Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 6 hours ago).
"A haunting debut album, just mostly Roberta & her piano singing songs she'd performed for the past 18 months at Mr Henry's in Washington DC. It does almost feel like a live album hence the title "First Take"the songs are long memorable affairs the standout being The First Time Ever I Saw Your Fac...""A haunting debut album, just mostly Roberta & her piano singing songs she'd performed for the past 18 months at Mr Henry's in Washington DC. It does almost feel like a live album hence the title "First Take"the songs are long memorable affairs the standout being The First Time Ever I Saw Your Face which became a huge hit in 1972 after featuring in the Clint Eastwood film "Play Misty For Me". My personal favourites from this album are That's No Way To Say Goodbye, Ballad Of The Sad Young Men & Our Ages or Our Hearts. "[+]Reply
"It truly puzzles me that this man, along with his music, aren't far more popular. I suppose this really just goes to show that the 'Greatest albums of all time' are only the 'Greatest albums of all time' due to the combination of: 1. The obvious towering appeal of their music. And 2. (More import...""It truly puzzles me that this man, along with his music, aren't far more popular. I suppose this really just goes to show that the 'Greatest albums of all time' are only the 'Greatest albums of all time' due to the combination of: 1. The obvious towering appeal of their music. And 2. (More importantly) The advertising that surrounds them..."[+]Reply
"To me, this is one of the greatest albums of the entire 1980s decade, regardless of music genre. It is a journey in sound/sonics with just enough of a story line to engage the listener. And the second portion is some of the finest ambient music, ever. Fantastic guest musicians, including Robert F...""To me, this is one of the greatest albums of the entire 1980s decade, regardless of music genre. It is a journey in sound/sonics with just enough of a story line to engage the listener. And the second portion is some of the finest ambient music, ever. Fantastic guest musicians, including Robert Fripp, Bill Nelson, Kenny Wheeler, and many more. David, I have read, is not as fond of this album as he is of the follow-up, Secrets of the Beehive. For me, this one is the sentimental favorite. "[+]Reply
"I wouldn't say I'm a fan, but I do admit when you look at the consider all things, this is an enjoyable one. His voice is so expressive and the melodies so soulfulness. If this isn't the blues, then I don't know what is. I can understand how this genre as influence other styles like jazz and rock...""I wouldn't say I'm a fan, but I do admit when you look at the consider all things, this is an enjoyable one. His voice is so expressive and the melodies so soulfulness. If this isn't the blues, then I don't know what is. I can understand how this genre as influence other styles like jazz and rock and roll."[+]Reply
"This album seemed to come from nowhere and was pivotal to the whole early 90's alternative movement. It is one of my favorite albums and is solid all the way through. It is a mix of soft and catchy tunes with hooks and sideline diversions."Reply
"When Coltrane signed for Impulse! in 1961, he already had the reputation of being one of the most ardent tenor saxophonists of jazz. But "Ballads" still does not announce Trane's most controversial albums. For those who love Coltrane, this record is indispensable because it reflects a facet of th...""When Coltrane signed for Impulse! in 1961, he already had the reputation of being one of the most ardent tenor saxophonists of jazz. But "Ballads" still does not announce Trane's most controversial albums. For those who love Coltrane, this record is indispensable because it reflects a facet of the artist that we forget. There was a Coltrane who had a tender and peaceful approach. Coltrane, is a great and incomparable interpreter of ballads. On the other hand, if you expect something close to "Kind Of Blue", you're wrong. I can play the album, listen to it, enjoy it, leave my headphone, come back 5 minutes later and automatically immerse myself in a warm and calm atmosphere. The album is simple and relaxing, it allows to travel, to dream...
8/10
Best track: "Say It (Over And Over Again)""[+]Reply
"In an out of nowhere splash Mckinley Dixon raps about home, urban life, contesting memories of childhood, lost friends and living communities. More specifically, the whole album is a Toni Morrison reference. The title invokes the 'Beloved trilogy' of Morrison historical fiction novels Jazz, Belov...""In an out of nowhere splash Mckinley Dixon raps about home, urban life, contesting memories of childhood, lost friends and living communities.
More specifically, the whole album is a Toni Morrison reference. The title invokes the 'Beloved trilogy' of Morrison historical fiction novels Jazz, Beloved and Paradise. If you haven't, read them, and not just because they will illuminate Dixon's work. Morrison's writing is the quintessential prose of contemporary America and its tangled traumatic history.
