My Overall Chart: 2201-2300
by 
Romanelli 
- Chart updated: 12/29/2025 18:45
- (Created: 02/17/2024 13:51).
- Chart size: 100 albums.
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This chart is currently filtered to only show albums from the 1990s. (Remove this filter)
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[First added to this chart: 12/23/2025]
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1991 – BMG / ARISTA
Produced By STEVE BERLIN
1. Winter Song
2. Comin’ Back Song (The Bereft Man’s Song)
3. Superman’s Song
4. The Country Life
5. Here On Earth (I’ll Have My Cake)
6. The Ghosts That Haunt Me
7. Thick-Necked Man
8. Androgynous
9. The Voyage
10. At My Funeral
Crash Test Dummies is known for one thing…that song that goes Mmm Mmm Mmm Mmm that’s called “Mmm Mmm Mmm Mmm”. They have that lead vocalist who sings bass. And no one seems to like them very much. Well, this Canadian band isn’t as bad as you may remember, and they did make more than just the one album with just the one song on it. The Ghosts That Haunt Me (with its delightfully dark album cover) is their debut album from 1991. And ya know what? In their home country, this band is NOT a one hit wonder. They had eight top twenty hits in Canada in the nineties, including one from this album, “Superman’s Song”. This is more upbeat (by a lot) than the album that made them big stars for a moment in 1993, and it contains a lot more interesting moments than you might think.
Brad Roberts has a deep voice, but on this more upbeat material, it’s not as noticeable. “Superman’s Song”, the biggest hit, is also the biggest downer. “Here On Earth” is downright chipper, And how can you fault anyone for covering The Replacements (“Androgynous”)? Not saying that this is greatness by any means, but there are moments that might indicate that this band deserves a better critical fate than they have been handed over the years. The title track is also pretty great. Crash Test Dummies have gained a reputation as being smug (not completely undeserved), but on this record, they sound like they just might be having some fun. And it wasn’t yet all about how low Brad Roberts could go. This is actually a pretty good debut album. Worth a listen at least. [First added to this chart: 12/03/2025]
Produced By STEVE BERLIN
1. Winter Song
2. Comin’ Back Song (The Bereft Man’s Song)
3. Superman’s Song
4. The Country Life
5. Here On Earth (I’ll Have My Cake)
6. The Ghosts That Haunt Me
7. Thick-Necked Man
8. Androgynous
9. The Voyage
10. At My Funeral
Crash Test Dummies is known for one thing…that song that goes Mmm Mmm Mmm Mmm that’s called “Mmm Mmm Mmm Mmm”. They have that lead vocalist who sings bass. And no one seems to like them very much. Well, this Canadian band isn’t as bad as you may remember, and they did make more than just the one album with just the one song on it. The Ghosts That Haunt Me (with its delightfully dark album cover) is their debut album from 1991. And ya know what? In their home country, this band is NOT a one hit wonder. They had eight top twenty hits in Canada in the nineties, including one from this album, “Superman’s Song”. This is more upbeat (by a lot) than the album that made them big stars for a moment in 1993, and it contains a lot more interesting moments than you might think.
