Top 100 Greatest Music Albums
by KineticEchoes02

So, creating a Greatest 100 Albums chart is never an easy task. It is so hard to choose just 100. I honestly want to do 500. For this chart, the difficulty I had was differentiating between albums that personally clicked for whatever reason, and those which I was plain gobsmacked with or just deserve undivided respect and attention. I am a guitarist and bassist and have played in a few bands over the years. I learned piano as a kid. For me these albums were hugely influential in relation to my music instrument learning progression, stood out in landmark moments of my life, were the perfect escape and launched me on indescribable journeys, gave me energy, or have been purely inspiring and emotionally uplifting (or the opposite, but perfect in darker times).

You may notice I have a bias towards rock. I also especially love blues, folk, jazz, funk, metal, soul, world music and electronica. However, it would be extremely boring without cross-over into other genres. So, we have for instance blues rock, country rock, folk rock, art rock, experimental rock, progressive rock, funk rock, progressive metal, funk metal, jazz fusion, psychedelic rock/jazz/soul/funk, and so on. Even talking about genres isn’t necessary in music, but for me, the best artists are those that are genre defining/pioneering, genre bending or groundbreaking. In order to pull this off these artists need to be extremely creative, not just virtuosos with their instruments. And for the most part that is consistent for all the artists or albums in this chart. That’s what impresses me, but sometimes you can’t describe why you love an artist or an album so much – it just fits with you for whatever reason, and that is the beauty and mystery of music.

I must say, the great thing about members creating charts on this site is that we get to appreciate everyone’s tastes in music – it is awesome when discovering someone with very similar tastes, but even when they are polar opposites, man it is amazing how diverse and unique people can be, and insights are passed on for new music to be heard. That’s why I love this site.

Apologies if I have chosen too many albums per artist – but if I want to be honest, these artists have created nothing but bangers and deserve this recognition, and it is very difficult to choose which is their best. Having said that, this chart is absolutely a work in progress…

• Chart updated: 10/11/2025 01:45
• (Created: 01/17/2022 07:23).
• Chart size: 100 albums.

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1. (=)

Wish You Were Here 

 Pink Floyd

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When I first heard “Wish You Were Here” it stopped me in my tracks. I didn't hear it until nearly two decades after its release. It was an album that set my perspective of music on a different path for all the right reasons. To their credit - the Floyd settled on a more introspective journey for this album, ignoring the lure of commercial success (not easy given the success of Dark Side) and avoided selling their souls to the music industry. Yet 20 million copies of this album have been sold worldwide! Thematically, it is a tribute to the late Syd Barrett and in the broader sense staying true to yourself, in a world of greed, excess and alienation. Aside from that this to me is music perfection, and similar to Dark Side has moments of amazing innovation, emphasising the all encompassing beauty in its sound (for example the use of wine glasses filled to different levels and multi-tracked to chords in the introduction of Shine On You Crazy Diamond). In my view there is no other album that flows better than this - yes, prog rock is supposed to be like this, yet despite fitting perfectly with this genre it basically transcends it. An amazing experience from start to finish. [First added to this chart: 01/17/2022]

Year of Release:

1975

Appears in:

3,010 charts

Rank Score:

44,665

Rank in 1975:

1

Rank in 1970s:

2

Overall Rank:

5

Average Rating:

 91 (4,056 votes)

Comments:

314

2. (=)

Close To The Edge 

 Yes

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A simply phenomenal album by this very unique and extremely gifted band. It only took me a handful of listens of this to realise its sheer brilliance. The chaotic start is absolutely justified and still makes perfect sense in the big picture of what this album is conveying. The instrumentation is otherworldy and while the lyrics are highly metaphorical the key theme I interpreted is the ever present interconnectness or 'oneness' between our species, our planet and ultimately the universe. So to genuinely convey a theme as strong as that, the songwriting and accompanying musicianship needs to be on a very high level, and it absolutely is. Takes you on an incredible journey if you're willing to let it guide you. Yes were at their peak here but sadly Bill Bruford moved on following its release. [First added to this chart: 01/17/2022]

