Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 8 hours ago).
"It's keeping my attention right now. Has a peculier anger, one which is grinding its teeth even at the lines and notes themselves. Someone isn't pleased... the someone isn't me."Reply
"A great post punk album. Similar in attitude and presentation with Joy Division's, unknown pleasures. The modern dance, is a fantastic record of alienation, frustration, and anger, and delivered with a swagger. There is no point in picking out individual tracks, it all needs to be listened togeth...""A great post punk album. Similar in attitude and presentation with Joy Division's, unknown pleasures. The modern dance, is a fantastic record of alienation, frustration, and anger, and delivered with a swagger. There is no point in picking out individual tracks, it all needs to be listened together in one sitting, like most great albums. A classic late seventies LP. "[+]Reply
"I've been into weird post-punky side of rock for more than a decade but I finally got this album's vibe just a couple of days ago. As unbelievably amazing as Flowers of Romance is, this one is even better. A milestone album, really. On the same level of unique innovation and inventiveness as TMR ...""I've been into weird post-punky side of rock for more than a decade but I finally got this album's vibe just a couple of days ago. As unbelievably amazing as Flowers of Romance is, this one is even better. A milestone album, really. On the same level of unique innovation and inventiveness as TMR or WL/WH. And play damn good all along. "[+]Reply
"Early Sabbath do no wrong. Even when massively coked up during the writing and making of this, they still produce an album of a caliber that most bands will never even get close to. An all round classic that never fails to deliver. 'Laguna Sunrise' will be played at my funeral when I'm dead. My a...""Early Sabbath do no wrong. Even when massively coked up during the writing and making of this, they still produce an album of a caliber that most bands will never even get close to. An all round classic that never fails to deliver. 'Laguna Sunrise' will be played at my funeral when I'm dead. My all time favorite instrumental"[+]Reply
"Gram Parsons only stuck around to make a single record with the Byrds, but it was far and away the best thing the Byrds ever did, and that includes "Eight Miles High" and the other iconic Roger McGuinn-penned Byrds songs of the sixties. Sweetheart of the Rodeo never attained quite the same commer...""Gram Parsons only stuck around to make a single record with the Byrds, but it was far and away the best thing the Byrds ever did, and that includes "Eight Miles High" and the other iconic Roger McGuinn-penned Byrds songs of the sixties. Sweetheart of the Rodeo never attained quite the same commercial success of the Byrds' other work, but it's some of the finest and most influential country rock ever recorded. For me there's not a bad song on the whole album, but any discussion of Sweetheart of the Rodeo has to begin with "You Ain't Going Nowhere," probably the song I've played on more porches in Georgia and North Carolina than any other, ever. Just one of those great, simple, timeless tunes that everyone knows, even when they're not quite sure how or when or where they heard it first."[+]Reply
"I think I'm in the minority, but I like alt-rock darlings Sonic Youth best when they are at least somewhat accessible, and when they record things that sound at least a little bit like songs. Which is why I prefer Dirty to, say, Daydream Nation. Here Thurston Moore's whirling, swirling guitars la...""I think I'm in the minority, but I like alt-rock darlings Sonic Youth best when they are at least somewhat accessible, and when they record things that sound at least a little bit like songs. Which is why I prefer Dirty to, say, Daydream Nation. Here Thurston Moore's whirling, swirling guitars layered over Steve Shelley's pounding drumming makes most sense to me, since it's all in the context of songs that strain at the seams of conventional song structures, but never quite implode altogether. This is also the album where Kim Gordon's contributions ring most true, as she challenges stereotypes and expectations about women who rock in ways that are both compelling and vaguely threatening. "Wish Fulfillment" is a great song because it depicts alienation and disaffectation in a way that is so messy and distorted that it feels quintessentially human."[+]Reply
"Mos Def - Black on Both Sides is an album I' ve always had the impression that it has achieved an "almost classic" status, which is a shame, as I don't think there is anything that separates it from the widely accepted classics. I was browsing through various relevant online articles/lists etc. a...""Mos Def - Black on Both Sides is an album I' ve always had the impression that it has achieved an "almost classic" status, which is a shame, as I don't think there is anything that separates it from the widely accepted classics. I was browsing through various relevant online articles/lists etc. and sadly my suspicion was confirmed for the most part. Maybe it has to do with what babyBlueSedan pointed out, that it's hard to include it in a sub-group inside the hip hop umbrella, maybe it has to do with the course of his career further down the road and his acting shenanigans, or maybe his music is just "too black" to be universally acclaimed. Anyway, not much needs to be said about the defining attributes of this album. The production is top notch, his delivery is practically flawless, but the main function both of these aspects serve is that they allow his lyrics to come through, so that the message can reach the audience loud and clear. Fear Not of Man is an ideal example of this - and of my two favorite moments of the album. It's a case of more speaking than rapping and gives us some of his best -and not only his, to be honest -lyrics. He begins by wondering about the future of hip hop and I really like the way he explains it is closely tied to the future of our civilisation/society and how humans have lost their focus, no matter if they are hip hop artists or regular citizens ("tell em, "You know what's gonna happen with hip-hop? Whatever's happening