Songs From The Beehive (studio album) by Move D & Benjamin Brunn
Condition: Very Good
Move D & Benjamin Brunn bestography
Songs From The Beehive is ranked as the best album by Move D & Benjamin Brunn.
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Songs From The Beehive track list
The tracks on this album have an average rating of 78 out of 100 (all tracks have been rated).
Songs From The Beehive rankings
All 9 charts that this album appears in:
Year | Source | Chart | Rank | Rank Score |
---|---|---|---|---|
2021 | Skinny | Top 100 Greatest Music Albums | 20/100 | 62 |
2019 | Hanshiro | Top 100 Greatest Music Albums | 33/100 | 34 |
2019 | Hanshiro | Top 100 Music Albums of the 2000s | 13/100 | 18 |
2018 | Skinny | Top 99 Music Albums of the 2000s | 12/99 | 18 |
2018 | CellarDoor | Top 34 Music Albums of 2008 | 18/34 | 3 |
2018 | mickilennial | BEAutiful People: Recommendations from the Community | 21/25 | - |
2017 | sonicdiscourse | Top 50 Music Albums of 2008 | 25/50 | 3 |
2017 | brun027 | Top 100 Music Albums of the 2000s | 31/100 | 14 |
2008 | Boomkat | Top 100 Albums 2008 | 60/98 | 2 |
Total Charts: The total number of charts that this album has appeared in. | 9 | |||
Total Rank Score: The total rank score. | 152 |
You can include this album in your own chart from the My Charts page!
Songs From The Beehive collection
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Songs From The Beehive ratings
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av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 5 ratings for this album. | Show all 12 ratings for this album.
Rating | Date updated | Member | Album ratings | Avg. album rating |
---|---|---|---|---|
03/22/2023 23:23 | mickilennial | 835 | 91/100 | |
10/26/2021 20:49 | guzguzgarbit | 1,956 | 71/100 | |
12/12/2020 20:39 | LedZep | 4,262 | 79/100 | |
05/01/2020 23:21 | LosWochos | 42,591 | 75/100 | |
12/30/2017 11:08 | bojolpif71 | 14,725 | 58/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some albums can have several thousand ratings)
This album has a Bayesian average rating of 73.6/100, a mean average of 74.6/100, and a trimmed mean (excluding outliers) of 74.6/100. The standard deviation for this album is 12.3.
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Songs From The Beehive favourites
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Songs From The Beehive comments
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I don't remember why I decided to check this out. I've never been a massive fan of Moufang's stuff, and I certainly had no idea who Benjamin Brunn was at the time. The artwork looks like a bad Four Tet album cover, re-imagined through the eyes of the author of Elmer the Patchwork Elephant. The album title reminds me of that David Sylvian album. I hate bees (not as much as I hate wasps, but they still make me uneasy). I don't care what genre this is. Minimal tech? Maybe. Minimal house? Warmer. Deep house? Perhaps. Dub techno? Not a bad shout. To me, it's a strange mix of all of those things, a warm, fluffy pillow of ambient synth washes atop which sit all your classic deep house elements, taken apart and put back together again to form something more slight, more beautiful, little rumbles of dubby bass here, some whispered, echoing drums pitter-pattering like an April shower on a tin roof. The way it manages to sound so planned, so measured, and yet so spontaneous. This music sounds like the crazy ketamine dreams after a night at the club, except far friendlier, memories of banging beats coming back, tossing and turning to the rhythm of the night. Some acid synth lines come pounding through like Polygon Window minus the sense of early '90s paranoia, feeling sunnier, less weighty, but still as likely to get you on your feet. And then, of course, they dissipate as quickly as they arrived, sinking back into more oceanic synth washes and April shower drums. Keyboard stabs bounce from wall to wall, energetic but never aggressive, like an old friend whose presence at the party puts everybody else at ease. A minimal, dubby deconstruction of deep house? Yes please.
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