the lead single, followed by “A Question Of Lust” and “A Question Of Time”. “Sometimes” ends with a beautiful flurry of harmony. The band here is adventurous and thinking outside of the pop box, and the results are great. The nineties would really be the decade of Depeche Mode, but don’t sleep on their first few albums from the eighties. Especially the trio of Some Great Reward (1984), Black Celebration and Music For The Masses (1987). It’s a band that is just getting warmed up for bigger and better things. And they were about to prove that they were very much up to the task. [First added to this chart: 03/05/2026]
Produced By DEPECHE MODE, GARETH JONES & DANIEL MILLER
1. Black Celebration
2. Fly On The Windscreen – Final
3. A Question Of Lust
4. Sometimes
5. It Doesn’t Matter Two
6. A Question Of Time
7. Stripped
8. Here Is The House
9. World Full Of Nothing
10. Dressed In Black
11. New Dress
12. But Not Tonight
One of the greatest bands of the eighties, Depeche Mode could do no wrong for the entire decade. Despite this, they didn’t really catch on in America outside of a few singles until the nineties. Black Celebration is their fifth album, and it’s a pretty dark affair. It’s also a really terrific album. The songwriting from Martin Gore was growing by leaps and bounds, and the band was perfecting their pop electronic sound. And as dark as they may have tried to be, the hits just kept coming. Because a great hook is a great hook, and Depeche Mode had them in spades. And they have never run out of gas…the band has released fifteen studio albums, the latest being from 2023 that was a top twenty seller almost everywhere in the world. They have still got it.
Black Celebration is just that…a celebration of dark music. The one-two punch of the title track and “Fly On The Windscreen” should have you hooked right away. “Stripped” was the lead single, followed by “A Question Of Lust” and “A Question Of Time”. “Sometimes” ends with a beautiful flurry of harmony. The band here is adventurous and thinking outside of the pop box, and the results are great. The nineties would really be the decade of Depeche Mode, but don’t sleep on their first few albums from the eighties. Especially the trio of Some Great Reward (1984), Black Celebration and Music For The Masses (1987). It’s a band that is just getting warmed up for bigger and better things. And they were about to prove that they were very much up to the task. [First added to this chart: 03/05/2026]
Year of Release:
1986
Appears in:
Rank Score:
2,638
Rank in 1986:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
[First added to this chart: 02/28/2026]
Year of Release:
1992
Appears in:
Rank Score:
1,142
Rank in 1992:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1978 – CAPITOL
Produced By RALF HUTTER & FLORIAN SCHNEIDER
1. The Robots
2. Spacelab
3. Metropolis
4. The Model
5. Neon Lights
6. The Man-Machine
In 1978, electronic music most definitely existed. It was just nowhere near being popular yet. But out in Germany, in the midst of classic rock and disco and punk was Kraftwerk, an electronic quartet that had an unlikely hit with “Autobahn” in 1974. The Man-Machine (released as Die Mensch-Maschine) is the group’s seventh album. It was not a hit by any means, but it was surprisingly successful. This quartet of electronic musicians (two keyboards and 2 electronic drummers) are as mechanical as it gets…as mechanical as the album cover would suggest. And yet, the music here is smart and entertaining, foreshadowing the coming new wave of the eighties and showing a whole generation that you really don’t need all of those guitars after all.
The Man-Machine is a tribute to all things mechanical. Starting with the opening track, on which Ralf Hutter repeatedly and gleelessly announces that “We are the robots”. “The Model” could have been a new wave hit about seven or eight years later, and “Neon Lights” is surprisingly warm. Kraftwerk deserves a lot more credit than they get: they pretty much invented synth pop, they refuse to ever compromise, and they have been at it non stop for well over fifty years now. The Man-Machine is probably their best work. It remains a joy to listen to after so many years, and it doesn’t seem nearly as out of place as it did 45 years ago. This is an electronic classic, and it’s a perfect blueprint for anyone who wants to know how to get this music right. [First added to this chart: 02/22/2026]
Produced By RALF HUTTER & FLORIAN SCHNEIDER
1. The Robots
2. Spacelab
3. Metropolis
4. The Model
5. Neon Lights
6. The Man-Machine
In 1978, electronic music most definitely existed. It was just nowhere near being popular yet. But out in Germany, in the midst of classic rock and disco and punk was Kraftwerk, an electronic quartet that had an unlikely hit with “Autobahn” in 1974. The Man-Machine (released as Die Mensch-Maschine) is the group’s seventh album. It was not a hit by any means, but it was surprisingly successful. This quartet of electronic musicians (two keyboards and 2 electronic drummers) are as mechanical as it gets…as mechanical as the album cover would suggest. And yet, the music here is smart and entertaining, foreshadowing the coming new wave of the eighties and showing a whole generation that you really don’t need all of those guitars after all.
