My Overall Chart: 801-900
by 
Romanelli 
- Chart updated: 05/02/2026 16:15
- (Created: 04/20/2013 21:06).
- Chart size: 100 albums.
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[First added to this chart: 07/24/2014]
[First added to this chart: 04/21/2013]
Year of Release:
1989
Appears in:
Rank Score:
1,088
Rank in 1989:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
2015 – ASTHMATIC KITTY
Produced By THOMAS BARTLETT
1. Death With Dignity
2. Should Have Known Better
3. All Of Me Wants All Of You
4. Drawn To The Blood
5. Eugene
6. Fourth Of July
7. The Only Thing
8. Carrie & Lowell
9. John My Beloved
10. No Shade In The Shadow Of The Cross
11. Blue Bucket Of Gold
Just…wow. Those who were expecting another electronic based album from Sufjan Stevens were in for a massive and beautiful surprise. Carrie And Lowell is his seventh album, and it’s an acoustic masterpiece. Loaded with lovely, sparse, emotional and personal songs, this lo-fi record is one of the best albums of the decade. Stevens was grieving over the loss of his mother (Carrie), and wrote the songs based largely on his memories of growing up with her and his stepfather (Lowell). His mother lived a tortured life. She was depressed, schizophrenic, and these pains left their mark on Stevens. Some of our greatest music comes from dealing with pain and loss. This is a perfect example of that.
These songs are painful and brilliant. The best tracks are “Should Have Known Better”, “Fourth Of July”, and especially “Death With Dignity”. There is not a weak one here. And there is not a moment that will fail to pull at your heartstrings. Carrie & Lowell is why Sufjan Stevens is held in such high regard. This is his masterpiece. It’s sad and melancholy and it’s simply tremendous. This is why I buy albums…to be taken in by works as deeply emotional as this is. Stevens has had a great career, but for me, nothing by him tops this album. If you think that there’s nothing worth hearing in this decade that leaves the classic rock generation behind, then I suggest you go out and find Carrie & Lowell. You are most welcome. [First added to this chart: 07/02/2023]
Produced By THOMAS BARTLETT
1. Death With Dignity
2. Should Have Known Better
3. All Of Me Wants All Of You
4. Drawn To The Blood
5. Eugene
6. Fourth Of July
7. The Only Thing
8. Carrie & Lowell
9. John My Beloved
10. No Shade In The Shadow Of The Cross
11. Blue Bucket Of Gold
Just…wow. Those who were expecting another electronic based album from Sufjan Stevens were in for a massive and beautiful surprise. Carrie And Lowell is his seventh album, and it’s an acoustic masterpiece. Loaded with lovely, sparse, emotional and personal songs, this lo-fi record is one of the best albums of the decade. Stevens was grieving over the loss of his mother (Carrie), and wrote the songs based largely on his memories of growing up with her and his stepfather (Lowell). His mother lived a tortured life. She was depressed, schizophrenic, and these pains left their mark on Stevens. Some of our greatest music comes from dealing with pain and loss. This is a perfect example of that.
These songs are painful and brilliant. The best tracks are “Should Have Known Better”, “Fourth Of July”, and especially “Death With Dignity”. There is not a weak one here. And there is not a moment that will fail to pull at your heartstrings. Carrie & Lowell is why Sufjan Stevens is held in such high regard. This is his masterpiece. It’s sad and melancholy and it’s simply tremendous. This is why I buy albums…to be taken in by works as deeply emotional as this is. Stevens has had a great career, but for me, nothing by him tops this album. If you think that there’s nothing worth hearing in this decade that leaves the classic rock generation behind, then I suggest you go out and find Carrie & Lowell. You are most welcome. [First added to this chart: 07/02/2023]
Year of Release:
2015
Appears in:
Rank Score:
15,786
Rank in 2015:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
1977 – ATLANTIC
Produced By DAVID CROSBY, STEPHEN STILLS & GRAHAM NASH WITH RON ALBERT & HOWARD ALBERT
1. Shadow Captain
2. See The Changes
3. Carried Away
4. Fair Game
5. Anything At All
6. Cathedral
7. Dark Star
8. Just A Song Before I Go
9. Run From Tears
10. Cold Rain
11. In My Dreams
12. I Give You Give Blind
Supergroups. They tend to not last for very long. Case in point: Crosby, Stills & Nash (and sometimes Young) played Woodstock and quickly released a pair of albums between 1969 and 1970, then aside from a tour in 1974, did nothing substantial together until 1977. CSN was their third album, but it was already a comeback effort. Their last studio record had been 1970’s Déjà Vu. Neil Young was not around for this one, and the trio wrote all of the songs individually. David Crosby and Graham Nash contributed three songs each, with the other six written by Stephen Stills. CSN sold more copies than their 1969 debut, and was a top ten album in several countries. Star power is what they had, and everyone wanted to know what they had to say after all these years.
