My Overall Chart: 801-900
by 
Romanelli 
- Chart updated: 5 days ago
- (Created: 04/20/2013 21:06).
- Chart size: 100 albums.
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1989 – REPRISE
Produced By ERIK JACOBSEN
1. Heart Shaped World
2. I’m Not Waiting
3. Don’t Make Me Dream About You
4. Kings Of The Highway
5. Wicked Game
6. Blue Spanish Sky
7. Wrong To Love You
8. Forever Young
9. Nothing’s Changed
10. In The Heat Of The Jungle
11. Diddley Daddy
Off the top of your head…can you name two Chris Isaak songs? Most people can’t. And most people can name “Wicked Game”. Isaak, who has been called the Roy Orbison of the 90’s, has a lot of things going for him: he’s always been a great looking guy, he has a powerful reverence for the music of the 1950’s, and the guy can flat out sing. He can rock, and he can bring down the house with a perfectly placed ballad. He can act…he’s appeared in a couple of handfuls of films and numerous TV shows. His music career has mostly been, with the exception of Heart Shaped World, an exercise in flying under the radar. He consistently makes good, but never great, albums. And his one big hit (“Wicked Game”) has been tortured to death by more cover band singers who don’t have the chops for it than just about any other song.
“Wicked Game” is a fine track. Just, please, don’t play it in your band. As for the rest of Heart Shaped World, this is exactly what you get with Chris Isaak. It’s okay. It has moments of real vocal beauty. His guitarist, Calvin Wilsey, is a true gem of a player. And you’ll walk away remembering having heard exactly one song. Because the one thing that Isaak does not have in his favor is a collection of great material. It’s the one thing that’s kept him from consistent mega-stardom. Not that these tracks are bad…they are not, by any means. But many of them are quite snoozy…on the verge of sleep inducing and dull. Isaak is at his best on songs like the title track. Slow song in a minor key that builds quickly, giving Isaak the dramatic room he needs to make a song work. But you can only do that so much. Like mostly everything else by Chris Isaak, this is average, unremarkable, and pleasant enough. [First added to this chart: 05/30/2023]
Produced By ERIK JACOBSEN
1. Heart Shaped World
2. I’m Not Waiting
3. Don’t Make Me Dream About You
4. Kings Of The Highway
5. Wicked Game
6. Blue Spanish Sky
7. Wrong To Love You
8. Forever Young
9. Nothing’s Changed
10. In The Heat Of The Jungle
11. Diddley Daddy
Off the top of your head…can you name two Chris Isaak songs? Most people can’t. And most people can name “Wicked Game”. Isaak, who has been called the Roy Orbison of the 90’s, has a lot of things going for him: he’s always been a great looking guy, he has a powerful reverence for the music of the 1950’s, and the guy can flat out sing. He can rock, and he can bring down the house with a perfectly placed ballad. He can act…he’s appeared in a couple of handfuls of films and numerous TV shows. His music career has mostly been, with the exception of Heart Shaped World, an exercise in flying under the radar. He consistently makes good, but never great, albums. And his one big hit (“Wicked Game”) has been tortured to death by more cover band singers who don’t have the chops for it than just about any other song.
“Wicked Game” is a fine track. Just, please, don’t play it in your band. As for the rest of Heart Shaped World, this is exactly what you get with Chris Isaak. It’s okay. It has moments of real vocal beauty. His guitarist, Calvin Wilsey, is a true gem of a player. And you’ll walk away remembering having heard exactly one song. Because the one thing that Isaak does not have in his favor is a collection of great material. It’s the one thing that’s kept him from consistent mega-stardom. Not that these tracks are bad…they are not, by any means. But many of them are quite snoozy…on the verge of sleep inducing and dull. Isaak is at his best on songs like the title track. Slow song in a minor key that builds quickly, giving Isaak the dramatic room he needs to make a song work. But you can only do that so much. Like mostly everything else by Chris Isaak, this is average, unremarkable, and pleasant enough. [First added to this chart: 05/30/2023]
[First added to this chart: 08/20/2018]
2003 – CAPITOL
Produced By NIGEL GODRICH & RADIOHEAD
1. 2 + 2 = 5
2. Sit Down. Stand Up
3. Sail To The Moon
4. Backdrifts
5. Go To Sleep
6. Where I End And You Begin
7. We Suck Young Blood
8. The Gloaming
9. There There
10. I Will
11. A Punch Up At A Wedding
12. Myxomatosis
13. Scatterbrain
14. A Wolf At The Door
Hail To The Thief, Radiohead’s sixth studio album, sits as a kind of transitional record for the band. Coming two years after Amnesiac and four years before In Rainbows, it can be seen as a sort of a weak period for the band. And yet…Hail To The Thief is still considered one of the greatest albums of all time. And for good reason. While it’s not as immediate as the more familiar titles in their discography, this shows the band playing more traditional and less experimental music, but still showcasing their creative abilities. Lyrically, Thom Yorke is focused on the period’s “war on terror” and the ridiculous public reactions to it all. And it works, without sounding the least bit dated.
