Listed below are the best albums of 2021 as calculated from their overall rankings in over 59,000 greatest album charts. (Chart last updated: 2 hours ago).
"Coldplay's business plan nowadays: releasing always even more duller and just radio-friendly pop albums that work for pleasing stadium crowds and every once in a while dropping an album without big promotion that shows enough musicial craftmanship to keep Oldplay from entirely writing the band of...""Coldplay's business plan nowadays: releasing always even more duller and just radio-friendly pop albums that work for pleasing stadium crowds and every once in a while dropping an album without big promotion that shows enough musicial craftmanship to keep Oldplay from entirely writing the band off (eg. Ghost Stories and Everyday Life). This whole "we're not touring for Climate Crisis reasons" thing was just a greenwashing marketing gag to jump on Gretas bandwaggon - it was so clear that they have concert climate crisis figured out just in time for an album that requires stadium touring (the real reason for not touring was that Everyday Life musically woulnd't have worked in stadiums). So yeah, this album is as dull as expected. Colortura is the only decent to good song on here. And what's with all the fillers??? "[+]Reply
"To me Barn is very much the equivalent of Colorado from a couple of years ago. They sound quite similar. Song of the Season is probably the standout track. Everything else is consistently decent. I do find They Might Be Lost a bit endearing just because of its simplicity. Its a solid album that i...""To me Barn is very much the equivalent of Colorado from a couple of years ago. They sound quite similar. Song of the Season is probably the standout track. Everything else is consistently decent. I do find They Might Be Lost a bit endearing just because of its simplicity. Its a solid album that is probably only worth listening to if you're already a fan."[+]Reply
"They sound like ghosts here, floating memories of a past about to be forgotten forming transient structures of matter. This is enough to sound more alive than most (or maybe all) of the music in this decade of goodbyes. Shall we go singing country songs, you and I while we can..."Reply
"It's the vocals that make or break this album, depending on your perception. They are so dominant, they barely leave any space for the other parts to develop, they demand your full attention. There was some Bono and some Thom Yorke influences among others, though I'm sure there was a much more st...""It's the vocals that make or break this album, depending on your perception. They are so dominant, they barely leave any space for the other parts to develop, they demand your full attention. There was some Bono and some Thom Yorke influences among others, though I'm sure there was a much more striking one that I struggle to recall right now. The one part of this record I definitely won't forget is Where They Perform Miracles, it stands head and shoulders above the rest of the album. In general the second half was preferable, but I can't tell if it was actually better or it had to do with getting used to their style. Overall, respectable and enjoyable, though far from anything exciting or revolutionary."[+]Reply
"(Really solid artsy indietronica/art pop or rock/etc album. This actually a fairly hard to describe sound, but its all good. Really, really good.) So, LUMP is a collaboration between Laura Marling (love her she is great) and Mike Lindsay (uhhh… never heard of him). And, well, these 2 they make mu...""(Really solid artsy indietronica/art pop or rock/etc album. This actually a fairly hard to describe sound, but its all good. Really, really good.)
So, LUMP is a collaboration between Laura Marling (love her she is great) and Mike Lindsay (uhhh… never heard of him). And, well, these 2 they make music. Its like pop and indie and has electronic elements, and it is quite hard to narrow down exactly what genre this should be. There are pianos and electronic synth parts, and big orchestral sounds, and there are super sexy eargasmic rhythms, and there are sad ballads and there is poetic lyricism, and there a whole atmosphere created on this album that is unique and powerful and warm and somehow just about the best thing released this year in some ways.
It sounds like these 2 have great chemistry. Laura has a great voice. And these songs utilize her instrument in varied and always quite gorgeous ways. On “Red Snakes” it’s a sad sorrowful voice, on a song like “Gamma Ray” her voice has this sexy, imposing, deeper power. On a track like “Paradise” she sounds almost deadened at times and cold in an intriguing way… Anyway, news flash, Laura Marling is incredible. Oh, and, like, the sky is blue… fucking DUH! Mike and Laura just absolutely killed it with the vocal arrangements and sounds here.
The main thing that I always notice more than anything else on this album is how GREAT the bass tones and the heavy-footed rhythms sound. It feels so heavy and tangible and just, idk, like it feels like your head is being rattled. Its brilliant. And the melodies and the other synthetic and organic sounds that are built around these deep foundations are always quite cool and ear-catching. For an example of this dope heavy rhythm sound check out “Gamma Ray” or “Paradise”.
“Hair On the Pillow” is alright, I guess. Its just a little electronic instrumental. Doesn’t add much. But outside of that track and perhaps the short little number “Oberon” which also seems a bit throwaway, the rest of the track list is pretty much fat-free and bursting with supple, beautiful musical ideas.
Also, something really cool about this album is how it closes. It saves the best for last, folks! That twin guitar melody and harmonizing on the closer, “Phantom Limb” is mesmerizing especially when paired with the gentle gorgeousness of Marling’s vocal performance. Then the song just builds and goes into a cool progressive electronic passage and then the horn comes in and it just keeps going! Its fabulous! That bookend paired with the opener (aka the other bookend), “Bloom at Night” and the stunning electronic swirl that starts that amazing opener, you have yourself an amazing opening and closing of this very neat, tidy, cool as fuck, album. Yes, the whole Closing Credits Reading by Marling at the end of “Phantom Limb” is a bit strange and I’m not sure how I feel about it. All things considered it doesn’t take much if anything away from this beautiful record.
If I have any critique or anything that maybe is holding me back from proclaiming this a standout, top-tier album for this year, its that there is a feeling I get of mild interest, or kind of a laid back and not particularly impassioned vibe coming off this album like an odor. Not a bad, fecal or BO type odor, just a hint, an aura, or whatever. I get the feeling this is a couple friends who get along and whenever they are in touch there is a quickening of creative juices. They start bandying back and forth their ideas that maybe wouldn’t fit on their main band’s albums or on Marling’s solo albums. And they get in a studio, and they put their heads together and they make these, admittedly glistening and gorgeous, songs. So, the album feels slightly cold and calculated. That may just be the intended sound or message or vibe that these artists want to exhibit, or it may just be a product of this style or genre. I don’t know. But it makes me feel like this isn’t a major release, just a side project. A really cool side project rife with cool musical ideas, but not the main dish all the same.
Still, I recommend this album very much. Its gorgeous and if you like Art Pop, or Indietronica, or lowkey ballads with some subtle and gorgeous production or you like albums that just exude calm, cool, and chill, you’ll like this a lot methinks."[+]Reply
"Pretty catchy and fun, exactly like we could have expected. Quite good for their second best album of the year. I Need Some Of That is just crazy good."Reply
"Hats off to Gary Numan again. He has that talent of producing albums that sound like nobody else, as if his music has been composed in a different galaxy. I really liked the futuristic leanings of Songs From a Savage World and this could almost be part 2 of that epic. The soundscapes he creates m...""Hats off to Gary Numan again. He has that talent of producing albums that sound like nobody else, as if his music has been composed in a different galaxy. I really liked the futuristic leanings of Songs From a Savage World and this could almost be part 2 of that epic. The soundscapes he creates musically illustrate the dystopian future. Swirling synth textures, robotic drum beats and driving electric bass lay the foundations for the futuristic vocals. 'I Am Screaming' is a personal favourite."[+]Reply