My Overall Chart: 2301-2400
by 
Romanelli 
- Chart updated: 10/24/2026 23:45
- (Created: 06/19/2024 19:48).
- Chart size: 100 albums.
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Year of Release:
2005
Appears in:
Rank Score:
3
Rank in 2005:
Rank in 2000s:
Average Rating:
Comments:
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1997 – GO! / LONDON
Produced By PORTISHEAD & DAVE MCDONALD
1. Cowboys
2. All Mine
3. Undenied
4. Half Day Closing
5. Over
6. Humming
7. Mourning Air
8. Seven Months
9. Only You
10. Elysium
11. Western Eyes
This is the self titled second album from the English group Portishead. Following up their very successful debut, Dummy, they made some changes to their approach. Most notable, they decided not to use any samples on the record, which resulted in a dark and almost horror movie type of atmosphere. So, unlike the cool trippy vibe of Dummy, what you get here is music that’s more in your face and scary. Depending on how you like your Portishead, this can be a very good thing. The vocals of Beth Gibbons are otherworldly and immediate, and decidedly less pretty than on the previous outing. So, while this one isn’t on the same plane as Dummy or their next album Third, it’s still a pretty terrific and important album in the development of Portishead.
There isn’t a hit on the level of “Glory Box” here, but there are some really great moments. “All Mine”, “Only You”, and “Over” are great: in fact, “All Mine” became their only top ten single. Gibbons sings like a woman possessed, and the playing of guitarist Adrian Utley and drummer / turntablist Geoff Barrow is powerful and creative. The stage was set for more exciting music from them, but it would be another decade before Third came out. And since then, it’s been sixteen years and counting with no new music from Portishead, which is a sad thing indeed. But what we do have from them are three very unique albums, all of which show unique sides of the band. This one is not perfect, but it’s more than worth taking at least a listen to. You might just love it.
[First added to this chart: 10/19/2026]
Produced By PORTISHEAD & DAVE MCDONALD
1. Cowboys
2. All Mine
3. Undenied
4. Half Day Closing
5. Over
6. Humming
7. Mourning Air
8. Seven Months
9. Only You
10. Elysium
11. Western Eyes
This is the self titled second album from the English group Portishead. Following up their very successful debut, Dummy, they made some changes to their approach. Most notable, they decided not to use any samples on the record, which resulted in a dark and almost horror movie type of atmosphere. So, unlike the cool trippy vibe of Dummy, what you get here is music that’s more in your face and scary. Depending on how you like your Portishead, this can be a very good thing. The vocals of Beth Gibbons are otherworldly and immediate, and decidedly less pretty than on the previous outing. So, while this one isn’t on the same plane as Dummy or their next album Third, it’s still a pretty terrific and important album in the development of Portishead.
There isn’t a hit on the level of “Glory Box” here, but there are some really great moments. “All Mine”, “Only You”, and “Over” are great: in fact, “All Mine” became their only top ten single. Gibbons sings like a woman possessed, and the playing of guitarist Adrian Utley and drummer / turntablist Geoff Barrow is powerful and creative. The stage was set for more exciting music from them, but it would be another decade before Third came out. And since then, it’s been sixteen years and counting with no new music from Portishead, which is a sad thing indeed. But what we do have from them are three very unique albums, all of which show unique sides of the band. This one is not perfect, but it’s more than worth taking at least a listen to. You might just love it.
[First added to this chart: 10/19/2026]
Year of Release:
1997
Appears in:
Rank Score:
1,745
Rank in 1997:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Available from
[First added to this chart: 10/16/2026]
Available from
2009 – CASABLANCA / UNIVERSAL REPUBLIC
Produced By GREG WELLS, IMOGEN HEAP, MIKA & REDONE
1. We Are Golden
2. Blame It On The Girls
3. Rain
4. Dr. John
5. I See You
6. Blue Eyes
7. Good Gone Girl
8. Touches You
9. By The Time
10. One Foot Boy
11. Toy Boy
12. Pick Up Off The Floor
His name is Michael Holbrook Penniman Jr., but you can call him Mika. Born in Lebanon, he grew up in Paris and London, and has had quite the career. A prolific songwriter, his debut album, Life In Cartoon Motion, drew comparisons to the likes of Freddie Mercury and Elton John. It was also a massive hit everywhere in the world except for the US. His second album, The Boy Who Knew Too Much, was not as big a hit everywhere in the world except for the US. It was still very successful. Mika’s music carries a huge sound, is mostly upbeat, and has great vocals. Like Mercury’s band Queen, there are layers of everything. Also like Queen, he’s not afraid to switch styles from song to song. He does sell more albums in France than anywhere else. His music does compare well to French pop.
