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1591.

Raising Sand 

 Robert Plant & Alison Krauss

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"It is album that takes five to six listening before it start to grow on you. Possible not my favourite type of music, but still some lovely tunes on it. I intended to buy Robert Plant album but heard positive reviews about the album,and i bought it. No regrets overall, beautiful harmony and singi...""It is album that takes five to six listening before it start to grow on you. Possible not my favourite type of music, but still some lovely tunes on it. I intended to buy Robert Plant album but heard positive reviews about the album,and i bought it. No regrets overall, beautiful harmony and singing on the tracks."  [+]  Reply

- Smith | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2007

Appears in:

223 charts

Rank Score:

1,083

Rank in 2007:

30

Rank in 2000s:

257

Overall Rank:

1,591

Average Rating:

 74 (253 votes)

Comments:

7

1592.

Dubnobasswithmyheadman 

 Underworld

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"I bought Dubnobasswithmyheadman by Underworld on 28/09/2002 from on CD for £2.99 The version I have is on the record label JBO catalogue number JBO1001992 It entered the UK charts on 05/02/1994 and got to number 12 spending a total of 4 weeks on the chart."  Reply

- Drzozzy | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1994

Appears in:

179 charts

Rank Score:

1,082

Rank in 1994:

43

Rank in 1990s:

281

Overall Rank:

1,592

Average Rating:

 78 (208 votes)

Comments:

13

1593.

Chromakopia 

 Tyler, The Creator

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"This is the first time of have been slightly disappointed by a Tyler album due to a lack of evolution of his sound, which mimics Flower Boy and CMIYGL but with diminishing returns. After the release of Sorry Not Sorry, I was expecting Tyler to really change things up. Despite lyrics inferring tha...""This is the first time of have been slightly disappointed by a Tyler album due to a lack of evolution of his sound, which mimics Flower Boy and CMIYGL but with diminishing returns. After the release of Sorry Not Sorry, I was expecting Tyler to really change things up. Despite lyrics inferring that he is done with hiding behind characters, it still feels like he is hiding behind familiar tricks. Most of the individual tracks are solid enough but I feel they don't quite come together to create something special in the way that FB and Igor did."  [+]  Reply

- grohly | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

193 charts

Rank Score:

1,079

Rank in 2024:

10

Rank in 2020s:

70

Overall Rank:

1,593

Average Rating:

 76 (173 votes)

Comments:

5

1594.

Infected 

 The The

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"New Wave was never the most coherent of genres and this release only marginally fits into that categorisation. The loose guitars, not-so-subtle synths and pounding drums, alongside Matt Johnson’s soulful vocals, make for a wonderful listen, however. Worth your time. Rating: Very Good Best track: ...""New Wave was never the most coherent of genres and this release only marginally fits into that categorisation. The loose guitars, not-so-subtle synths and pounding drums, alongside Matt Johnson’s soulful vocals, make for a wonderful listen, however. Worth your time. Rating: Very Good Best track: Twilight Of A Champion"  [+]  Reply

- IanFrance | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1986

Appears in:

171 charts

Rank Score:

1,079

Rank in 1986:

20

Rank in 1980s:

243

Overall Rank:

1,594

Average Rating:

 74 (180 votes)

Comments:

6

1595.

The Fame Monster 

 Lady Gaga

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"Huh. Seems like all the elitist rockists and prog obsessives deliberately come here to vote down a popular artist’s songs in bulk."  Reply

- lylecatcliffe | Helpful?  (Log in to vote) | +9 votes (11 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

191 charts

Rank Score:

1,078

Rank in 2009:

20

Rank in 2000s:

258

Overall Rank:

1,595

Average Rating:

 68 (373 votes)

Comments:

19

1596.

Coloring Book 

 Chance The Rapper

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"Definitely disappointed. Although this is pretty good pop rap, this isn't exactly where I wanted Chance's music to go. Singles like 'Angels' got me hoping for a mixtape with that tropical type sound and some gospel 'Ultralight Beam' stuff mixed in. Chance went for a very mainstream pop-rap sound ...""Definitely disappointed. Although this is pretty good pop rap, this isn't exactly where I wanted Chance's music to go. Singles like 'Angels' got me hoping for a mixtape with that tropical type sound and some gospel 'Ultralight Beam' stuff mixed in. Chance went for a very mainstream pop-rap sound here and even makes some party songs. I think the feature list is terrible and I never thought I would see Future or Young Thug on a Chance mixtape. Maybe I was hoping he would stay in his druggy phase forever, which probably led to my disappointment even more. It definitely seems as though Chance is maturing, which is good since he is now a father. I do however enjoy some moments on here quite a bit. All We Got, Summer Friends, Blessings, and Angels are the high points for me. Maybe it's a grower and overtime I'll learn to love it. It'll be interesting to see where Chance goes from here, whether he'll go back to his prior sounds or continue to dig deeper into the mainstream. "  [+]  Reply

- travelful | Helpful?  (Log in to vote) | +1 votes (2 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2016

Appears in:

279 charts

Rank Score:

1,078

Rank in 2016:

25

Rank in 2010s:

247

Overall Rank:

1,596

Average Rating:

 75 (437 votes)

Comments:

22

1597.