Year of Release:

1972

Appears in:

1,199 charts

Rank Score:

13,903

Rank in 1972:

4

Rank in 1970s:

24

Overall Rank:

87

Average Rating:

 85 (1,479 votes)

Comments:

120

3. (=)

The Dark Side Of The Moon 

 Pink Floyd

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Sometimes interchangeable with Wish You Were Here as my favourite Floyd album. I think conceptually it might hit home just as hard. I can very well recall the first time I heard this album at the age of 18 sitting down with a mate in his lounge room and sharing a couple of bottles of red wine, cranking this on his stereo with the lights turned off. It blew my mind - there was no turning back. Taken individually all the songs are beyond brilliant, but the sum is greater than the parts. There is even pioneering of electronica (e.g. "On the Run") or synth-driven psychedelic funky space rock (eg. "Any Colour You Like") - well ahead of its time. Features an amazing vocal cameo from Clare Torry on "Great Gig in the Sky". The guitar solo on "Time" is one of the best I've ever heard, not for its pace but every note of it has incredible purity and meaning (and if you focus hard enough on it time appears to slow down) - similar to the immensity of "Shine On You Crazy Diamond". Gilmour at his best. Powerful songwriting by Waters, Gilmour, Wright and Mason throughout on this album. A work of genius that remains completely relevant to this day. [First added to this chart: 01/17/2022]

Year of Release:

1973

Appears in:

4,133 charts

Rank Score:

60,051

Rank in 1973:

1

Rank in 1970s:

1

Overall Rank:

2

Average Rating:

 92 (5,333 votes)

Comments:

592

4. (=)

Untitled (Led Zeppelin IV) 

 Led Zeppelin

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Where to start with this great album? Let’s put the potential “borrowing” of Page’s introductory guitar intro in Stairway to Heaven behind us – it can never be absolutely proven it was taken from Spirit’s Taurus. Descending/ascending triad sequences of a similar nature have been used way back in time. Maybe I am a little biased towards my favourite band? Anyhow, I’ve tried my hardest not to let the faint possibility of that get me down, as I have loved that song from when I first heard it as a kid, and what a magic song it is regardless. This album is full of extraordinary songs, with no obvious weak link, the music is highly diverse, and the running order is perfect. Partly the massive impact of the sound created here could be put down to the location it was recorded (Headley Grange, also used by Zep in part for other albums), which not only had great acoustics, it was haunted according to Page. He believes that the music they compiled on this album helped brighten up the dark energy created from a tumultuous history as a workhouse for the poor and the insane. Jimmy was never spooked out by it, but the other band members apparently were. "When the Levee Breaks" (in which Bonham’s drumming borne on an incredible infinite echo was recorded in the stairwell) and "The Battle of Evermore" especially seem to have captured a greater presence in them, but all tracks have a similar ethereal vibe going on, possessing intertwining elements of otherworldly dark and light energy. Going to California is one of the very beautiful acoustic ballads that spurred my interest in guitar (and alternate/open tunings) from early on. Whilst the band managed to conjure a perfect blend of hard rock, blues and folk here, this was where heavy metal had its proper birth. But above all, this album is enshrined in pure unrivalled rock'n'roll immortality and its spirit will live on. [First added to this chart: 01/17/2022]

Year of Release:

1971

Appears in:

3,157 charts

Rank Score:

38,645

Rank in 1971:

1

Rank in 1970s:

4

Overall Rank:

12

Average Rating:

 90 (4,000 votes)

Comments:

306

5. (=)

