My Overall Chart: 2301-2400
by
Romanelli 
- Chart updated: 02/09/2026 21:15
- (Created: 06/19/2024 19:48).
- Chart size: 100 albums.
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1997 – CAPITOL
Produced By ART ALEXAKIS, NEAL AVRON & LARS FOX
1. So Much For The Afterglow
2. Everything To Everyone
3. Ataraxia (Media Intro)
4. Normal Like You
5. I Will Buy You A New Life
6. Father Of Mine
7. One Hit Wonder
8. El Distrort De Melodica
9. Amphetamine
10. White Men In Black Suits
11. Sunflowers
12. Why I Don’t Believe In God
13. Like A California King
This is Everclear (like the alcohol). Not to be confused with Everlast (like the battery). So Much For The Afterglow (which does sound like a Sarah McLachlan title) was their third album, and it seemed to be a conscious grab for mainstream success. It remains their best selling album, their best known, and it’s as good an album as the one that came before it (Sparkle And Fade). For this record, the band tried a more pop approach to their music, relying less on the punk and grunge mix that had gotten them to where they were. It was a chance that paid off, for sure. They were still quite heavy here, but the songs (at least the hits) are far more accessible. Making Everclear, at least for the time, a major player among alternative bands.
The biggest moment for this album, and for the band in general, is “I Will Buy You A New Life”. “Everything To Everyone” and “Father Of Mine” were also hits for them. The title track and “One Hit Wonder” are also pretty great. But Everclear stacked this record…the second half is much weaker than the first, and it’s not even close. It’s not that the songs in the second half are bad…they’re just bland. So if you want to hang this one up after the first seven songs, no one will blame you. Everclear soldiers on despite this album being where they peaked. You can still catch them live, where I’m sure they’ll happily play “I Will Buy You A New Life” for you. This is Everclear’s most memorable album, and their moment in the sun.
Produced By ART ALEXAKIS, NEAL AVRON & LARS FOX
1. So Much For The Afterglow
2. Everything To Everyone
3. Ataraxia (Media Intro)
4. Normal Like You
5. I Will Buy You A New Life
6. Father Of Mine
7. One Hit Wonder
8. El Distrort De Melodica
9. Amphetamine
10. White Men In Black Suits
11. Sunflowers
12. Why I Don’t Believe In God
13. Like A California King
This is Everclear (like the alcohol). Not to be confused with Everlast (like the battery). So Much For The Afterglow (which does sound like a Sarah McLachlan title) was their third album, and it seemed to be a conscious grab for mainstream success. It remains their best selling album, their best known, and it’s as good an album as the one that came before it (Sparkle And Fade). For this record, the band tried a more pop approach to their music, relying less on the punk and grunge mix that had gotten them to where they were. It was a chance that paid off, for sure. They were still quite heavy here, but the songs (at least the hits) are far more accessible. Making Everclear, at least for the time, a major player among alternative bands.
The biggest moment for this album, and for the band in general, is “I Will Buy You A New Life”. “Everything To Everyone” and “Father Of Mine” were also hits for them. The title track and “One Hit Wonder” are also pretty great. But Everclear stacked this record…the second half is much weaker than the first, and it’s not even close. It’s not that the songs in the second half are bad…they’re just bland. So if you want to hang this one up after the first seven songs, no one will blame you. Everclear soldiers on despite this album being where they peaked. You can still catch them live, where I’m sure they’ll happily play “I Will Buy You A New Life” for you. This is Everclear’s most memorable album, and their moment in the sun.
