Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 58,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 3 hours ago).
"Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the vio...""Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the violins and the saxophone, with different crescendoes and releaxing moments with keep the album entertaining and at the same time musically interesting."[+]Reply
"They say that a prophet is never accepted in his homeland. Likewise it is often that art which challenges us to explore new vistas is never fully appreciated until time has passed and hindsight is used grant it immortality. So it was that the works of many a great composer, writer or artist were ...""They say that a prophet is never accepted in his homeland. Likewise it is often that art which challenges us to explore new vistas is never fully appreciated until time has passed and hindsight is used grant it immortality. So it was that the works of many a great composer, writer or artist were ignored in their own time, and lay waiting, dormant until the day would come when a new generation, freed from the prejudices of the past, would learn to adore what had previously been spurned. A case in point was the 18th century composer Vivaldi whose music remained forgotten until rediscovered in the 20th century.
And so it is, in its own small way, with The Visitors, ABBA’s last and least commercially successful album! If the fact that it failed to deliver more than one big hit single was not disastrous enough, the entire album concept was given a mixed reception and even panned by some of the more serious music critics of the time. Rolling Stone which awarded the album only two stars out of five blasted the album as "lousy" while the album’s commercial performance itself could only mirror that exact description managing the lowly position of 29 on the American Billboard Hot 100 Album listings. The exploration into melancholy and maturity in a new modern musical style was interpreted as nothing more than synch-drenched melodramatic balladeering. For the group itself, lacking only unanimous critical acclaim and used to almost 7 years of unbroken commercial success, the relative failure of the album must have been particularly hard to take. Within a year they had effectively disbanded, split up; gone their separate ways. Once again we were witness to the sorry sight of the artists attempt to break the chains of necessity and discover for us new worlds being spurned and derided.
And now a decade into a new century, their music lives on: stubbornly refusing to let go of the old fans with its nostalgia and rich diversity; seducing and enchanting new fans with its timeless melodies and addictive hooks. Prominent among the many reasons for ABBA's staying power has been the effect of their music catalogue to touch a raw nerve in practically every emotion. From bounding joy to deep sadness, ABBA music has a power over its listener that the critic no longer dare dismiss and no ABBA album tugs at the emotional strings stronger than the Visitors. In truth there is an air of defiance permeating the entire album. However this is no grand scale strategy on the part of the creators but the ordinary and breakable human defiance of real people desirous of artistic freedom. From the muffled cry of "help me" on the title track, to the refusal to lie down and cry in "When all is said and done", and to the admission of a twinge of guilt in "Slipping through My Fingers", there is an emotional honesty with which we, the everyman listener can readily identify with. While the primary ideas for the concept and the music lay with the male group members, Benny and Bjorn, the creative process can not be entirely disassociated from their female colleagues, for it is to them that is assigned that momentous task of actually bearing open the human soul and showing it to us. In hindsight theirs is truly a wondrous achievement both guiding the listener and then imparting the emotional meaning throughout the progression of the various themes. Notably it is on the Visitors that Frida really gives a spectacular rendition of her capabilities with songs like The Visitors, When All is Said and Done, I Let the Music Speak and Like an Angel Passing Though My Room, all bearing witness to that vocalists range and powers of mimicry.
It would be unfair and essentially factually incorrect however to ascribe all the virtues of that album to its emotional power alone. The music, the melodies and the harmonies are as good as anything the band had come up with before, while new styles are explored and then performed with aplomb. In the overall reckoning the album forms a key component in the progression from bubble-gum pop fantasy to adult musical maturity and reality. If ABBA was a story then the defining moment is the song "I Let the Music Speak", effectively their final soliloquy. All that follows, including the magnificent The Day Before You Came, can be then viewed as mere epilogue.
In contrast to its troubled conception and birth, it is in its maturity that The Visitors has come constitute one of the more revered parts of the ABBA canon. The formers band members can rightfully look back with pride for having put faith in their own artistic capabilities and for producing a work which is both magnificent in itself as well as being oblivious to the times in which it was conceived. Freed of the commercial baggage they produced a work of art which has both meaning and enjoyment in the lives of many living and will do so for many generations to come.
For the artist the temporary rewards of commercial success, initially satisfying though they maybe, are as nothing compared to those of art and the immortality that it brings.
For the critics and for the rest of us, has not the time finally come when we should acknowledge this album in its rightful place, as one of the finest works ever produced in the history of popular music?
