Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 37 minutes ago).
"Although I really enjoy the other albums, I feel more personally attached to this one. It has had more influence than people expected (look at Justice, Gesaffelstein, and the electro punk of M.I.A. and Death Grips), and it was hated basically because they didn’t do what people expected them to do...""Although I really enjoy the other albums, I feel more personally attached to this one. It has had more influence than people expected (look at Justice, Gesaffelstein, and the electro punk of M.I.A. and Death Grips), and it was hated basically because they didn’t do what people expected them to do. And I think - however counterintuitive - this album is the most daft punk of them all. They stripped down the essentials of their image: heavy vocoder usage, drum machines, and most importantly repitition. And I don’t want to sound like a daft purist, but this is why this album will only be understood by real fans."[+]Reply
"Badu really lets loose on this one. None of her earlier albums thump like this one. Easily her most hip-hop influenced work. You feel the confidence on this record. However, I find it a tad unfocused at times. While I enjoy the freedom, a little more control would greatly enhance the sound."Reply
"I'll compare it to In the Aeroplane Over the Sea. It's probably an album that would have a love/hate relationship with it's listeners, if it were more known about. Fortunately I'm on the love side. This is brilliant."Reply
"Her worst album. Lame lyrics, overproduced, imature and noisy. She's just trying to be more and more popular and lost what made her special. Only Getaway Car is good but not great."Reply
"This is the album that began the final phase of Cohen's career, a phase that also includes Dear Heather, Popular Problems, Old Ideas, and You Want it Darker. In my opinion, Ten New Songs is the best of that lot (though You Want it Darker is also a contender). It is also one of Cohen's greatest al...""This is the album that began the final phase of Cohen's career, a phase that also includes Dear Heather, Popular Problems, Old Ideas, and You Want it Darker. In my opinion, Ten New Songs is the best of that lot (though You Want it Darker is also a contender). It is also one of Cohen's greatest albums and though it may not hit the heights/peaks of some of his earlier album, it is really consistently good all the way through. There are some great lyrics on this record and a more hopeful tone than some other albums. Thematically it is driven by interior concerns and lacks the social commentary one finds on The Future, but that is ok in my opinion. LC sounds to me like he really has something to say on this album, and it is an affirmation of existence. I feel the content is richer and deeper than some of what appears on Popular Problems, Dear Heather, and Old Ideas. "[+]Reply
"The Small Faces' first album for Immediate is really an overlooked classic. The album, consists of entirely new original songs. Bubbling fantasy and playing pleasure is what characterizes the album and it obvious that the band took and enjoyed the freedom given to them by Immediate to further dev...""The Small Faces' first album for Immediate is really an overlooked classic. The album, consists of entirely new original songs. Bubbling fantasy and playing pleasure is what characterizes the album and it obvious that the band took and enjoyed the freedom given to them by Immediate to further develop their musical expression.
Unlike their first album (released on Decca in 1966), this is a real album and not just a collection of singles, supplemented with an appropriate number of outtakes and b-sides. This is really nice songwriting, and though it hardly contains overlooked potential hit singles the album has many strong numbers of which several easily could be called classics. The song "My Way of Giving" probably in a more commercial cover version could have reached charts. "Green Circles" is the an early example of Small Faces psychedelia - and a fine example that Immediate's confidence in the band immediately gave bonus in the form of inspired songwriting. An alternative version of this number is found among the bonus-tracks and is known as one of the very first songs the group recorded after leaving Decca. This rare version is in many ways more interesting than the regular version.
Overall, the album without weak tracks, but a few more than those already mentioned, however, do stand out. Although "Become Like You" and "Feeling Lonely" are short tracks, they are both songs you just have to hear again and again - a little bit like "Mad John" from "Ogden's Nut Gone Flake". "Happy Boys Happy" is a short instrumental, which in full lives up to its optimistic title.