But this record was something of a sophomore slump. “We Are Golden” and “Blame It On The Girls” make for a powerful 1-2 punch. And “Good Gone Girl” sounds like Freddie at his pop best. But while everything is catchy, the rest of the tracks aren’t as strong. After the first half, the songs start to become less noticeable, and by the end, it’s become almost completely invisible. He’s made better albums since, but each of his four since this one has sold fewer than the one before it. Ultimately, the best of Mika is Life In Cartoon Motion with it’s huge hit “Grace Kelly”, and a handful of singles after, including the ones from this album. The Boy Who Knew Too Much is worth a listen, but the question is…will you want to ever hear it again? [First added to this chart: 10/01/2026]
Produced By GREG WELLS, IMOGEN HEAP, MIKA & REDONE
1. We Are Golden
2. Blame It On The Girls
3. Rain
4. Dr. John
5. I See You
6. Blue Eyes
7. Good Gone Girl
8. Touches You
9. By The Time
10. One Foot Boy
11. Toy Boy
12. Pick Up Off The Floor
His name is Michael Holbrook Penniman Jr., but you can call him Mika. Born in Lebanon, he grew up in Paris and London, and has had quite the career. A prolific songwriter, his debut album, Life In Cartoon Motion, drew comparisons to the likes of Freddie Mercury and Elton John. It was also a massive hit everywhere in the world except for the US. His second album, The Boy Who Knew Too Much, was not as big a hit everywhere in the world except for the US. It was still very successful. Mika’s music carries a huge sound, is mostly upbeat, and has great vocals. Like Mercury’s band Queen, there are layers of everything. Also like Queen, he’s not afraid to switch styles from song to song. He does sell more albums in France than anywhere else. His music does compare well to French pop.
But this record was something of a sophomore slump. “We Are Golden” and “Blame It On The Girls” make for a powerful 1-2 punch. And “Good Gone Girl” sounds like Freddie at his pop best. But while everything is catchy, the rest of the tracks aren’t as strong. After the first half, the songs start to become less noticeable, and by the end, it’s become almost completely invisible. He’s made better albums since, but each of his four since this one has sold fewer than the one before it. Ultimately, the best of Mika is Life In Cartoon Motion with it’s huge hit “Grace Kelly”, and a handful of singles after, including the ones from this album. The Boy Who Knew Too Much is worth a listen, but the question is…will you want to ever hear it again? [First added to this chart: 10/01/2026]
5. (4) 1
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2003 – VIRGIN / HUT
Produced By JIM ABBISS
1. Bulletproof Cupid
2. English Summer Rain
3. This Picture
4. Sleeping With Ghosts
5. The Bitter End
6. Something Rotten
7. Plasticine
8. Special Needs
9. I’ll Be Yours
10. Second Sight
11. Protect Me From What I Want
12. Centrefolds
The London based band Placebo has been around since 1994, with a good measure of success in countries not called the United States (been seeing this a lot lately). Sleeping With Ghosts is their fourth album, viewed by some as maybe their best work, but by others as a treading water kind of record. They sound great here, especially on the first half, but many of the songs seem less than inspired. Relationships are a recurring theme here, and not the most positive ones. Placebo is at their best when the stinging guitars are in full force, but songs like “Something Rotten”, a dark, moody, and almost guitarless track, are fine as well. This album is pretty steady, without any really high peaks, and no really low valleys. Interesting as always, but not too exciting.
The best tracks here are “English Summer Rain”, “This Picture”, and “The Bitter End”, making the first half more interesting. “Special Needs” is also pretty great, but everything else is just average. Much more interesting is the bonus disc that comes with the special edition called Covers, which is a collection of really interesting covers that Placebo had recorded over the previous decade. That disc isn’t included in my copy…too bad. Placebo has soldiered on and remained popular in Europe (but not the US), despite the fact that they have released just two albums in the last decade and a half. Sleeping With Ghosts is good, but it’s far from great. Still a worthwhile listen from a band that American audiences have missed out on for thirty years and counting.