The best songs here rank high on the list of their best of all time. “2 +2 = 5”, “There There” and “Go To Sleep” are not just album highlights. “A Wolf At The Door” is also excellent. The songs all have subtitles shown in parentheses on the tracklist (to be clever? I’m not sure). Hail To The Thief gets flack for being too long, and the band themselves have said that it was somewhat rushed and could have been better. As good as it is nonetheless, for a band like Radiohead, it’s not at the top shelf. Still, for many bands, this would rank as their best work…it’s middle of the road for Radiohead. Meaning that you may not find it up to the standards of OK Computer or The Bends or In Rainbows. But that doesn’t mean it’s not still a fine effort. [First added to this chart: 11/19/2014]
Produced By NIGEL GODRICH & RADIOHEAD
1. 2 + 2 = 5
2. Sit Down. Stand Up
3. Sail To The Moon
4. Backdrifts
5. Go To Sleep
6. Where I End And You Begin
7. We Suck Young Blood
8. The Gloaming
9. There There
10. I Will
11. A Punch Up At A Wedding
12. Myxomatosis
13. Scatterbrain
14. A Wolf At The Door
Hail To The Thief, Radiohead’s sixth studio album, sits as a kind of transitional record for the band. Coming two years after Amnesiac and four years before In Rainbows, it can be seen as a sort of a weak period for the band. And yet…Hail To The Thief is still considered one of the greatest albums of all time. And for good reason. While it’s not as immediate as the more familiar titles in their discography, this shows the band playing more traditional and less experimental music, but still showcasing their creative abilities. Lyrically, Thom Yorke is focused on the period’s “war on terror” and the ridiculous public reactions to it all. And it works, without sounding the least bit dated.
The best songs here rank high on the list of their best of all time. “2 +2 = 5”, “There There” and “Go To Sleep” are not just album highlights. “A Wolf At The Door” is also excellent. The songs all have subtitles shown in parentheses on the tracklist (to be clever? I’m not sure). Hail To The Thief gets flack for being too long, and the band themselves have said that it was somewhat rushed and could have been better. As good as it is nonetheless, for a band like Radiohead, it’s not at the top shelf. Still, for many bands, this would rank as their best work…it’s middle of the road for Radiohead. Meaning that you may not find it up to the standards of OK Computer or The Bends or In Rainbows. But that doesn’t mean it’s not still a fine effort. [First added to this chart: 11/19/2014]
Year of Release:
2003
Appears in:
Rank Score:
7,933
Rank in 2003:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
1988-ROUNDER
Produced By SOLOMON BURKE
1. Introduction/Everybody Needs Somebody To Love
2. Medley: Tonight's The Night/Beautiful Brown Eyes/Just A Matter Of Time/Monologue (The Women Of Today)/Hold What You've Got/He'll Have To Go
3. Cry To Me
4. Medley: Monologue/Take Me (Just As I Am)/I Can't Stop Loving You/Monologue/I Can't Stop Loving You (Reprise)
5. Down In The Valley
6. Proud Mary
7. Introduction To Encore/Gotta Get You Off My Mind (Instrumental)
8. Medley: Meet Me In Church/The Price/Words/Monologue
9. Medley: You're Good For Me/Send Me Some Lovin'
10. Medley: Gotta Get You Off My Mind/Having A Party/Amen
If there's anyone who knows how to throw a party, it's Solomon Burke. Soul Alive is a masterful live show from this master of soul that will leave you standing, clapping, screaming for more, and maybe speaking in tongues while you're at it. Burke's energy is non-stop, and the songs just keep coming at you. His monologues are pretty excelklent too...rants about being good to your women, not forgetting to tell the one you love that you love them. Burke's messages are positive and laced with soul.