Brad Roberts has a deep voice, but on this more upbeat material, it’s not as noticeable. “Superman’s Song”, the biggest hit, is also the biggest downer. “Here On Earth” is downright chipper, And how can you fault anyone for covering The Replacements (“Androgynous”)? Not saying that this is greatness by any means, but there are moments that might indicate that this band deserves a better critical fate than they have been handed over the years. The title track is also pretty great. Crash Test Dummies have gained a reputation as being smug (not completely undeserved), but on this record, they sound like they just might be having some fun. And it wasn’t yet all about how low Brad Roberts could go. This is actually a pretty good debut album. Worth a listen at least. [First added to this chart: 12/03/2025]
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[First added to this chart: 08/24/2025]
Year of Release:
1990
Appears in:
Rank Score:
644
Rank in 1990:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1997 – BEGGARS BANQUET
Produced By THE CHARLATANS, DAVE CHARLES & RIC PEET
1. With No Shoes
2. North Country Boy
3. Tellin’ Stories
4. One To Another
5. You’re A Big Girl Now
6. How Can You Leave Us
7. Area 51
8. How High
9. Only Teethin’
10. Get On It
11. Rob’s Theme
The Charlatans have been very successful in their native United Kingdom since their debut album in 1990, and are almost completely unknown in the United States. All thirteen of their studio releases have charted in the top 40 in England. Not one of them has made a dent in the US charts. Okay. So Britpop isn’t a big thing in America. But how have we missed out on the entire thirty plus year career of a band? I don’t know’ the answer to that. Tellin’ Stories is the band’s fifth album, and their third UK number one. It’s their best selling album, their highest charting, and boasted five top twenty singles. In the UK. In America, nothing. What do the British know that we don’t? It’s filled with great songs, great playing, and a fine mix of rock and hip hop beats. I don’t know either.
“One To Another” was the lead single, and it’s great. The title track, along with “North Country Boy” and “How High” are also big highlights. The guitars from this band are big and full, the keyboards are soulful and the singing by Mark Burgess is fine. Keyboardist Rob Collins died in a car accident during the making of the album, which didn’t slow them down a bit. Tellin’ Stories is a really good album, a definite high point for The Charlatans. They have remained good and consistent, although it’s been seven years now since their last record. They do continue to tour, but no new music has been announced. The band’s thirteen albums are all out there just waiting for American audiences to get on board with one of Britain’s better groups. Maybe someday we will. [First added to this chart: 07/13/2025]
Produced By THE CHARLATANS, DAVE CHARLES & RIC PEET
1. With No Shoes
2. North Country Boy
3. Tellin’ Stories
4. One To Another
5. You’re A Big Girl Now
6. How Can You Leave Us
7. Area 51
8. How High
9. Only Teethin’
10. Get On It
11. Rob’s Theme
The Charlatans have been very successful in their native United Kingdom since their debut album in 1990, and are almost completely unknown in the United States. All thirteen of their studio releases have charted in the top 40 in England. Not one of them has made a dent in the US charts. Okay. So Britpop isn’t a big thing in America. But how have we missed out on the entire thirty plus year career of a band? I don’t know’ the answer to that. Tellin’ Stories is the band’s fifth album, and their third UK number one. It’s their best selling album, their highest charting, and boasted five top twenty singles. In the UK. In America, nothing. What do the British know that we don’t? It’s filled with great songs, great playing, and a fine mix of rock and hip hop beats. I don’t know either.
“One To Another” was the lead single, and it’s great. The title track, along with “North Country Boy” and “How High” are also big highlights. The guitars from this band are big and full, the keyboards are soulful and the singing by Mark Burgess is fine. Keyboardist Rob Collins died in a car accident during the making of the album, which didn’t slow them down a bit. Tellin’ Stories is a really good album, a definite high point for The Charlatans. They have remained good and consistent, although it’s been seven years now since their last record. They do continue to tour, but no new music has been announced. The band’s thirteen albums are all out there just waiting for American audiences to get on board with one of Britain’s better groups. Maybe someday we will. [First added to this chart: 07/13/2025]
Year of Release:
1997
Appears in:
Rank Score:
416
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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1997 – REPRISE
Produced By LINDSEY BUCKINGHAM & ELLIOT SCHEINER
1. The Chain
2. Dreams
3. Everywhere
4. Rhiannon
5. I’m So Afraid
6. Temporary One
7. Bleed To Love Her
8. Big Love
9. Landslide
10. Say You Love Me
11. My Little Demon
12. Silver Springs
13. You Make Loving Fun
14. Sweet Girl
15. Go Your Own Way
16.Tusk
17. Don’t Stop
The classic (most successful) lineup of Fleetwood Mac had not released an album since 1987’s Tango In The Night, when they got together for a live MTV special called The Dance. The album is important, as it marked the last album to feature both McVie’s, Mick Fleetwood, Lindsay Buckingham and Stevie Nicks. This was the last full album with the band for Christine McVie, who left a year later. She did return, but there were no more albums. She died in 2022. The Dance is mostly a greatest hits live set, which was to be expected…but there are some nice surprises and a few new songs from the solo work of McVie, Nicks and Buckingham. It also includes the lesser known “I’m So Afraid”, and the best outtake ever, Nicks’ “Silver Springs” from Rumours.
