Manhattan Research Inc. (compilation album)
by Raymond Scott

Manhattan Research Inc. by Raymond Scott
(Compilation album)
Year: 2000
Overall rank: 41,833rd   
Average Rating: 
80/100 (from 8 votes)
     
Accolades:
Award Top albums of 2000 (739th)
Award Top albums of the 2000s (8,016th)
Award Best albums of all time (41,833rd)

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Raymond Scott Manhattan Research Inc. 3LP Vinyl Record Experimental Electronic
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$228.05


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Raymond Scott : Manhattan Research Inc. CD 2 discs (2007) FREE Shipping, Save £s
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Raymond Scott bestography

Manhattan Research Inc. is ranked 3rd best out of 8 albums by Raymond Scott on BestEverAlbums.com.

The best album by Raymond Scott is Soothing Sounds For Baby Volume 1 : 1 To 6 Months which is ranked number 32590 in the list of all-time albums with a total rank score of 25.

Raymond Scott album bestography « Higher ranked (34,301st)
The Music Of Raymond Scott: Reckless Nights And Turkish Twilights
This album (41,833rd)
Manhattan Research Inc.
Lower ranked (78,468th) »
Three Willow Park: Electronic Music From Inner Space, 1961-1971

(N.B. Bestographies include all albums by an artist (and their variations), but do not include albums ranked outside the top 100,000).

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Manhattan Research Inc. track list

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Manhattan Research Inc. rankings

Rankings summary
Overall rank: 41,833rd | 2000s rank: 8,016th | 2000 rank: 739th

Manhattan Research Inc. collection

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Manhattan Research Inc. ratings

Average Rating: 
80/100 (from 8 votes)
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70/100
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05/07/2025 19:54 BorderFreeAndrew   14,41074/100
 
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02/06/2023 23:22 NoisyBeast   13,31674/100
 
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11/29/2016 18:26 philipj89   7373/100
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Manhattan Research Inc. comments

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Rating:  
100/100
From 12/04/2013 20:04 | #96345
You may recognize Raymond Scott’s name as the musical mastermind whose work was made famous through its use in Looney Tunes cartoons. But Manhattan Research Inc is a much different collection of sounds. Comprised of recordings between 1953 and 1969, Manhattan Research Inc combines early electronic music experiments with commercial jingles. Long before the likes of Eno or Kraftwerk, Scott’s recordings seem ridiculously ahead of their time. “The Bass-line Generator” sounds like a sketch for peak Kraftwerk, but with the warped sensibilities of Silver Apples. The spoken tracks are reminiscent of hip hop sampling. Meanwhile, the Jim Henson narrated “Limbo: The Organized Mind” brings to mind the bizarre spoken works of Tom Waits. Applying his orchestral sensibilities to electronic soundscapes, even the commercial jingles appear as profound technical achievements.
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