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"f there’s one thing Kasabian has been known for doing, it’s pumping out mediocre albums. They have a good sound, there’s no denying that. However all of the albums they’ve put out so far have drawn a rousing “meh" from critics. This album is no different. It has it’s moments. Moments where some s...""f there’s one thing Kasabian has been known for doing, it’s pumping out mediocre albums. They have a good sound, there’s no denying that. However all of the albums they’ve put out so far have drawn a rousing “meh" from critics. This album is no different. It has it’s moments. Moments where some songs sound pretty good. But nothing on the album is great, nothing will floor you. It’s a decent album overall and if you happen to be a fan of Kasabian you’ll probably like this album as it sounds just like their other two albums. However if you’re like me, you’ll probably walk away from this album with a very lukewarm feeling."[+]Reply
"In 1975, the musicians had already recorded two records, "High Voltage" and "T.N.T.", but they were popular only in Australia and New Zealand, and the rest of the world was not covered by the capabilities of the Australian record company Albert Productions, which released these discs. But it turn..."" In 1975, the musicians had already recorded two records, "High Voltage" and "T.N.T.", but they were popular only in Australia and New Zealand, and the rest of the world was not covered by the capabilities of the Australian record company Albert Productions, which released these discs.
But it turned out that someone was still watching the Australian music market, and in early 1976, a major American, but rather international, label Atlantic Records deigned to offer its services to the coolest Australian rock band. He signed a contract with AC/DC, which, in addition to releasing records in very large numbers, allowed the band to tour all over the world.
It is clear that this was a breakthrough on the world music scene, followed by a visit to the rock Olympus, and the AC/DC musicians rushed to urgently record their new album for Atlantic. We only managed to record a couple of songs, but the new benefactors hurried us – there was no time to work on recording, they say, the album was urgently needed. And since there is no finished album, we will release a collection, since there are plenty of songs for it.
That's how the "international" version of "High Voltage" appeared, they didn't even come up with a new name for it, but simply took the latest "Australian" album of the band "T.N.T.", threw out a couple of songs from it, replacing them with two tracks from the first version of "High Voltage". That's how AC/DC's "first international album" turned out, which is included in the main discography not as a compilation, but as a full-fledged LP. And for a very long time, almost the whole world did not even suspect the real state of affairs, since information for music lovers began to appear only in the CD era, when the two "firstborn" bands began to spread around the world on a new type of media, first pirated, and then officially."[+]Reply
"There is a great 12 song album in here There is another completely different, 7 song good EP in here as well Then there is some filler and should have been labeled bonus tracks When you put it all together it sounds like a pretty cool Spotify Playlist. But how many times am I gonna be able to sit...""There is a great 12 song album in here
There is another completely different, 7 song good EP in here as well
Then there is some filler and should have been labeled bonus tracks
When you put it all together it sounds like a pretty cool Spotify Playlist. But how many times am I gonna be able to sit my down and listen to 1:48 minutes of uninterrupted kanyeisms.
Still better than most other albums I heard this year"[+]Reply
"In the late 70's Roger offered two projects to his bandmates of Pink Floyd, it was to be this or "The Wall". I think they did the right thing by choosing The Wall just because it was such a massive, obvious winner of a concept not because this one was no good. The musicianship is great and if any...""In the late 70's Roger offered two projects to his bandmates of Pink Floyd, it was to be this or "The Wall". I think they did the right thing by choosing The Wall just because it was such a massive, obvious winner of a concept not because this one was no good. The musicianship is great and if anything this album probably benefits from not being done by the Floyd because it introduces interesting new sonorities into the Waters framework. I mean, the guitarist is still Eric Clapton -not Gilmour but not a nobody either- and the sax work, particularly on "Go Fishing" will just blow your minds out. "[+]Reply
"Boz's album is a superb collection of blue eyed soul with a smidgen of rock. Lowdown is wondeful with a truly brilliant groove but the album is solid throughout"Reply
"This comment will now outdate my comments about Heaven and Hell and Sabbath Bloody Sabbath whereby I stated that they were my top Sabbath albums. Without a doubt, this for me is top of the tree. The vocal delivery by RJD coupled with the overall musicianship which includes the best guitar work an...""This comment will now outdate my comments about Heaven and Hell and Sabbath Bloody Sabbath whereby I stated that they were my top Sabbath albums. Without a doubt, this for me is top of the tree. The vocal delivery by RJD coupled with the overall musicianship which includes the best guitar work and drumming I have heard on any of the other Black Sabbath albums seals my decision. Every track is class, some with a real sinister atmosphere like 'Sign of the Southern Cross' and 'Falling off the Edge of the World'. There are equally, the really heavy workouts like the title track and 'Voodoo'. The sleeve art lets the album down a bit, had that been more scarey it may have encouraged more people to buy it when it was first released. It has taken me ages to track down a decent copy on vinyl but was most definitely well worth the wait!"[+]Reply