The Man-Machine is a tribute to all things mechanical. Starting with the opening track, on which Ralf Hutter repeatedly and gleelessly announces that “We are the robots”. “The Model” could have been a new wave hit about seven or eight years later, and “Neon Lights” is surprisingly warm. Kraftwerk deserves a lot more credit than they get: they pretty much invented synth pop, they refuse to ever compromise, and they have been at it non stop for well over fifty years now. The Man-Machine is probably their best work. It remains a joy to listen to after so many years, and it doesn’t seem nearly as out of place as it did 45 years ago. This is an electronic classic, and it’s a perfect blueprint for anyone who wants to know how to get this music right. [First added to this chart: 02/22/2026]
Year of Release:
1978
Appears in:
Rank Score:
4,388
Rank in 1978:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
2010 – WARP
Produced By FLYING LOTUS
1. Clock Catcher
2. Pickled!
3. Nose Art
4. Intro / A Cosmic Drama
5. Zodiac Shit
6. Computer Face / Pure Being
7. …And The World Laughs With You (Feat. Thom Yorke)
8. Arkestry
9. MmmHmm (Feat. Thundercat)
10. Do The Astral Plane
11. Satelllliiiiiiteee
12. German Haircut
13. Recoiled
14. Dance Of The Pseudo Nymph
15. Drips / Auntie’s Harp
16. Table Tennis (Feat. Laura Darlington)
17. Galaxy In Janaki
Jazz is a music that defies boundaries. Electronic music has limitless possibilities. So, why don’t we hear more electronic jazz? What would it sound like? Steven Ellison, who records as Flying Lotus, has the answer. He has jazz in his blood…he’s a relative of jazz pianist Alice Coltrane, who was married to saxophone legend John Coltrane. But he also thrives on modern music: hip hop is part of who he is as well. The music he makes has been defined as IDM (intelligent dance music), and he pushes the lines between jazz and electronica as far as anyone. Cosmogramma is the high point of his career so far. It’s dazzling, dizzying, confusing and beautiful…all at the same time. He cites J Dilla as a big influence as far as his beats are concerned, which is a very good thing.
But what makes Cosmogramma special is his jazz connection. This is modern music that channels the minds of Miles Davis and Charles Mingus and Coltrane. Without the limits that instruments like the trumpet, bass and saxophone present. Of course, his audience is limited as this is most definitely not pop music. But there will come a time when people will look back at Ellison, and especially Cosmogramma, and see just how special this music is. Electronic music has limitless possibilities, something that not a lot of modern musicians have yet to grasp. There is access to any sound, any rhythm, and any type of structure that one can imagine. The best thing about Cosmogramma is that it shows you how we’ve only begun to scratch the surface of what music can do. Take that, all you “it’s all been done before” folks. [First added to this chart: 02/09/2026]
Produced By FLYING LOTUS
1. Clock Catcher
2. Pickled!
3. Nose Art
4. Intro / A Cosmic Drama
5. Zodiac Shit
6. Computer Face / Pure Being
7. …And The World Laughs With You (Feat. Thom Yorke)
8. Arkestry
9. MmmHmm (Feat. Thundercat)
10. Do The Astral Plane
11. Satelllliiiiiiteee
12. German Haircut
13. Recoiled
14. Dance Of The Pseudo Nymph
15. Drips / Auntie’s Harp
16. Table Tennis (Feat. Laura Darlington)
17. Galaxy In Janaki
Jazz is a music that defies boundaries. Electronic music has limitless possibilities. So, why don’t we hear more electronic jazz? What would it sound like? Steven Ellison, who records as Flying Lotus, has the answer. He has jazz in his blood…he’s a relative of jazz pianist Alice Coltrane, who was married to saxophone legend John Coltrane. But he also thrives on modern music: hip hop is part of who he is as well. The music he makes has been defined as IDM (intelligent dance music), and he pushes the lines between jazz and electronica as far as anyone. Cosmogramma is the high point of his career so far. It’s dazzling, dizzying, confusing and beautiful…all at the same time. He cites J Dilla as a big influence as far as his beats are concerned, which is a very good thing.
