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2271.

Love It To Death 

 Alice Cooper

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"Starts with three punk metal tracks (anticipating the hair metal 80s), then comes a 10 minute Doors-style jam, while tracks 6 & 7 do a Jethro Tull thing for some reason, and I don't even know what track 9 is. Dang it, why can't albums today be this lovably random?"  Reply

- poppmusic | Helpful?  (Log in to vote) | +5 votes (5 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

165 charts

Rank Score:

714

Rank in 1971:

50

Rank in 1970s:

413

Overall Rank:

2,271

Average Rating:

 79 (240 votes)

Comments:

12

2272.

Henryk Górecki: Symphony No. 3 

 David Zinman / London Sinfonietta / Dawn Upshaw

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"I just want to say that the third part of this, Cantabile semplice, is one of the best pieces of music that I have heard."  Reply

- 19loveless91 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1992

Appears in:

57 charts

Rank Score:

713

Rank in 1992:

41

Rank in 1990s:

393

Overall Rank:

2,272

Average Rating:

 80 (64 votes)

Comments:

4

2273.

Wrecking Ball 

 Bruce Springsteen

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"Wrecking ball is Bruce springsteen's angry response to the aftermath of hurricane Katrina and the recession that had hit the U.S. and the rest of the world. Springsteen really has a bee in his bonnet, especially on the sarcastic opening track, we take care of our own, reminiscent of, born in the ...""Wrecking ball is Bruce springsteen's angry response to the aftermath of hurricane Katrina and the recession that had hit the U.S. and the rest of the world. Springsteen really has a bee in his bonnet, especially on the sarcastic opening track, we take care of our own, reminiscent of, born in the USA, in so much that it could easily be misunderstood as a flag waving anthem. Elsewhere, Bruce rages at the fat cat bankers on, Jack of all trades, and, does his pogues/clancy brothers bit on, death to my hometown, Irish accent and all. The title track is an excellent tribute to Yankee stadium, about to be knocked down and rebuilt, but Springsteen reminds us they can tear down the walls but can't take away the memories. Easy money, follows a couple forced into a criminal existence, and, land of hope and dreams, finally gets a studio incarnation, featuring saxophone from the big man, the late Clarence Clemons. We are alive, is a brilliant Johnny Cash type track, about the souls of the dead, still alive and kicking. If there are any weak tracks it's the brooding, my depression, and the throwaway, you've got it. Wrecking ball, is a brilliant album, which I believe will eventually go down as a Springsteen classic. Superb. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

174 charts

Rank Score:

712

Rank in 2012:

31

Rank in 2010s:

362

Overall Rank:

2,273

Average Rating:

 71 (321 votes)

Comments:

24

2274.

After The Magic 

 파란노을 [Parannoul]

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"If there exists a person who simultaneously has heard the term "5th Wave of Emo" and thinks it's not arrived, they surely do now. "Dream-pop" never went out of style per se, but it has become an increasingly amorphous definition. A term coined by one of Shoegaze's few POC artists has come to cove...""If there exists a person who simultaneously has heard the term "5th Wave of Emo" and thinks it's not arrived, they surely do now. "Dream-pop" never went out of style per se, but it has become an increasingly amorphous definition. A term coined by one of Shoegaze's few POC artists has come to cover a wide and stale range of sounds including fascistic hypnogogic pop, vaporwave's most populist work and Mac DeMarco inspired college-dorm cover bands. This sterile take on dream-pop was not limited to the periphery though as the worst clichés of 2010s Indie were the out-of-the-box Logic 10 digitally applied hall reverb and an emergent market (or hellscape) of boutique "dreamy" pedals hundreds of dollars a pop. Perhaps in part a rejection of the above garbage, the last few years has seen a surprising resurgence of interest in niche 90s shoegaze outfits. Bands like Lush, Here, Blueshift Signal, Swallow, Cranes, Moose (I could go on endlessly), are all finding new listeners off the back of vinyl re-releases and Spotify algorithmic encouragement. Shoegaze has not seen this much interest since the late 00s forums days. Amidst this revivalist moment, Parannoul blew up online with the album To See the Next Part of the Dream – the first fresh sounding act in years (Ironically he did so off the back of YouTube more so than any other platform, the once quintessential place to find bland dream-pop played over French-New Wave films). Despite its crunchiness and repetitiveness, To See the Next Part of the Dream is mesmerising and innovative; an imminently self-justifying work of art. However, rather than part of the mostly white, mostly industry backed wave of DIIV copies calling themselves "shoegaze", Parannoul always felt to me closer to the emo-adjacent hyper-pop influenced noisepop artists active on bandcamp like Weatherday, Gammagirl and be your own virtual pet!. These artists are independent, faceless/monikered, queer and, while embodying many of the self-deprecating hallmarks of emo, are far more animated and jubilant-sounding than any emo we've heard before. I don't entirely love the idea of calling this "post-emo", but it deserves to be named. After the Magic is all you need to hear to be convinced that this bloc of artists constitute not just the vanguard of emo today, but are a wholly new movement in-and-of themselves. Polaris is maybe the best single song Parannoul has put out (as hard as that is to decide). Insomnia is a revelatory re-working of Downfall of the Neon Youth, lowering the skittish frenetic free-drumming of the first version in the mix and making everything else softer and gentler; Insomniacs dream too. Arrival is maybe the biggest sounding song on the project, finding a way to become immense while still sounding graceful. the penultimate Blossom also deserves special recognition as a truly textbook representation of Parannoul's ability to make anew the anthemic emo bops of the 00s. I think a false dichotomy has emerged between this record and Parannoul's breakout sophmore release: the first is open and honest about the depressive horror of our capitalist realist present and this new record hides in dreams ("It's more mellow"). The problem is To See the Next Part of the Dream was never especially depressive, it just came out during a global pandemic. Go back and listen to it now and you'll see the exuberant and exultant turn was always where this new generation were going, and good for them. Go transcend!"  [+]  Reply

