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2821.

Tuesday Night Music Club 

 Sheryl Crow

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"You'd never know it by hit "All I Wanna Do" that she struggled for a while to start her career off in her own way, not how a record company would want to present her. Regardless, the pop/rock on display here is pretty masterful for a debut album. Filtered through her version of Stevie Nicks, a lo...""You'd never know it by hit "All I Wanna Do" that she struggled for a while to start her career off in her own way, not how a record company would want to present her. Regardless, the pop/rock on display here is pretty masterful for a debut album. Filtered through her version of Stevie Nicks, a lot of these tracks are catchy hits, and both "run, baby, run" and "i shall believe" would both work well as concert closers."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

171 charts

Rank Score:

551

Rank in 1993:

42

Rank in 1990s:

480

Overall Rank:

2,821

Average Rating:

 73 (176 votes)

Comments:

12

2822.

Candy Apple Grey 

 Hüsker Dü

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"Came to Husker Du through Mega City Four doing a cover of Don't Want To Know If You Are Lonely so this album was a starting point. In fact all these years later I still only have Candy Apple Grey and Zen Arcade which I have to say I've never really got into. Candy Apple Grey is just much more acc...""Came to Husker Du through Mega City Four doing a cover of Don't Want To Know If You Are Lonely so this album was a starting point. In fact all these years later I still only have Candy Apple Grey and Zen Arcade which I have to say I've never really got into. Candy Apple Grey is just much more accessible and consistent to my ears. The splits in the band are very noticeable with hindsight but for me the sharing of the songwriting between Bob Mould and Grant Hart gives the album a strength and variety that one person would struggle to achieve."  [+]  Reply

- Mr November | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1986

Appears in:

162 charts

Rank Score:

551

Rank in 1986:

39

Rank in 1980s:

420

Overall Rank:

2,822

Average Rating:

 77 (172 votes)

Comments:

8

2823.

Speak Now 

 Taylor Swift

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"Reading comments for this album, all I can think about this site is that people here either have a great sense of humor, an awful taste or are completely nuts. Taylor Swift a great songwriter? Please tell me you're joking."  Reply

- M42K0 | Helpful?  (Log in to vote) | +3 votes (4 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2010

Appears in:

105 charts

Rank Score:

550

Rank in 2010:

40

Rank in 2010s:

461

Overall Rank:

2,823

Average Rating:

 57 (273 votes)

Comments:

21

2824.

Ekstasis 

 Julia Holter

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"Like Enya at her most harmonic, Sara Bareilles at her most melodic, Janelle Monae at her most musical. Amazing album."  Reply

- Listmeister | Helpful?  (Log in to vote) | 0 votes (1 helpful | 1 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

136 charts

Rank Score:

550

Rank in 2012:

46

Rank in 2010s:

462

Overall Rank:

2,824

Average Rating:

 77 (143 votes)

Comments:

3

2825.

The Real Ramona 

 Throwing Muses

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"I really like this album, my favorite is "Honeychain"...I remember taking a road trip from Las Vegas to San Francisco through the Mojave desert north to Yosemite, then left to the ocean...I had this cassette playing and "Honeychain" seemed to fit perfectly with the mood of thi...""I really like this album, my favorite is "Honeychain"...I remember taking a road trip from Las Vegas to San Francisco through the Mojave desert north to Yosemite, then left to the ocean...I had this cassette playing and "Honeychain" seemed to fit perfectly with the mood of this trip."  [+]  Reply

- ffudnebbuh | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1991

Appears in:

115 charts

Rank Score:

550

Rank in 1991:

39

Rank in 1990s:

481

Overall Rank:

2,825

Average Rating:

 78 (125 votes)

Comments:

6

2826.