The best songs here are from Nash. The sadly short “Just A Song Before I Go” is pure harmony heaven, and “Cathedral” is a perfect centerpiece. Stills checks in with a pair of FM radio staples, “Dark Star” and “Fair Game” (with that awful line about her looking at your crotch). But for the first time in their career (and not the last), there’s quite a bit of filler. The sharp songwriting skills of Stills had begun to fade, and the immediacy of their sound during the Vietnam era now sounded lazy and overly mellow. This album also marked the beginning of Crosby and Stills’ preoccupation with sailing, putting them more on a line with Jimmy Buffett than where they had come from. CSN was viewed at the time as a huge victory, but these days, it’s not much more than average work from a superstar group that had much better work in their rear view mirror. [First added to this chart: 02/01/2026]
Produced By DAVID CROSBY, STEPHEN STILLS & GRAHAM NASH WITH RON ALBERT & HOWARD ALBERT
1. Shadow Captain
2. See The Changes
3. Carried Away
4. Fair Game
5. Anything At All
6. Cathedral
7. Dark Star
8. Just A Song Before I Go
9. Run From Tears
10. Cold Rain
11. In My Dreams
12. I Give You Give Blind
Supergroups. They tend to not last for very long. Case in point: Crosby, Stills & Nash (and sometimes Young) played Woodstock and quickly released a pair of albums between 1969 and 1970, then aside from a tour in 1974, did nothing substantial together until 1977. CSN was their third album, but it was already a comeback effort. Their last studio record had been 1970’s Déjà Vu. Neil Young was not around for this one, and the trio wrote all of the songs individually. David Crosby and Graham Nash contributed three songs each, with the other six written by Stephen Stills. CSN sold more copies than their 1969 debut, and was a top ten album in several countries. Star power is what they had, and everyone wanted to know what they had to say after all these years.
The best songs here are from Nash. The sadly short “Just A Song Before I Go” is pure harmony heaven, and “Cathedral” is a perfect centerpiece. Stills checks in with a pair of FM radio staples, “Dark Star” and “Fair Game” (with that awful line about her looking at your crotch). But for the first time in their career (and not the last), there’s quite a bit of filler. The sharp songwriting skills of Stills had begun to fade, and the immediacy of their sound during the Vietnam era now sounded lazy and overly mellow. This album also marked the beginning of Crosby and Stills’ preoccupation with sailing, putting them more on a line with Jimmy Buffett than where they had come from. CSN was viewed at the time as a huge victory, but these days, it’s not much more than average work from a superstar group that had much better work in their rear view mirror. [First added to this chart: 02/01/2026]
1974-ASYLUM
Produced By BILL SZYMCZYK
1. Already Gone
2. You Never Cry Like A Lover
3. Midnight Flyer
4. My Man
5. On The Border
6. James Dean
7. Ol' 55
8. Is It True?
9. Good Day In Hell
10. The Best Of My Love
Two albums away from Hotel California, the Eagles released their most underrated and underappreciated album, On The Border. For their third album, the band wanted to move into a more rock sound, and they got it here. "Already Gone" is a great song, "The Best Of My Love" was a huge hit, but the songs in between speak volumes about what this band could really do. "Midnight Flyer" soars and shows that rockers really can pull off a bluegrass tune: "You Never Cry Like A Lover" is gorgeous, and the title track is easily the most overlooked song of their career...it's simply great. "Ol' 55" is a fine Tom Waits cover, and "My Man" is Bernie Leadon's tribute to Gram Parsons. On The Border is easily the very best of the pre-Hotel California albums. Criminally ignored.