Electric Ladyland 

 The Jimi Hendrix Experience

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“Electric Ladyland” is my favourite of the Jimi Hendrix Experience - one of those albums in which, once you have a proper listen, you realise there are no boundaries in rock music. I just love how the tracks run together and the daring, adventurous nature of it. Jimi veers off into funk and progressive soul to go with his usual hard rock and blues, crossing over into jazz, and of course including a solid injection of psychedelia. It is unique to the other albums, a double LP and being the last from the Experience. It is widely viewed as having some of Jimi’s best, most innovative works, where he reached some of those dizzying heights he had been seeking from the outset. It has a couple of epic, unusually long tracks by Jimi’s standards, eg. “Voodoo Chile” where he takes the blues to a new level and “1983…” an amazing underwater psychedelic odyssey. One of the very first artists to utilise the 16-track recording desk, this was new territory. It has some of his biggest hits, eg. the legendary cover of Dylan's “All Along the Watchtower” and “Voodoo Chile (slight return)” where his guitar wizardry is in full swing. There are some great guest musician appearances as well on this album, including Steve Winwood on the organ in Voodoo Chile. [First added to this chart: 01/17/2022]

Year of Release:

1968

Appears in:

1,695 charts

Rank Score:

17,408

Rank in 1968:

2

Rank in 1960s:

14

Overall Rank:

59

Average Rating:

 86 (1,983 votes)

Comments:

109

6. (=)

Abbey Road 

 The Beatles

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[First added to this chart: 01/17/2022]

Year of Release:

1969

Appears in:

3,736 charts

Rank Score:

57,257

Rank in 1969:

1

Rank in 1960s:

1

Overall Rank:

3

Average Rating:

 92 (4,628 votes)

Comments:

476

7. (=)

Led Zeppelin II 

 Led Zeppelin

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If you are looking for a penultimate album that perfectly fuses rock, blues and funk mixed in with some folk that is perfectly cohesive from start to finish then look no further. The opening track Whole Lotta Love is like an awakening of rock gods. Led Zep's debut is an amazing album, but to be fair more than half that album might as well be rehashed blues standards (done extremely well). Led Zeppelin II takes the band's roots to a new level. Not a single weakness here - all songs are brilliant and link together as a whole exceptionally well. There's even a taste of fantasy with Tolkienisms in Ramble On (an introduction to the otherworldly material that the band brought properly into fruition on III, IV and Houses of the Holy). And if you are looking for some top shelf bass playing, check out JPJ's work on The Lemon Song - in fact the whole album. Jimmy's guitar (both electric and acoustic) is simply amazing throughout the album, but one of the absolute highlights is his shredding solo on Heartbreaker at about the halfway mark. Bonzo is an immovable force - just dynamite and shows off his wares in Moby Dick, which he would take to a new level in live shows. Plant is a sonic prodigy, a master of phrasing and leaving nothing in the tank - he is absolutely extraordinary on vocals here. [First added to this chart: 01/17/2022]

Year of Release:

1969

Appears in:

1,954 charts

Rank Score:

20,932

Rank in 1969:

3

Rank in 1960s:

13

Overall Rank:

41

Average Rating:

 87 (2,748 votes)

Comments:

176

8. (=)

Animals 

 Pink Floyd

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[First added to this chart: 01/17/2022]

Year of Release:

1977

Appears in:

1,759 charts

Rank Score:

22,608

Rank in 1977:

2

Rank in 1970s:

8

Overall Rank:

35

Average Rating:

 88 (2,803 votes)

Comments:

202

9. (=)

Superunknown 

 Soundgarden

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Superunknown, released in 1994 is the follow up album to “Badmotorfinger”. I had just finished school and recall Superunknown being the perfect diversion for my state of mind at the time. The follow up album “Down on the Upside” was also one of my favourites, but for me overall this probably had their best work. Whereas Badmotorfinger had more of a metal edge to it, Superunknown definitely delved into metal whilst encapsulating all the essential elements of grunge, and taking it to other realms. That said, the material on this album had quite a unique, refreshing feel that was hard to place into a genre. There were some subtle differences in approach, still heavy at times but being sonically more diverse than its predecessor with a bit more experimentation which worked very well. There was a darker edge to it with very sombre themes, perhaps well balanced out by some dark humour and random moments in the music. Chris Cornell took it to another level – both in his singing and song writing.

