"I am just going to throw this out there: In my opinion, this album is a VERY strong candidate for the title "Greatest Album of All Time." I used to say to my friends back when I first got really into Kid A that when I listened to this album, I felt like I was being "saturated with truth." I suppo...""I am just going to throw this out there: In my opinion, this album is a VERY strong candidate for the title "Greatest Album of All Time." I used to say to my friends back when I first got really into Kid A that when I listened to this album, I felt like I was being "saturated with truth." I suppose that that is a sort of vague, transcendentalist way of putting that, but I will stand by that statement: This album is probably the most beautiful thing I have ever heard. I know, it is probably a polarizing album since I can't really imagine everyone getting so in to an album as strange as this one, I still hope that you will give it a listen to see which camp you fall into."Reply
"I'm starting to get addicted to this...I think it could be in my top 10 soon...if not number 1... The thing I like best about this is that as calculated as it is, as methodical as every guitar prick and drum beat is, there's still tons of imperfections present. The soft-buildup-crescendo-loud dyn...""I'm starting to get addicted to this...I think it could be in my top 10 soon...if not number 1...
The thing I like best about this is that as calculated as it is, as methodical as every guitar prick and drum beat is, there's still tons of imperfections present. The soft-buildup-crescendo-loud dynamic is fairly formulaic, but it works here because of how they pull them off. In Sleep it's not just a buildup, or a crescendo, but a smorgasbord of horns and all kinds of instruments. From the opening note until the peak there's a constant sound that's holding your attention. In Static it threatens to explode...and then doesn't. Even after three or four listens I still expected the guitars to get louder at that one part (too lazy and tired to look up when it is). By the time the final movement roles around it's as if the musicians know we're onto them. After several minutes of droning and in near silence, it just gets louder, no buildup, no warning. And there's no set mood given off (except for the beginning of Storm, that part's pretty triumphant). Post rock that gives off a creepy or dark vibe is sometimes fun, but music that leaves the mood to the listener tends to work more often.
Scaruffi complains that the spoken word parts and interludes seem to have no purpose, and he's right. But why does that matter? You're in a desert of noise, you start to hear voices, and what do they say? They tell you not listen to the people trying to wash your windows. There's such a sense of mystery there that it really draws you in and makes you think. The second spoken word part is genius - like I said earlier, the mood of the album typically feels neutral, but as you hear the speaker say "and when you see the face of God you will die" chills run down your spine, no matter how the music previously made you feel. Sometimes when bands throw in spoken parts they seems like they're trying too hard to shock you *cough* Swans *cough* In this case you're flying through an ocean of noise, trying to get back to reality, but all you can catch are little glimpses of people's thoughts as you fly by.
I don't think any of that made any sense. TLDR, it's a great album that demands more attention than many instrumental pieces. I hate the word epic, because this is not striving to be grand or entrancing, it's striving to make you feel."Reply
"Great album of social isolation and the trappings of humanity and the barrenness of existence and all heavenly points in-between. the moon & antarctica starts off with "3rd planet" where Isaac Brock starts with "Everything that keeps me together is falling apart / I've got this thing that I consi...""Great album of social isolation and the trappings of humanity and the barrenness of existence and all heavenly points in-between. the moon & antarctica starts off with "3rd planet" where Isaac Brock starts with "Everything that keeps me together is falling apart / I've got this thing that I consider my only art of fucking people over" then sings "the universe is shaped exactly like the earth. if you go straight long enough, you'll end up where you were." That's a great encapsulation of how the mundanity of our lives is set against a grander picture, with an explanation somewhere out there in nothingness. Yes, my interpretation, further illustrated on track #3 (one of the first 2 tracks i heard) "dark center of the universe", where brock starts off confronting someone's disapproval with "I might disintegrate into the thin air, if you'd like / I'm not the dark center of the universe, like you thought" and contains a lot of fun quotes like "it took a lot of work to be the ass that i am / and i'm pretty damn sure that anyone can / easily, equally f*ck you over" and "Everyone's life ends, but no one ever completes it / Dry or wet ice, they both melt and you're equally cheated" and "If you can't see the thin air than why the hell should you care?" "tiny cities made of ashes" is nihilist fun, with quotes like "I just got a message that said "Yeah, hell has frozen over" / I Got a phone call from the Lord sayin' "Hey boy, get a sweater. Right now!"" and "I'm wearin' myself a t-shirt that says "The world is my ashtray" / Our hearts pump dust and our hair's all grey" This album is perfectly sequenced as you can easily guess at the overall premise by consecutive song titles alone: "3rd planet", "gravity rides everything", "dark center of the universe", "tiny cities made of ashes" and "a different city" which describes a city "with no friends or family" where "rust is a fire / and our blood oxidizes". Post/apocalyptic millennium fever. "the