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3901.

Isla 

 Portico Quartet

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"Oh my glob... beautiful. This is what I love about the BEA tourneys."  Reply

- SquishypuffDave | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

46 charts

Rank Score:

246

Rank in 2009:

66

Rank in 2000s:

666

Overall Rank:

3,901

Average Rating:

 79 (47 votes)

Comments:

1

3902.

As You Were 

 Liam Gallagher

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"As a fan of Noel and hater of Liam Gallagher, I have to say this album is not that bad. Some songs remind me of Oasis second era, but overall I'm quite surprised. However I still hope Noel to beat this with his next release."  Reply

- luigybetis | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2017

Appears in:

84 charts

Rank Score:

245

Rank in 2017:

78

Rank in 2010s:

700

Overall Rank:

3,902

Average Rating:

 71 (124 votes)

Comments:

7

3903.

Moisturizer 

 Wet Leg

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"This is a great sonic continuation of their previous album, excited to see what they do in the future. 11:21 is a highlight for me."  Reply

- stanchoiaz | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2025

Appears in:

101 charts

Rank Score:

245

Rank in 2025:

18

Rank in 2020s:

258

Overall Rank:

3,903

Average Rating:

 74 (97 votes)

Comments:

2

3904.

Accelerate 

 R.E.M.

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"It's sad to see such a great artist pigeon holed. As a life long R.E.M. fan, seeing their stuff on MTV growing up, etc. This is better than Monster in my opinion. I feel it is the right level of pop, edge, and punk rock. I feel it is every bit their sound as any other album. This is why this band...""It's sad to see such a great artist pigeon holed. As a life long R.E.M. fan, seeing their stuff on MTV growing up, etc. This is better than Monster in my opinion. I feel it is the right level of pop, edge, and punk rock. I feel it is every bit their sound as any other album. This is why this band is great - they can do quality soundscapes in lots of different directions. I think it is a waste to say, well this isn't AFTP or whatever... of course it isn't. It is Accelerate and I think it's great. I think it has the political side of R.E.M. I like. It has the philosophical side. And yes the darker emotional side is less than in the past, and that's actually what I love about it, it's emotion is a happy energy, kind of like when they first debuted on TV with David Letterman and Radio Free Europe. idk... that's my take - sad to see good work like this considered low par."  [+]  Reply

- RoundTheBend | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

144 charts

Rank Score:

245

Rank in 2008:

58

Rank in 2000s:

667

Overall Rank:

3,904

Average Rating:

 70 (269 votes)

Comments:

24

3905.

Friends That Break Your Heart 

 James Blake

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"Hearing Say What You Will got me more excited for this album than I'd ever have anticipated. Its one of the best tracks of the year and probably the best thing he's recorded, so to get to the album and have it be exactly the same as each of his other albums was absurdly disappointing. A good albu...""Hearing Say What You Will got me more excited for this album than I'd ever have anticipated. Its one of the best tracks of the year and probably the best thing he's recorded, so to get to the album and have it be exactly the same as each of his other albums was absurdly disappointing. A good album for sure, impeccably produced, but still feels like he's on autopilot in ways."  [+]  Reply

- Copeland | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

89 charts

Rank Score:

245

Rank in 2021:

55

Rank in 2020s:

259

Overall Rank:

3,905

Average Rating:

 75 (68 votes)

Comments:

4

3906.