During the recording, the band discovered Don Felder, who was brought in to play on a couple of songs and became a permanent member. Buy this, play the title track and "Midnight Flyer" loud, and see what you've been missing. [First added to this chart: 04/28/2024]
Produced By BILL SZYMCZYK
1. Already Gone
2. You Never Cry Like A Lover
3. Midnight Flyer
4. My Man
5. On The Border
6. James Dean
7. Ol' 55
8. Is It True?
9. Good Day In Hell
10. The Best Of My Love
Two albums away from Hotel California, the Eagles released their most underrated and underappreciated album, On The Border. For their third album, the band wanted to move into a more rock sound, and they got it here. "Already Gone" is a great song, "The Best Of My Love" was a huge hit, but the songs in between speak volumes about what this band could really do. "Midnight Flyer" soars and shows that rockers really can pull off a bluegrass tune: "You Never Cry Like A Lover" is gorgeous, and the title track is easily the most overlooked song of their career...it's simply great. "Ol' 55" is a fine Tom Waits cover, and "My Man" is Bernie Leadon's tribute to Gram Parsons. On The Border is easily the very best of the pre-Hotel California albums. Criminally ignored.
During the recording, the band discovered Don Felder, who was brought in to play on a couple of songs and became a permanent member. Buy this, play the title track and "Midnight Flyer" loud, and see what you've been missing. [First added to this chart: 04/28/2024]
Year of Release:
1974
Appears in:
Rank Score:
282
Rank in 1974:
Rank in 1970s:
Overall Rank:
Average Rating:
Comments:
1999 – REPRISE
Produced By WILCO
1. Can’t Stand It
2. She’s A Jar
3. A Shot In The Arm
4. We’re Just Friends
5. I’m Always In Love
6. Nothing’severgonnastandinmyway(again)
7. Pieholden Suite
8. How To Fight Loneliness
9. Via Chicago
10. ELT
11. My Darling
12. When You Wake Up Feeling Old
13. Summer Teeth
14. In A Future Age
15. Candyfloss
16. A Shot In The Arm (Alternate Version)
In 1999, with the release of their third album Summerteeth, Wilco was on the verge of greatness. They were moving steadily away from the alt-country roots of Uncle Tupelo and closer to the experimental excellence of Yankee Hotel Foxtrot, but what was really making Wilco a special band was the growing presence of Jay Bennett. Bennett had joined Wilco in 1994, and his abilities on a wide array of instruments were making Wilco into a very special band. Summerteeth has not only him as a strength, but also the continuing improvement of Jeff Tweedy as a songwriter. They weren’t quite there yet (that would be on their next album), but Summerteeth is definitely close to as good as Wilco would get. The sound is crisp and immediate, and the songs are very, very good. A definite step up from the second album, Being There.
“Can’t Stand It” was released as a single, and it fared poorly. But there are a bunch of songs that are big improvements for Tweedy lyrically (he was having marital problems and was reading a lot of American literature, both of which are clear in the songs), including “A Shot In The Arm” and “Via Chicago”. The real highlight, though, is the work of Bennett, whose instrumental prowess gives the band a depth they would otherwise never have. The partnership between Tweedy and Bennett would sour during the recording of Yankee Hotel Foxtrot, with Bennett being fired as soon as that album was released (he then release a slew of solo albums before dying in his sleep in 2009). Summerteeth is the album where Wilco really grew up, a huge step from where they had been,, and a great foreshadow of where they were going. Not perfect, but more than worthwhile. [First added to this chart: 07/26/2017]
Produced By WILCO
1. Can’t Stand It
2. She’s A Jar
3. A Shot In The Arm
4. We’re Just Friends
5. I’m Always In Love
6. Nothing’severgonnastandinmyway(again)
7. Pieholden Suite
8. How To Fight Loneliness
9. Via Chicago
10. ELT
11. My Darling
12. When You Wake Up Feeling Old
13. Summer Teeth
14. In A Future Age
15. Candyfloss
16. A Shot In The Arm (Alternate Version)
In 1999, with the release of their third album Summerteeth, Wilco was on the verge of greatness. They were moving steadily away from the alt-country roots of Uncle Tupelo and closer to the experimental excellence of Yankee Hotel Foxtrot, but what was really making Wilco a special band was the growing presence of Jay Bennett. Bennett had joined Wilco in 1994, and his abilities on a wide array of instruments were making Wilco into a very special band. Summerteeth has not only him as a strength, but also the continuing improvement of Jeff Tweedy as a songwriter. They weren’t quite there yet (that would be on their next album), but Summerteeth is definitely close to as good as Wilco would get. The sound is crisp and immediate, and the songs are very, very good. A definite step up from the second album, Being There.