[First added to this chart: 09/18/2026]
Produced By JIM ABBISS
1. Bulletproof Cupid
2. English Summer Rain
3. This Picture
4. Sleeping With Ghosts
5. The Bitter End
6. Something Rotten
7. Plasticine
8. Special Needs
9. I’ll Be Yours
10. Second Sight
11. Protect Me From What I Want
12. Centrefolds
The London based band Placebo has been around since 1994, with a good measure of success in countries not called the United States (been seeing this a lot lately). Sleeping With Ghosts is their fourth album, viewed by some as maybe their best work, but by others as a treading water kind of record. They sound great here, especially on the first half, but many of the songs seem less than inspired. Relationships are a recurring theme here, and not the most positive ones. Placebo is at their best when the stinging guitars are in full force, but songs like “Something Rotten”, a dark, moody, and almost guitarless track, are fine as well. This album is pretty steady, without any really high peaks, and no really low valleys. Interesting as always, but not too exciting.
The best tracks here are “English Summer Rain”, “This Picture”, and “The Bitter End”, making the first half more interesting. “Special Needs” is also pretty great, but everything else is just average. Much more interesting is the bonus disc that comes with the special edition called Covers, which is a collection of really interesting covers that Placebo had recorded over the previous decade. That disc isn’t included in my copy…too bad. Placebo has soldiered on and remained popular in Europe (but not the US), despite the fact that they have released just two albums in the last decade and a half. Sleeping With Ghosts is good, but it’s far from great. Still a worthwhile listen from a band that American audiences have missed out on for thirty years and counting.
[First added to this chart: 09/18/2026]
Year of Release:
2003
Appears in:
Rank Score:
873
Rank in 2003:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
Available from
1961 – ATLANTIC
Produced By NESUHI ERTEGUN
1. Blues Connotation
2. Beauty Is A Rare Thing
3. Kaleidoscope
4. Embraceable You
5. Poise
6. Humpty Dumpty
7. Folk Tale
Saxophonist Ornette Coleman was a genius, pure and simple. He was a main inventor of free jazz and jazz fusion, and was a king of the avant-garde. His recording career began in the late 1950’s, and for the next four decades, he made some of the most innovative jazz records ever recorded. This Is Our Music is his fifth album, and the first to be openly credited to his Quartet. The title alone is a major statement: this was not a solo album. This was a collaboration between four of the greatest jazz musicians on the planet, with eyes on a few things. The album is very listenable, and even contains a rare standard (“Embraceable You”). It’s loaded with breathtaking turns of improvisation. And Coleman and trumpeter Don Cherry (the father of both Eagle-Eye and Neneh Cherry) trade solos like it’s the easiest thing on the planet.
The upbeat material here, particularly “Blues Connotation” and “Poise”, is lively and flawless. The moody slower tracks are perfectly executed. The rhythm section of Charlie Haden and Ed Blackwell are as good as any you will ever hear. The greatness in the playing is spread evenly between all four members…it is absolutely a group effort. This may not be held in as high regard as his Coleman’s greatest record (The Shape Of Jazz To Come), but it is really almost impossible to find a single flaw. Coleman made studio records through 1996, and live recordings up through 2009. But his earliest work, including This Is Our Music, remains groundbreaking and special. This flawless record should stand as one of the greatest in the history of jazz. Check it out.
[First added to this chart: 09/15/2026]
Produced By NESUHI ERTEGUN
1. Blues Connotation
2. Beauty Is A Rare Thing
3. Kaleidoscope
4. Embraceable You
5. Poise
6. Humpty Dumpty
7. Folk Tale
Saxophonist Ornette Coleman was a genius, pure and simple. He was a main inventor of free jazz and jazz fusion, and was a king of the avant-garde. His recording career began in the late 1950’s, and for the next four decades, he made some of the most innovative jazz records ever recorded. This Is Our Music is his fifth album, and the first to be openly credited to his Quartet. The title alone is a major statement: this was not a solo album. This was a collaboration between four of the greatest jazz musicians on the planet, with eyes on a few things. The album is very listenable, and even contains a rare standard (“Embraceable You”). It’s loaded with breathtaking turns of improvisation. And Coleman and trumpeter Don Cherry (the father of both Eagle-Eye and Neneh Cherry) trade solos like it’s the easiest thing on the planet.
The upbeat material here, particularly “Blues Connotation” and “Poise”, is lively and flawless. The moody slower tracks are perfectly executed. The rhythm section of Charlie Haden and Ed Blackwell are as good as any you will ever hear. The greatness in the playing is spread evenly between all four members…it is absolutely a group effort. This may not be held in as high regard as his Coleman’s greatest record (The Shape Of Jazz To Come), but it is really almost impossible to find a single flaw. Coleman made studio records through 1996, and live recordings up through 2009. But his earliest work, including This Is Our Music, remains groundbreaking and special. This flawless record should stand as one of the greatest in the history of jazz. Check it out.