And songwise...the medleys are flawless. Single songs like "Cry To Me" and "Down In The Valley" are beautifully done, and he does "Proud Mary" plenty of justice. This is a truly great live album...and revival show...and church service...all rolled up into one neat little package. Excellent. [First added to this chart: 01/14/2025]
Produced By SOLOMON BURKE
1. Introduction/Everybody Needs Somebody To Love
2. Medley: Tonight's The Night/Beautiful Brown Eyes/Just A Matter Of Time/Monologue (The Women Of Today)/Hold What You've Got/He'll Have To Go
3. Cry To Me
4. Medley: Monologue/Take Me (Just As I Am)/I Can't Stop Loving You/Monologue/I Can't Stop Loving You (Reprise)
5. Down In The Valley
6. Proud Mary
7. Introduction To Encore/Gotta Get You Off My Mind (Instrumental)
8. Medley: Meet Me In Church/The Price/Words/Monologue
9. Medley: You're Good For Me/Send Me Some Lovin'
10. Medley: Gotta Get You Off My Mind/Having A Party/Amen
If there's anyone who knows how to throw a party, it's Solomon Burke. Soul Alive is a masterful live show from this master of soul that will leave you standing, clapping, screaming for more, and maybe speaking in tongues while you're at it. Burke's energy is non-stop, and the songs just keep coming at you. His monologues are pretty excelklent too...rants about being good to your women, not forgetting to tell the one you love that you love them. Burke's messages are positive and laced with soul.
And songwise...the medleys are flawless. Single songs like "Cry To Me" and "Down In The Valley" are beautifully done, and he does "Proud Mary" plenty of justice. This is a truly great live album...and revival show...and church service...all rolled up into one neat little package. Excellent. [First added to this chart: 01/14/2025]
[First added to this chart: 05/23/2026]
[First added to this chart: 07/24/2014]
[First added to this chart: 04/21/2013]
Year of Release:
1989
Appears in:
Rank Score:
1,062
Rank in 1989:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
2015 – ASTHMATIC KITTY
Produced By THOMAS BARTLETT
1. Death With Dignity
2. Should Have Known Better
3. All Of Me Wants All Of You
4. Drawn To The Blood
5. Eugene
6. Fourth Of July
7. The Only Thing
8. Carrie & Lowell
9. John My Beloved
10. No Shade In The Shadow Of The Cross
11. Blue Bucket Of Gold
Just…wow. Those who were expecting another electronic based album from Sufjan Stevens were in for a massive and beautiful surprise. Carrie And Lowell is his seventh album, and it’s an acoustic masterpiece. Loaded with lovely, sparse, emotional and personal songs, this lo-fi record is one of the best albums of the decade. Stevens was grieving over the loss of his mother (Carrie), and wrote the songs based largely on his memories of growing up with her and his stepfather (Lowell). His mother lived a tortured life. She was depressed, schizophrenic, and these pains left their mark on Stevens. Some of our greatest music comes from dealing with pain and loss. This is a perfect example of that.
These songs are painful and brilliant. The best tracks are “Should Have Known Better”, “Fourth Of July”, and especially “Death With Dignity”. There is not a weak one here. And there is not a moment that will fail to pull at your heartstrings. Carrie & Lowell is why Sufjan Stevens is held in such high regard. This is his masterpiece. It’s sad and melancholy and it’s simply tremendous. This is why I buy albums…to be taken in by works as deeply emotional as this is. Stevens has had a great career, but for me, nothing by him tops this album. If you think that there’s nothing worth hearing in this decade that leaves the classic rock generation behind, then I suggest you go out and find Carrie & Lowell. You are most welcome. [First added to this chart: 07/02/2023]
Produced By THOMAS BARTLETT
1. Death With Dignity
2. Should Have Known Better
3. All Of Me Wants All Of You
4. Drawn To The Blood
5. Eugene
6. Fourth Of July
7. The Only Thing
8. Carrie & Lowell
9. John My Beloved
10. No Shade In The Shadow Of The Cross
11. Blue Bucket Of Gold
Just…wow. Those who were expecting another electronic based album from Sufjan Stevens were in for a massive and beautiful surprise. Carrie And Lowell is his seventh album, and it’s an acoustic masterpiece. Loaded with lovely, sparse, emotional and personal songs, this lo-fi record is one of the best albums of the decade. Stevens was grieving over the loss of his mother (Carrie), and wrote the songs based largely on his memories of growing up with her and his stepfather (Lowell). His mother lived a tortured life. She was depressed, schizophrenic, and these pains left their mark on Stevens. Some of our greatest music comes from dealing with pain and loss. This is a perfect example of that.