Just For A Day 

 Slowdive

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"I really don't know what I'm rating here. I bought the double disc 2005 reissue. The album itself is nice, nothing as special as "Souvlaki", but really hypnotic stuff anyhow. But the real standout here is disc 2 which brings together Slowdive's first 3 amazing EPs. I actually prefer it to the alb...""I really don't know what I'm rating here. I bought the double disc 2005 reissue. The album itself is nice, nothing as special as "Souvlaki", but really hypnotic stuff anyhow. But the real standout here is disc 2 which brings together Slowdive's first 3 amazing EPs. I actually prefer it to the album. The best of shoegaze is on that disc. If you're remotely interested, hunt down this beautiful reissue."  [+]  Reply

- CellarDoor | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1991

Appears in:

221 charts

Rank Score:

1,077

Rank in 1991:

25

Rank in 1990s:

282

Overall Rank:

1,597

Average Rating:

 78 (290 votes)

Comments:

15

1598.

The Disintegration Loops I 

 William Basinski

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"Destroying my soul and ego slowly but completely, tears coming out from my half-closed eyes, the whole world fading out from my view, fireworks burning inside of my brain, the future arriving in some obscure places... It's a beautiful tragedy"  Reply

- SingingPeasant96 | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

140 charts

Rank Score:

1,076

Rank in 2002:

26

Rank in 2000s:

259

Overall Rank:

1,598

Average Rating:

 78 (166 votes)

Comments:

9

1599.