with us" If we smoked out, hip-hop is gonna be smoked out If we doin' alright, hip-hop is gonna be doin' alright People talk about hip-hop like it's some giant livin' in the hillside Comin' down to visit the townspeople We are hip-hop Me, you, everybody, we are hip-hop So hip-hop is going where we going So the next time you ask yourself where hip-hop is going Ask yourself: where am I going? How am I doing? Till you get a clear idea So if hip-hop is about the people And the hip-hop won't get better until the people get better Then how do people get better? (Hmm) Well, from my understanding people get better When they start to understand that they are valuable And they not valuable because they got a whole lot of money Or 'cause somebody, think they sexy"). Also noteworthy is the use of a sample from Nigerian Afrobeat artist Fela Kuti. Then comes Hip Hop , where he expands on the same theme and further reflects on the duty of the artist to communicate his ideas and raise the political awareness of his audience ("Young man, where you from? Brooklyn number one! Native son, speaking in the native tongue I got my eyes on tomorrow (there it is) While you still tryin to find where it is I'm on the Ave where it lives and dies, violently but silently Shine so vibrantly that eyes squint to catch a glimpse Embrace the bass with my dark ink fingertips"). Love changes the scenery a little bit with a jazzy/bluesy tune and -as expected- stresses the important of love -not only its romantic side, any kind of love. A minor complaint would be that the outro drags unnecessarily. Ms. Fat Booty is another huge track, though I sometimes feel that the tremendously powerful and captivating Aretha Franklin vocal sample overshadows anything else that's going on in this song. By no means does this make it any less enjoyable, I mention it mostly because it's one of the few occasions where the lyrics may remain into the background. Speed Law is a song with a rockier vibe. Lyrics-wise it's not one of my favorites, as it comes dangerously close to becoming one of those typical self-praising songs -but it keeps the balance, as it's more substance than style, while in this kind of songs it's usually the other way around -, plus the outro felt somewhat repetitive. Do It Now features Busta Rhymes, a great guest ("Take the arch rivalry stance up on the podium And give the flavor to niggas but keep it low on sodium Possess shit that got you wondering how we holdin em Things that'll lay you out like a piece of linoleum") and his chemistry with Mos Def is on a very high level. Got is my least favorite song of the album, it gets annoyingly repetitive. Not much to comment on UMI Says, he says it best himself ("Put my heart and soul into this song I hope you feel me From where I am, to wherever you are I mean that sincerely Tomorrow may never come For you and me, life is not promised Tomorrow may never appear You better hold this very moment very close to you Very close to you, so close to you So close to you, don't be afraid, just let it shine"). It's almost impossible not to be moved by his passion. New World Water is a song about water -thank you captain obvious- that can be interpreted in different levels, either directly related to environmental consciousness or to the underlying sociopolitical causes of water pollution and how the transformation of the human nature leads to the deterioration of our natural environment ("Used to have minerals and zinc in it (New World Water) Now they say it got lead and stink in it (New World Water)"). In Rock N Roll I'm not sure if the concept is flawed to begin with , or if it has to do more with the execution. However, the last minute frenzy was great. Know That begins with a Star Wars reference -can't go wrong with one of those. It is one of the funkiest tunes and features Talib Kweli ("Intellectual property I got the title and the deed I pay for rent, with the tears and sweat and what I bleed MCs imitate the way we walk, the way we talk You cats spit lyrical pork with no spiritual thought Plus your flow a little bit off You come across soft Back in the days niggas like that on stage got tossed off Need to get crossed off the guestlist It's like you gotta be disrespected and thrown out the exit To get the message"). Along with the opening track they are my two favorite moments of the album. Considering the competition, that's quite an achievement. Climb might seem weird or even a bit off as a standalone song, but in the context of the album provides a welcome change of pace, relaxing the listener after the highly energetic previous track and makes for a smooth transition to Brooklyn, which also has a chill jazzy atmosphere. Habitat takes another stab at tackling the problem of social injustice and inequality ("Partner, all that's left to want is more While these cats that's less privileged is just more raw Less space cause the projects laced with more flaws Less sleep cause the nights ain't peace, it's more war The can is raw like thirsty, rainy season thunder claps On the block with your old pop pleading number act To the spot with the red top fiends is huddled at To the crib where the little kids spend their summers trapped"). Mr. Nigga is a creative way to show the impact of race based prejudices ("One problem; even with the Os on his check The po-po stop him and show no respect "Is there a problem officer?" Damn straight, it's called race That motivate the jake (woo-woo) to give chase Say they want you successful, but that ain't the case You living large, your skin is dark, they flash a light in your face"). Mathematics is the epitome of classic, full of quotable lines ("The universe expands length The body of my text possess extra strength Power-lift the powerless up out of this towering inferno My ink so hot it burn through the journal I'm blacker than midnight on Broadway and Myrtle Hip-Hop passed all your tall social hurdles Like the nationwide projects-prison-industry complex Working-class poor, better keep your alarm set Streets too loud to ever hear freedom ring Say evacuate your sleep, it's dangerous to dream"). May-December, the closing track, is an instrumental that gives you some room to breathe and try to comprehend what you' ve experienced.