[First added to this chart: 09/15/2026]
Available from
1993 – CLASSIC POPULAR
No Production Credit
1. I’ll Never Smile Again
2. Fools Rush In
3. Imagination
4. Our Love Affair
5. Oh, Look At Me Now
6. All This And Heaven Too
7. I’ll Be Seeing You
8. You’re Lonely And I’m Lonely
9. Without A Song
10. Let’s Get Away From It All
11. Love Me As I Am
12. I Never Let A Day Pass By
13. The Sunshine Of Your Smile
14. Pale Moon
15. Daybreak
16. You Lucky People You
17. Blue Skies
18. Street Of Dreams
19. Be Careful, It’s My Heart
20. There Are Such Things
This may not be a big time release, but it is an interesting look at what may have been Sinatra’s most important early period. Between 1939 and 1942, Frank was a rising star, and became the singer for Tommy Dorsey’s band. He had his first chart successes with Dorsey, and recorded many songs with the band. This is a period when Sinatra’s voice sounded different. The Dorsey recordings are brighter, and Sinatra’s tone was much different than it would be in later years. He would quickly outgrow his place with Dorsey, and was famously let out of his contract in 1942. It was rumored that Dorsey was convinced by mobsters at gunpoint to do so. The rest was history…Sinatra would go on to be Frank Sinatra and have one of the greatest musical careers in history.
The music. This set was released by Classic Popular, a subsidiary of the British label Charly Records (which folded in 2001). They specialized in re-issue packages like this one. But as budget as this may be, it’s tough to find fault with any of the material. The pairing of Dorsey and Sinatra is markedly different than his later work with Nelson Riddle, and you can hear Sinatra’s star beginning to really shine here. This was before the age of albums, but the singles are staggering: “I’ll Be Seeing You”, “I’ll Never Smile Again”, “There Are Such Things”, and so many more of these were hits. As good as this is, though, there are sets that are much more thorough at documenting this period of Sinatra’s career (the four volume RCA set from 1988, for example). Still, this is a great listen. [First added to this chart: 09/14/2026]
No Production Credit
1. I’ll Never Smile Again
2. Fools Rush In
3. Imagination
4. Our Love Affair
5. Oh, Look At Me Now
6. All This And Heaven Too
7. I’ll Be Seeing You
8. You’re Lonely And I’m Lonely
9. Without A Song
10. Let’s Get Away From It All
11. Love Me As I Am
12. I Never Let A Day Pass By
13. The Sunshine Of Your Smile
14. Pale Moon
15. Daybreak
16. You Lucky People You
17. Blue Skies
18. Street Of Dreams
19. Be Careful, It’s My Heart
20. There Are Such Things
This may not be a big time release, but it is an interesting look at what may have been Sinatra’s most important early period. Between 1939 and 1942, Frank was a rising star, and became the singer for Tommy Dorsey’s band. He had his first chart successes with Dorsey, and recorded many songs with the band. This is a period when Sinatra’s voice sounded different. The Dorsey recordings are brighter, and Sinatra’s tone was much different than it would be in later years. He would quickly outgrow his place with Dorsey, and was famously let out of his contract in 1942. It was rumored that Dorsey was convinced by mobsters at gunpoint to do so. The rest was history…Sinatra would go on to be Frank Sinatra and have one of the greatest musical careers in history.
The music. This set was released by Classic Popular, a subsidiary of the British label Charly Records (which folded in 2001). They specialized in re-issue packages like this one. But as budget as this may be, it’s tough to find fault with any of the material. The pairing of Dorsey and Sinatra is markedly different than his later work with Nelson Riddle, and you can hear Sinatra’s star beginning to really shine here. This was before the age of albums, but the singles are staggering: “I’ll Be Seeing You”, “I’ll Never Smile Again”, “There Are Such Things”, and so many more of these were hits. As good as this is, though, there are sets that are much more thorough at documenting this period of Sinatra’s career (the four volume RCA set from 1988, for example). Still, this is a great listen. [First added to this chart: 09/14/2026]
Year of Release:
1993
Appears in:
Rank Score:
0
Rank in 1993:
Rank in 1990s:
Average Rating:
Comments:
Available from
1989 – VIRGIN
Produced By LENNY KRAVITZ
1. Sittin’ On Top Of The World
2. Let Love Rule
3. Freedom Train
4. My Precious Love
5. I Build This Garden For Us
6. Fear
7. Does Anybody Out There Even Care
8. Mr. Cab Driver
9. Rosemary
10. Be
11. Blues For Sister Someone
12. Empty Hands
13. Flower Child
Nobody was really ready for Lenny Kravitz in 1989, His mix of heavy guitars, soul and funk was a throwback to the seventies, and despite his successes over the years, he’s always been seen as a different animal. Let Love Rule is his debut album from ’89, and while it wasn’t a massive hit, it did put the music business on notice that this was an up and coming talent. Kravitz, who is the son of Roxie Roker from The Jeffersons, grew up in show business and was right at home even at this stage of his career. Highly talented, he wrote, played and produced almost everything on his debut (his then wife, Cosby Show star Lisa Bonet wrote some lyrics). Kravitz wasn’t a big star just yet, but it was on the way. And this was a good way to start.