cold part" of the whole world is represented by Antarctica, "this bone bleached part of the world". Flies gather around all of us and on "the stars are projectors" (the other of the first 2 songs i first heard, this one via cmj) "In the last second of life, they're gonna show you how / How they run this show, sure, run it into the ground" where "God is a woman and the woman is / An animal that animals man, and that's you " showing life as "a math equation" asking "where do circles begin?", wrapping back to the futile cycle of life mentioned earlier. I love how this song stretches out sounding like a self-eating spiral at the end. This song and album carry a strong intertwined intelligence and philosophy. Isaac Brock sings in tongues throughout the album, possibly singing about the absurdity of religion's second life singing "And I'm sitting outside by my mudlake / Waiting for the pack to take me away / And right after I die / The dogs start floating up towards the glowing sky / Now they'll receive their rewards". There is a minor 2-song lull ("lives" sounds like it starts over -- a rebirth?) between "i came as a rat" ("It takes a long time, but God dies too / But not before he'll stick it to you") and "what people are made of" (which ends with the albums theme bluntly stated "the one thing you taught me bout human beings was this / They ain't made of nothin but water and shit"), but on a 15 song album the physicist is due for his prune juice break. There are atmospherics like the backing vocals on "the cold part" that we just won't hear as powerfully again."Reply
"Criticize Coldplay's other albums all you want, but I'll defend this one to the death. This is a beautiful, reflective piece of work that never fails to move me in one way or another, like some sort of idyllic sepia-toned landscape. It is also full of tastefully understated moments like We Never ...""Criticize Coldplay's other albums all you want, but I'll defend this one to the death. This is a beautiful, reflective piece of work that never fails to move me in one way or another, like some sort of idyllic sepia-toned landscape. It is also full of tastefully understated moments like We Never Change and the short but memorable title track. Even if you find the lyrics embarrassingly sappy (I don't), you could never accuse them of being pretentious or insincere."Reply
"Some of the pop references date this album and it is much more silly than The Eminem Show which I prefer over this. Can't deny the effect it had on pop culture. Can't deny his word play and linguistics. Even if the topics are now seen as immature now, they were rule benders and breakers at the ti...""Some of the pop references date this album and it is much more silly than The Eminem Show which I prefer over this.
Can't deny the effect it had on pop culture. Can't deny his word play and linguistics. Even if the topics are now seen as immature now, they were rule benders and breakers at the time. His lyrics shocked and alarmed people in a way no one had done before.
And bringing rap to white people and showing that it can be done has influenced countless white musicians since, even if this wasn't his intent. We all now know he is predominantly raised in Black culture of Detroit and is what he is most comfortable with. This guy is no white collar suburban-ite
It hasn't aged all that well as our culture over the last 15's years has become more and more sensitive and PC to cultural and genetic differences.
Criminal, Kill You, the singles, I'm Back are all excellent.
Kim literally freaked me out when I heard it. It is so shockingly uncomfortable and executed perfectly for what was intended. But, yeah, I skip that one.
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"Their first three were all pretty consistent albums I rated 8,8, and 8.5 respectively. However, this one its like they forgot to cut out the weaker tracks. An album with such great tracks in the first half has no reason to lag so much towards the end. Would have challenged Aquemini as their best ...""Their first three were all pretty consistent albums I rated 8,8, and 8.5 respectively. However, this one its like they forgot to cut out the weaker tracks. An album with such great tracks in the first half has no reason to lag so much towards the end. Would have challenged Aquemini as their best but they made the album about twice as long as it needed to be by adding all the filler tracks in the album. Still, this album features much of their best songs and some of the catchiest tunes hip-hop has to offer."Reply
"An awesome record, one of the best of the 2000's. This is love turned me on to her (like so many people I think in my generation.) The whole album is awesome, but does lose some steam halfway through then picks back up. Because of that, I consider this her second best compared to To Bring You My ...""An awesome record, one of the best of the 2000's. This is love turned me on to her (like so many people I think in my generation.) The whole album is awesome, but does lose some steam halfway through then picks back up. Because of that, I consider this her second best compared to To Bring You My Love. But this is probably a better entry point for people looking to explore her music for the first time."Reply
"An incredibly impressive experimental change of direction for an alternative metal band of its time. Several undeniable classics such as Passenger, Change (In the House of Flies), Pink Maggit and Digital Bath master the sense of eeriness and metal brilliance. Definitely the high point of Deftones...""An incredibly impressive experimental change of direction for an alternative metal band of its time. Several undeniable classics such as Passenger, Change (In the House of Flies), Pink Maggit and Digital Bath master the sense of eeriness and metal brilliance. Definitely the high point of Deftones' career. "Reply