Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 1 hour ago).
"Great follow up to, limbo panto. Two dancers, is a slightly more reserved, if that's the right word, but in a good way. I'm probably trying to say that this album is a lot less bonkers than the first one. Still, two dancers, is great with strong cuts in, hooting and howling, and, this is our lot....""Great follow up to, limbo panto. Two dancers, is a slightly more reserved, if that's the right word, but in a good way. I'm probably trying to say that this album is a lot less bonkers than the first one. Still, two dancers, is great with strong cuts in, hooting and howling, and, this is our lot. Wild beasts are one of the most original band's to come out of England in a while, and this is one of their best LP's. "[+]Reply
"The recording of Sheet Music is reputed to be the highlight for the four members of 10cc. However, it is The Original Soundtrack that portrays the clever lyrics with catchy music and melodies. Une nuit in Paris is by far the wittiest song ever written. It is followed by the moving I'm Not in Love...""The recording of Sheet Music is reputed to be the highlight for the four members of 10cc. However, it is The Original Soundtrack that portrays the clever lyrics with catchy music and melodies. Une nuit in Paris is by far the wittiest song ever written. It is followed by the moving I'm Not in Love, with some great lyrics about denial. The first side closes with Blackmail - a funny story of a crime gone wrong. The second side starts of brilliantly with the cleverly worded The Second Sitting for the Last Supper. The rest of the albums tails of a little, but you still feel that you have listened to the funniest lyrics yet seriously great music album. Unfortunately this could not be repeated for How Dare You. "[+]Reply
"I wanted to like this much more than I actually did. I wanted them to have more interesting things to say and have more interesting music to say it with."Reply
"A fantastic gem in the dust! One Way and Game will satisfy you if you want great pop songs. However this album is much more than that. The strings, guitars, folk instruments and whatever else they play. They all meld into one fantastic sound. The singer is genuiune and the music has a real soul. ...""A fantastic gem in the dust! One Way and Game will satisfy you if you want great pop songs. However this album is much more than that. The strings, guitars, folk instruments and whatever else they play. They all meld into one fantastic sound. The singer is genuiune and the music has a real soul. You may be surprised by this one. Well worth a listen!"[+]Reply
"From here lies the origin of the term “Cotten-picking”, based around her unique technique of guitar playing. Recorded in the 50s, while Cotten was in her 60s, Freight Train & Other North Carolina Folk Songs & Tunes is a collection of songs that Elizabeth Cotten had originally written in the early...""From here lies the origin of the term “Cotten-picking”, based around her unique technique of guitar playing. Recorded in the 50s, while Cotten was in her 60s, Freight Train & Other North Carolina Folk Songs & Tunes is a collection of songs that Elizabeth Cotten had originally written in the early 1900s as a young girl. Freight Train, the most famous song of Cotten’s career was written when she was only 11 years old. Dusty, intimate folk, Cotten’s aged voice cries with the wisdom of an old soul. It’s hard to imagine the songs providing such an impact when sung in her youth. The marriage of the playful songs of her youth with the weathered voice of her 60s bridges a gap that is rarely left to be returned to."[+]Reply
"I think how much you're fascinated with everything Taylor Swift- particularly both the icon and what people perceive her as out of the limelight- will go a long way into how you value this album. Because purely taken as a piece of music, it rarely gels into anything substantial. In hindsight, I w...""I think how much you're fascinated with everything Taylor Swift- particularly both the icon and what people perceive her as out of the limelight- will go a long way into how you value this album. Because purely taken as a piece of music, it rarely gels into anything substantial. In hindsight, I was harder on Folklore & Evermore on the time which mostly seemed to be about the ballyhooed "I can't believe Taylor INVENTED indie folk music!" overpraise, but it actually felt like a positive exercise to move away (at least for the most part) from all the first-person taylor drama and actually rejigger her interest in character-based songwriting which has always been a much more engaging style than her attempts at meta self-reflection. And