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5931.

My Name Is My Name 

 Pusha T

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"Embarrassing that it's so low. Push had hard times between Clipse and MNIMN, but it's one of the best rap albums in years. Those BEATS"  Reply

- LSss | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

90 charts

Rank Score:

228

Rank in 2013:

122

Rank in 2010s:

1,098

Overall Rank:

5,931

Average Rating:

 73 (87 votes)

Comments:

3

5932.

Babymetal 

 Babymetal

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"Pure fun. Some moments are the definition of addictive pop metal (?) music. Other songs are a bit weaker though."  Reply

- JMGL95 | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

27 charts

Rank Score:

228

Rank in 2014:

107

Rank in 2010s:

1,099

Overall Rank:

5,932

Average Rating:

 73 (31 votes)

Comments:

7

5933.

A Little Man And A House And The Whole World Window 

 Cardiacs

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"The Cardiacs most commercial album (not very commercial). Contains there one stab at single success (Is this the life - a top 50 single in 1988) and a number of their live stalwarts from around that time - In a city lining, RES and the whole world window. Another glorious album of beauty - the br...""The Cardiacs most commercial album (not very commercial). Contains there one stab at single success (Is this the life - a top 50 single in 1988) and a number of their live stalwarts from around that time - In a city lining, RES and the whole world window. Another glorious album of beauty - the breakfast line probably my favourite."  [+]  Reply

- FieryGunHand | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

41 charts

Rank Score:

228

Rank in 1988:

79

Rank in 1980s:

849

Overall Rank:

5,933

Average Rating:

 76 (56 votes)

Comments:

2

5934.

The Ruby Cord 

 Richard Dawson

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"So my copy of Peasant on vinyl arrived the other day, it's pretty cool – I really like Dawson and it's nice to have a slice of him in my collection. This one ain't getting in though, it's his weakest project in a while. The whole trilogy idea was always a pretty stale threadbare linking of his pr...""So my copy of Peasant on vinyl arrived the other day, it's pretty cool – I really like Dawson and it's nice to have a slice of him in my collection. This one ain't getting in though, it's his weakest project in a while. The whole trilogy idea was always a pretty stale threadbare linking of his projects, but it would be justified if The Ruby Cord – as the first two in their own respects accomplish admirably – offered a meaningful commentary about humanity's prospects and what that means for us now. Oddly, despite Dawson's characteristically shrewd and perspicacious social observations, it doesn't whatsoever. Or, if it does I have not been able to extract it with the same didactic ease with which Peasant and 2020 provide; this album loses itself in abstraction. It seems that Dawson didn't have anything trenchant to say about the 26th century after-all. The essential quality of 2017's Peasant is that the "community" is insular, founded on xenophobia, and resistant to the encroachment of the stranger. The hypothetical bard is thus traversing through this social landscape "in search of the Holy Grail of human decency." In 2020, people share the same spaces (they are all still British; they are neighbours), but there is no more "community." Dawson talks about class stratification, manufactured consent, and the lingering shadows of empire, but it is a guttural experience of alienation that plagues the album: "I know I must be paranoid / But I feel the atmosphere / 'Round here is growing nastier / People don't care anymore." As 500 years from now will prove – in Dawson's mind – there will never come a techno-utopia for humanity. Instead, if I am to force it into some narrative continuity with these two prior projects – as Dawson wants us to do – the slow death of community will reach a natural conclusion and those who still linger will be rendered truly and literally alone: Hermits in a dying land approaching extinction. It's an almost Fisher King-esque tale, but calling it that would only imply that there is a better album about a 26th century Fisher King dystopia where our wounded spirituality, atrophied community and racist demons manifest a literal T. S. Elliot wasteland, this time of a distant post-post-modernity. Despite spots of intriguing musicality, nice production and an otherwise not unpleasant listening experience, this is conceptually bankrupt. "  [+]  Reply

- Arthurknight | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2022

Appears in:

60 charts

Rank Score:

227

Rank in 2022:

84

Rank in 2020s:

433

Overall Rank:

5,934

Average Rating:

 75 (45 votes)

Comments:

2

5935.