“Can’t Stand It” was released as a single, and it fared poorly. But there are a bunch of songs that are big improvements for Tweedy lyrically (he was having marital problems and was reading a lot of American literature, both of which are clear in the songs), including “A Shot In The Arm” and “Via Chicago”. The real highlight, though, is the work of Bennett, whose instrumental prowess gives the band a depth they would otherwise never have. The partnership between Tweedy and Bennett would sour during the recording of Yankee Hotel Foxtrot, with Bennett being fired as soon as that album was released (he then release a slew of solo albums before dying in his sleep in 2009). Summerteeth is the album where Wilco really grew up, a huge step from where they had been,, and a great foreshadow of where they were going. Not perfect, but more than worthwhile. [First added to this chart: 07/26/2017]
Year of Release:
1999
Appears in:
Rank Score:
3,705
Rank in 1999:
Rank in 1990s:
Overall Rank:
Average Rating:
Comments:
1998 – RCA
Produced By PAUL FOX
1. Come On
2. Two Bucks In Cash
3. Miss America
4. Upspin
5. Miss Misbelieving
6. Shortchange
7. Smiling Up The Frown
8. Time Bomb
9. Hoping, Waiting, Longing
10. Hobby
11. Where’d You Get That Vibe?
12. I’ll Be Back
Agents Of Good Roots was an American band that built a good following playing the college circuit in the mid nineties. After a pair of self released albums, they were signed by RCA and released their major label debut, One By One, in 1998. They scored a pair of decent hits with “Come On” and “Smiling Up The Frown” before ending up on tour with the Dave Matthews Band, getting signed by Matthews label, and releasing the absolutely lifeless follow up album, Needle And Thread in 2000. But One By One is actually one heck of an album. Their energy is awesome, the songs are mostly very good, and even though they had a sax player, they never overused him. In 1998, this was an album worth hearing by a band worth watching. They could be heavy, artsy, and they had a groove that obviously attracted Matthews to them.
The two minor hits are fine, but there’s more to this band than those songs. “Miss America” is a real rocker that even namedrops The Black Crowes. “Time Bomb”, “Where’d You Get That Vibe?” and especially “Two Bucks In Cash” are great, as is the mellower and soulful “Hoping, Waiting, Longing”. These guys seemed to be on the edge of a major breakthrough…instead, the next album sank like a rock and they were never heard from again. Too bad. One By One isn’t the greatest album in the world, but it showed a world of promise, and it still sounds pretty great today. You might have to look for it these days, but because of the interwebs, it won’t take you long to find it. A lot of great bands came from the nineties…but don’t forget the almost greats like Agents Of Good Roots. [First added to this chart: 10/26/2013]
Produced By PAUL FOX
1. Come On
2. Two Bucks In Cash
3. Miss America
4. Upspin
5. Miss Misbelieving
6. Shortchange
7. Smiling Up The Frown
8. Time Bomb
9. Hoping, Waiting, Longing
10. Hobby
11. Where’d You Get That Vibe?
12. I’ll Be Back
Agents Of Good Roots was an American band that built a good following playing the college circuit in the mid nineties. After a pair of self released albums, they were signed by RCA and released their major label debut, One By One, in 1998. They scored a pair of decent hits with “Come On” and “Smiling Up The Frown” before ending up on tour with the Dave Matthews Band, getting signed by Matthews label, and releasing the absolutely lifeless follow up album, Needle And Thread in 2000. But One By One is actually one heck of an album. Their energy is awesome, the songs are mostly very good, and even though they had a sax player, they never overused him. In 1998, this was an album worth hearing by a band worth watching. They could be heavy, artsy, and they had a groove that obviously attracted Matthews to them.