again the Songwriting is key, because these often aren't even really full songs, just coasting on the modern snippet-based music trend that a 30-second mood stretched out to the brim is a full idea on it's own right. A lot of it is ressurecting already-dated trends (the endless vocoder use, purring baselines, moody Odd Future and 808 cast-off riffs) as well as some of her own old sounds (particularly the steely synths of 1989, though intentionally fragmented here to emphermal results), which doesn't help that most of the songs still are all Taylor, all the time- a whole lot of humble brags about how personal fallouts and media scrutiny made her the better person, and more record-industry drama BS (which leads to the most tedious attempt at a noirish revenge song anyone could imagine). I donno, there are some highlights, the end couple of songs are pretty solid vintage Taylor with some modern trimmings and "You're On Your Own Kid" is a lyrically strong, more outward look on how the earnest romantic teenage longing of her earliest work has fractured as time passes and pleasing enough I'll completly forgive it rips off the sound of Melodrama's masterpiece "Hard Feelings" (and no blaming Antonoff here, I doubt he was even in the studio here considering the complete auto-pilot production job). Obviously an album that would look more towards the growth of her now adult fanbase and how her music has affected them rather than herself would've been a more interesting prospect, instead we get an album that coasts on what we've heard all Before, both from Taylor and much of the styles that were popular in her heyday. It's not terrible by any means, but perhaps the worst thing Taylor could do is make a terminally uninteresting album that even when spinning you can forget you're even listening to it and realize there's better things to do with your time."[+]Reply
"The House of Love as well as The Cocteau Twins, Sonic Youth, and My Bloody Valentine fundamentally laid down the foundations for the shoegazer sound on this album. FACT. Something made all the more cruel considering how largely forgotten this album and the band currently are. From the sour downca...""The House of Love as well as The Cocteau Twins, Sonic Youth, and My Bloody Valentine fundamentally laid down the foundations for the shoegazer sound on this album. FACT. Something made all the more cruel considering how largely forgotten this album and the band currently are. From the sour downcast wall of sound of opener Christine to the mesmeric and achingingly beautiful undulations of the oceanic Love In a Car (guitarist Terry Bickers on this song in particular has been subsequently ripped off by Ride, Interpol, and numerous countless others) The House of Love is that greatest of rarity - a forgotten classic. I've been hooked on this album since I first heard it over 20 years ago and have yet to grow tired of it. Perhaps, the fact that Guy Chadwick was already 30 by the time he wrote most of the songs allows it to resonate all the more clearly with the 'older' me, whatever, I love this record just as much as I did when I was a teenager and it is my favourite all time album. What else is there to say? Sheer Class."[+]Reply
"This album puts the lie to the popular myth that Chuck Berry's music started to fade away around the same time that the Beatles, the Rolling Stones, et al. emerged covering his stuff. His songwriting is as strong here as ever -- side one is packed with now-familiar fare like "Little Marie" (a seq...""This album puts the lie to the popular myth that Chuck Berry's music started to fade away around the same time that the Beatles, the Rolling Stones, et al. emerged covering his stuff. His songwriting is as strong here as ever -- side one is packed with now-familiar fare like "Little Marie" (a sequel to "Memphis, Tennessee"), "No Particular Place to Go," "Promised Land," and "You Never Can Tell," but even filler tracks like "Our Little Rendezvous" and "You Two" are among Berry's better album numbers, the latter showing off the slightly softer pop/R&B side to his music that many listeners forget about. Side two includes a bunch of tracks, including the hard-rocking "Go Bobby Soxer" and the even better "Brenda Lee," the slow blues "Things I Used to Do" (with a killer guitar break), and the instrumentals "Liverpool Drive" and "Night Beat," one fast and the other slow, that never get reissued or compiled anywhere."[+]Reply
"No sure why this gets written off. Great record. Good guests incl thom yorke, badly drawn boy, ashcroft, mike d, kool g rap. No liam gallagher or ian brown though! Although one of the inst tracks off this was released as a single with an ian brown vocal."Reply