The album features 15 tracks, some brilliant, the rest very good. I could be here a fair while describing all 15 of them, so I’ll try and condense it. It had five commercially successful hit songs. The opening song “Let Me Drown” sets the scene nicely, but the following two songs “My Wave” and “Fell on Black Days” are absolute belters. It goes up another level with “Black Hole Sun”. This song is my favourite off the album, and it was the biggest hit. For starters, when breaking down the guitar chord progression (done in drop D tuning) it had something unconventional and unique about it. Brooding and dark, there is a strong sense of Armageddon about this song but surrounding it awaits a strange melancholic beauty. Lyrically, Cornell might have been speaking of flushing the world of all the sick, corrupt and fake aspects of society. It appeared he wouldn’t properly open up about it when he was questioned about it by various media, and you wouldn’t blame him. It remains open for interpretation and a bit of a mystery, but sometimes it is best that way. “Spoonman” is another cracker, a rhythmically very tight piece that’s mainly played in the unusual 7/4 time signature (similar to Pink Floyd’s “Money” and Radiohead’s “Paranoid Android”). I can remember being blown away by how awesome the spoons sounded in the middle part of the song when I first heard it - one of the great moments. There are plenty more highlights – songs that spring to mind are “Limo Wreck”, “Head Down”, “The Day I Tried to Live”, and “4th of July”. There is much more to be said about this great album so I probably haven’t done it justice.

RIP Chris [First added to this chart: 01/17/2022]

Year of Release:

1994

Appears in:

950 charts

Rank Score:

8,519

Rank in 1994:

9

Rank in 1990s:

38

Overall Rank:

176

Average Rating:

 81 (1,223 votes)

Comments:

84

10. (=)

