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1591.

The Turning Wheel 

 Spellling

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"Thanks, Melon! Seriously, as much as we've been discussing on this site whether Fantano is too influential on people's taste, I probably wouldn't have discovered this album without him! It's a beautiful piece of work, evoking artists such as Kate Bush, Joanna Newsom and Stevie Wonder, while at th...""Thanks, Melon! Seriously, as much as we've been discussing on this site whether Fantano is too influential on people's taste, I probably wouldn't have discovered this album without him! It's a beautiful piece of work, evoking artists such as Kate Bush, Joanna Newsom and Stevie Wonder, while at the same time being entirely unique. Gets a bit more abstract in the second half, but throughout it's vital, with gorgeous arrangements, production, and songwriting. The lyrics are political but also universal, applicable to a number of interpretations. It is it's own world, and it's the best album I've heard this year - although I haven't been keeping up with new releases as much as I'd like, so it's perhaps not saying much."  [+]  Reply

- indieshins | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

190 charts

Rank Score:

667

Rank in 2021:

17

Rank in 2020s:

67

Overall Rank:

1,591

Average Rating:

 79 (220 votes)

Comments:

22

1592.

Apologies To The Queen Mary 

 Wolf Parade

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"This is a refreshing album. Songs like "Modern World", "Dear Sons And Daughters Of Hungry Ghosts" and "I'll Believe Anything" are memorable and very catchy."  Reply

- CanadianGuy | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2005

Appears in:

244 charts

Rank Score:

667

Rank in 2005:

35

Rank in 2000s:

254

Overall Rank:

1,592

Average Rating:

 79 (241 votes)

Comments:

11

1593.

Heaven And Earth 

 Kamasi Washington

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"Outstanding. Another massive release from Kamasi Washington. So ambitious, so heartfelt, so visionary. Jazz isn't dead, folks."  Reply

- PlasticRob | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

246 charts

Rank Score:

667

Rank in 2018:

26

Rank in 2010s:

257

Overall Rank:

1,593

Average Rating:

 78 (207 votes)

Comments:

12

1594.

In A Poem Unlimited 

 U.S. Girls

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"This album is just fucking amazing. I don't know why this hasn't been getting more attention. It's style is something I'm in love with. It's catchy and pop, but experimental and fresh at the same time. I will loop it for the next couple of days. Favorite songs: Velvet 4 Sale, Poem, Time"  Reply

- lleon79 | Helpful?  (Log in to vote) | +2 votes (3 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2018

Appears in:

230 charts

Rank Score:

666

Rank in 2018:

27

Rank in 2010s:

258

Overall Rank:

1,594

Average Rating:

 77 (263 votes)

Comments:

12

1595.

Irrlicht 

 Klaus Schulze

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"It may not be fair, but I have always less appreciated the work of Schulze (who left Tangerine Dream (TD) because of artistic differences with Edgar Froese in 1970) than TD's. As a young boy you may need variety. Possibly it was difficult for me at that time to appreciate the musical and artistic...""It may not be fair, but I have always less appreciated the work of Schulze (who left Tangerine Dream (TD) because of artistic differences with Edgar Froese in 1970) than TD's. As a young boy you may need variety. Possibly it was difficult for me at that time to appreciate the musical and artistic values of the currently highly acclaimed and groundbreaking "Irrlicht". Track 1 ("Ebene") gets under way with heavily manipulated strings. The mixed in drones are accompanied by strings played backwards. The process of generating music (indeed, you can call it "Musique concrète") is more important here than the result. Occasionally you hear sounds that seem to come from a synthesizer, but Schulze did not have a synthesizer for recording Irrlight. I would therefore like to know all the details of the process and the instruments used. Later in Track 1, Schulze plays his special, modified organ as if his life depended on it. I fear that I am too old and less sensitive to experiments. Track 3 is more monotonous and sounds like the relentlessly held and amplified background noise from a factory in the metal industry. I do not think we are in Berlin but in the Ruhr area, and here everything is dark, angry and hostile. This does not make you happy. On the contrary. We have to wait for the sublime "Mirage" to find a more accessible sound carpet. But for now this is the "Dark Ambient" of a sound artist. The recording of the reverse playback of an orchestra is interwoven with the noise that turns the background gray. I can't make up my mind. Does Irrlicht have such great artistic value? Is this album still relevant, or can we talk about musical archeology?"  [+]  Reply

- leMonk | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1972

Appears in:

131 charts

Rank Score:

666

Rank in 1972:

36

Rank in 1970s:

333

Overall Rank:

1,595

Average Rating:

 77 (154 votes)

Comments:

9

1596.