The best songs on Let Love Rule are pretty great. “Let Love Rule”, “I Build This Garden For Us”, and “Mr. Cab Driver” are among the top moments of the end of the eighties. The hooks are tight, and the seventies soul vibe is electric. “Does Anybody Out There Even Care” and “Be” are pretty great as well. The other five tracks are not as solid, but still, this is a very good debut effort. Kravitz would go on to bigger and better things (Are You Gonna Go My Way and Circus), and he’s still making records to this day. His best efforts are from the 20th century, when he made his first and best five albums. He’s always been interesting, he’s undeniably talented, and he blends genres as well as anyone. Let Love Rule isn’t perfect, but it is a fine place to begin with Lenny Kravitz. [First added to this chart: 09/13/2026]
Produced By LENNY KRAVITZ
1. Sittin’ On Top Of The World
2. Let Love Rule
3. Freedom Train
4. My Precious Love
5. I Build This Garden For Us
6. Fear
7. Does Anybody Out There Even Care
8. Mr. Cab Driver
9. Rosemary
10. Be
11. Blues For Sister Someone
12. Empty Hands
13. Flower Child
Nobody was really ready for Lenny Kravitz in 1989, His mix of heavy guitars, soul and funk was a throwback to the seventies, and despite his successes over the years, he’s always been seen as a different animal. Let Love Rule is his debut album from ’89, and while it wasn’t a massive hit, it did put the music business on notice that this was an up and coming talent. Kravitz, who is the son of Roxie Roker from The Jeffersons, grew up in show business and was right at home even at this stage of his career. Highly talented, he wrote, played and produced almost everything on his debut (his then wife, Cosby Show star Lisa Bonet wrote some lyrics). Kravitz wasn’t a big star just yet, but it was on the way. And this was a good way to start.
The best songs on Let Love Rule are pretty great. “Let Love Rule”, “I Build This Garden For Us”, and “Mr. Cab Driver” are among the top moments of the end of the eighties. The hooks are tight, and the seventies soul vibe is electric. “Does Anybody Out There Even Care” and “Be” are pretty great as well. The other five tracks are not as solid, but still, this is a very good debut effort. Kravitz would go on to bigger and better things (Are You Gonna Go My Way and Circus), and he’s still making records to this day. His best efforts are from the 20th century, when he made his first and best five albums. He’s always been interesting, he’s undeniably talented, and he blends genres as well as anyone. Let Love Rule isn’t perfect, but it is a fine place to begin with Lenny Kravitz. [First added to this chart: 09/13/2026]
Year of Release:
1989
Appears in:
Rank Score:
462
Rank in 1989:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
Available from
[First added to this chart: 08/31/2026]
Available from
1998 – ISLAND
Produced By FLOOD, MARIUS DE VRIES, HEAD & PJ HARVEY
1. Angelene
2. The Sky Lit Up
3. The Wind
4. My Beautiful Leah
5. A Perfect Day Elise
6. Catherine
7. Electric Light
8. The Garden
9. Joy
10. The River
11. No Girl So Sweet
12. Is This Desire?
Maybe the best thing about PJ Harvey is that she is always moving forward. She never makes an album that sounds like the last one, and she isn’t afraid to try anything musically. Harvey had her breakthrough with her 1995 third album, To Bring You My Love. Is This Desire? is her next studio effort, and the two sound nothing alike. This album goes in a completely different direction. She switches from the guitar driven rock of the previous album to a hypnotic and understated electronic sound, and she doesn’t miss a beat. This one didn’t sell as well as To Bring You My Love, but it was critically acclaimed, and has become right at home on the list of Harvey’s best albums. Not that she’s ever made a bad record. I doubt at this point that she’s capable of that.
