Listed below are the overall rankings for the best albums in history as determined by their aggregate positions in over 59,000 different greatest album charts on BestEverAlbums.com! (Chart last updated: 3 hours ago).
"Sparks have a history of not being known to the masses despite their genius, and this album takes the top of the chart as 'the best album no one knows of'. maybe it's just too smart for most people? A true work of genius, as the name dropped title suggests."Reply
"A return to form. Definitely her best album since the live album Shadows & Lights and one of the best albums she has made. Great tracks include Slouching Towards Bethlehem, Come In From The Cold & Passion Play other highlights include The Only Joy In Town, Nothing Can Be Done & Cherokee Louise."Reply
"After the disappointing and pretty hyped 1976 album "15 Big Ones" the Beach Boys were already out the next year with a new album, "Love You". Brian Wilson had made his comeback with 15 Big Ones ", but it was obvious that his inspiration, both as a producer and songwriter was not what it used to b...""After the disappointing and pretty hyped 1976 album "15 Big Ones" the Beach Boys were already out the next year with a new album, "Love You". Brian Wilson had made his comeback with 15 Big Ones ", but it was obvious that his inspiration, both as a producer and songwriter was not what it used to be. Moreover his vocals changed so much that they were hardly recognizable.
On "Love You" Brian Wilson makes a much stronger impression. There are generally more good songs than its predecessor, which was largely dominated by cover versions.
Without much hesitation I would count for at least half of the disc as great and successful. Brian has written all the songs, a couple with help from either Mike Love or Al Jardine.
"Love You" opens firmly in the classic Beach Boys style with "Let's Go On This Way", which features the well-known strong lead vocals from Carl Wilson. Mike Love is also easily recognizable on "Roller Skating Child", solidly backed by Al Jardine and Carl Wilson.
These two songs ensures a good start to the album. The next two "Mona" and "Johnny Carson", are not among my favorites, but is not without charm either.
A highlight is "Good Time", sung by Brian Wilson. The song was actually recorded back in 1972 when Brian's vocals still had his original strength and tone. Brian also takes the lead vocal on "Solar System" and the change in his voice is significant. It seems, however, stronger than on "15 Big Ones" and the track is one of the album's most complex. Even better is "The Night was so Young", a fine ballad with lead vocals by Carl Wilson.
Very catchy is "I bet he's nice," sung by the three Wilson brothers - another highlight. I've never been a big fan of duets, and Brian's and his wife Marilyn's efforts on "Let's Put Our Hearts Together", can in no way change my mind on this. Dennis Wilson sings the ambiguous "I Wanna Pick You Up" - helped underways by Brian. A very sweet song. "Airplane" has a lightness that makes you think back to the golden years in the late 1960s. Fine lead vocals of Mike Love.
All in all one of the most successful post-Holland albums - perhaps the last that would deserve classic status.
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"A dark, gloomy album laden with existentialist lyrical themes. As always, phenomenal musicianship, and the morose tone set by songs like Dark Ages, Victory and Real Love is somewhat balanced by the fury of faster paced songs like Teresa, Give Me That Knife and the title track."Reply
"THE BIG FOUR PLUS ONE I don’t care what anyone else says. The Screaming Trees were one of “The Big Four” of grunge. Call it the Big Five if you have to. Knock out those pussies in Pearl jam if you have to. I really don’t care. But they belong. They were there from the start. Cranked out SEVEN con...""THE BIG FOUR PLUS ONE
I don’t care what anyone else says. The Screaming Trees were one of “The Big Four” of grunge. Call it the Big Five if you have to. Knock out those pussies in Pearl jam if you have to. I really don’t care. But they belong. They were there from the start. Cranked out SEVEN consistently good grunge albums staring all the way back in 1986. The first to sign to SST - THE American indie label back then YEARS before anyone had even heard of Sub Pop. They looked like lumberjacks before anyone else did. They sounded like lumberjacks before anyone else did. And most importantly, they concocted their very own mutated strain of hard rock mixed with psychedelia that could only have been coined grunge in retrospect. I mean nothing else quite fits. Mudhoney, Soundgarden and The Screaming Trees were the three bands that literally defined what was possible for the grunge sound back in the late 80s. Back when Kurdt was nothing more than the biggest fanboy of King Buzzo (All hail his lordship!). And this - Uncle Anesthesia- is arguably The Screaming Trees best. I mean it’s really hard to decide. They were that consistent. But this one definitely rocks the hardest of any of their major label offerings. I have no idea why this album languishes at the bottom of the BEA charts. Why no one but the wise & all knowing Dihansse even mentioned it on any of their best of 1991 lists. But, I can assure you of this - It Belongs.