To sum it up, nothing short of a classic. (The review got bigger than I'd have liked, but it's mostly because I've quoted so much stuff. His lyrics are phenomenal, I couldn't resist the temptation.)"[+]Reply
""Countdown to Ecstasy" was the follow-up to Steely Dan's very successful debut album "Can't Buy a Thrill." The album was partially recorded during rapid studio sessions between live performances and the group was initially not fully satisfied with all of the performances on the record. The album ..."""Countdown to Ecstasy" was the follow-up to Steely Dan's very successful debut album "Can't Buy a Thrill."
The album was partially recorded during rapid studio sessions between live performances and the group was initially not fully satisfied with all of the performances on the record.
The album contains the two singles "Show Biz Kids" and the "My Old School", which both made it close to number 60 in the charts. Especially "My Old School" is an unforgettable classic, which still appears on the group's live sets. So does the fast blues / rocker "Bodhisattva", which despite some energetic guitar has never been among my favorites - the melody is simply too monotonous
In contrast, the album contains one of my alltime biggest Steely Dan favorites, namely the beautiful melodic ballad "Pearl of the Quarter".
A little in the same vein are "The Razor Boy" and "Boston Rag", both songs that help making this album an undeniable classic.
The long funky and slightly monotonous "Your Gold Teeth" have some great improvisational piano and guitar, and its a number that is likely to grow on you.
The final number is "King of the World" sounds a bit like an outtake from the first album - a slight funky disco style - but a nice track, too."[+]Reply
"It pains me to rate this album so low. Not only is it a heartbreaking, deep look at loss and mourning, but it's also really beautiful. The shimmering synths sound just like the cover looks - alive and crisp. But there's just too much here, and there's not enough variety. The first couple songs ar...""It pains me to rate this album so low. Not only is it a heartbreaking, deep look at loss and mourning, but it's also really beautiful. The shimmering synths sound just like the cover looks - alive and crisp. But there's just too much here, and there's not enough variety. The first couple songs are great, especially "Bright Horses." I had to stop listening after that one when I was at work for fear of breaking out in tears in the middle of the work day. The opener finds Cave in a mode that he's often in on this album, spinning abstract stories out of really specific, familiar components. Nowhere does he do this better than on the closer, "Hollywood," which is one of the 5-10 best songs he's ever written. It would be in that club even just with the first half, but the second half, and it's heartrending story where you can tell Cave is nearly in tears during his falsetto as he's both assuring us it gets better while also begging that things will get better, absolutely pushes it over the top.
So yeah, it's a shame that for the most part the rest of this album is so samey. I probably like every song here, but listening to it all in a row is, frankly, a chore. There are tremendous moments that catch you off guard, like "Mama Bear holds the remote, Papa Bear just floats, and Baby Bear is gone to the moon in a boat." These moments pull you back in as you're drifting off, but the great moments like this are too spread out in minimal repetitive passages. This album is a landmark and a career highlight. But unfortunately I have no desire to hear it again."[+]Reply
Amirkhosro | Helpful? (Log in to vote) | +5 votes (5 helpful | 0 unhelpful)
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buzzdainer | Helpful? (Log in to vote) | +3 votes (3 helpful | 0 unhelpful)
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babyBlueSedan | Helpful? (Log in to vote) | +7 votes (7 helpful | 0 unhelpful)
A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.