[First added to this chart: 02/09/2026]
[First added to this chart: 02/04/2026]
Year of Release:
1997
Appears in:
Rank Score:
1
Rank in 1997:
Rank in 1990s:
Average Rating:
Comments:
2006 – RCA
No Production Credit
1. Razor
2. Over And Out
3. Walking After You
4. Marigold
5. My Hero
6. Next Year
7. Another Round
8. Big Me
9. Cold Day In The Sun
10. Skin And Bones
11. February Stars
12. Times Like These
13. Friend Of A Friend
14. Best Of You
15. Everlong
Dave Grohl is no stranger to the unplugged concept, having been a part of one of the most memorable of those MTV shows with Nirvana. Skin And Bones is an acoustic live album recorded over three nights at the Pantages Theater in Los Angeles during the summer of 2006. Along with Foo Fighters, the show also features singer and violinist Petra Haden, former Nirvana guitarist Pat Smear, keyboardist Rami Jaffee from The Wallflowers, and percussionist Drew Hester. With this expanded band, they are able to still generate a very large sound when needed, even with it being an acoustic set. There are plenty of the Foo’s hits here, and getting to hear them in a different way is pretty cool. The keyboards, not a normal part of the Foo’s sound, are quite prevalent.
But one of the most endearing things about Foo Fighters is the energy they put out, especially live. And in this setting, while there are plenty of dynamics, a lot of their power is lost in the more laid-back arrangements. Grohl’s singing, in particular, feels held back. But outside of that, this is a unique take by the band on a lot of their better songs and biggest hits. And Taylor Hawkins gets his vocal on “Cold Day In The Sun”, which is cool. There was also a separate DVD only release, which features an expanded set list (by six songs). The UK DVD version is even better, with a second disc of a live show in Hyde Park that includes guest appearances by Lemmy and Brian May & Roger Taylor of Queen. Go with the DVD version if you can find it. A good, but imperfect, live document of one of America’s most popular rock bands. [First added to this chart: 02/03/2026]
No Production Credit
1. Razor
2. Over And Out
3. Walking After You
4. Marigold
5. My Hero
6. Next Year
7. Another Round
8. Big Me
9. Cold Day In The Sun
10. Skin And Bones
11. February Stars
12. Times Like These
13. Friend Of A Friend
14. Best Of You
15. Everlong
Dave Grohl is no stranger to the unplugged concept, having been a part of one of the most memorable of those MTV shows with Nirvana. Skin And Bones is an acoustic live album recorded over three nights at the Pantages Theater in Los Angeles during the summer of 2006. Along with Foo Fighters, the show also features singer and violinist Petra Haden, former Nirvana guitarist Pat Smear, keyboardist Rami Jaffee from The Wallflowers, and percussionist Drew Hester. With this expanded band, they are able to still generate a very large sound when needed, even with it being an acoustic set. There are plenty of the Foo’s hits here, and getting to hear them in a different way is pretty cool. The keyboards, not a normal part of the Foo’s sound, are quite prevalent.
But one of the most endearing things about Foo Fighters is the energy they put out, especially live. And in this setting, while there are plenty of dynamics, a lot of their power is lost in the more laid-back arrangements. Grohl’s singing, in particular, feels held back. But outside of that, this is a unique take by the band on a lot of their better songs and biggest hits. And Taylor Hawkins gets his vocal on “Cold Day In The Sun”, which is cool. There was also a separate DVD only release, which features an expanded set list (by six songs). The UK DVD version is even better, with a second disc of a live show in Hyde Park that includes guest appearances by Lemmy and Brian May & Roger Taylor of Queen. Go with the DVD version if you can find it. A good, but imperfect, live document of one of America’s most popular rock bands. [First added to this chart: 02/03/2026]
2001 – EPIC / IMMORTAL
Produced By INCUBUS & SCOTT LITT
1. Nice To Know You
2. Circles
3. Wish You Were Here
4. Just A Phase
5. 11am
6. Blood On The Ground
7. Mexico
8. Warning
9. Echo
10. Have You Ever
11. Are You In?
12. Under My Umbrella
13. Aqueous Transmission
Over their first three albums, Incubus had been somewhat inconsistent, very heavy, and making significant improvements. For their fourth album, Morning View, this California nu-metal band made some wholesale changes. Their sound was beginning to soften, giving them a more commercial appeal. Their songwriting was becoming more mainstream friendly as well, with some of the music on this record being actually closer to soft rock than metal. The results could not be denied. Morning View became, and remains to this day, the biggest Incubus album, becoming the first in a current string of five consecutive top ten sellers. Overnight, Incubus went from a fairly unknown band with one significant hit to million sellers and huge.