The two minor hits are fine, but there’s more to this band than those songs. “Miss America” is a real rocker that even namedrops The Black Crowes. “Time Bomb”, “Where’d You Get That Vibe?” and especially “Two Bucks In Cash” are great, as is the mellower and soulful “Hoping, Waiting, Longing”. These guys seemed to be on the edge of a major breakthrough…instead, the next album sank like a rock and they were never heard from again. Too bad. One By One isn’t the greatest album in the world, but it showed a world of promise, and it still sounds pretty great today. You might have to look for it these days, but because of the interwebs, it won’t take you long to find it. A lot of great bands came from the nineties…but don’t forget the almost greats like Agents Of Good Roots. [First added to this chart: 10/26/2013]
1985-A&M
Produced By STING & PETE SMITH
1. If You love Somebody Set Them Free
2. Love Is The Seventh Wave
3. Russians
4. Children's Crusade
5. Shadows In The Rain
6. We Work The Black Seam
7. Consider Me Gone
8. The Dream Of The Blue Turles
9. Moon Over Bourbon Street
10. Fortress Around Your Heart
Maybe the best way to describe what this album became was on February 14th, 1987. the legendary Los Angeles rock radio station KMET was changing their format, and they were playing as many rock songs as they could without interruption. When the time came, they announced that they were now a new age station, and they led off with "If You Love Somebody Set Them Free".
And so has been the career of former Police frontman Sting. He's gone from a punk/new wave icon to a new age borefest, and he's never stopped. The good thing about Blue Turtles is that it's as close to his former work in rock as he's ever been, and it does contain some pretty good songs. but unless you're into the lite jazz music that he's now so well known for, you'll be disappointed. Even as good as this sounds, it's still a major step in the wrong direction. To be fair, it's his direction. But it can be a tough one to grasp. [First added to this chart: 04/01/2025]
Produced By STING & PETE SMITH
1. If You love Somebody Set Them Free
2. Love Is The Seventh Wave
3. Russians
4. Children's Crusade
5. Shadows In The Rain
6. We Work The Black Seam
7. Consider Me Gone
8. The Dream Of The Blue Turles
9. Moon Over Bourbon Street
10. Fortress Around Your Heart
Maybe the best way to describe what this album became was on February 14th, 1987. the legendary Los Angeles rock radio station KMET was changing their format, and they were playing as many rock songs as they could without interruption. When the time came, they announced that they were now a new age station, and they led off with "If You Love Somebody Set Them Free".
And so has been the career of former Police frontman Sting. He's gone from a punk/new wave icon to a new age borefest, and he's never stopped. The good thing about Blue Turtles is that it's as close to his former work in rock as he's ever been, and it does contain some pretty good songs. but unless you're into the lite jazz music that he's now so well known for, you'll be disappointed. Even as good as this sounds, it's still a major step in the wrong direction. To be fair, it's his direction. But it can be a tough one to grasp. [First added to this chart: 04/01/2025]
Year of Release:
1985
Appears in:
Rank Score:
1,057
Rank in 1985:
Rank in 1980s:
Overall Rank:
Average Rating:
Comments:
2009 – WARP
Produced By STEPHEN WILKINSON
1. Ambivalence Avenue
2. Jealous Of Roses
3. All The Flowers
4. Fire Ant
5. Haikuesque (When She Laughs)
6. Sugarette
7. Lover’s Carvings
8. Abrasion
9. S’Vive
10. The Palm Of Your Wave
11. Cry! Baby!
12. Dwrcan
Bibio is Stephen Wilkinson, a British DIY musician who makes lo fi electronic folk music. Sound intriguing? It is. Ambivalence Avenue is his fourth album, and his first on Warp Records. His first three releases had been mostly acoustic guitar albums with a few electronics and a bit of singing. But with Ambivalence Avenue, Bibio made big changes. He started incorporating all of the music that he had been ingesting his entire life…hip hop, rock, ambient, house…you name it, it was all a part of his kitchen sink. Which made him very interesting, indeed. And he was able top do so without becoming too loud or too busy. His music continued to be understated and warm, and this direction still serves him well to this day. It’s a pretty cool ride, for sure.