Diamond Jubilee 

 Cindy Lee

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"Diamond Jubilee is an epic of longing, sadness and joy. Across its 32 tracks it manages not only to hold such a high quality track for track, but also establishes and sticks to a clear musical identity. Tracks might vary in tone, instrumentation, vocal delivery or even whether there are instrumen...""Diamond Jubilee is an epic of longing, sadness and joy. Across its 32 tracks it manages not only to hold such a high quality track for track, but also establishes and sticks to a clear musical identity. Tracks might vary in tone, instrumentation, vocal delivery or even whether there are instruments at all, but it all seems to come from its own place, separate to anywhere else. I've always been fascinated by the ability some artists have in creating music that seems to come from a separate world, I'm thinking of artists like Joanna Newsom or the Microphones/Mount Eerie here. The latter stands out as an example of an artist who can significantly change their sound (think of the differences between The Glow Pt 2, Wind's Poem and Dawn) whilst maintaining a clear musical identity, it all evokes a rainy and wild pacific north west with a kind of mythological streak. The same thing happens on Diamond Jubilee. Stone Faces into Gayblevision into Dracula should be jarring in how the tracks vary, instead the common feel of these tracks coming from a gentle but sad place holds them together. A lot is down to the production, nothing's allowed to dominate too much, least of all the vocals, which still manage to be the centrepiece of each track. I found the record a bit much to take on when it first released, often listening to the first dozen tracks or so and then zoning out a bit more with time. Since the bandcamp release I've got more in the habit of starting at different points and familiarising myself with each of the songs. I really recommend this approach to anyone who's finding the runtime an issue. Some of the real treasures here are the instrumentals and it took me a while to really appreciate them. Olive Drab is bold and energetic, it feeds beautifully into Always Dreaming's harps; Darling of the Diskoteque evokes empty spaces and past times; 24/7 Heaven lives up to its name, it's one of the most beautiful things I've ever heard (it's interesting how this record focusses more on heaven where What's Tonight to Eternity, a record which makes this sound like the top 40, was more concerned with hell). A lot's been made of the record's sadder elements, which it does evoke powerfully, but I also find it very romantic. There's a sense of love unfulfilled, by separation or otherwise, but the feelings of emotional closeness are still there. Tracks like All I Want is You or Kingdom Come are really good examples of this, they are ostensibly sad songs, but there's a warmth that comes through, either from Pat's vocals or the instrumental sections, which are often just as revealing. I've recently had to move away from my partner for work and there's a sadness to it, but in those moments of longing you have the time to really appreciate someone for who they are and there's a weird kind of joy in that. It's this type of conflicting emotion that Cindy Lee manage to evoke in so many different ways across Diamond Jubilee, a record that seems to take you to another place."  [+]  Reply

- JamesMowbray | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

161 charts

Rank Score:

665

Rank in 2024:

13

Rank in 2020s:

68

Overall Rank:

1,596

Average Rating:

 80 (111 votes)

Comments:

8

1597.

The Rhythm Of The Saints 

 Paul Simon

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"I always had trouble with the album falling short of breath quite early on. Until I discovered the actual track sequence Paul Simon had in mind for this (which, when considering the actual sequence on the album as produced is 3-6-4-7-8-1-2-9-5-10). I tried it and only then discovered the masterpi...""I always had trouble with the album falling short of breath quite early on. Until I discovered the actual track sequence Paul Simon had in mind for this (which, when considering the actual sequence on the album as produced is 3-6-4-7-8-1-2-9-5-10). I tried it and only then discovered the masterpiece it truly is. But don't take my word for it: try for yourself!"  [+]  Reply

- vdnoorfr | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1990

Appears in:

187 charts

Rank Score:

665

Rank in 1990:

24

Rank in 1990s:

297

Overall Rank:

1,597

Average Rating:

 75 (225 votes)

Comments:

16

1598.

Crisis? What Crisis? 

 Supertramp

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"Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the vio...""Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the violins and the saxophone, with different crescendoes and releaxing moments with keep the album entertaining and at the same time musically interesting."  [+]  Reply

- manurock | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

165 charts

Rank Score:

664

Rank in 1975:

28

Rank in 1970s:

334

Overall Rank:

1,598

Average Rating:

 77 (239 votes)

Comments:

9

1599.

The Dream Of The Blue Turtles 

 Sting

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"Sting's first, and best, solo record. While I can't imagine The Police performing this material, Sting was still writing very good songs and using this as a platform for his own distinctive sound. His later efforts would be much more MOR, and much less interesting. Best cuts: the bluesy "Consider...""Sting's first, and best, solo record. While I can't imagine The Police performing this material, Sting was still writing very good songs and using this as a platform for his own distinctive sound. His later efforts would be much more MOR, and much less interesting. Best cuts: the bluesy "Consider Me Gone" and "Moon Over Bourbon Street" and the more up-tempo "Fortress" and "Shadows in the Rain" (which is actually better than the Police's version). I like the short, jazzy title track as well."  [+]  Reply

- subtleman22 | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1985

Appears in:

223 charts

Rank Score:

663

Rank in 1985:

21

Rank in 1980s:

235

Overall Rank:

1,599

Average Rating:

 74 (263 votes)

Comments:

16

1600.

Bandana 

 Freddie Gibbs & Madlib

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"Crackers came to Africa, ravaged, raffled and rummaged me, America was the name of their fucking company."  Reply

- Skinny | Helpful?  (Log in to vote) | +12 votes (12 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2019

Appears in:

240 charts

Rank Score:

662

Rank in 2019:

20

Rank in 2010s:

259

Overall Rank:

1,600

Average Rating:

 79 (247 votes)

Comments:

9

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Total albums: 10,000. Page 160 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	3	0%
1940s	2	0%
1950s	180	2%
1960s	666	7%
1970s	1,536	15%
1980s	1,387	14%
1990s	1,612	16%
2000s	1,771	18%
2010s	1,986	20%
2020s	857	9%

Artist	Albums	%
Bob Dylan	36	0%
The Rolling Stones	33	0%
David Bowie	32	0%
Various Artists	30	0%
Miles Davis	26	0%
Pink Floyd	24	0%
Genesis	23	0%
Show all

Country	Albums	%
	4,970	50%
	2,628	26%
	427	4%
	332	3%
	223	2%
	160	2%
	145	1%
Show all

Compilation?	Albums	%
No	9,717	97%
Yes	283	3%

Live?	Albums	%
No	9,713	97%
Yes	287	3%

Soundtrack?	Albums	%
No	9,884	99%
Yes	116	1%