These songs are painful and brilliant. The best tracks are “Should Have Known Better”, “Fourth Of July”, and especially “Death With Dignity”. There is not a weak one here. And there is not a moment that will fail to pull at your heartstrings. Carrie & Lowell is why Sufjan Stevens is held in such high regard. This is his masterpiece. It’s sad and melancholy and it’s simply tremendous. This is why I buy albums…to be taken in by works as deeply emotional as this is. Stevens has had a great career, but for me, nothing by him tops this album. If you think that there’s nothing worth hearing in this decade that leaves the classic rock generation behind, then I suggest you go out and find Carrie & Lowell. You are most welcome. [First added to this chart: 07/02/2023]
Year of Release:
2015
Appears in:
Rank Score:
15,482
Rank in 2015:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
1977 – ATLANTIC
Produced By DAVID CROSBY, STEPHEN STILLS & GRAHAM NASH WITH RON ALBERT & HOWARD ALBERT
1. Shadow Captain
2. See The Changes
3. Carried Away
4. Fair Game
5. Anything At All
6. Cathedral
7. Dark Star
8. Just A Song Before I Go
9. Run From Tears
10. Cold Rain
11. In My Dreams
12. I Give You Give Blind
Supergroups. They tend to not last for very long. Case in point: Crosby, Stills & Nash (and sometimes Young) played Woodstock and quickly released a pair of albums between 1969 and 1970, then aside from a tour in 1974, did nothing substantial together until 1977. CSN was their third album, but it was already a comeback effort. Their last studio record had been 1970’s Déjà Vu. Neil Young was not around for this one, and the trio wrote all of the songs individually. David Crosby and Graham Nash contributed three songs each, with the other six written by Stephen Stills. CSN sold more copies than their 1969 debut, and was a top ten album in several countries. Star power is what they had, and everyone wanted to know what they had to say after all these years.
The best songs here are from Nash. The sadly short “Just A Song Before I Go” is pure harmony heaven, and “Cathedral” is a perfect centerpiece. Stills checks in with a pair of FM radio staples, “Dark Star” and “Fair Game” (with that awful line about her looking at your crotch). But for the first time in their career (and not the last), there’s quite a bit of filler. The sharp songwriting skills of Stills had begun to fade, and the immediacy of their sound during the Vietnam era now sounded lazy and overly mellow. This album also marked the beginning of Crosby and Stills’ preoccupation with sailing, putting them more on a line with Jimmy Buffett than where they had come from. CSN was viewed at the time as a huge victory, but these days, it’s not much more than average work from a superstar group that had much better work in their rear view mirror. [First added to this chart: 02/01/2026]
Produced By DAVID CROSBY, STEPHEN STILLS & GRAHAM NASH WITH RON ALBERT & HOWARD ALBERT
1. Shadow Captain
2. See The Changes
3. Carried Away
4. Fair Game
5. Anything At All
6. Cathedral
7. Dark Star
8. Just A Song Before I Go
9. Run From Tears
10. Cold Rain
11. In My Dreams
12. I Give You Give Blind
Supergroups. They tend to not last for very long. Case in point: Crosby, Stills & Nash (and sometimes Young) played Woodstock and quickly released a pair of albums between 1969 and 1970, then aside from a tour in 1974, did nothing substantial together until 1977. CSN was their third album, but it was already a comeback effort. Their last studio record had been 1970’s Déjà Vu. Neil Young was not around for this one, and the trio wrote all of the songs individually. David Crosby and Graham Nash contributed three songs each, with the other six written by Stephen Stills. CSN sold more copies than their 1969 debut, and was a top ten album in several countries. Star power is what they had, and everyone wanted to know what they had to say after all these years.
