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2091.

Crisis? What Crisis? 

 Supertramp

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"Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the vio...""Why are people disappointed with this album? For me it is almost at par with Crime of the Century and above Breakfast in America. In songs like "A sopabox opera", "Another man's woman" or "Just a normal day" Hodgson and Davies keep a dialogue in which their voices shine between the piano, the violins and the saxophone, with different crescendoes and releaxing moments with keep the album entertaining and at the same time musically interesting."  [+]  Reply

- manurock | Helpful?  (Log in to vote) | +4 votes (5 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1975

Appears in:

165 charts

Rank Score:

788

Rank in 1975:

32

Rank in 1970s:

383

Overall Rank:

2,091

Average Rating:

 77 (238 votes)

Comments:

9

2092.

Mr. Fantasy 

 Traffic

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"A great psychedelic album. It has all the elements to make it a really interesting listen and it is! Organ, Mellotron (incorrectly spelt in the Sleeve notes) harpsichord, harmonica, flute, saxaphone, searing guitars, tambura and sitar. Comparing 'Dealer' with 'Utterly Simple' the two tracks like ...""A great psychedelic album. It has all the elements to make it a really interesting listen and it is! Organ, Mellotron (incorrectly spelt in the Sleeve notes) harpsichord, harmonica, flute, saxaphone, searing guitars, tambura and sitar. Comparing 'Dealer' with 'Utterly Simple' the two tracks like different bands. This album is an audio trip! The vinyl re-issue also includes Paper Sun!"  [+]  Reply

- Junomoogmello | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1967

Appears in:

236 charts

Rank Score:

788

Rank in 1967:

33

Rank in 1960s:

196

Overall Rank:

2,092

Average Rating:

 77 (228 votes)

Comments:

10

2093.

Cookin' With The Miles Davis Quintet 

 Miles Davis Quintet

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"Well, the first (and my favorite) great quintet. Coltrane like hard learner of freedom in harmonies. Chambers, Garland and Joe Jones, the best rhythm section of history of jazz. Davis lyrical, masterful. What can I say?"  Reply

- carneham | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1957

Appears in:

143 charts

Rank Score:

788

Rank in 1957:

10

Rank in 1950s:

56

Overall Rank:

2,093

Average Rating:

 81 (154 votes)

Comments:

6

2094.

Starless And Bible Black 

 King Crimson

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"When I purchased a copy of this album, I was a junior high kid, and it was not an easy album to understand. I could only buy one album a month back then (naturally), so I would listen to the album every day, and I could gradually digest the beauty (and aggressive nature) of the album over time. A...""When I purchased a copy of this album, I was a junior high kid, and it was not an easy album to understand. I could only buy one album a month back then (naturally), so I would listen to the album every day, and I could gradually digest the beauty (and aggressive nature) of the album over time. As the band called it quit in 1974, I thought I would never see the band again, and this was true with this formation at least. For a young boy in Japan, it was beyond imagination that 30 years later, the boy would meet all the four members of the band (though in separate interview opportunities.) So, to me, this album is a very special one. Musically speaking, as Jamie Muir had left the band (who, the recent Larks' Tongues box set revealed, was the first member of the new formation and the key to the jazz/improvisation aspect of the band), the other members were forced to fill the role Jamie had played: spontaneities. For this reason, the album is fundamentally "live." The most structured track on this album is paradoxically Fracture, which is based on the persistent riffs and highly technical (and mathematical) guitar work by Robert Fripp. You can also find "funk" elements under the influence of Herbie Hancock or even Miles. It is not a perfect album, but well conveys the spirit of '73 when the music was still more or less free from commercialism. "  [+]  Reply

- hamanaxis | Helpful?  (Log in to vote) | +3 votes (3 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1974

Appears in:

193 charts

Rank Score:

787

Rank in 1974:

34

Rank in 1970s:

384

Overall Rank:

2,094

Average Rating:

 78 (342 votes)

Comments:

13

2095.

Dopesmoker 

 Sleep (US)

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"This album is like a distant planet covered by a narcotic haze and surrounded by deformed moons."  Reply

- stonershit | Helpful?  (Log in to vote) | +15 votes (15 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2003

Appears in:

125 charts

Rank Score:

787

Rank in 2003:

40

Rank in 2000s:

343

Overall Rank:

2,095

Average Rating:

 80 (174 votes)

Comments:

9

2096.