Grade: A+ ESSENTIAL. Easily one of the best grunge albums of 1991. It should be mentioned in same hallowed breath as Badmotorfinger, Nevermind, and Mudhoney’s Every Good Boy Deserves Fudge (whose review will be forthcoming). For whatever reason, the marketing boys at Epic records really dropped the ball on this baby. Because it should have been huge. But who cares about marketing? Fuck those guys. Anyone looking for one of the best grunge albums of all time, simply needs to drop the needle on this massive platter of tripped out fuzz. It’s grunge rock _________.
A-side: I’ve always wondered if the production on this held the album back somewhat. Anyone more versed on the production side of things please comment. I'd love to get your opinion. Enquiring minds want to know. Because these songs are amazing! But I do think the production maybe a bit on the murky side. But perhaps that’s its charm. Think I ask - You Decide! "[+]Reply
"Blakey and Monk go together perfectly. The melodic playing of Blakey, the percussive playing of Monk, the soulful funkiness of Johnny Griffin, they're all working on the same bebop wavelength--high energy music, but with so much space and silence left in. The interplay between the musicians here ...""Blakey and Monk go together perfectly. The melodic playing of Blakey, the percussive playing of Monk, the soulful funkiness of Johnny Griffin, they're all working on the same bebop wavelength--high energy music, but with so much space and silence left in. The interplay between the musicians here is terrific--no matter what Miles said, Monk is brilliant at comping behind soloists, and his way of doing it is similar to Blakey's style. This is an all-time great jazz album.
And somebody gave this a 30/100 just four days ago...good lord.
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"Oozing with Mellotron washes, Mellotron flutes and Moog Modular ratcheted sequences, this album follows on where Ricochet left off with a more melodic musical structure. Where Zeit, Rubycon and Phaedra were predominantly sound collages, this album helps the listener more easily form those vast ex...""Oozing with Mellotron washes, Mellotron flutes and Moog Modular ratcheted sequences, this album follows on where Ricochet left off with a more melodic musical structure. Where Zeit, Rubycon and Phaedra were predominantly sound collages, this album helps the listener more easily form those vast expansive wastes in their mind. The heavily processed guitar solo coming in near the end of the title track is a new addition in the Tangerine Dream arsenal. I have been fortunate enough to see Edgar Froesse play this live on a couple of occasions, sadly no more."[+]Reply
"I find soundtracks are usually not very good albums, but this one is an exception. He released two good albums in one year (and they were both pretty much double albums). Very impressive. Highlights are Silent Sigh, Minor Incident (great song) and Something To Talk About."Reply
"Pleased to Meet Me, the strongest Replacements record, was a momentous achievement. Don't Tell a Soul is such a drastic shift in sound from its predecessor that it is often dismissed as the group's nadir. But the polished production actually enables Paul Westerberg and company to do deliver a mat...""Pleased to Meet Me, the strongest Replacements record, was a momentous achievement. Don't Tell a Soul is such a drastic shift in sound from its predecessor that it is often dismissed as the group's nadir. But the polished production actually enables Paul Westerberg and company to do deliver a mature and accessible set, all with the ragged edge they had become known for. The track I'll Be You even earned them the #51 spot on the Billboard Hot 100 chart.
Pleased To Meet Me and Don't Tell a Soul have the distinction of having a refined sound with no throw-away tracks. In fact, this record has a little more to offer, from the unique Inherit the Earth to the charming and bluesy I Won't. Asking Me Lies sounds like a more likable Mellencamp, while Rock n Roll Ghost sounds like Wilco. In fact, this album is nearly solely responsible for many groups that were associated with the alt-country moniker in the 90s.
Westerberg's sweet songwriting is nicely complimented by his ragged and authentic vocals. Do tell a soul (or many) that this one is not to be missed.
Essential.
Condensed to a 7" Single:
A-Side: I'll Be You
B-Side: Aching to Be"[+]Reply