The Dance has become the most important live document from this lineup. It was recorded in just one night (with some overdubs), and there is a companion DVD to go along with it. The band is really on for this, and they have enough great songs here to make this a pretty terrific show. They seem to be having a good and very energetic night. Buckingham’s guitar is perfect (along with his banjo on “Say You Love Me”), and Nicks sings as magnificently as ever. And of course “Silver Springs” makes it all worthwhile. Fleetwood Mac has been though a lot of changes and a lot of turmoil that continues to this day, but when this lineup was on, they were as good as it gets. And they were definitely on top of their game on The Dance. A wonderful live set. [First added to this chart: 02/21/2025]
Produced By LINDSEY BUCKINGHAM & ELLIOT SCHEINER
1. The Chain
2. Dreams
3. Everywhere
4. Rhiannon
5. I’m So Afraid
6. Temporary One
7. Bleed To Love Her
8. Big Love
9. Landslide
10. Say You Love Me
11. My Little Demon
12. Silver Springs
13. You Make Loving Fun
14. Sweet Girl
15. Go Your Own Way
16.Tusk
17. Don’t Stop
The classic (most successful) lineup of Fleetwood Mac had not released an album since 1987’s Tango In The Night, when they got together for a live MTV special called The Dance. The album is important, as it marked the last album to feature both McVie’s, Mick Fleetwood, Lindsay Buckingham and Stevie Nicks. This was the last full album with the band for Christine McVie, who left a year later. She did return, but there were no more albums. She died in 2022. The Dance is mostly a greatest hits live set, which was to be expected…but there are some nice surprises and a few new songs from the solo work of McVie, Nicks and Buckingham. It also includes the lesser known “I’m So Afraid”, and the best outtake ever, Nicks’ “Silver Springs” from Rumours.
The Dance has become the most important live document from this lineup. It was recorded in just one night (with some overdubs), and there is a companion DVD to go along with it. The band is really on for this, and they have enough great songs here to make this a pretty terrific show. They seem to be having a good and very energetic night. Buckingham’s guitar is perfect (along with his banjo on “Say You Love Me”), and Nicks sings as magnificently as ever. And of course “Silver Springs” makes it all worthwhile. Fleetwood Mac has been though a lot of changes and a lot of turmoil that continues to this day, but when this lineup was on, they were as good as it gets. And they were definitely on top of their game on The Dance. A wonderful live set. [First added to this chart: 02/21/2025]
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[First added to this chart: 02/29/2024]
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[First added to this chart: 02/23/2024]
Year of Release:
1997
Appears in:
Rank Score:
808
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
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[First added to this chart: 03/11/2024]
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1996 – A&M
Produced By GIN BLOSSOMS & JOHN HAMPTON
1. Day Job
2. Highwire
3. Follow You Down
4. Not Only Numb
5. As Long As It Matters
6. Perfectly Still
7. 7th Inning Stretch
8. My Car
9. Virginia
10. Whitewash
11. I Can’t Figure You Out
12. Memphis Time
13. Competition Smile
Pretty sad story, this one. Gin Blossoms had to fire their lead guitarist Doug Hopkins near the end of recording their breakthrough album, New Miserable Experience. Hopkins played on that album, and was credited as songwriter on several tracks, including their big hit “Hey Jealousy”. But Hopkins had a drinking problem, and the band couldn’t continue with him. Just as the album was taking off, Hopkins committed suicide. So how do you come back from that, much less continue? The follow up album was Congratulations I’m Sorry, which was how people spoke to them about their success and their loss. Gin Blossoms, to their credit, made a pretty good record with such a big chunk of the band irretrievably gone. It’s an upbeat record, but it’s also obvious that Hopkins was sorely missed.