The Visitors 

 ABBA

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"They say that a prophet is never accepted in his homeland. Likewise it is often that art which challenges us to explore new vistas is never fully appreciated until time has passed and hindsight is used grant it immortality. So it was that the works of many a great composer, writer or artist were ...""They say that a prophet is never accepted in his homeland. Likewise it is often that art which challenges us to explore new vistas is never fully appreciated until time has passed and hindsight is used grant it immortality. So it was that the works of many a great composer, writer or artist were ignored in their own time, and lay waiting, dormant until the day would come when a new generation, freed from the prejudices of the past, would learn to adore what had previously been spurned. A case in point was the 18th century composer Vivaldi whose music remained forgotten until rediscovered in the 20th century. And so it is, in its own small way, with The Visitors, ABBA’s last and least commercially successful album! If the fact that it failed to deliver more than one big hit single was not disastrous enough, the entire album concept was given a mixed reception and even panned by some of the more serious music critics of the time. Rolling Stone which awarded the album only two stars out of five blasted the album as "lousy" while the album’s commercial performance itself could only mirror that exact description managing the lowly position of 29 on the American Billboard Hot 100 Album listings. The exploration into melancholy and maturity in a new modern musical style was interpreted as nothing more than synch-drenched melodramatic balladeering. For the group itself, lacking only unanimous critical acclaim and used to almost 7 years of unbroken commercial success, the relative failure of the album must have been particularly hard to take. Within a year they had effectively disbanded, split up; gone their separate ways. Once again we were witness to the sorry sight of the artists attempt to break the chains of necessity and discover for us new worlds being spurned and derided. And now a decade into a new century, their music lives on: stubbornly refusing to let go of the old fans with its nostalgia and rich diversity; seducing and enchanting new fans with its timeless melodies and addictive hooks. Prominent among the many reasons for ABBA's staying power has been the effect of their music catalogue to touch a raw nerve in practically every emotion. From bounding joy to deep sadness, ABBA music has a power over its listener that the critic no longer dare dismiss and no ABBA album tugs at the emotional strings stronger than the Visitors. In truth there is an air of defiance permeating the entire album. However this is no grand scale strategy on the part of the creators but the ordinary and breakable human defiance of real people desirous of artistic freedom. From the muffled cry of "help me" on the title track, to the refusal to lie down and cry in "When all is said and done", and to the admission of a twinge of guilt in "Slipping through My Fingers", there is an emotional honesty with which we, the everyman listener can readily identify with. While the primary ideas for the concept and the music lay with the male group members, Benny and Bjorn, the creative process can not be entirely disassociated from their female colleagues, for it is to them that is assigned that momentous task of actually bearing open the human soul and showing it to us. In hindsight theirs is truly a wondrous achievement both guiding the listener and then imparting the emotional meaning throughout the progression of the various themes. Notably it is on the Visitors that Frida really gives a spectacular rendition of her capabilities with songs like The Visitors, When All is Said and Done, I Let the Music Speak and Like an Angel Passing Though My Room, all bearing witness to that vocalists range and powers of mimicry. It would be unfair and essentially factually incorrect however to ascribe all the virtues of that album to its emotional power alone. The music, the melodies and the harmonies are as good as anything the band had come up with before, while new styles are explored and then performed with aplomb. In the overall reckoning the album forms a key component in the progression from bubble-gum pop fantasy to adult musical maturity and reality. If ABBA was a story then the defining moment is the song "I Let the Music Speak", effectively their final soliloquy. All that follows, including the magnificent The Day Before You Came, can be then viewed as mere epilogue. In contrast to its troubled conception and birth, it is in its maturity that The Visitors has come constitute one of the more revered parts of the ABBA canon. The formers band members can rightfully look back with pride for having put faith in their own artistic capabilities and for producing a work which is both magnificent in itself as well as being oblivious to the times in which it was conceived. Freed of the commercial baggage they produced a work of art which has both meaning and enjoyment in the lives of many living and will do so for many generations to come. For the artist the temporary rewards of commercial success, initially satisfying though they maybe, are as nothing compared to those of art and the immortality that it brings. For the critics and for the rest of us, has not the time finally come when we should acknowledge this album in its rightful place, as one of the finest works ever produced in the history of popular music? "  [+]  Reply

- jomclane | Helpful?  (Log in to vote) | +8 votes (8 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1981

Appears in:

164 charts

Rank Score:

787

Rank in 1981:

32

Rank in 1980s:

319

Overall Rank:

2,096

Average Rating:

 74 (217 votes)

Comments:

13

2097.

