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6801.

¡Uno! 

 Green Day

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"Green Day, after two busy records, finally took its time to relax and make a LP about CARPE DIEM. It resulted good, not perfect nor its best but an enjoyable album :). #9 best album of 2012`s"  Reply

- DavidTejada | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2012

Appears in:

63 charts

Rank Score:

191

Rank in 2012:

139

Rank in 2010s:

1,288

Overall Rank:

6,801

Average Rating:

 58 (203 votes)

Comments:

18

6802.

Madra 

 NewDad

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"Compared to the EPs and singles that they released in the four years prior to this, it is a bit of a disappointment. I adored everything they did up until this album, I hadn't been as excited about a new band in a long time. The sound doesn't quite have the same magic of those first songs they wr...""Compared to the EPs and singles that they released in the four years prior to this, it is a bit of a disappointment. I adored everything they did up until this album, I hadn't been as excited about a new band in a long time. The sound doesn't quite have the same magic of those first songs they wrote. Just a shame that they didn't save some of their earlier stuff for an album because if they had done that it probably would be my #1 favourite album of all time. But it's still good stuff - In My Head and Nightmares are my favourites on this album"  [+]  Reply

- wizardalien | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2024

Appears in:

52 charts

Rank Score:

191

Rank in 2024:

75

Rank in 2020s:

518

Overall Rank:

6,802

Average Rating:

 73 (45 votes)

Comments:

2

6803.

P.H.U.Q. 

 The Wildhearts

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Year of Release:

1995

Appears in:

13 charts

Rank Score:

191

Rank in 1995:

114

Rank in 1990s:

1,087

Overall Rank:

6,803

Average Rating:

 75 (20 votes)

Comments:

0

6804.

Rave Tapes 

 Mogwai

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"Amazing album! I feel they still have a lot more to give. Les Revenants was much more subtle, this does have quite a bit more power."  Reply

- | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2014

Appears in:

73 charts

Rank Score:

191

Rank in 2014:

124

Rank in 2010s:

1,289

Overall Rank:

6,804

Average Rating:

 71 (123 votes)

Comments:

6

6805.

Dancing In Your Head 

 Ornette Coleman

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"An essential masterpiece that captures Ornette's Prime Time early peak as a psychedelic jamming unit. They developed and transformed this beautiful music throughout the 70's and 80's and delivered Body Meta (Check out the deeply hypnotic opening track Voice Poetry) and Of Human Feelings, probably...""An essential masterpiece that captures Ornette's Prime Time early peak as a psychedelic jamming unit. They developed and transformed this beautiful music throughout the 70's and 80's and delivered Body Meta (Check out the deeply hypnotic opening track Voice Poetry) and Of Human Feelings, probably the towering achievement of Coleman's harmolodic music. "  [+]  Reply

- Amirkhosro | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1977

Appears in:

37 charts

Rank Score:

191

Rank in 1977:

100

Rank in 1970s:

1,042

Overall Rank:

6,805

Average Rating:

 76 (34 votes)

Comments:

2

6806.

Monsters Of Folk 

 Monsters Of Folk

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"When I think of indie supergroups that work well, I think of the new pornographers, a group that combined the indie pop of a.c. newman, the country folk of neko case and the abstract indie avant of dan bejar and threw together a new indie power rock pop entity (with tons of energy replete with wa...""When I think of indie supergroups that work well, I think of the new pornographers, a group that combined the indie pop of a.c. newman, the country folk of neko case and the abstract indie avant of dan bejar and threw together a new indie power rock pop entity (with tons of energy replete with wall-to-wall choruses). If new porn leans to any identity, they lean to a.c. newman, and the same dynamic works for monsters of folk too as jim james, m.ward, conor oberst and his mogis producer combine for some old-school, pop/rock/folk that for the most part leans towards the vision of oberst/mogis except for the otherworldly opener "dear god (sincerely m.o.f.)". This combination clicks almost all the time, from plaintive lead single "say please" and it's strong harmonies to the stop-start "oohm bop" of "losin' yo head" to the country bar flavor of "the right place", only losing a little steam in an oberst-sung "temazcal". Often these projects turn out to be vanity projects like chickenfoot or that foo/floyd/queens group (as 2009 examples). But this one works because it sounds like all 4 members really put a lot of thought, feeling and creativity into this collaborative effort. Monsters of folk indeed."  [+]  Reply

- paladisiac | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2009

Appears in:

70 charts

Rank Score:

191

Rank in 2009:

117

Rank in 2000s:

1,171

Overall Rank:

6,806

Average Rating:

 75 (56 votes)

Comments:

4

6807.