The best song here is easily “Follow You Down”, which was the bands last hit. Three other singles were released that went unnoticed. “As Long As It Matters” and “Day Job” are good, but the rest of the album shows how important Hopkins was. Try as they did, Gin Blossoms sounds like much less of a band here, which they were. They broke up in 1997, and got back together five years later. They’ve released another three albums, but have never gotten close to being the band they were on New Miserable Experience. That’s really the only record you will need from this once promising band. Congratulations I’m Sorry was a nice try that falls just short. For just a moment, Gin Blossoms was on the verge of great things. This disc comes just after that moment had passed. [First added to this chart: 03/21/2024]
Produced By GIN BLOSSOMS & JOHN HAMPTON
1. Day Job
2. Highwire
3. Follow You Down
4. Not Only Numb
5. As Long As It Matters
6. Perfectly Still
7. 7th Inning Stretch
8. My Car
9. Virginia
10. Whitewash
11. I Can’t Figure You Out
12. Memphis Time
13. Competition Smile
Pretty sad story, this one. Gin Blossoms had to fire their lead guitarist Doug Hopkins near the end of recording their breakthrough album, New Miserable Experience. Hopkins played on that album, and was credited as songwriter on several tracks, including their big hit “Hey Jealousy”. But Hopkins had a drinking problem, and the band couldn’t continue with him. Just as the album was taking off, Hopkins committed suicide. So how do you come back from that, much less continue? The follow up album was Congratulations I’m Sorry, which was how people spoke to them about their success and their loss. Gin Blossoms, to their credit, made a pretty good record with such a big chunk of the band irretrievably gone. It’s an upbeat record, but it’s also obvious that Hopkins was sorely missed.
The best song here is easily “Follow You Down”, which was the bands last hit. Three other singles were released that went unnoticed. “As Long As It Matters” and “Day Job” are good, but the rest of the album shows how important Hopkins was. Try as they did, Gin Blossoms sounds like much less of a band here, which they were. They broke up in 1997, and got back together five years later. They’ve released another three albums, but have never gotten close to being the band they were on New Miserable Experience. That’s really the only record you will need from this once promising band. Congratulations I’m Sorry was a nice try that falls just short. For just a moment, Gin Blossoms was on the verge of great things. This disc comes just after that moment had passed. [First added to this chart: 03/21/2024]
Total albums: 34. Page 1 of 4
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My Overall Chart: 2201-2300 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 6 | 6% | |
| 1970s | 7 | 7% | |
| 1980s | 8 | 8% | |
| 1990s | 34 | 34% | |
| 2000s | 31 | 31% | |
| 2010s | 13 | 13% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| B.B. King | 2 | 2% | |
| Pearl Jam | 1 | 1% | |
| Michael Lille | 1 | 1% | |
| Everclear | 1 | 1% | |
| Mazzy Star | 1 | 1% | |
| Kate Bush | 1 | 1% | |
| Gretchen Wilson | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
65 | 65% | |
 |
15 | 15% | |
 |
8 | 8% | |
 |
6 | 6% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
| Show all | |||
My Overall Chart: 2201-2300 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2ndPenny Sparkle by Blonde Redhead |
| Down 1 from 2nd to 3rdO'Keefe by Danny O'Keefe |
| Down 1 from 3rd to 4thLove Scenes by Diana Krall |
| New entries |
|---|
| Spirit by Willie Nelson |
| Leavers |
|---|
| Louie Louie by Chris Daniels & The Kings |
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