After “Drive” was their biggest hit from their previous album, the surprise follow up was “Wish You Were Here”, which was quite the mellow hit from a band with this heavy a reputation. “Nice To Know You” was also a single. Other highlights are “Are You In?” and “Warning”. But Incubus here sounds like a band in search of a sound, a style, and an identity. The playing is fine, the songs are decently crafted, but there’s nothing here that stands out as great. At times, they sound as if they are fishing for listeners. They certainly did succeed at that. But overall, Morning View is only a bit above average. Their career has been slow since this, with only four albums released in almost 25 years, and none in almost eight years. Seems that the Incubus machine has maybe run its course. [First added to this chart: 01/28/2026]
Produced By INCUBUS & SCOTT LITT
1. Nice To Know You
2. Circles
3. Wish You Were Here
4. Just A Phase
5. 11am
6. Blood On The Ground
7. Mexico
8. Warning
9. Echo
10. Have You Ever
11. Are You In?
12. Under My Umbrella
13. Aqueous Transmission
Over their first three albums, Incubus had been somewhat inconsistent, very heavy, and making significant improvements. For their fourth album, Morning View, this California nu-metal band made some wholesale changes. Their sound was beginning to soften, giving them a more commercial appeal. Their songwriting was becoming more mainstream friendly as well, with some of the music on this record being actually closer to soft rock than metal. The results could not be denied. Morning View became, and remains to this day, the biggest Incubus album, becoming the first in a current string of five consecutive top ten sellers. Overnight, Incubus went from a fairly unknown band with one significant hit to million sellers and huge.
After “Drive” was their biggest hit from their previous album, the surprise follow up was “Wish You Were Here”, which was quite the mellow hit from a band with this heavy a reputation. “Nice To Know You” was also a single. Other highlights are “Are You In?” and “Warning”. But Incubus here sounds like a band in search of a sound, a style, and an identity. The playing is fine, the songs are decently crafted, but there’s nothing here that stands out as great. At times, they sound as if they are fishing for listeners. They certainly did succeed at that. But overall, Morning View is only a bit above average. Their career has been slow since this, with only four albums released in almost 25 years, and none in almost eight years. Seems that the Incubus machine has maybe run its course. [First added to this chart: 01/28/2026]
Year of Release:
2001
Appears in:
Rank Score:
735
Rank in 2001:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
6. (5) 1
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[First added to this chart: 01/21/2026]
Year of Release:
1978
Appears in:
Rank Score:
2,727
Rank in 1978:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1997 – MOON VOYAGE
Produced By CHRIS DANIELS
1. If You’re So Smart, How Come You Ain’t Rich
2. All For The Love Of Lill
3. Sure Had A Wonderful Time Last Night
4. Penthouse In The Basement
5. Azur-Te
6. Choo-Choo-Ch’ Boogie
7. Shine
8. Chartreuse
9. I’ll Be Glad When You’re Dead You Rascal You
10. Ain’t Nobody Here But Us Chickens
11. Is You Is Or Is You Ain’t My Baby
12. Fire Moths
If you don’t know who Chris Daniels is, then you’re probably not from my home state of Colorado. Where I live, he’s had a fantastic career. With his band The Kings, they’ve released 14 albums, played for three US Presidents, and served as the backup band for everyone from Sam Bush, Bonnie Raitt and Percy Sledge to The Drifters, The Coasters and Bo Diddley. Daniels is in the Colorado Music Hall Of Fame, and he continues to be a force to this day. Louie Louie is the ninth album of Daniels’ career, and the seventh from The Kings. This excellent disc filled with swing tracks is a whole lot of fun, for sure. The Kings by 1998 were a seasoned and very tight band, so they were able to give bands like Big Bad Voodoo Daddy, Cherry Poppin’ Daddies and Squirrel Nut Zippers a run for their money.