But what makes Cosmogramma special is his jazz connection. This is modern music that channels the minds of Miles Davis and Charles Mingus and Coltrane. Without the limits that instruments like the trumpet, bass and saxophone present. Of course, his audience is limited as this is most definitely not pop music. But there will come a time when people will look back at Ellison, and especially Cosmogramma, and see just how special this music is. Electronic music has limitless possibilities, something that not a lot of modern musicians have yet to grasp. There is access to any sound, any rhythm, and any type of structure that one can imagine. The best thing about Cosmogramma is that it shows you how we’ve only begun to scratch the surface of what music can do. Take that, all you “it’s all been done before” folks. [First added to this chart: 02/09/2026]
Year of Release:
2010
Appears in:
Rank Score:
2,672
Rank in 2010:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
1994 – COLUMBIA
Produced By STEPHEN LIPSON
1. Right Beside You
2. Did We Not Choose Each Other
3. Don’t Don’t Tell Me Mo
4. As I Lay Me Down
5. Swing From My Limb (My Home Is In Your Jungle)
6. True Romance
7. Let Me Love You Up
8. Only Love (The Ballad Of Sleeping Beauty)
9. I Need Nothing Else
10. Sometimes I See
11. Mr. Tugboat Hello
In 1992, Sophie B. Hawkins released her very promising debut album, Tongues And Tails. The electronic pop album included a unique version of Bob Dylan’s “I Want You”, as well as a couple of other hits. Her second album, 1994’s Whaler, did not fare as well. Her brand of pop music wasn’t making a dent with the younger listeners, and she was finding herself swimming closer and closer to the black hole of adult contemporary. She tries experiments with other genres, most of which fail vividly (her rap at the end of “Right Beside You” is…uncomfortable). That track also tries to sound like an Irish folk tune, but the keyboards she uses to do it aren’t fooling anyone. Bless her heart, she tries hard to make Whaler work. But it simply does not.
Much of Whaler is danceable, which is the only real saving grace here. But there are simply too many moments that leave you shaking your head. By far, the low point is the end of the single “Don’t Don’t Tell Me No”, which pounds the last line of the song into your head so many times that screaming “enough, already!” at your speakers becomes a very real option. The album was enough of a miss that Hawkins hasn’t so much as sniffed a hit since then, despite releasing four more albums and ten more singles. A pretty tough road for a pop artist, for sure. This is a reminder that the sophomore slump in music can be a very real thing. She had her whole life to write the first album, and only a matter of months to come up with the second one. I’d skip this one if I were you. [First added to this chart: 02/04/2026]
Produced By STEPHEN LIPSON
1. Right Beside You
2. Did We Not Choose Each Other
3. Don’t Don’t Tell Me Mo
4. As I Lay Me Down
5. Swing From My Limb (My Home Is In Your Jungle)
6. True Romance
7. Let Me Love You Up
8. Only Love (The Ballad Of Sleeping Beauty)
9. I Need Nothing Else
10. Sometimes I See
11. Mr. Tugboat Hello
In 1992, Sophie B. Hawkins released her very promising debut album, Tongues And Tails. The electronic pop album included a unique version of Bob Dylan’s “I Want You”, as well as a couple of other hits. Her second album, 1994’s Whaler, did not fare as well. Her brand of pop music wasn’t making a dent with the younger listeners, and she was finding herself swimming closer and closer to the black hole of adult contemporary. She tries experiments with other genres, most of which fail vividly (her rap at the end of “Right Beside You” is…uncomfortable). That track also tries to sound like an Irish folk tune, but the keyboards she uses to do it aren’t fooling anyone. Bless her heart, she tries hard to make Whaler work. But it simply does not.
Much of Whaler is danceable, which is the only real saving grace here. But there are simply too many moments that leave you shaking your head. By far, the low point is the end of the single “Don’t Don’t Tell Me No”, which pounds the last line of the song into your head so many times that screaming “enough, already!” at your speakers becomes a very real option. The album was enough of a miss that Hawkins hasn’t so much as sniffed a hit since then, despite releasing four more albums and ten more singles. A pretty tough road for a pop artist, for sure. This is a reminder that the sophomore slump in music can be a very real thing. She had her whole life to write the first album, and only a matter of months to come up with the second one. I’d skip this one if I were you. [First added to this chart: 02/04/2026]
[First added to this chart: 02/03/2026]
Year of Release:
1995
Appears in:
Rank Score:
934
Rank in 1995:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 2201-2300 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 5 | 5% | |
| 1970s | 7 | 7% | |
| 1980s | 10 | 10% | |
| 1990s | 34 | 34% | |
| 2000s | 29 | 29% | |
| 2010s | 14 | 14% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| B.B. King | 2 | 2% | |
| Blonde Redhead | 1 | 1% | |
| Crosby, Stills & Nash | 1 | 1% | |
| Linkin Park | 1 | 1% | |
| Chris Isaak | 1 | 1% | |
| Jefferson Airplane | 1 | 1% | |
| Ornette Coleman | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
62 | 62% | |
 |
16 | 16% | |
 |
8 | 8% | |
 |
5 | 5% | |
 |
3 | 3% | |
 |
2 | 2% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 2201-2300 chart changes
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