"Talk to You" is classic Small Faces "and could well have been recorded simultaneously with a song like" All or Nothing". "Show Me the Way" shows with the band in a more subdued version with Ronnie Lane as lead singer and classical-inspired keyboard accompaniment.
The first Immediate album released in the United States was entitled "There are But Small Faces." This album was also very strong in a more conventional way containing three big single-hits along with two unusually strong b-sides "I'm Only Dreaming" and "I Feel Much Better". "There are But Small Faces", however, miss seven titles from "The Small Faces"album and contains only 12 titles.
This release contains all tracks from "There are But Small Faces" and has several interesting bonus tracks. Among these the outtake
"Don't Burst my Bubble", the single "I Can't Make it" and alternate versions of several album tracks.
Both mono and stereo versions of the original album are to be found here - and although the differences are not very significant both versions interesting. Also most bonus tracks are found in both mono and stereo versions.
A fine booklet with interesting facts and fine photos follows with the 2 CDs release.
"Groovy" without P.P. Arnold's vocals is found on some re-issues, but it would of course be optimal to hear Marriott on the vocals, but such a version probably does not exist."[+]Reply
"A good album contains the massive hits Silly Love Songs & Let 'Em In. The rest of the album is a mixture of Paul McCartney songs where the lead vocal is given to other members of Wings even Linda McCartney has a lead vocal. Denny Laine wrote and sings Time To Hide. Wino Junko is written and sung ...""A good album contains the massive hits Silly Love Songs & Let 'Em In. The rest of the album is a mixture of Paul McCartney songs where the lead vocal is given to other members of Wings even Linda McCartney has a lead vocal. Denny Laine wrote and sings Time To Hide. Wino Junko is written and sung by Jimmy McCulloch and Joe English has the lead vocal on Must Do Something About It, a good record. Worth a listen. "[+]Reply
"Everything a black metal record should be. Life Eternal and Funeral Fog still give me the shivers. It's dark and incredibly eery. Some find Attila's vocals comedic compared to his predecessor Dead's but I disagree, the operatic's of Attila's style contrast well with the harshness of the guitar ri...""Everything a black metal record should be. Life Eternal and Funeral Fog still give me the shivers. It's dark and incredibly eery. Some find Attila's vocals comedic compared to his predecessor Dead's but I disagree, the operatic's of Attila's style contrast well with the harshness of the guitar riffs. "[+]Reply
"why? is one of those freaky artists that is pretty unclassifiable, i guess mostly part indie pop, part hip-hop. "Alopecia", the falling apart of a man (by the folicle), starts off "i'm not a ladies man, i'm a land-mine" in "the vowels, part 2", and so starts the falling apart of the narrator endi...""why? is one of those freaky artists that is pretty unclassifiable, i guess mostly part indie pop, part hip-hop. "Alopecia", the falling apart of a man (by the folicle), starts off "i'm not a ladies man, i'm a land-mine" in "the vowels, part 2", and so starts the falling apart of the narrator ending in the deceptively catchy "cheery A, cheery E, cheery I, cheeriO, cheery U". . It's like he's writing and reading anything and everything into his journal "reading Puerto Rican porno" and "blowing kisses to disinterested bitches" on "Good Friday" with another deceptively catchy lyrical hook (which is common on "Alopecia"). There's a lot of death and dead-or-alive rotting from "the smell of our still human bodies gas" on "These Few Presidents" (with the poetically universal sentiment "even though i haven't seen you in years, yours is a funeral i'd fly to from anywhere") to the opening stanza on "the hollows" (possible best track) to "song of the sad assassin" which begins "we lifted the body from the water like a gown" and ends "billy the kid did what he did and he died". There's a complicated bluntness of the human condition and mortality that you'll miss if you're too busy humming along.
I highly recommend this if you're into TV on the radio, beastie boys, and of course artists like cloudDEAD and 13&God. This is the album where Why? transitioned from hip-hop to more "indie pop" and more conventional song structures."[+]Reply