The best songs here are from Nash. The sadly short “Just A Song Before I Go” is pure harmony heaven, and “Cathedral” is a perfect centerpiece. Stills checks in with a pair of FM radio staples, “Dark Star” and “Fair Game” (with that awful line about her looking at your crotch). But for the first time in their career (and not the last), there’s quite a bit of filler. The sharp songwriting skills of Stills had begun to fade, and the immediacy of their sound during the Vietnam era now sounded lazy and overly mellow. This album also marked the beginning of Crosby and Stills’ preoccupation with sailing, putting them more on a line with Jimmy Buffett than where they had come from. CSN was viewed at the time as a huge victory, but these days, it’s not much more than average work from a superstar group that had much better work in their rear view mirror. [First added to this chart: 02/01/2026]
1974-ASYLUM
Produced By BILL SZYMCZYK
1. Already Gone
2. You Never Cry Like A Lover
3. Midnight Flyer
4. My Man
5. On The Border
6. James Dean
7. Ol' 55
8. Is It True?
9. Good Day In Hell
10. The Best Of My Love
Two albums away from Hotel California, the Eagles released their most underrated and underappreciated album, On The Border. For their third album, the band wanted to move into a more rock sound, and they got it here. "Already Gone" is a great song, "The Best Of My Love" was a huge hit, but the songs in between speak volumes about what this band could really do. "Midnight Flyer" soars and shows that rockers really can pull off a bluegrass tune: "You Never Cry Like A Lover" is gorgeous, and the title track is easily the most overlooked song of their career...it's simply great. "Ol' 55" is a fine Tom Waits cover, and "My Man" is Bernie Leadon's tribute to Gram Parsons. On The Border is easily the very best of the pre-Hotel California albums. Criminally ignored.
During the recording, the band discovered Don Felder, who was brought in to play on a couple of songs and became a permanent member. Buy this, play the title track and "Midnight Flyer" loud, and see what you've been missing. [First added to this chart: 04/28/2024]
Produced By BILL SZYMCZYK
1. Already Gone
2. You Never Cry Like A Lover
3. Midnight Flyer
4. My Man
5. On The Border
6. James Dean
7. Ol' 55
8. Is It True?
9. Good Day In Hell
10. The Best Of My Love
Two albums away from Hotel California, the Eagles released their most underrated and underappreciated album, On The Border. For their third album, the band wanted to move into a more rock sound, and they got it here. "Already Gone" is a great song, "The Best Of My Love" was a huge hit, but the songs in between speak volumes about what this band could really do. "Midnight Flyer" soars and shows that rockers really can pull off a bluegrass tune: "You Never Cry Like A Lover" is gorgeous, and the title track is easily the most overlooked song of their career...it's simply great. "Ol' 55" is a fine Tom Waits cover, and "My Man" is Bernie Leadon's tribute to Gram Parsons. On The Border is easily the very best of the pre-Hotel California albums. Criminally ignored.
During the recording, the band discovered Don Felder, who was brought in to play on a couple of songs and became a permanent member. Buy this, play the title track and "Midnight Flyer" loud, and see what you've been missing. [First added to this chart: 04/28/2024]
Year of Release:
1974
Appears in:
Rank Score:
278
Rank in 1974:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
Total albums: 100. Page 1 of 10
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My Overall Chart: 801-900 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 2 | 2% | |
| 1970s | 11 | 11% | |
| 1980s | 29 | 29% | |
| 1990s | 36 | 36% | |
| 2000s | 19 | 19% | |
| 2010s | 2 | 2% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| UB40 | 2 | 2% | |
| The Beatles | 2 | 2% | |
| Peter Gabriel | 2 | 2% | |
| Eagles | 1 | 1% | |
| Frank Black | 1 | 1% | |
| American Music Club | 1 | 1% | |
| B.B. King & Eric Clapton | 1 | 1% | |
| Show all | |||
My Overall Chart: 801-900 chart changes
| Biggest fallers |
|---|
Down 1 from 44th to 45th |
Down 1 from 45th to 46th |
Down 1 from 46th to 47th |
| New entries |
|---|
| Leavers |
|---|
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My Overall Chart: 801-900 ratings
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Showing latest 3 ratings for this chart. | Show all 6 ratings for this chart.
| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| ! | 08/28/2019 06:52 | Johnnyo | 2,684 | 80/100 |
| ! | 05/24/2019 23:02 | DJENNY | 4,335 | 100/100 |
| ! | 10/01/2016 19:25 |  Onater | 456 | 90/100 |
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Johnnyo 08/28/2019 06:53 | #241816
801 - 900! I've only got as far as the mid 300's. Got a long way to go to catch up with you.
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