The Doors 

 The Doors

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The Doors' most commercially successful album, and what an amazing debut it was. Adding it to my collection in the late 90s, it was one of those albums that really caught my attention and was on regular rotation. The opening track, “Break On Through (To the Other Side)” is the perfect start, a great introduction to the band’s music. The opening rim shots by Densmore set it off nicely, and there is a strong bossa nova (latin) feel in the song’s rhythm. It has plenty of energy. Krieger’s bluesy riff adds nicely to the backbone, and Morrison’s expressive poetry introduces a refreshing perspective, even an awakening of sorts. Manzarek’s keyboard breakdown section demonstrates a taste of the colour he would bring to the band’s music over the years.
“Soul Kitchen” has a strong blues approach and a rocking beat. It was a staple of The Doors live sets.
“The Crystal Ship” is one of the standouts off the album. It’s a song Morrison wrote about his first girlfriend during a breakup. His romantic poetry (quite mysterious and not easily interpreted) had an ability to get you thinking pretty deeply, whilst setting off a strong imagination and dreamscape to go with it. Manzarek’s work on the keys is superb here and really takes you places.
“Twentieth Century Fox” has got a bit of swagger to it – of note, some nice walking bass lines by Manzerek whilst working the high notes nicely. Lyrically, Morrison sings about a very attractive girl who is glamorous but also fake in personality.
“Alabama Song (Whisky Bar)” is a very catchy tune, and a bit intriguing to say the least. For a long time I had no idea what this song was about, but decided to read up on it. This is actually not a Doors original, it is extracted from a German poem re-written in English in 1925 and published by Berlot Brecht and Kurt Weill in 1927 for the opera “Aufstieg und Fall der Stadt Mahagonny”. The Doors kind of make it their own though. A little whacky to be honest, but what makes it compelling is Manzarek’s use of the Marxophone (a fretless zither not dissimilar in sound to mandolin or hammer dulcimers – the instrument is played like a miniature piano).
“Light My Fire” was one of The Doors biggest hits, which was written by Krieger. Morrison paints a romantic picture (as does the music) – and overall a very poignant impression of falling in love, maybe also of getting “high” with this girl. In fact, the band were approached prior to a live performance on the Ed Sullivan Show in 1967, and were asked not to include the lyrics “girl we couldn’t get much higher”. Morrison sung those lyrics anyway (to the disgust of Ed Sullivan) and the band were never allowed on the show again. The middle instrumental soloing (or duelling) between Manzarek and Krieger is the stuff of sheer brilliance, simply magic. It still pains me to this day why they would release a version that cuts out this middle section (which goes for more than 4 minutes). It totally kills the song in my opinion.
“Back Door Man” is a cover of a Willie Dixon song. It’s a piece that is predominantly blues and was another one of their live staples. The Doors played the blues very well and was probably the focal point in their music, but they were also very good at blending genres. This was a taste of what was to come, in particular in the albums “Morrison Hotel” and “L.A. Woman”. Many of the prominent rock bands of the era drew influence from the classic Chicago blues pioneers – Dixon was a major focal point, along with Muddy Waters, Howlin’ Wolf and Bo Diddley.
“I Looked at You” is a cute, energetic Doors song, which is upbeat and fresh. I love Densmore’s style, especially the drum rolls in this one. Manzarek plays some great keys, locking in nicely with Densmore, including a nice walking bass line while producing a colourful atmosphere with the high notes. There’s a clever, deceiving false ending that brings back in a repeat final verse.
“End of the Night” has a classic eeriness about it that only The Doors could create. Morrison appears to be referring to psychedelic experiences in this song, possibly in conjunction with, or separately referring to, life after death. It draws from a poem by William Blake, “Auguries of Innocence” – the specific line in the song used is “Realms of bliss, realms of light, some are born to sweet delight, some are born to endless night”. Krieger’s slide guitar solo adds another layer to the dreamscape, his unusual selection of notes painting a spooky atmosphere.
“Take it as it Comes” is a very catchy tune - it has a similar feel rhythmically to “I Looked at You”, featuring a great solo by Manzarek. A short and sweet song with plenty going on in it.
“The End” in my opinion is one of The Doors best songs. It is the ultimate song to finish off an album, and at 11 minutes long it takes you on quite the journey. Morrison produces some of his best poetry here, with strong metaphors (including plenty of expletives at the finale), among it some American Indian totemic imagery. Morrison said initially that the song was probably a goodbye song to a girl, however later revealed that it could have a much broader meaning, and could be interpreted in many different ways. This song in particular has the ultimate feeling of timelessness, even if just in itself it sounds amazing half a century later. Krieger plays in a drop D tuning, bringing on the “Ravi Shankar factor” with a decent hint of Indian flavours and other interesting mixed tonalities (he and Densmore actually received personal tuition under Shankar at one stage). In the latter half of the song Morrison delivers a spoken word version of the Oedipus complex where he says “Father I want to kill you” and “Mother I want to f#%k you”. Quite confronting and bemusing to say the least, and Morrison not surprisingly got some interesting reactions from it publicly. He was apparently part of a student drama production on Oedipus around the time the song was written. Densmore said he got to the bottom of it with Morrison, and realised he was conveying that the Father is everything that’s instilled in you that’s alien and not of yourself, and should be done away with. The Mother is all that is pure and true in you - as in mother nature, getting back to essence, and that’s what we need more than anything.
Such a great band, but sadly the candle burned too fiercely for Morrison. This album is another classic work of art that has withstood the test of time. [First added to this chart: 01/17/2022]

Year of Release:

1967

Appears in:

2,424 charts

Rank Score:

26,853

Rank in 1967:

3

Rank in 1960s:

9

Overall Rank:

28

Average Rating:

 87 (2,849 votes)

Comments:

209

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Total albums: 100. Page 1 of 10

Top 100 Greatest Music Albums composition

Country	Albums	%
	48	48%
	34	34%
	9	9%
	2	2%
	2	2%
	2	2%
	1	1%
Show all

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Top 100 Greatest Music Albums ratings

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Rating	Date updated	Member	Chart ratings	Avg. chart rating
90/100  !	09/09/2025 19:19	timosbuecherei	5	66/100
85/100  !	03/31/2025 12:54	SomethingSpecial	1,104	85/100
45/100  !	11/30/2024 03:04	mianfei	168	62/100
90/100  !	11/11/2024 03:46	Moondance	476	85/100
100/100  !	05/04/2024 21:11	StreakyNuno	131	82/100

Rating metrics: Outliers can be removed when calculating a mean average to dampen the effects of ratings outside the normal distribution. This figure is provided as the trimmed mean. A high standard deviation can be legitimate, but can sometimes indicate 'gaming' is occurring. Consider a simplified example* of an item receiving ratings of 100, 50, & 0. The mean average rating would be 50. However, ratings of 55, 50 & 45 could also result in the same average. The second average might be more trusted because there is more consensus around a particular rating (a lower deviation).
(*In practice, some charts can have several thousand ratings)
This chart is rated in the top 2% of all charts on BestEverAlbums.com. This chart has a Bayesian average rating of 90.6/100, a mean average of 90.7/100, and a trimmed mean (excluding outliers) of 92.3/100. The standard deviation for this chart is 10.3.

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Top 100 Greatest Music Albums comments

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Rating:  

100/100

From StreakyNuno 05/04/2024 21:12 | #303357

Congratulations.
we have so many albums in common.
Fantastic chart

Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Rating:  

90/100

From craab 04/26/2023 14:01 | #296388

The chart chooses depth over breadth without being indifferent to breadth. I appreciate the love and loyalty you show to your favorites. Nice to see someone who loves both Metallica and the Beatles. I will have to check out Tea Party.

Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Rating:  

100/100

From BraddlesHendo 02/25/2023 02:32 | #294422

Great seeing Midnight Oil getting great recognition.Love your list mate

Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Rating:  

90/100

From ExTeaSea 01/28/2023 20:42 | #293344

Dig this chart. Would love to see more artists represented but you like what you like. Love that you have Midnight Oil! So underrated. I'll have to check out Tea Party, I've heard pretty much everything else besides them.

Helpful?  (Log in to vote) | +2 votes (2 helpful | 0 unhelpful)

Rating:  

100/100

From Nkelleyslc 10/23/2022 17:42 | #290741

Hey man, I'm learning a lot from this chart; thanks so much!

Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

From KineticEchoes02 10/09/2022 00:00 | #290301

Appreciate the feedback Moondance, cheers. Though I still think there's plenty of breadth here, not just "classics". Hard to beat the classics having said that, hence why they're in my greatest 100. There are plenty of good Aussie artists/albums I've listened to over the years - quite a few more are probably just missing my 100, but now you've thrown the gauntlet out there I'll try to dive a little deeper :)

Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Rating:  

90/100

From Moondance 10/01/2022 21:43 | #290103

A nice enough chart with lots of classic artists/albums. For me, what it lacks it breadth ~ to go beyond the classics; to discover exceptional albums that require some scratching below the surface. There are plenty more in the Australian arena if you are willing to dive a little deeper.

Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Rating:  

90/100

From Johnnyo 10/01/2022 18:13 | #290101

Nice chart.

Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Rating:  

80/100

From sssvnnn 10/01/2022 15:45 | #290097

very classical chart - fine
a bit too redundant.

Helpful?  (Log in to vote) | +1 votes (1 helpful | 0 unhelpful)

Rating:  

100/100

From mrmcrook 02/09/2022 22:47 | #281049

Love your list. Very similar tastes. Great to see some Tea Party rated highly up there.

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