Though Dixon speaks of history, of how we are shaped by it and cannot place finality on its tectonic movements (that we could have such hubris to say history is past us), he is principally focused with themes of development and artistic solitude – the history here is a personal one where Dixon reflects on the memories in the lead-up to success. The opening track Hanif Reads Toni follows word for word an excerpt from Jazz and I think it is relevant in light of his many references to the city to continue on that reading a couple paragraphs forward in the chapter:
"Do what you please in the City, it is there to back and frame you no matter what you do... All you have to do is heed the design--the way it's laid out for you, considerate, mindful of where you want to go and what you might need tomorrow."
Perhaps the one thing that remains cloudy to me in this work is what Dixon's reading of Morrison is. He is certainly interested in how she represented the black urban experience in Jazz, however what else beyond that remains unclear. In some sense, there's a missed opportunity to interrogate the lasting and rather subtle implications of the trilogy's projection of Dante's Divine Comedy onto modern American racism. Morrison's writing is fundamentally about the unregulated system of sin and consequence which is inflicted with indifference onto African-American people, especially black women. Moreover, the revisionist historicity of Morrison's trilogy works to insert black women into a history where they are otherwise absent. Dixon offers little in the way of any direct inspection of these themes.
Dixon has definitely read Jazz though. In Dedicated to Tar Feather (the 'tar feather' here likely more a reference to torture tactics rather than Morrison's Tar Baby) he invokes the character Joe Trace's line "Don’t ever think I fell for you, or fell over you. I didn’t fall in love, I rose in it. I saw you and made up my mind." However, Dixon rejects the idea, using it to represent the loneliness of being an artist. The irony here, perhaps lost in the lyric, is that Trace himself is a fundamentally alone person. His mother left him without a 'trace' and his love expressed above is unrequited.
Maybe this is an over-reading of the album but I think Dixon is mostly adopting Morrison aesthetically. As Dante brought poetry to Summa Theologica, Dixon brings music to Morrison... Jazz!?"[+]Reply
"CRIMINALLY UNDER-RATED. This album is in my contestants for best or the year for sure, its just so much fun! The hooks are addicting, absolutely addicting. And its self deprecating vibe really gives this album an "i dont give a crap" attitude that makes me just melt inside. We need more Jeff Rose...""CRIMINALLY UNDER-RATED. This album is in my contestants for best or the year for sure, its just so much fun! The hooks are addicting, absolutely addicting. And its self deprecating vibe really gives this album an "i dont give a crap" attitude that makes me just melt inside. We need more Jeff Rosenstocks in the scene. "[+]Reply
"It's Iron Maiden meets Guns 'n Roses meets Skid Row, Motley Crue and Metallica. This is A7X's breakthrough album, and with good reason. The juxtaposition of each track is such that the whole album fits together in a very deliberate way. Once heard, songs like 'Beast and the Harlot,' 'Trashed and ...""It's Iron Maiden meets Guns 'n Roses meets Skid Row, Motley Crue and Metallica.
This is A7X's breakthrough album, and with good reason. The juxtaposition of each track is such that the whole album fits together in a very deliberate way.
Once heard, songs like 'Beast and the Harlot,' 'Trashed and Scattered,' 'Bat Country' and 'Burn it Down' are hard to leave behind. A great 'guitarist's album' there is much to admire in the sweeping fretwork of Vengeance and Gates, and the way the harmonies mesh together and drive the melody of each track tastefully forward.
The most underrated track on the album is probably 'The Wicked End,' which evokes a dark, apocolyptic biblical saga
of sin with a truly epic Danny Elfman-style orchestral breakdown midway through.
Shadows' multi-tracked vocals can make some songs somewhat frustrating to sing along to- he tends to sing over himself with some parts overlapping- but the '80s-style hair metal bravado sets the tone perfectly with Shadows' unmistakable nasal twang letting anybody familiar with the band know instantly that this is definately Avenged Sevenfold.
The late 'Rev' commands the sticks with superhuman flair and class, with some truly mind-melting drum flurries and double bass pedal domination.
All the hallmarks of an exuberant, cocksure and talented young band are woven into every second of this album, and back in 2005 caught the music industry's attention in a huge way. 'City of Evil' remains on many 'best albums of the 2000s' lists today.
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"This album is an underrated gem, and I suppose was slightly out of place for the time it was released back in 1991. However, really this another classic album from Dire Straits that stands the test of time. Ticket To Heaven is the sleeper tack and timeless track on this album for me."Reply