Scott 

 Scott Walker

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"Once, coiled soundly beneath the kaleidoscopic cornucopia of musical excess that was the 1960's, a tidal wave which reached sacred heights but synchronically cannibalized itself ten times over, there was a man. A man who, fit with somber body language and European sensibilities, wore dark sunglas...""Once, coiled soundly beneath the kaleidoscopic cornucopia of musical excess that was the 1960's, a tidal wave which reached sacred heights but synchronically cannibalized itself ten times over, there was a man. A man who, fit with somber body language and European sensibilities, wore dark sunglasses indoors and crooned with regard to the fraudulent nature of suburban, posh societies and serial drinkers who typify carnal, animalistic yearnings on midnight pub parades. The man's name was Scott Walker and he's seemingly lived a thousand lifetimes, shuffling along in the footwear of names past and present, rich and poor, angelic and depraved in equal measure. Here, on 'Scott', Walker begins to chisel out his first, significant artistic personality, free from the restraints of the pop band expectations of the Walker Brothers and into a new era of thought-provoking, thematically challenging baroque pop. On his first solo record, the enigmatic songster registers a mere trio of writing credits, however, it's the ascendancy and grandeur of the LP that transfigures the collective into something wholly idiosyncratic. On 'Scott', a caged, creative genius breathed new air that billowed with currents of Belgian chanteurs and classical composers and laid the bedrock for one of the most beguiling careers of the modern era. The album begins with 'Mathilde', an English rendition of Jacques Brel's 1964 chanson that details an abusive, romantic entanglement that forever resurrects like a pitiful, desperate phoenix. This is an opportune time to discuss Walker's admiration and veneration for Brel's work, once even calling him the "most important singer-songwriter in the world". Brel's pension to uncover and rhapsodize on all things strange and uncomfortable in society appealed to Walker, during a period where such things weren't touched or even discussed in pop music, let alone music at large. As a result, Walker christened his exodus from the mainstream by breathing life into Brel's haunting, challenging and sunless parables. At their moral best, they're hopeless, demoralizing accounts of unrequited love and at their worst, accounts of molestation, both mentally and physically at the hands of Army officers. Despite Walker's radical and firmly adult direction, his albums began to fall on a more gradually disinterested audience. Yet, it began to plot the roadmap for a rapidly escalating sonic approach that few (if any) could find parallels to. On 'Mathilde', Walker channels Brel while proclaiming, "My hands, you'll start to shake again when you remember all the pain; Mathilde's come back to me; You'll want to beat her black and blue but don't do it, I beg of you." The track is framed within an up-tempo sheen, reminiscent of a march into battle or a swaggering anthem of boisterous victory. The subject's early indecision is apparent with his mind made up by the end of the piece. Walker employed the assistance of three composers on 'Scott', perhaps most synonymously, Angela Morley (then Wally Stott), who would go on to further heights as Walker's arranger. On track two, Montague Terrace (In Blue), one of three penned by Scott himself, Morley crafts a dizzying, yet chic sheen before propelling walls of brass that instantly unionize with Walker's baritone hollers. There's an air of satire purveying here, like a thick vapor. "The girl across the hall makes love; Her thoughts lay cold like shattered stone; Her thighs are full of tales to tell of all the nights she's known," Walker details. It's unclear if the image is one of a much yearned for, idyllic, societal upgrade or a disdain for others' possessions and dispositions. Arriving third, LP highlight 'Angelica' softly vibrates before segueing into Walker's cries for the song's titular maiden. The organ tones from the onset color the track with melancholy, conjuring images of eulogization for lost love. Walker explains, "Now in my solitude, I tend the flowers that I buy, As they slowly fade and die, watered by the tears I cry." 'Angelica' represents a landmark in the early days of Walker's solo odyssey, as an indication of his desire to routinely croon overtop pessimist anthems far before it was vogue, complete with a dim worldview that would become progressively overcast. Fourth Track, 'The Lady from Baltimore', is Walker's attempt at Tim Hardin's classic. Scott's take is fittingly folky, with the prose in lock-step with his bleak paradigm. His voice sports a twangy timbre, faintly foreshadowing his self-assessed "Wilderness Years" in the early 1970's. However, his foray into folk and flirtation with country is marvelously executed. Walker's most ardent statement on the LP is the final track, 'Amsterdam', a swooning, cinematic recoloring of Jacques Brel's famous live staple. It's through this piece that Walker proves himself to be most worthy to succeed Brel as the patron saint of fatalistic allegories. The track opens with accordion hisses that wash over the empty pockets of sonic space like a patient sunrise as eyelids softly open to greet it. Walker sets the the scene for the finale with a tale of the rawest kind of human desperation, with a pistol of willful ignorance tucked away in its holster. The tale is as much about revelry as it is despair, or maybe more astutely, how the two co-exist in the minds of the downtrodden. 'Amsterdam' steadily ascends, starting as a lone man recounting a drunken memory out loud. Soon, it seems as if others join in (characterized by the power of Walker's vocals). Finally, the collective emerges, taking the form of the swirling instrumentation that rises the tide lead by Walker's voice. It's a picture so vivid that it's hard to disassociate the visual from the track. It's a stunning statement ushered off by Walker's repeated chants. 'Amsterdam' is without question Walker's finest Brel interpretation and one of his career's most prolific efforts. Noel Scott Engel died on March 22, 2019, but the world knew him as Scott Walker. However, few people knew that he died in 1967 as well. This death did not serve as a passageway to the afterlife, but rather, a reincarnation. An invigoration. A rebirth. 'Scott' remains the genesis of a career that words couldn't succinctly articulate. The Scott Walker of the Walker brothers walked and died, dried up in a desert of creative disillusionment and disgust so that the Scott Walker that would follow could run and consequently, swim oceans fiercely cavernous and artistically unbound. The transaction included trading in a handsome, youthful face for a stern demeanor and a military cap that slumped lower and lower throughout the years, reflecting the thematic directions his music would take while hiding the weathered, hardened features of his face. The seedlings planted within 'Scott' would grow to spawn a wonderous garden whose fruits few would taste. Walker saw very little monetary success throughout the remainder of his career and by 1978, he was a recluse. He would occasionally resurface with records that would scorch earth and send those with their ears to the ground into a frenzy. By some, he is regarded as the most unheralded genius in music history. To others, he was a passing shadow of an assembly line industry of musical malaise. In 1967, with a brilliant, stark solo debut, he began a journey of endless ambition fit with thankless repercussions. It's a journey we all should take, for it is rooted in the very soul of what music should be, endlessly imaginative and unyielding. However, few have the inclination to look at the natural world as Walker did. It's a blessing and a curse. "In the port of Amsterdam there's a sailor who drinks And he drinks, and he drinks, and he drinks once again, He drinks to the health of the whores of Amsterdam Who have promised their love to a thousand other men They've bargained their bodies and their virtue long gone For a few dirty coins, and when he can't go on, He plants his nose in the sky and he wipes it up above, And he pisses like I cry for an unfaithful love." -Amsterdam Standout Tracks: 1. Amsterdam 2. Angelica 3. The Lady from Baltimore 91.6"  [+]  Reply