3 Rounds And A Sound 

 Blind Pilot

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"Many good songs here folks."  Reply

- Gooz | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2008

Appears in:

33 charts

Rank Score:

227

Rank in 2008:

95

Rank in 2000s:

1,024

Overall Rank:

5,935

Average Rating:

 77 (42 votes)

Comments:

1

5936.

(No Pussyfooting) 

 Fripp & Eno

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"~retired album note recorded for archival purposes because I hate my future kids already~ "I'd like to say this album was the beginning of something but I'm not entirely sure what. Arguably it was the first excursion of "Frippertronics" but I'm not sure even Robert Fripp knows exactly what that i...""~retired album note recorded for archival purposes because I hate my future kids already~ "I'd like to say this album was the beginning of something but I'm not entirely sure what. Arguably it was the first excursion of "Frippertronics" but I'm not sure even Robert Fripp knows exactly what that implies (seeing as Fripp & Eno's tape loop experiments did seem to take on different forms here, on Evening Star, and then a bit on Discreet Music). Beyond the experimentation and the fact that the album sounds almost as cool in reverse (seriously try it), there's something here beneath the strangely emotive guitar layering within Fripp/Eno's drones that strikes me as (despite being endlessly minimal in its composition), as being more emotionality affecting than anything else by either of these two masters of their craft. At first glance it seems like there's not much to either piece here, but what there is is astounding. "Heavenly Music Corporation" opens with layers of delicate guitar and synch that slowly collect on top of each other like water collecting in the crevices on the pavement: they just sort of gather there and before you even realize what's happening the sidewalk is suddenly flooded. This layering continues and evolves for a bit until Fripp comes in the litter the thing with enough feeback to dilute the whole of the piece to its ending, and just as you're processing what went down, Swastika Girls" begins, which takes the electronic manipulation we've heard up to this point and brings it somewhere totally beyond where it should theoretically even work. There's less outright structure here, and more and more of these layers going over each other not so much in the delicate fashion that characterizes the previous track, but in something more akin to meticulous chaos, whereby Fripp and Eno press all these layers into one dense space and let the resultant alternating of dissonance and melody go where it will. So I'm sure something began here, and to be certain little bits of that "something" can be found elsewhere, particularly in Eno and Fripp's respective later work, but it's a something that, despite being of common musical trends, (Drones, ambient with melody, layered guitar, and of course the oft-imitated "Frippertronics") exhibits those trends put together here in a way very seeming totally unlikely but that makes all too much sense. Something uniquely Fripp & Eno.""  [+]  Reply

- | Helpful?  (Log in to vote) | +7 votes (8 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1973

Appears in:

81 charts

Rank Score:

227

Rank in 1973:

104

Rank in 1970s:

936

Overall Rank:

5,936

Average Rating:

 78 (100 votes)

Comments:

4

5937.

Back From Samoa 

 Angry Samoans

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"One of the best punk albums ever made. Hilarious, offensive, but also really tight playing!"  Reply

- poppmusic | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1982

Appears in:

39 charts

Rank Score:

227

Rank in 1982:

95

Rank in 1980s:

850

Overall Rank:

5,937

Average Rating:

 73 (26 votes)

Comments:

1

5938.

Écailles De Lune 

 Alcest

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Share your opinion and help others discover this album. The top-voted comments are showcased in our aggregate charts!

Year of Release:

2010

Appears in:

59 charts

Rank Score:

227

Rank in 2010:

109

Rank in 2010s:

1,100

Overall Rank:

5,938

Average Rating:

 75 (71 votes)

Comments:

0

5939.