- Arthurknight | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2023

Appears in:

160 charts

Rank Score:

712

Rank in 2023:

15

Rank in 2020s:

125

Overall Rank:

2,274

Average Rating:

 76 (197 votes)

Comments:

15

2275.

No​ ​Title As Of 13 February 2024 28​,​340 Dead 

 Godspeed You! Black Emperor

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"Another masterclass in mood, tension, orchestration and drama from the great Canadian band - and a fantastic title for the victims of genocide in Gaza. Free Palestine."  Reply

- radio-head | Helpful?  (Log in to vote) | +5 votes (7 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

125 charts

Rank Score:

712

Rank in 2024:

20

Rank in 2020s:

126

Overall Rank:

2,275

Average Rating:

 77 (104 votes)

Comments:

6

2276.

Let's Stay Together 

 Al Green

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"Lovely soul album from Al Green. The timeless title track is absolutely beautiful and there's plenty of other strong songs on this great record. He made some fine albums in the seventies. This is one of them."  Reply

- garycottier | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1972

Appears in:

231 charts

Rank Score:

712

Rank in 1972:

40

Rank in 1970s:

414

Overall Rank:

2,276

Average Rating:

 79 (234 votes)

Comments:

9

2277.

Cage The Elephant 

 Cage The Elephant

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"As soon as I heard Ain't No Rest Dor The Wicked on the intro of Borderlands I knew I had to listen to this album. It didn't disappoint."  Reply

- Cymro2011 | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

132 charts

Rank Score:

712

Rank in 2008:

28

Rank in 2000s:

374

Overall Rank:

2,277

Average Rating:

 74 (261 votes)

Comments:

11

2278.

Julie Is Her Name 

 Julie London

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"Oh, I love that guitar and bass aesthetic...what a sleepy, dream atmosphere. London’s voice lilting over top is divine. Nice studio technique shown here too, such as the vocals in the codas to both “Cry Me A River” and “I Love You”."  Reply

- Jameth | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1955

Appears in:

113 charts

Rank Score:

711

Rank in 1955:

4

Rank in 1950s:

61

Overall Rank:

2,278

Average Rating:

 75 (102 votes)

Comments:

6

2279.

Introducing The Hardline According To Terence Trent D'Arby 

 Terence Trent D'Arby

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"The standout classic album by Sananda Maitreya in his former shape and with his former name. It does not sound as good now as it did when first released. The quality of the singles (T2, T5 & T9) stand out from the othet tracks. T9 was the masterpiece and swansong(? )of a potentially great Contemp...""The standout classic album by Sananda Maitreya in his former shape and with his former name. It does not sound as good now as it did when first released. The quality of the singles (T2, T5 & T9) stand out from the othet tracks. T9 was the masterpiece and swansong(? )of a potentially great Contemporay R&B artist who fizzled out long before his time (A3), at least in a commercial sense. It is good but too patchy to be called great. "  [+]  Reply

- dukeboxkool | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1987

Appears in:

178 charts

Rank Score:

711

Rank in 1987:

39

Rank in 1980s:

344

Overall Rank:

2,279

Average Rating:

 74 (175 votes)

Comments:

7

2280.

Judee Sill 

 Judee Sill

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"One of the most underrated female artists ever. Judee Sill is sadly no longer with us, but she released two excellent solo records that are criminally overlooked. Featuring stunning songs such, Jesus was a crossmaker, my man on love, and, crayon angels, this album is up there with what Joni Mitch...""One of the most underrated female artists ever. Judee Sill is sadly no longer with us, but she released two excellent solo records that are criminally overlooked. Featuring stunning songs such, Jesus was a crossmaker, my man on love, and, crayon angels, this album is up there with what Joni Mitchell was doing at the time. Brilliant. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

112 charts

Rank Score:

711

Rank in 1971:

51

Rank in 1970s:

415

Overall Rank:

2,280

Average Rating:

 78 (99 votes)

Comments:

3

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Total albums: 10,000. Page 228 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,426	14%
1980s	1,414	14%
1990s	1,599	16%
2000s	1,722	17%
2010s	1,967	20%
2020s	824	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,997	50%
	2,659	27%
	431	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%