Unlike those other swing outfits, Daniels chose songs that are, for the most part, a heck of a lot of fun. He takes on Louis Armstrong on his hit “I’ll Be Glad When You’re Dead You Rascal You”. “Sure Had A Wonderful Time Last Night”, “If You’re So Smart, How Come You Ain’t Rich”, and “Chartreuse” are great choices. This band is top shelf. Great players, great energy, and great material. What’s not to like? It is a shame that Daniels hasn’t made a bigger impact outside of his home state, but I guess that’s okay…he can still be our little secret, even after decades of great music. This is a great place to start with him, as is the 2000 compilation Choice Cuts. And if that works for you, he does also have those other twelve records you probably haven’t heard yet to discover. [First added to this chart: 12/31/2025]
Produced By CHRIS DANIELS
1. If You’re So Smart, How Come You Ain’t Rich
2. All For The Love Of Lill
3. Sure Had A Wonderful Time Last Night
4. Penthouse In The Basement
5. Azur-Te
6. Choo-Choo-Ch’ Boogie
7. Shine
8. Chartreuse
9. I’ll Be Glad When You’re Dead You Rascal You
10. Ain’t Nobody Here But Us Chickens
11. Is You Is Or Is You Ain’t My Baby
12. Fire Moths
If you don’t know who Chris Daniels is, then you’re probably not from my home state of Colorado. Where I live, he’s had a fantastic career. With his band The Kings, they’ve released 14 albums, played for three US Presidents, and served as the backup band for everyone from Sam Bush, Bonnie Raitt and Percy Sledge to The Drifters, The Coasters and Bo Diddley. Daniels is in the Colorado Music Hall Of Fame, and he continues to be a force to this day. Louie Louie is the ninth album of Daniels’ career, and the seventh from The Kings. This excellent disc filled with swing tracks is a whole lot of fun, for sure. The Kings by 1998 were a seasoned and very tight band, so they were able to give bands like Big Bad Voodoo Daddy, Cherry Poppin’ Daddies and Squirrel Nut Zippers a run for their money.
Unlike those other swing outfits, Daniels chose songs that are, for the most part, a heck of a lot of fun. He takes on Louis Armstrong on his hit “I’ll Be Glad When You’re Dead You Rascal You”. “Sure Had A Wonderful Time Last Night”, “If You’re So Smart, How Come You Ain’t Rich”, and “Chartreuse” are great choices. This band is top shelf. Great players, great energy, and great material. What’s not to like? It is a shame that Daniels hasn’t made a bigger impact outside of his home state, but I guess that’s okay…he can still be our little secret, even after decades of great music. This is a great place to start with him, as is the 2000 compilation Choice Cuts. And if that works for you, he does also have those other twelve records you probably haven’t heard yet to discover. [First added to this chart: 12/31/2025]
Year of Release:
1998
Appears in:
Rank Score:
1
Rank in 1998:
Rank in 1990s:
Average Rating:
Comments:
1974 – COLUMBIA
Produced By MICHAEL STEWART
1. Streetlife Serenader
2. Los Angelenos
3. The Great Suburban Showdown
4. Root Beer Rag
5. Roberta
6. The Entertainer
7. Last Of The Bigtime Spenders
8. Weekend Song
9. Souvenir
10. The Mexican Connection
Following the success of Billy Joel’s second solo album Piano Man, big things were expected. On his third album, Streetlife Serenade, those big things did not happen. His label was pushing for the follow up to Piano Man, but Joel, who had been touring extensively, simply didn’t have enough material to make a great album. So much so that it includes a pair of instrumentals to make sure the album was long enough. Joel himself has dismissed the album as being empty lyrically, with a few good musical ideas. Hardly a glowing self review. It was still early in what turned out to be, of course, a very long and fruitful career, but this may be the weakest of his seventies years. He was still two albums and three years away from his huge breakout, The Stranger.
