Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 4 hours ago).
"This is a massive work - clocking around 6.5 hours! - by improvisation master Jarrett. It is hard listening to it in one go due to its enormous length but the music in it is all worth it, so go for it. I've been listening to this throughout the week - one or two tracks per day - usually at nightt...""This is a massive work - clocking around 6.5 hours! - by improvisation master Jarrett. It is hard listening to it in one go due to its enormous length but the music in it is all worth it, so go for it. I've been listening to this throughout the week - one or two tracks per day - usually at nighttime and I found the work pretty impressive. One of the best 1978 releases (record in 1976)."[+]Reply
"Track listing on this is different to the original copy I have. Left off this are two fantastic key tracks 'Choppers' & 'Mr Moon'. But apart from that, this is a great band and album. A style all of there own with dual vocals of Chris Matthews and Fiona McDonald giving it a wide range of variety....""Track listing on this is different to the original copy I have. Left off this are two fantastic key tracks 'Choppers' & 'Mr Moon'. But apart from that, this is a great band and album. A style all of there own with dual vocals of Chris Matthews and Fiona McDonald giving it a wide range of variety. 'Gaskrankenstation' being the ultimate pick of the bunch"[+]Reply
"On this website, Counting Crows album's get ranked progressively worse in chronological order and it completely makes sense. Each album sounds like the last in it's instruments and vocal delivery. This Desert Life has a similar spirit as the debut and is a tighter album than Recovering the Satell...""On this website, Counting Crows album's get ranked progressively worse in chronological order and it completely makes sense.
Each album sounds like the last in it's instruments and vocal delivery.
This Desert Life has a similar spirit as the debut and is a tighter album than Recovering the Satellites. That is why I consider it better than Satellite's personally.
But grand scheme, bigger than just my opinion review it lands 3rd best
Colorblind is classically depressing. Hanging Around is memorable single.
Amy Hit the Atmosphere is a better Counting Crow ballad. All My Friends is good.
Mrs. Potters Lullabye is in the vein of other road tripping 5 minute Crow's songs.
Only dud for me is I Wish I was A Girl because I don't wish that and don't relate. And the lyrics are kind of condescending to the gender just because Duritz is complaining he can't do what they do. Poor him
It's a good album but fans like me start to realize that Duritz doesn't want to help himself around his fears of loneliness and depression. He isn't getting any wiser around his place in the world and the music isn't either.
The band doesn't grow and neither does he. Which is sad because in his younger days you relate to his struggles in his lyrics. More than the average rock star you want to root for him to be happy and figure it out.
All the more tragic that he doesnt't, and worse, sounds like he exploits it all to make successful music around his brand he has created."[+]Reply
"There is something just really mesmerizing about this album. It has moments of being pretty straight forward rock. There are also a lot of really emotional and gorgeous atmospheric parts. There is something so gorgeously sincere about Jenn Wasner's vocals. I just feel like I know and understand h...""There is something just really mesmerizing about this album. It has moments of being pretty straight forward rock. There are also a lot of really emotional and gorgeous atmospheric parts. There is something so gorgeously sincere about Jenn Wasner's vocals. I just feel like I know and understand her when she sings so plainly and beautifully and naturally. This is just a record I really love and relate to. Nothing about it seems overly conceptualized, nor does anything here seem superficial. It's just the perfect balance of the elements of the upfront and the introspective.
Highly recommended. "[+]Reply
"Many fans of metal, myself included, see an obvious connection between metal and orchestral music. This is a great experiment in actually merging the two. It doesn't always work, but when it does it's fantastic. "Outlaw Torn" and "Bleeding Me" are two that standout as working especially well. The...""Many fans of metal, myself included, see an obvious connection between metal and orchestral music. This is a great experiment in actually merging the two. It doesn't always work, but when it does it's fantastic. "Outlaw Torn" and "Bleeding Me" are two that standout as working especially well. The highlight for me is "No Leaf Clover," which was written for the show and accordingly has the best interplay between the symphonic and the rock."[+]Reply
"Unlikely to be the AnCo album to convince non-fans, and probably won't be a personal favourite for many fans either, but it contains loads of what the band had done well in the past. How much you will enjoy it, probably depends on a few things. One, what you think of that recurring vocal trick th...""Unlikely to be the AnCo album to convince non-fans, and probably won't be a personal favourite for many fans either, but it contains loads of what the band had done well in the past. How much you will enjoy it, probably depends on a few things. One, what you think of that recurring vocal trick that's used on several tracks. Two, what side of the band you preferred in the past. If you like the band for the energy, melody, playfullness, there's plenty to go around here. What this album's lacking in is the experimentation, or any longer instrumental buildups and passages. Those final 30 seconds on Lying in the Grass are already a step away from the norm, while most songs keep it pretty tight. Not necessarily a bad thing, but you may find yourself thinking that there is just something missing from a lot of these tracks which don't really expand on any ideas that may be present, and even these ideas aren't necessarily anything that the band wouldn't toy with since at least Strawberry Jam. I suppose this is why Painting With was met with pretty mixed reviews - while every album of theirs had a pretty distinct sound, Painting With mostly seems to distinguish itself from others only by how its songs maintain a pretty basic structure and don't exactly explore any previously untapped territories.
But, as I said, this is still an album that's brimming with that AnCo energy and is most of all FUN. One thing they haven't forgotten is how to write a goddamn tune, and this results in some wonderful moments across the 12 tracks here. Golden Gal may be one of their finest pop songs yet, On Delay has also become another personal favourite, particularly love how it utilizes the piano. Other highlights (for me at least) include the bouncy lead single FloriDada, and the more peculiar choice for the second single, Lying in the Grass, which is one of those tracks where you'd hope they would expand their ideas a little bit, but still manages to work in its short running time - featuring a nice cameo from Colin Stetson, and is a good example of that "hocketing" vocal trick they do throughout on the album, with its 30 second instrumental release at the end being one of the rare moments like that on the album. All the better for it..."[+]Reply
"Released originally in 1965, this album featured eleven tracks by the smooth singing Brazilian; the Verve Record Label supplemented the original album with 14 more Astrud Gilberto sung tunes in 1990 and released the new offering in the Verve The Silver Collection, maintaining the original album n...""Released originally in 1965, this album featured eleven tracks by the smooth singing Brazilian; the Verve Record Label supplemented the original album with 14 more Astrud Gilberto sung tunes in 1990 and released the new offering in the Verve The Silver Collection, maintaining the original album name "The Astrud Gilberto Album." Featuring long time stand-bys "Fly Me To The Moon," "The Shadow Of Your Smile," and "Day By Day" as well as efforts sung in her native tongue the album is a must have for any collection as it gives one a sense of the 1960s era.
1990s release can be found on the German manufactured Cat # 823 451-2
Barcode: 0 42282 34512 7
Label Code: LC 0383
Rights Society: GEMA
Matrix / Runout: 853 451-2 04 #
Matrix / Runout: MADE IN GERMANY"[+]Reply