Ballad Of Easy Rider 

 The Byrds

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"Along with “Sweetheart of the Rodeo” this album is the most country-influeced album in the Byrds catalogue. But whereas “Sweetheart” tends to lean on classical country, “Ballad of Easy Rider” shows a much broader approach. This greater variety in styles, plus overall stronger material, makes this...""Along with “Sweetheart of the Rodeo” this album is the most country-influeced album in the Byrds catalogue. But whereas “Sweetheart” tends to lean on classical country, “Ballad of Easy Rider” shows a much broader approach. This greater variety in styles, plus overall stronger material, makes this much more satisfying album than it´s much-acclaimed predecessor, which I honestly speaking find somewhat over-rated. There is a mature and releaxed feeling in these recordings, and though there is a mellow mood in many of the lyrics, it is somehow quite an uplifting experience to listen to the album. The playing is great, with brilliant guitar work from McGuinn and in particular Clarence White. The vocals and especially the harmonies are of the same high standards that characterize all Byrds albums; great that Clarence White was finally given a lead vocal. His gritty nasal vocals on “Oil in My Lamp” help making the track one of many highlights on the album. In fact, this may be the first album where White really shines as an equal partner to McGuinn, who was now the only original member of the band. McGuinn was never a very productive songwriter for the Byrds, and here he only contributes one new song, but on the other hand an outstanding one, “Ballad of Easy Rider”. All member have lead vocals, and though neither John York not Gene Parsons are great lead-singers, their contributions come out quite convincingly. Highlights, though, are songs songs with McGuinn in front. “Tulsa County” is a fine song with great vocals and fine harmonies. Even more breath-taking is their new version slower version of Dylan´s “It´s All Over Now, Baby Blue”, and McGuinn´s treatment of Woody Guthrie´s “Deportee” is just beautiful. Among the seven bonus-tracks you´ll find some real gems. Especially Jackson Browne´s “Mae Jean Goes to Hollywood” and considering the short playing-time of the original album, it´s a big mystery why this fine recording was left out. Along with the title track song is probably the closest they come to early Byrds-sound ( Younger than Yesterday ). “Way Beyond the Sun” is a nice country-blues song, which may not be among the most memorable Byrds-recordings, but still as good as couple of the weaker original-tracks. The alternate versions are all fine; especially the longer version of “Ballad of Easy Rider”. https://www.angelfire.com/nv/Badfinger/BANDbyrds.html"  [+]  Reply

- Rovers | Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1969

Appears in:

45 charts

Rank Score:

191

Rank in 1969:

112

Rank in 1960s:

511

Overall Rank:

6,807

Average Rating:

 73 (80 votes)

Comments:

4

6808.