“A Perfect Day Elise” actually became her biggest UK hit, and did fairly well in America. “The Wind” is also a highlight. But, like the rest of Harvey’s records, this is best experienced as a whole. These songs all work together as a bigger piece, with all twelve tracks becoming quite a story and a worthwhile journey. Because Harvey is an album artist, more than a producer of hit singles. Her albums are exciting and fresh because she never sets out to make the same one twice. Her ability to slip from one type of sound to another at will is admirable, and makes her forever interesting. Is This Desire? may not be her most famous work, or her most accessible, but don’t sleep on it. Like everything else she does, this is beautiful, important, and endlessly entertaining. [First added to this chart: 08/17/2026]
Produced By FLOOD, MARIUS DE VRIES, HEAD & PJ HARVEY
1. Angelene
2. The Sky Lit Up
3. The Wind
4. My Beautiful Leah
5. A Perfect Day Elise
6. Catherine
7. Electric Light
8. The Garden
9. Joy
10. The River
11. No Girl So Sweet
12. Is This Desire?
Maybe the best thing about PJ Harvey is that she is always moving forward. She never makes an album that sounds like the last one, and she isn’t afraid to try anything musically. Harvey had her breakthrough with her 1995 third album, To Bring You My Love. Is This Desire? is her next studio effort, and the two sound nothing alike. This album goes in a completely different direction. She switches from the guitar driven rock of the previous album to a hypnotic and understated electronic sound, and she doesn’t miss a beat. This one didn’t sell as well as To Bring You My Love, but it was critically acclaimed, and has become right at home on the list of Harvey’s best albums. Not that she’s ever made a bad record. I doubt at this point that she’s capable of that.
“A Perfect Day Elise” actually became her biggest UK hit, and did fairly well in America. “The Wind” is also a highlight. But, like the rest of Harvey’s records, this is best experienced as a whole. These songs all work together as a bigger piece, with all twelve tracks becoming quite a story and a worthwhile journey. Because Harvey is an album artist, more than a producer of hit singles. Her albums are exciting and fresh because she never sets out to make the same one twice. Her ability to slip from one type of sound to another at will is admirable, and makes her forever interesting. Is This Desire? may not be her most famous work, or her most accessible, but don’t sleep on it. Like everything else she does, this is beautiful, important, and endlessly entertaining. [First added to this chart: 08/17/2026]
Year of Release:
1998
Appears in:
Rank Score:
892
Rank in 1998:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 2301-2400 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 3 | 3% | |
| 1960s | 7 | 7% | |
| 1970s | 10 | 10% | |
| 1980s | 13 | 13% | |
| 1990s | 35 | 35% | |
| 2000s | 22 | 22% | |
| 2010s | 8 | 8% | |
| 2020s | 2 | 2% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Belle And Sebastian | 2 | 2% | |
| Richard David James | 2 | 2% | |
| Joan Armatrading | 2 | 2% | |
| Rush | 1 | 1% | |
| Carlos Santana | 1 | 1% | |
| Paul Siebel | 1 | 1% | |
| Placebo | 1 | 1% | |
| Show all | |||
My Overall Chart: 2301-2400 chart changes
| Biggest fallers |
|---|
Down 1 from 1st to 2nd |
Down 1 from 2nd to 3rd |
Down 1 from 3rd to 4th |
| New entries |
|---|
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Other custom charts by Romanelli
| Title | Source | Type | Published | Country |
|---|---|---|---|---|
| My Overall Chart: 101-200 | Romanelli | Custom chart | 2026 | |
| My Overall Chart: 201-300 | Romanelli | Custom chart | 2026 | |
| My Overall Chart: 301-400 | Romanelli | Custom chart | 2026 | |
My Overall Chart: 2301-2400 ratings
Not enough data Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
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n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
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My Overall Chart: 2301-2400 favourites
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My Overall Chart: 2301-2400 forum mentions
This chart has been referenced 2 times on the forums, Explore the wider forum discussion to see what members have said about it.
From 
albummaster 03/07/2026 23:57 in Custom Charts Are A Mess!
albummaster 03/07/2026 23:57 in Custom Charts Are A Mess!“Doing some work on my custom charts... I have a series of custom charts that are titled My Overall Chart. These charts are numbered, with the first one being 101-200, going all the way up to 2601-2671. These charts are my extended overall chart. Working on this one today: Several albums are way out…”
View topic (2 mentions) →My Overall Chart: 2301-2400 comments
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