Into The Labyrinth 

 Dead Can Dance

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""The Wind That Shakes the Barley" (a newly arranged Irish ballad from the 18th century) is beautiful because of the self-assured but modest performance of Lisa Gerrard. It is particularly deserving that music that deviates strongly from contemporary time and culture, thereby losing its popularity..."""The Wind That Shakes the Barley" (a newly arranged Irish ballad from the 18th century) is beautiful because of the self-assured but modest performance of Lisa Gerrard. It is particularly deserving that music that deviates strongly from contemporary time and culture, thereby losing its popularity and threatening to disappear forever in the past, is brought to the attention again. But at the same time DCD also challenges its listeners. This song is again very fatalistic and seen from the complete album yet another story about saying goodbye and about the sour taste of sadness about what is irrevocably lost. It is hard to argue about the beauty and symbolic emotion of the text, but the a cappella performance does oblige the listener to empathize with a ballad that originated during the earliest history of the Irish struggle for independence, and with that much is demanded of the listener. "Yulunga" (Spirit Dance) reminds me a lot of the songs from "The Serpent’s Egg": the music is repetitive and pure, the framework for the vocal line minimal, but unfortunately here the track tends to be boring. The venous edge is no longer present. The mysterious and flawlessly performed vocals cannot save the song. The percussion that gives color to the second part of the track is rather corny. Fortunately that cannot be said of the fantastic “The Ubiquitous Mr. Lovegrove”. This song has lyrics that are about a conflict that can hardly be disentangled and an inevitable farewell, but the song is floating on a very catchy "groove" and a peculiar sound atmosphere. Of all the vocal parts on the album, that of "Mr. Lovegrove" is by far the most convincing. The narrator gives the listener a subjective insight into a relationship that has gone wrong. He places the blame on the counterparty and does not shy away from the harsh words and accusations. I have no idea if Perry refers to the broken relationship with Gerrard (or the quarrel with Peter Murphy?). There is a strong pop sensibility to the song (the track was released as a single by the way) but there is also a hard to define dark pulse to it. The choice of exotic instruments is particularly successful and ensures a wonderful, transparent balance. I think this is the song that saves the record. It abstains from sadness and fatalism and remains entertaining. "Tell Me About The Forest" unfortunately fails despite the good vocals of Perry. This song has neither the identity nor the charm that many other earlier DCD songs do have. The track “The Spider’s Stratagem” also doesn't appeal to me. The formula with repetitive percussion lines shows wear and the arrangements are skilled, but can no longer surprise. It's a shame to have to determine this, but the magic is gone and the song also lasts way too long. "Emmeleia" is a gem that strongly relies on multilayer vocals and bears witness to technical mastery, but the emotion and powerful rendition of the similar "Echolalia" on "The Serpent's Egg" are completely absent and only a cool, even uninterested kind of detachment remains. The unexpected and the sense of the experiment seem to be gone completely. "How Fortunate the Man With None" doesn't convince me either. Admittedly: the lyrics have a certain charm, but again the song falls prey to the success formula that made DCD such a wonderfully adventurous band. "The Carnival Is Over" doesn't interest me either. Perry has already composed several similar songs, but this track does not reach the high level of the previous albums. What intrigues me is the fact that Perry literally quotes Joy Division in his lyrics ("The procession moves on ..." from the song "The Eternal"). Is it a tribute or theft? No. Brendan Perry is a very honest musician and it is certainly not theft. But you never really know for sure, do you? "Saldek" is an excursion from Lisa Gerrard, but she too makes too much use of mannierist interventions that conceal a lack of originality. Again: for a fan it is painful to find out how this album only contains a few good songs. "Towards the Within" is good. Not that this track is full of inspiration and originality, because here too DCD falls back on a formula that has been used too often, but all components have a clear identity here and can convince this time. I dare not say for sure, but it is as if the record is suffering from the break between two lovers (Gerrard - Perry) who experience that it is difficult to keep everything professional and to work together as usual. However, the record company still believes in the band and although production is not really nagging, it seems that the momentum is gone."  [+]  Reply

- leMonk | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

85 charts

Rank Score:

549

Rank in 1993:

43

Rank in 1990s:

482

Overall Rank:

2,826

Average Rating:

 78 (119 votes)

Comments:

4

2827.

Various Positions 

 Leonard Cohen

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"Really great album. Contains 3 Cohen classics, "Hallelujah", "If it be your will" and "Dance me to the end of love". All other tracks are good as well with some great poetry; the lyrics to "Night Comes On" especially resonate with me. I'm surprised it isn't regarded higher by more reviewers. A mu...""Really great album. Contains 3 Cohen classics, "Hallelujah", "If it be your will" and "Dance me to the end of love". All other tracks are good as well with some great poetry; the lyrics to "Night Comes On" especially resonate with me. I'm surprised it isn't regarded higher by more reviewers. A must listen for poetry fans and one of Cohen's best."  [+]  Reply

- Simbetam | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1984

Appears in:

127 charts

Rank Score:

549

Rank in 1984:

44

Rank in 1980s:

421

Overall Rank:

2,827

Average Rating:

 75 (160 votes)

Comments:

12

2828.

Mclusky Do Dallas 

 Mclusky

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"how can you not love an album with a song called "lightsaber cocksucking blues"?? ;-) fortunately the album is solid throughout, with the band's impish sense of humor keeping things interesting."  Reply

- philbutrin | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2002

Appears in:

120 charts

Rank Score:

548

Rank in 2002:

45

Rank in 2000s:

467

Overall Rank:

2,828

Average Rating:

 76 (102 votes)

Comments:

4

2829.

Follow The Leader 

 Eric B. & Rakim

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"Rapping records in the late 80s came out, it seemed, on a near weekly basis that upped the game on the last. The lead single and title track on this, just like the first single on the debut, upped the game to such an extent that it just left all competition destroyed. Well, competition is none eh...""Rapping records in the late 80s came out, it seemed, on a near weekly basis that upped the game on the last. The lead single and title track on this, just like the first single on the debut, upped the game to such an extent that it just left all competition destroyed. Well, competition is none eh. I'd listen back and memorise that single that much I nearly wore the tape out. The first 3 tracks on the album are as good as any album, in any genre, ever. Yep, too many instrumentals but the actual rapping cuts, especially the first three are fucking jaw dropping. Why the fudge do you think he is so revered? I think I bought it the day it came out. What's with that strange fade before the end of lyrics of fury though? Never understood that. Anyways, what the fuck is it with rating it 20 and shit like that? You don't like the rap? Why listen? Weird."  [+]  Reply

- Graeme2 | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1988

Appears in:

139 charts

Rank Score:

548

Rank in 1988:

37

Rank in 1980s:

422

Overall Rank:

2,829

Average Rating:

 78 (134 votes)

Comments:

10

2830.

Dusk 

 The The

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"Another album that works fantastically well as a whole. Dark, brooding, lyrically challenging (as was all Matt Johnson's work) - any album to play at the start of a dark winter's night. Great atmosphere."  Reply

- FieryGunHand | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1993

Appears in:

74 charts

Rank Score:

548

Rank in 1993:

44

Rank in 1990s:

483

Overall Rank:

2,830

Average Rating:

 76 (89 votes)

Comments:

7

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Total albums: 10,000. Page 283 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	709	7%
1970s	1,424	14%
1980s	1,413	14%
1990s	1,601	16%
2000s	1,726	17%
2010s	1,964	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	5,004	50%
	2,654	27%
	431	4%
	336	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%