Vertigo Days 

 The Notwist

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"(A solid, if somewhat sterile to my ears, Notwist album. Some nice warm and peaceful indie songs with electronic elements.) It's nice to get reacquainted with The Notwist. I had Neon Golden in my CD player a lot back in the day, never delved into their earlier stuff nor their later stuff and just...""(A solid, if somewhat sterile to my ears, Notwist album. Some nice warm and peaceful indie songs with electronic elements.) It's nice to get reacquainted with The Notwist. I had Neon Golden in my CD player a lot back in the day, never delved into their earlier stuff nor their later stuff and just kinda moved away and forgot about them. Now all these years later here I am hearing those same vocals coldly singing over somewhat similar music. There is something nice about the warm yet also detached sound of this album. The tones are generally the warm things, intermingled with some electro beats and sounds, thus the genre description of Indietronica (which like most genre tags is stupid and I hate). The way the album, especially at the start, is bound together and flows from one track to the next seamlessly is quite cool. I didn't know I was hearing "Ship (featuring Saya)" until a minute in. The songs themselves are nice and have some cool compositions that build. The instrumentals are layered and yet dignified and I also quite like that. The vocals are the usual detached near-singing. And I am used to this style and its alright but far from a selling point or highlight. I think generally the album starts nice and then gets kinda draggy tworard the back half or 2/3s. Its a respectable and well recorded album, but its also quite ... plain, I guess. It doesn't fill me with wonder or revelation nor excite me with sharp sounds and moments, its all so delicately crafted to be a nice somewhat dreamy album with no sharp turns or lowlights or highlights. Its just a plain 'ol indietronica Notwist record and I felt a little cold by the end. Song highlights include the aforementioned "Ship", as well as "Exit Strategy to Myself", "Into Love/Stars", the short little instrumental "Ghost" is quite fun, and "Al Sur" injects some more much needed energy into this album toward the end. Oh and the closing track is a nice closing track, quite pretty, peaceful and somewhat forlorn and world-weary. Track lowlights (none of which are really bad, just not as high energy or as charming to me as the others) include "Loose Ends" (although it gets nice toward the back end after a meh start), "Into The Ice Age", "Oh Sweet Fire (kinda had a promising start, but loses its steam and by the end I was bored out my mind), "Sans Soleil", "Night's Too Dark" etc... you get it, I was kinda checked out on the second half with few exceptions. I have a tendency that I've noticed this year to give myself over to new and up-and-coming artists much more than already established artists. If you look at my top 10-20 of this year thus far (its April 29th) its mostly debut albums or sophomore efforts. I'm not sure why this is. I honestly can't put my finger on it. This is a fine indie and electronic album with some good tunes and some really cool tracks but I am overall pretty cold and unmoved by it and not feeling a rise of excitement that I may feel had this been a debut album or by a young group. This isn't fair AT ALL to this group. They are quite impressive in their ability to craft these soundscapes. But, anyway, I just wanted to openly acknowledge my bias. Also this year I have been swerving a lot more to the verges - either super intense and wild or very very slow and methodical, and this album is firmly in that middle zone - occupying a certain professional, vibey indie pop. Good for what it is. But not what I'm gravitating toward these days. I had this album on my "To Listen" list and so here I am, respecting it from a distance with one foot out the door to go listen to some weird Noisy Grindcore album or whatever."  [+]  Reply

- Mercury | Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

2021

Appears in:

50 charts

Rank Score:

191

Rank in 2021:

104

Rank in 2020s:

519

Overall Rank:

6,808

Average Rating:

 71 (51 votes)

Comments:

4

6809.

Today! 

 Mississippi John Hurt

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"Laid-back folk/blues album by the in the sixties rediscovered Mississippi John Hurt."  Reply

- spinout | Helpful?  (Log in to vote) | 0 votes (0 helpful | 0 unhelpful) A maximum of 5 top-voted qualifying comments are selected for each album. To provide the best experience for visitors, comments are excluded if they refer to data corrections, contain excessive profanity, are written in all caps, are non-English, are too short, consist of conversations between users, or contain lists of best tracks etc.

Year of Release:

1966

Appears in:

35 charts

Rank Score:

191

Rank in 1966:

54

Rank in 1960s:

512

Overall Rank:

6,809

Average Rating:

 75 (24 votes)

Comments:

1

6810.

New Mexico 

 Andie Oppenheimer

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Year of Release:

1982

Appears in:

28 charts

Rank Score:

191

Rank in 1982:

105

Rank in 1980s:

974

Overall Rank:

6,810

Average Rating:

 78 (26 votes)

Comments:

0

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Total albums: 10,000. Page 681 of 1,000

Overall Chart composition

Top 10,000 Top 5,000 Top 1,000 Top 500 Top 250 Top 100

Decade	Albums	%
1930s	2	0%
1940s	34	0%
1950s	302	3%
1960s	710	7%
1970s	1,425	14%
1980s	1,413	14%
1990s	1,602	16%
2000s	1,720	17%
2010s	1,967	20%
2020s	825	8%

Artist	Albums	%
Bob Dylan	37	0%
The Rolling Stones	35	0%
David Bowie	32	0%
The Beatles	29	0%
Miles Davis	27	0%
Neil Young	26	0%
Various Artists	25	0%
Show all

Country	Albums	%
	4,998	50%
	2,656	27%
	432	4%
	337	3%
	221	2%
	157	2%
	134	1%
Show all

Compilation?	Albums	%
No	9,729	97%
Yes	271	3%

Live?	Albums	%
No	9,737	97%
Yes	263	3%

Soundtrack?	Albums	%
No	9,885	99%
Yes	115	1%