Heartthrob 

 Tegan And Sara

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"Many artists have refashioned themselves under a pop-dance music mold. The stylistic shift has worked or not to varying degrees. Speaking of just the last 20 years, the first example that comes to mind is the dizzying plummet of liz phair from indie rock grace to major label puppet. That also bri...""Many artists have refashioned themselves under a pop-dance music mold. The stylistic shift has worked or not to varying degrees. Speaking of just the last 20 years, the first example that comes to mind is the dizzying plummet of liz phair from indie rock grace to major label puppet. That also brings to mind jewel's transformation from folk poet to her blatantly saccharine "0304". When it comes to rock music, U2's "pop" succeeded in places of blending the techno sound of the time with their patented stadium rock. The biggest success story in dance pop transformations is ben gibbard joining forces with dntel for the superb Postal Service album. But of course, others like Bright Eyes ("digital ash..") have attempted the same to a far less successful degree. For the most part, the dance infusion is problematic for an artist who already has an established pop/rock sound. It sounds forced and/or phony. I discovered tegan and sara opening for ryan adams circa 2000. I loved their upbeat acoustic tales of love's complications and scorns in support of their "if it was you" album. That was the first (and only) time i exited a concert wanting to immediately purchase the album of the opening act. It was sold out at the venue but i picked it up the next day and wasn't disappointed in the least. "monday monday monday" and "underwater" were/are my favorites on an album replete with catchy upbeat pop/rock songs bouncing atop the twins' personalities. They make simple music based upon not-so-simple relationships and the emotions involved. They've transformed their sound in small increments over time, from the acoustic pop/rock "if it was you" to a more "new wavey" pop/rock sound infused with more electric guitars and aggressive musical approach. Those increments left me unprepared for what i heard on "heartthrob", a full indoctrination to today's dance music. On first listen, the album immediately made me think of "pink meets robyn" but with a hollow liz phair center. Any actual instruments used are buried under a drum machine and (at times, wall of) synthesizer. The charm of a tegan and sara album is derived from what feels like their authentic tales of relationship trials and woes. On "heartthrob", these woes sound artificial, concocted for a quick, freeze-dried plastic packaging to mass market to teenagers and your mom alike. I can't hear their personalities well, if at all on some songs. ("drove me wild" is one of the exceptions.) Most of these songs could be sung by anyone. And that's the danger of converting to dance music (and auto-tune, for that matter) -- your sound is instantly synthesized into a form where the performers and personalities don't matter as much as simply feeling good, having a good time and dancing. Without the organic feel of HUMANS making music and a proper palette for expressing human concerns, heartbreak and other subjects of the human heart, then such emotive topics, even if they're still being expressed, are lost. That's the main problem i have with "heartthrob". Instead of hearing the heart throbbing and aching for men in their lives, i instead imagine a poster of a male heartthrob on tegan and sara's wall and they're singing to a dance soundtrack songs they think that hunky paper doll might want to hear. It's that detachment from real emotions that keeps me from liking this album as much as their others. It's that reality of life and love that i hope they bring back on their next album, while abandoning the artificial sound which subtracts from a warmth of personality that i know they have, which i've seen first-hand nearly 13 years ago."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2013

Appears in:

62 charts

Rank Score:

227

Rank in 2013:

123

Rank in 2010s:

1,101

Overall Rank:

5,939

Average Rating:

 66 (103 votes)

Comments:

12

5940.

Chansons Des Cafés De Paris 

 Édith Piaf

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"Extraordinary use of voice and phrasing, a true classic."  Reply

- Coconut | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1948

Appears in:

52 charts

Rank Score:

227

Rank in 1948:

1

Rank in 1940s:

11

Overall Rank:

5,940

Average Rating:

 72 (54 votes)

Comments:

4

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Total albums: 10,000. Page 594 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	35	0%
1950s	303	3%
1960s	709	7%
1970s	1,426	14%
1980s	1,409	14%
1990s	1,600	16%
2000s	1,743	17%
2010s	1,950	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,013	50%
	2,652	27%
	430	4%
	335	3%
	219	2%
	157	2%
	133	1%
Show all

Compilation?	Albums	%
No	9,728	97%
Yes	272	3%

Live?	Albums	%
No	9,738	97%
Yes	262	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%