The title track is maybe the most important track of Bibio’s career. He plays everything himself…Bibio is a true solo project. There’s so much that he touches here. Brazilian guitar. Hiphop beats. Bibio’s true talent, it seems, is his ability to blend so many different cultures into a single set of songs. He’s still figuring it out here, but you can tell just from this beginning of his musical odyssey that he’s onto something special. The ability to not just play, but to fuse all of these styles together is truly artful. Sometimes, this can be more background music than it should be, but it’s mostly a statement of how to be brilliant without bringing the house down. And he’s prolific as well…ten albums in and still going strong. This is well worth taking a listen to. [First added to this chart: 06/02/2025]
Produced By STEPHEN WILKINSON
1. Ambivalence Avenue
2. Jealous Of Roses
3. All The Flowers
4. Fire Ant
5. Haikuesque (When She Laughs)
6. Sugarette
7. Lover’s Carvings
8. Abrasion
9. S’Vive
10. The Palm Of Your Wave
11. Cry! Baby!
12. Dwrcan
Bibio is Stephen Wilkinson, a British DIY musician who makes lo fi electronic folk music. Sound intriguing? It is. Ambivalence Avenue is his fourth album, and his first on Warp Records. His first three releases had been mostly acoustic guitar albums with a few electronics and a bit of singing. But with Ambivalence Avenue, Bibio made big changes. He started incorporating all of the music that he had been ingesting his entire life…hip hop, rock, ambient, house…you name it, it was all a part of his kitchen sink. Which made him very interesting, indeed. And he was able top do so without becoming too loud or too busy. His music continued to be understated and warm, and this direction still serves him well to this day. It’s a pretty cool ride, for sure.
The title track is maybe the most important track of Bibio’s career. He plays everything himself…Bibio is a true solo project. There’s so much that he touches here. Brazilian guitar. Hiphop beats. Bibio’s true talent, it seems, is his ability to blend so many different cultures into a single set of songs. He’s still figuring it out here, but you can tell just from this beginning of his musical odyssey that he’s onto something special. The ability to not just play, but to fuse all of these styles together is truly artful. Sometimes, this can be more background music than it should be, but it’s mostly a statement of how to be brilliant without bringing the house down. And he’s prolific as well…ten albums in and still going strong. This is well worth taking a listen to. [First added to this chart: 06/02/2025]
Total albums: 100. Page 1 of 10
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My Overall Chart: 801-900 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 0 | 0% | |
| 1960s | 2 | 2% | |
| 1970s | 15 | 15% | |
| 1980s | 26 | 26% | |
| 1990s | 37 | 37% | |
| 2000s | 18 | 18% | |
| 2010s | 2 | 2% | |
| 2020s | 0 | 0% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| John Prine | 2 | 2% | |
| UB40 | 2 | 2% | |
| R.E.M. | 2 | 2% | |
| Peter Gabriel | 2 | 2% | |
| The Beatles | 2 | 2% | |
| Wilco | 2 | 2% | |
| B.B. King & Eric Clapton | 1 | 1% | |
| Show all | |||
My Overall Chart: 801-900 chart changes
| Biggest fallers |
|---|
| Down 1 from 1st to 2ndIf There Was A Way by Dwight Yoakam |
| Down 1 from 2nd to 3rdThe Seeds Of Love by Tears For Fears |
| Down 1 from 3rd to 4thCarrie & Lowell by Sufjan Stevens |
| New entries |
|---|
| Up! by Shania Twain |
| Leavers |
|---|
| Fortress by Sister Hazel |
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| Rating | Date updated | Member | Chart ratings | Avg. chart rating |
|---|---|---|---|---|
| 08/28/2019 06:52 | Johnnyo | 2,594 | 80/100 | |
| 05/24/2019 23:02 | DJENNY | 4,336 | 100/100 | |
| 10/01/2016 19:25 |  Onater | 456 | 90/100 | |
| 04/01/2016 19:54 |  dihansse | 312 | 84/100 | |
| 02/12/2014 21:26 | PauloPaz | 1,759 | 89/100 |
My Overall Chart: 801-900 favourites
My Overall Chart: 801-900 comments
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From Johnnyo 08/28/2019 06:53 | #241816
801 - 900! I've only got as far as the mid 300's. Got a long way to go to catch up with you.
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A lot of hard work happens in the background to keep BEA running, and it's especially difficult to do this when we can't pay our hosting fees :(
We work very hard to ensure our site is as fast (and FREE!) as possible, and we respect your privacy.