Judee Sill 

 Judee Sill

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"One of the most underrated female artists ever. Judee Sill is sadly no longer with us, but she released two excellent solo records that are criminally overlooked. Featuring stunning songs such, Jesus was a crossmaker, my man on love, and, crayon angels, this album is up there with what Joni Mitch...""One of the most underrated female artists ever. Judee Sill is sadly no longer with us, but she released two excellent solo records that are criminally overlooked. Featuring stunning songs such, Jesus was a crossmaker, my man on love, and, crayon angels, this album is up there with what Joni Mitchell was doing at the time. Brilliant. "  [+]  Reply

- garycottier | Helpful?  (Log in to vote) | +6 votes (6 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1971

Appears in:

113 charts

Rank Score:

787

Rank in 1971:

45

Rank in 1970s:

385

Overall Rank:

2,097

Average Rating:

 78 (99 votes)

Comments:

3

2098.

Silk Degrees 

 Boz Scaggs

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"Boz's album is a superb collection of blue eyed soul with a smidgen of rock. Lowdown is wondeful with a truly brilliant groove but the album is solid throughout"  Reply

- Willie24 | Helpful?  (Log in to vote) | +5 votes (6 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1976

Appears in:

143 charts

Rank Score:

787

Rank in 1976:

31

Rank in 1970s:

386

Overall Rank:

2,098

Average Rating:

 73 (164 votes)

Comments:

5

2099.

Velociraptor! 

 Kasabian

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"f there’s one thing Kasabian has been known for doing, it’s pumping out mediocre albums. They have a good sound, there’s no denying that. However all of the albums they’ve put out so far have drawn a rousing “meh" from critics. This album is no different. It has it’s moments. Moments where some s...""f there’s one thing Kasabian has been known for doing, it’s pumping out mediocre albums. They have a good sound, there’s no denying that. However all of the albums they’ve put out so far have drawn a rousing “meh" from critics. This album is no different. It has it’s moments. Moments where some songs sound pretty good. But nothing on the album is great, nothing will floor you. It’s a decent album overall and if you happen to be a fan of Kasabian you’ll probably like this album as it sounds just like their other two albums. However if you’re like me, you’ll probably walk away from this album with a very lukewarm feeling."  [+]  Reply

- RockyRaccoon | Helpful?  (Log in to vote) | +2 votes (4 helpful | 2 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2011

Appears in:

126 charts

Rank Score:

786

Rank in 2011:

46

Rank in 2010s:

345

Overall Rank:

2,099

Average Rating:

 74 (249 votes)

Comments:

16

2100.

Moseley Shoals 

 Ocean Colour Scene

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"For me the soundtrack to the summer of 96, great times! Just puts me in a good mood when I listen to it."  Reply

- KinkyAfro | Helpful?  (Log in to vote) | +4 votes (4 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1996

Appears in:

155 charts

Rank Score:

786

Rank in 1996:

38

Rank in 1990s:

368

Overall Rank:

2,100

Average Rating:

 75 (159 votes)

Comments:

7

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Total albums: 10,000. Page 210 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	37	0%
1950s	304	3%
1960s	715	7%
1970s	1,439	14%
1980s	1,435	14%
1990s	1,616	16%
2000s	1,727	17%
2010s	1,999	20%
2020s	726	7%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Various Artists	26	0%
Neil Young	25	0%
Show all

Country	Albums	%
	5,011	50%
	2,665	27%
	429	4%
	315	3%
	222	2%
	160	2%
	137	1%
Show all

Compilation?	Albums	%
No	9,721	97%
Yes	277	3%

Live?	Albums	%
No	9,727	97%
Yes	271	3%

Soundtrack?	Albums	%
No	9,880	99%
Yes	118	1%