Hit Me Hard And Soft 

 Billie Eilish

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"Billie Balearic Beat Yeah 've had varying responses to the Billie phenomenon, her first album was one of the first times listening to it I just felt old- what seemed to be heralded as this brilliant bit of noir pop I just saw a lot of teenage I-cracked-the-code posturing and the fact that the sou...""Billie Balearic Beat Yeah 've had varying responses to the Billie phenomenon, her first album was one of the first times listening to it I just felt old- what seemed to be heralded as this brilliant bit of noir pop I just saw a lot of teenage I-cracked-the-code posturing and the fact that the sound just felt far too much like nearly everybody who'd blasted out of the post Odd Future hype, though there were a couple of moments (especially "Bury a Friend" and "I Love You") that I could see some real talent and promise for the future. Then came the messy Pandemic release of "Happier than Ever", which I found far more interesting, not only in it's Kid-in-a-candy-store endless genre hopping but in that she was exploring some geniunely conflicted and difficult emotions that made the album feel more directly confessional, even if admittedely the throw-it-on-the-wall approach meant a good number of the songs didn't work (surprisingly the limpest ones were the more directly venomous kiss-offs) and didn't really cohere as an album despite the consistient overarching theme of the emotional torment of sudden fame. Now I can see why this album has gotten the positive acclaim it has, it's an incredibly lean release full of the kind of shimmering, attractive compositions that Billie and her longtime bro producer Finneas have mastered over the course of her career, and on the surface there is a feeling of more direct and less put-upon angsty singer-songwriter appeal to the overall songs & LP. But... uh... well I guess to go bit by bit: "Skinny" is a solid and incredibly succinct summination of her previous album, both the cost of fame and the invasive personal scrunity (particularly the crassest kind, especially on her own body or love life), if maybe a bit slight overall it still effectively lets the ink dry on the chapter to move forward. Now "Lunch" was oddly ballyhooed as something shocking and daring because of it's dip into direct Sapphic attraction, but uh, which current left-of-center girl singer DOESN't have a lesbian-crush song out there? It's as on-trend as it gets, which doesn't mean it isn't earnest and perhaps an FU to those Twitter weirdos who endlessly hounded her with Queerbaiting accusations, but I mean "Bad Guy" honestly was more risque than this. And mentioning that song of course highlights a major reason why I think a number will have a number of major "... that's it?" reactions to this song, since it has all the elements to be a major banger in theory, but it doesn't bang at all in practice. I think in many ways Billie's usual detached cool hampers this here as her voice should really morph into a more hormonal throttle, but I donno maybe it's some annoying & dated tricks (f*king hell those perfunctory hand-claps, giving late Aughties flashbacks). It's maybe disappointing that this is what's going to get the most attention when the following tracks are much stronger, a far better mix of the more spacious and fluid compositions anchored strongly in the nucleus by Billie's much more confident though still appealingly delicate husk of a voice. The only somewhat peculiar thing here is why the album went from talking about newfound infatuation to immediately pivoting towards breakup song after breakup song (or more so, Near-Breakup or Missed Ships in the Night songs), there seems to be a track or two that's lying somewhere on an editing room floor. Only by "The Greatest" am I starting to see some problem with the overall production, as the late additions of percussion and chopped-up distortion feel pounded flat into the composition when they should feel a lot more dynamic and intrusive. Then there's "L'amour de ma vie" which, no, the French title doesn't mean a damn thing, which ultimately is another Ironic not-in-love ballad with a decent but for Billie predictable punchline.... but then that's where the album gets really weird. And I Don't mean that in a good way. Cause just after the song seems to end it suddenly swerves instantly into this 2000s Ibiza-ready deafining Euro Club song though if it were thrown threw a Hyperpop cheese grater, which I admit for the first time I was actually taken aback and surprised when listening, but thematically and musically it has no connection to what came before or after and feels like the equivalent of mustard suddenly and needlessly squeezed onto a sundress. Though I'll take that over the next track, next to that one Micheal Scarn moment from When We All Fall Asleep as one of the only truly terrible tracks she's produced, a ridiciously cheesy electro beat with no humor or progression to make it feel Ironic or Campy or whatever the fuck. At first it was confounding, but when the next track rips-off her own Wish You Were Gay beat but without pithy lyrics or a discernible point at all, it came clearer but also... why? are you going back scrounging for Z-sides from your late 2010 days? After that bizzare extended interlude, the album does admirably close with a song that could've been a 120-minutes underground smash in the mid 90s, a dense, subtly swirling and smartly layered Electro-accented bit of 90s alt-rock that both lyrically and sonically actually closes the album pretty effectively, even if it's making me question why we needed that needless and jarring bit of leftovers thrown in as the penultimate track(s). So yeah that's kind of why I find this a mixed bag, less than being hit Hard and Soft on both sides it feels like an album that starts off on a steady Gallop but then kind of Waddles on the edges before gracefully crossing the finish Line. it's certaintly lovely to listen to despite some really questionable choices late in the run but it also has already felt less than meets-the-ear after giving it a couple of repeat listens, maybe her and Finneas's musical choices are starting to feel a bit too lameneted and "Safe Edgy", but also Billie seems to pick and choose when she wants to be more detailed and upfront with her lyrics to skewing a more dead-eyed Coyness and simply straining the emotional crux of the songs to feel more generalized and universal rather than directly personal. It's solid and I can see why some view it as her best, but I find it a slight step down from the previous release and it's following singles which just felt much more from-the-gut even if it led to messier results. Maybe this is just the start as many have already worked the theory this is just the beginning of several colour-coded releases, but for now I'll rate this as a (mostly) musically pleasing release that just feels a bit too tentative at key moments to take that next leap forward."  [+]  Reply

- cestuneblague | Helpful?  (Log in to vote) | +3 votes (5 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

209 charts

Rank Score:

1,076

Rank in 2024:

11

Rank in 2020s:

71

Overall Rank:

1,599

Average Rating:

 76 (206 votes)

Comments:

14

1600.

One Size Fits All 

 Frank Zappa And The Mothers Of Invention

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"This is a far more digestible Frank Zappa release with a lot of the songs sounding closer to the music at the time than the classic and abstract sound he usually performs. That makes this the perfect album in my opinion to start listening to Zappa as you still get the nuances but they are a lot m...""This is a far more digestible Frank Zappa release with a lot of the songs sounding closer to the music at the time than the classic and abstract sound he usually performs. That makes this the perfect album in my opinion to start listening to Zappa as you still get the nuances but they are a lot more subtle. The music still works brilliantly with the instrumentation being layered and diverse just like always. I think the drums and keyboards are fantastic on here but what steals the show is the guitar for me. It drives every song it is present on forward and has some phenomenal solos as well. As a whole the album is so consistent with there not really being a weak track on here at all. Furthermore, there is so much to dive into on here with there being something new I discover with each listen. Plus Inca Roads is just a musical marvel. Overall, this is an under rated album that is one of Zappa's more accessible releases but it still maintains that high level of musicianship and general genius of his previous releases. "  [+]  Reply

- Untitled | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

202 charts

Rank Score:

1,075

Rank in 1975:

23

Rank in 1970s:

301

Overall Rank:

1,600

Average Rating:

 80 (283 votes)

Comments:

13

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Total albums: 10,000. Page 160 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	708	7%
1970s	1,424	14%
1980s	1,416	14%
1990s	1,600	16%
2000s	1,723	17%
2010s	1,968	20%
2020s	823	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,997	50%
	2,658	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%