"After giving this a half-dozen more listens, I've got a few thoughts: As has been mentioned, DAMN. asks the question "Who is Kendrick Lamar?" We think we know Kendrick. And we do, don't we? This is that Compton kid, that Section.80 kid, that good kid, who broke out of his M.A.A.D. city with one m...""After giving this a half-dozen more listens, I've got a few thoughts:
As has been mentioned, DAMN. asks the question "Who is Kendrick Lamar?" We think we know Kendrick. And we do, don't we? This is that Compton kid, that Section.80 kid, that good kid, who broke out of his M.A.A.D. city with one mission: To give back. And how does Kendrick Lamar give back? By doing his best to give life, hope, and power back to his community, back to his black brothers and sisters. Is it enough? Fox News doesn't understand him. He's exhausted by the work. Blind women might shoot him dead if he's at the wrong place at the wrong time when he's just trying to do right.
Why do we demand great things from Kendrick Lamar? Kendrick Lamar is not shy about comparing himself to Jesus, albeit implicitly. The complement to DAMN., I'm finding, is none other than Kanye West's My Beautiful Dark Twisted Fantasy: Another record about a distinct personality aiming to be understood. Kanye West is a brilliant, frustrating genius. On MBDTF, he asks that we forgive his humanity. DAMN. is coming from the other direction. We put Kendrick, King Kendrick, on a pedestal--one for which he did not ask. But he'll do what it takes to keep his family secure. He'll be the example his nieces and nephews need. He knows he's lucky to be a success. Yet, why can't he make mistakes? Why can't he let down his principles once or twice? Why can't he do a Maroon 5 feature for other reasons than to make some side cash? What does Kendrick Lamar owe us, if anything at all?
DAMN. may not be a great record. Personally, I think it falls ever so short. Maybe that'll change for me. What I do believe is that, for once, Kendrick Lamar gets to tell his story. It doesn't have to be for Tammy or Keisha. It doesn't need to be about Compton. It doesn't need to be about the black experience in America. Maybe it's because he finally gets to speak to his wants and concerns, about his own well-being, that this, while not Kendrick's best work, is maybe his most important as an artist, because DAMN, it's really hard being Kendrick Lamar."Reply
"Don't get me wrong, it's a fine album, but I can't help thinking this unanimous wave of glowing reviews is a bit of "Be Here Now" syndrome. Pure Heroine got kind of middling reviews upon release, and it ended up being this kind of zeitgeist record in the pop world. Now critics don't want to under...""Don't get me wrong, it's a fine album, but I can't help thinking this unanimous wave of glowing reviews is a bit of "Be Here Now" syndrome. Pure Heroine got kind of middling reviews upon release, and it ended up being this kind of zeitgeist record in the pop world. Now critics don't want to underrate this one for fear of getting it wrong again. Like I said, it's a fine record, but nowhere near as good as Pure Heroine. That album's brilliance was in its simplicity: the understated production and the seemingly mundane (but ridiculously insightful) lyrics. While you have to give her credit for trying something new on Melodrama, you also have to fault her for not making a lot of it work. The production is overstuffed, the melodies seem repetitive across the songs. (That rapid-fire breathy bit in the pre-chorus of Green Light? I feel like it's all over the album.) While the album tracks are still mostly very good, the singles feel like shameless attempts at radio hits. It was a vicious cycle. Pure Heroine lit a fire under the pop world's rear end, inspiring countless new soundalikes (Halsey) as well as established artists (Taylor Swift) to go for that sound. Now, in trying to craft more radio hits, Ella has in essence xeroxed a xerox of herself. I realize this all sounds incredibly negative, but it's not. Homemade Dynamite is an absolute gem and one of the best things she's ever done. Loveless is also one of the hookiest things she's written, though I wish it was its own track and not just an epilogue to Hard Feelings. Writer in the Dark, with its Kate Bush chorus, is fantastic and euphoric. This isn't a bad album by any means. It's just a bit of a disappointment after the perfection of the first album. "Reply
"Slowdive is one of my personal favorite groups, and their comeback record was absolutely magical, so I came into this record with an anti-#1 bias when it came to ranking it.... ...but keeping it out of my handful of favorites for this year would be simply delusional on my part. It's really fuckin...""Slowdive is one of my personal favorite groups, and their comeback record was absolutely magical, so I came into this record with an anti-#1 bias when it came to ranking it....
...but keeping it out of my handful of favorites for this year would be simply delusional on my part. It's really fucking good. "Reply
"Catchy. Soulful. Heart-warming. Hand-banging. Brilliant. This is my favourite album of 2017 and it's not hard to see why. While previous Tyler releases seemed to operate purely on the basis of outrage and provocation, "Flower Boy" is the first time Tyler *truly* sounds like himself. The first Tyl...""Catchy. Soulful. Heart-warming. Hand-banging. Brilliant.
This is my favourite album of 2017 and it's not hard to see why. While previous Tyler releases seemed to operate purely on the basis of outrage and provocation, "Flower Boy" is the first time Tyler *truly* sounds like himself. The first Tyler Okonma record, if you will.
The themes of lonliness, isolation and heartsickness are not new to Tyler's lyrical arsenal. The only difference here is the execution and careful songwriting. Even when Tyler is at his most volatile and bombastic (see "Ain't Got Time" and "Who Dat Boy") he still sounds tempered and controlled, a far-cry from Cherry Bomb.