There are some bright spots here. “The Entertainer”, a cynical stab at the record industry, is the best song here despite its corny synth riff. It also introduces Joel’s grating over the top wanna be a rocker and not a piano man persona. “Los Angelenos” and “Roberta” seem like sketches of themes Joel would explore with better success later. And “Last Of The Big Time Spenders” is pretty good. But the rest is pretty much invisible fare. The instrumentals feel unnecessary (although that really wasn’t the case), and everything else is Billy Joel scraping the bottom of the barrel for album tracks, Streetlife Serenade is interesting, but it’s definitely not one of his better works. Especially given the heights he would begin climbing soon enough. Average at best. [First added to this chart: 12/29/2025]
Produced By MICHAEL STEWART
1. Streetlife Serenader
2. Los Angelenos
3. The Great Suburban Showdown
4. Root Beer Rag
5. Roberta
6. The Entertainer
7. Last Of The Bigtime Spenders
8. Weekend Song
9. Souvenir
10. The Mexican Connection
Following the success of Billy Joel’s second solo album Piano Man, big things were expected. On his third album, Streetlife Serenade, those big things did not happen. His label was pushing for the follow up to Piano Man, but Joel, who had been touring extensively, simply didn’t have enough material to make a great album. So much so that it includes a pair of instrumentals to make sure the album was long enough. Joel himself has dismissed the album as being empty lyrically, with a few good musical ideas. Hardly a glowing self review. It was still early in what turned out to be, of course, a very long and fruitful career, but this may be the weakest of his seventies years. He was still two albums and three years away from his huge breakout, The Stranger.
There are some bright spots here. “The Entertainer”, a cynical stab at the record industry, is the best song here despite its corny synth riff. It also introduces Joel’s grating over the top wanna be a rocker and not a piano man persona. “Los Angelenos” and “Roberta” seem like sketches of themes Joel would explore with better success later. And “Last Of The Big Time Spenders” is pretty good. But the rest is pretty much invisible fare. The instrumentals feel unnecessary (although that really wasn’t the case), and everything else is Billy Joel scraping the bottom of the barrel for album tracks, Streetlife Serenade is interesting, but it’s definitely not one of his better works. Especially given the heights he would begin climbing soon enough. Average at best. [First added to this chart: 12/29/2025]
[First added to this chart: 10/29/2025]
[First added to this chart: 09/30/2025]
Year of Release:
1990
Appears in:
Rank Score:
0
Rank in 1990:
Rank in 1990s:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 2301-2400 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 4 | 4% | |
| 1960s | 6 | 6% | |
| 1970s | 12 | 12% | |
| 1980s | 11 | 11% | |
| 1990s | 28 | 28% | |
| 2000s | 27 | 27% | |
| 2010s | 8 | 8% | |
| 2020s | 4 | 4% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Truckstop Honeymoon | 2 | 2% | |
| Aphex Twin | 2 | 2% | |
| David Wilcox (US) | 2 | 2% | |
| Billy Joel | 1 | 1% | |
| Doves (UK) | 1 | 1% | |
| Black Country, New Road | 1 | 1% | |
| The Avett Brothers | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
|
72 | 72% | |
|
18 | 18% | |
|
5 | 5% | |
|
1 | 1% | |
|
1 | 1% | |
|
1 | 1% | |
|
1 | 1% | |
| Show all | |||
My Overall Chart: 2301-2400 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2ndLicense To Chill by Jimmy Buffett |
| Down 1 from 2nd to 3rdStray Cats (1997) by Stray Cats |
| Down 1 from 3rd to 4thSkin And Bones by Foo Fighters |
| New entries |
|---|
| So Much For The Afterglow by Everclear |
| Leavers |
|---|
| Headed For The Hills by Jim Lauderdale |
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