- DriftingOrpheus | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

113 charts

Rank Score:

245

Rank in 1967:

45

Rank in 1960s:

296

Overall Rank:

3,906

Average Rating:

 75 (135 votes)

Comments:

4

3907.

Voyage Of The Acolyte 

 Steve Hackett

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"What a gorgeous album! An excellent way to start of Hackett's solo career with a concept album based on tarot cards. The electric guitars sound awesome, but really this album is about the acoustic guitar, and the flutes. All the songs are great, but the best is "Shadow of the Hierophant" which is...""What a gorgeous album! An excellent way to start of Hackett's solo career with a concept album based on tarot cards. The electric guitars sound awesome, but really this album is about the acoustic guitar, and the flutes. All the songs are great, but the best is "Shadow of the Hierophant" which is really a fantastic melody. This is the prettiest sounding progressive rock album I've ever heard. Brilliant!"  [+]  Reply

- clockworkfiction3 | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

107 charts

Rank Score:

245

Rank in 1975:

67

Rank in 1970s:

715

Overall Rank:

3,907

Average Rating:

 77 (117 votes)

Comments:

6

3908.

LC 

 The Durutti Column

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"Full on 80s reverb guitar project. Gets a bit repetative after a while, but it's a good sound."  Reply

- meltchett | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

90 charts

Rank Score:

245

Rank in 1981:

66

Rank in 1980s:

563

Overall Rank:

3,908

Average Rating:

 75 (97 votes)

Comments:

3

3909.

O Brother, Where Art Thou? 
Soundtrack

 Various Artists

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"A decent album with an interesting choice of musical styling which is very relaxing and therapeutic to listen to. The diverse range of artists keeps the music fresh as well and the style is maintained as it is passed from one artist to the next which is really impressive. There are some really ca...""A decent album with an interesting choice of musical styling which is very relaxing and therapeutic to listen to. The diverse range of artists keeps the music fresh as well and the style is maintained as it is passed from one artist to the next which is really impressive. There are some really catchy choruses and great instrumental moments present on here as well. However, it is bloated and too long and could be shortened but I guess that is due to it being a soundtrack. It does get repetitive by the end as well and you find yourself waiting for it to end. It could do with a bit more experimentation as it is a bit bland and dull. Overall, a harmless record that isn't anything special but provides a great vibe if you want to just chill. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2000

Appears in:

128 charts

Rank Score:

245

Rank in 2000:

65

Rank in 2000s:

668

Overall Rank:

3,909

Average Rating:

 76 (163 votes)

Comments:

6

3910.

Freeze-Frame 

 The J. Geils Band

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"This album an a huge favorite of mine. There ain't a stinker on the whole thing. From the shout of "Freeze Frame!" to begin the album to the equally loud shout of "Piss on the wall! to close the album, it seem that there's a non-stop parade of blues, R&B, and rock. "Do You Remember When," "River ...""This album an a huge favorite of mine. There ain't a stinker on the whole thing. From the shout of "Freeze Frame!" to begin the album to the equally loud shout of "Piss on the wall! to close the album, it seem that there's a non-stop parade of blues, R&B, and rock. "Do You Remember When," "River Blindness," and "Rage in the Cage" are in perfect company with their chart-topping title track and "Centerfold." However, I believe the absolute high-point of this band's career was in "Angel in Blue" which is on this album. There's just an awesome collection of music on this one and absolutely no filler! "  [+]  Reply

- Captain_Dude | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

77 charts

Rank Score:

245

Rank in 1981:

67

Rank in 1980s:

564

Overall Rank:

3,910

Average Rating:

 69 (105 votes)

Comments:

7

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Total albums: 10,000. Page 391 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%