In my personal opinion, Flower Boy" outdoes DAMN. and Big Fish Theory on the basis of it's soul. The record is disconcertingly personal (Tyler often sings of his ongoing loneliness and battles with depression) without Tyler coming off as a prima donna or the record being a huge bummer. Despite the subject matter, "Flower Boy" is a surprisingly summery record.
This is the record Tyler needed to make and the one that will cement his name as one of the most important simger/songwriter/rappers of this decade. "Reply
"For a period in my life, I couldn't believe that Slowdive would reunite and ever release another album. After a 22-year-long hiatus, they prove not only that they are a staple in the shoegazing genre, but also that their ambition has peaked to an unprecedented height. In comparison to the low-pro...""For a period in my life, I couldn't believe that Slowdive would reunite and ever release another album. After a 22-year-long hiatus, they prove not only that they are a staple in the shoegazing genre, but also that their ambition has peaked to an unprecedented height. In comparison to the low-profile Just for a Day and the beautiful yet depressive Souvlaki, this eponymous album witnesses their musicality unleashed in full scale.
The long intro in the opening track Slomo, whose title by the way is very self-referential in terms of its song structure and the nature of the band's soundscape, is so daring to the point that during your frist listen, it keeps you wondering when or whether the vocal is going to kick in. The gentleness is well blended into the grandiose instrumentation, creating a paradoxical sense of wonder which leaves you desiring for more. But then there comes the second track, the show-stealer Star Roving, and it gets aggressive without being too blunt. These two songs pretty much sets up the foundation of the album's strong, optimistic and brave vibe wrapped betwixt certain touching and sadness-induced downers. It's as if dozens of rays of light penetrate the dark universe to guide you on a memorable journey when you listen to these songs. When it reaches the denouement, the melancholic Falling Ashes does a great job bidding you good night in an ambient sound with its crystal-clear piano serenade.
For me, this is absolutely the best Slowdive album to date, and it gives me high hopes in their future work because it best bespeaks that they are reluctant to be bound by any prism of song-writing or music production. This is more than the best expectation for an evolution in the past 22 years that a fan could long for, and it's a huge step forward for shoegaze and for rock music in general in my humble opinion."Reply
"I feel perverse for even listening to this album. It is so deeply personal and heartbreaking that it feels strange to just put in my headphones and listen to it like it is any other album. I believe this to be a great album, but I am having a hard time determining just how great given how difficu...""I feel perverse for even listening to this album. It is so deeply personal and heartbreaking that it feels strange to just put in my headphones and listen to it like it is any other album.
I believe this to be a great album, but I am having a hard time determining just how great given how difficult it is to actually listen to. I love plenty of honest and painful albums (Carrie & Lowell, Hi How Are You), but this one is something especially harrowing. Plus, even though the lyrics are so powerful, the songs themselves are rather simple and all sound very close to each other. While this does work as an effective vessel for the lyrics, I do see the argument that this is more great poetry than great music.
At the moment, I really don't know where to rank this is my overall chart. Is it top 20? Should it even be in the top 100 at all? I have never struggled to rank an album this much."Reply
"I was worried about this album. I loved everything they've done since Alligator, but the 2015 release "Sunshine on my back" was exceptionally weak and began to sound like a band getting too comfortable with their sound. Thankfully, this album is nothing like that. It's fantasitic and fresh. Sure ...""I was worried about this album. I loved everything they've done since Alligator, but the 2015 release "Sunshine on my back" was exceptionally weak and began to sound like a band getting too comfortable with their sound. Thankfully, this album is nothing like that. It's fantasitic and fresh. Sure it has that National trademark sound, but it takes a liberal amount musical liberties as well. The result is a album that sounds fresh, fun, and most importantly, good.
Favorite songs: Dark Side of the Gym, Nobody Else Will Be There"Reply
"I'm hesitant to say that this is their best album, purely because "Sound of Silver" & "This is Happening" were both exceptional records, however I do believe it is. "American Dream" is a masterpiece in the genre they carved out for theirselves, yet it takes risks like never before. The percussion...""I'm hesitant to say that this is their best album, purely because "Sound of Silver" & "This is Happening" were both exceptional records, however I do believe it is. "American Dream" is a masterpiece in the genre they carved out for theirselves, yet it takes risks like never before. The percussion is more atmospheric, yet the production feels more intensely layered than ever before. On top of that, the lyricism has gotten even more smarter and self-reflective and Murphy's deadpan delivery perfectly matches it.
The first four tracks are uniformly great, but the album really starts to morph into a brilliant, beautiful beast from "How Do You Sleep" and never looks back. This is one of the albums of the year; every single track, every single aspect throughout the 68 minute journey, is exemplary."Reply
"Downvote this to hell, for all I care. This album is not that good. Tillman's a fine enough songwriter, but Jesus, is his salty navel-gazing irritating. Maybe if you're not surrounded by this brand of cynical pseudo-insight all the time, it's cool. Otherwise, I can't get into it. Maybe I'll try a...""Downvote this to hell, for all I care. This album is not that good. Tillman's a fine enough songwriter, but Jesus, is his salty navel-gazing irritating. Maybe if you're not surrounded by this brand of cynical pseudo-insight all the time, it's cool. Otherwise, I can't get into it. Maybe I'll try again later."Reply
"Goddamn... This album is a revelation. This is a gorgeous, intricate, emotionally-charged experience. The only drawback is that such a dense record can be a little exhausting, but Fleet Foxes have not lost it. Each record of theirs gets better and better. Welcome back, FF."Reply