The Clash 
The best album credited to The Clash is London Calling which is ranked number 20 in the overall greatest album chart with a total rank score of 28,862.
The Clash is ranked number 31 in the overall artist rankings with a total rank score of 40,793.
The Clash official website: http://www.theclashonline.com
- Members: N.B. The member list may not contain a full list of members (and there may be notable omissions). If a member has never released a solo album, or their solo albums do not appear on BEA, they will not be able to be listed as a member. These omissions are not meant to cause offense to anybody. The member list is solely meant as an additional navigation aid to browse between the items listed on the site.
- Joe Strummer
Listen & Collect
Complete your collection or upgrade your listening experience.
Listen to The Clash on YouTube
The Clash best albums
The following albums by The Clash are ranked highest in the greatest album charts:
The Clash bestography composition
The Clash best tracks
Include tracks from compilations & live albums | Exclude tracks from compilations & live albums The same track can appear on multiple albums, so excluding tracks from compilations and live albums helps to remove duplicates from this list.
The Clash ratings
Average Rating = (n ÷ (n + m)) × av + (m ÷ (n + m)) × AVwhere:
av = trimmed mean average rating an item has currently received.
n = number of ratings an item has currently received.
m = minimum number of ratings required for an item to appear in a 'top-rated' chart (currently 10).
AV = the site mean average rating.
Showing latest 3 ratings for this artist. | Show all 352 ratings for this artist.
| Rating | Date updated | Member | Artist ratings | Avg. artist rating |
|---|---|---|---|---|
| ! | 07/24/2026 22:26 | 2,743 | 74/100 | |
| ! | 02/26/2026 13:44 | kinginsomniac12 | 74 | 100/100 |
| ! | 02/24/2026 18:21 | BurndenAce | 45 | 85/100 |
Rating metrics:
Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some artists can have several thousand ratings)
This artist is rated in the top 1% of all artists on BestEverAlbums.com. This artist has a Bayesian average rating of 84.4/100, a mean average of 83.4/100, and a trimmed mean (excluding outliers) of 84.6/100. The standard deviation for this artist is 14.9.
The Clash favourites
Showing latest 10 members who have added this artist as a favourite | Show all 130 members
The Clash forum mentions
The Clash comments
Top Comments First | Newest First | Positive Sentiment First | Longest Comments First
(Showing comments with any number of votes. Manage Profile)
The Clash were to Sex Pistols what the Dead Kennedy's were to the Ramones. What starts out a comic book parody of music (Ramones), along with legitimate pissed off working class attitude (thank you Reaganomics and Thatcher for the Pistols, DK's, GOF & Minor Threat) the mid-seventies was the birth of Punk. Some bands could play, some write but most were one-off's that never grew out of their original three chord musical abilities.
The Clash were different. The first album (two if you count the American version of 'the Clash') was pure punk in attitude, minimalism, chutzpah. Over-produced 'Give Em Enough Rope' was basically part two. Then...up against the wall financially...in a last gasp to make a living doing this music thing they love, the Clash come up with 'London Calling' and basically change the way the world looked at punk. Their love of Jamaican music and the ska movement in England set them free to make one of the greatest musical statements of the 20th century. They could have stopped there (and many wish they would have) and assured themselves of pure genius immortality but continued on for five more platters before finally disbanding.
Make no doubt it. At the turn of the 80's the Clash were truly the only band that mattered. Long live Joe Strummer!
Punk rock and other genres blended into something with enough attitude to make you want to shout along to it and enough class to be one of the most respectable, tasteful and significant bands the UK has ever produced. The ultimate mix of politics, social problems and superb musicianship.
An undeniable sound, fueled by the unstoppable capability of Mick Jones and Joe Strummer to produce tight, furious rhythms and glorious, noisy guitar riffs, that proves that simple music can be way more powerful than even the most complex of compositions. The Clash, like many other punk bands, were loud and raucous, but they did it with style and dexterity.
My Dad introduced me to The Clash, and indeed they're probably his favourite band of all time. He's always repeated to me that famous quote that The Clash are "The only band that matters". I don't quite agree, but to suggest that they are anything less than absolutely outstanding is frankly criminal. (Edited)
Simply one of the greatest bands ever. The true kings of punk rock for one simple reason, they could adapt. And they did hwat all bands should do preach about what you do.
The best punk band of all time. Not the Sex Pistols, not the Ramones, and for god sakes, not Green Day. The Clash are punk. Plain and simple.
London Calling is so good that it could be a "best of" compilation in itself. Aside from that there are a handful of amazing tunes of their other albums, such as their extremely underrated "Charlie Don't Surf." (Edited)

