My Overall Chart: 2401-2500
by 
Romanelli 
- Chart updated: 10/04/2026 18:15
- (Created: 11/14/2024 21:45).
- Chart size: 100 albums.
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Available from
[First added to this chart: 10/02/2026]
Year of Release:
2007
Appears in:
Rank Score:
1
Rank in 2007:
Rank in 2000s:
Average Rating:
Comments:
Available from
[First added to this chart: 09/16/2026]
Year of Release:
1956
Appears in:
Rank Score:
2,863
Rank in 1956:
Rank in 1950s:
Overall Rank:
Average Rating:
Comments:
Available from
2017 – TDE / AFTERMATH / INTERSCOPE
Produced By 9TH WONDER, THE ALCHEMIST, BADBADNOTGOOD, BEKON, CARDO, DJ DAHL, GREG KURSTIN, JAMES BLAKE, MIKE WILL MADE IT, RICCI RIERA, SOUNWAVE, STEVE LACY, TERRACE MARTIN, TEDDY WALTON & TOP DAWG
1. Duckworth
2. God
3. Fear
4. XXX (Feat. U2)
5. Love (Feat. Zacari)
6. Lust
7. Humble
8. Pride
9. Loyalty (Feat. Rihanna)
10. Feel
11. Element
12. Yah
13. DNA
14. Blood
I don’t think I’ve ever seen an album as fairly rated, and as unfairly spoken of as this one. There are many people who listened to Damn and recognized it as another great album from a great artist. But let’s learn something here. Kendrick Lamar made a pair of exceptional and groundbreaking albums (Good Kid, M.A.A.D. City and To Pimp A Butterfly). His next album, 2017’s Damn, is not like those albums. And many people have been critical just because of that. Well, I’m calling shenanigans. Thank God Kendrick Lamar didn’t make another To Pimp A Butterfly. Do what’s in your heart, man. Go where your talent leads you. And shame on people for crapping on an album because the artist didn’t make it the way YOU wanted him to. That’s unfair of you, and it’s unfair to the artist.
I say this for one reason. Damn is a great album. Period. Yes, it’s not like his last two albums. Thank God for that. Take your comparisons, throw them in the trash and listen to this album on it own. It’s amazing. Kendrick Lamar cements his vision and talent here with what is a great set of songs. “Humble”, “Duckworth”, “Fear”…it’s all great stuff. Despite having way too many producers, he still makes a cohesive record that quite simply works. If you want to hear To Pimp A Butterfly, go listen to that album. But I think it’s high time we appreciate Damn a bit more. It’s not “groundbreaking”. Why does it have to be in order for people to enjoy it…why does it have to be that to be a great album? Damn is simply great. Comparing it to Lamar’s past work because it takes fewer chances is unnecessary and unfair. He already took those chances…why do you want him to do it again? [First added to this chart: 09/14/2026]
Produced By 9TH WONDER, THE ALCHEMIST, BADBADNOTGOOD, BEKON, CARDO, DJ DAHL, GREG KURSTIN, JAMES BLAKE, MIKE WILL MADE IT, RICCI RIERA, SOUNWAVE, STEVE LACY, TERRACE MARTIN, TEDDY WALTON & TOP DAWG
1. Duckworth
2. God
3. Fear
4. XXX (Feat. U2)
5. Love (Feat. Zacari)
6. Lust
7. Humble
8. Pride
9. Loyalty (Feat. Rihanna)
10. Feel
11. Element
12. Yah
13. DNA
14. Blood
I don’t think I’ve ever seen an album as fairly rated, and as unfairly spoken of as this one. There are many people who listened to Damn and recognized it as another great album from a great artist. But let’s learn something here. Kendrick Lamar made a pair of exceptional and groundbreaking albums (Good Kid, M.A.A.D. City and To Pimp A Butterfly). His next album, 2017’s Damn, is not like those albums. And many people have been critical just because of that. Well, I’m calling shenanigans. Thank God Kendrick Lamar didn’t make another To Pimp A Butterfly. Do what’s in your heart, man. Go where your talent leads you. And shame on people for crapping on an album because the artist didn’t make it the way YOU wanted him to. That’s unfair of you, and it’s unfair to the artist.
I say this for one reason. Damn is a great album. Period. Yes, it’s not like his last two albums. Thank God for that. Take your comparisons, throw them in the trash and listen to this album on it own. It’s amazing. Kendrick Lamar cements his vision and talent here with what is a great set of songs. “Humble”, “Duckworth”, “Fear”…it’s all great stuff. Despite having way too many producers, he still makes a cohesive record that quite simply works. If you want to hear To Pimp A Butterfly, go listen to that album. But I think it’s high time we appreciate Damn a bit more. It’s not “groundbreaking”. Why does it have to be in order for people to enjoy it…why does it have to be that to be a great album? Damn is simply great. Comparing it to Lamar’s past work because it takes fewer chances is unnecessary and unfair. He already took those chances…why do you want him to do it again? [First added to this chart: 09/14/2026]
Year of Release:
2017
Appears in:
Rank Score:
6,772
Rank in 2017:
Rank in 2010s:
Overall Rank:
Average Rating:
Comments:
Available from
[First added to this chart: 09/13/2026]
Year of Release:
2001
Appears in:
Rank Score:
1
Rank in 2001:
Rank in 2000s:
Average Rating:
Comments:
Available from
[First added to this chart: 08/30/2026]
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[First added to this chart: 08/18/2026]
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[First added to this chart: 07/26/2026]
Year of Release:
2002
Appears in:
Rank Score:
0
Rank in 2002:
Rank in 2000s:
Average Rating:
Comments:
Available from
2001 – EPIC
Produced By BEN FOLDS & BEN GROSSE
1. Annie Waits
2. Zak And Sara
3. Still Fighting It
4. Gone
5. Fred Jones Part 2
6. The Ascent Of Stan
7. Losing Lisa
8. Carrying Cathy
9. Not The Same
10. Rockin’ The Suburbs
11. Fired
12. The Luckiest
Is Ben Folds an absolute genius? Pretty tough to argue against that. This is a man who seems to easily succeed at everything he tries…acting, rock music, classical music, comedy, being in a band, being a solo artist. Ben Folds just makes everything look easy. After the first ending of his trio, Ben Folds Five, he released his first solo album, Rockin’ The Suburbs, on the unfortunate date of September 11, 2001. One of only five of the solo albums he’s recorded, this one may be the best of those. One thing that Folds is not is a hitmaker, but that’s okay. He makes coherent albums that are always worth listening to. On Rockin’ The Suburbs, it’s all Folds…he plays every instrument (except for a guitar part or two), and adds a pair of guest singers (including John McCrea of Cake of “Fred Jones Part 2”). Truly a solo album, Folds proves here how talented he really is.
The nu-metal parody of the title track is more fun than you get from most albums. “Still Fighting It” is another standout. Folds likes to use names of people in his song titles, both real and imagined. You get the impression that his writing is honest and informed, filled with interesting stories and ideas. Folds rarely falters, something he does not do here. He’s really a genius, he’s funny, articulate, and endlessly musical. This is as good a place to start with his music as anywhere. If this works for you, then it’s not a far jump to his band albums and his many collaborations with others (William Shatner’s Has Been album is surprisingly listenable…that’s thanks to Ben Folds). Rockin’ The Suburbs is a fine album, one that rewards repeated listens. Definitely recommended.
[First added to this chart: 07/08/2026]
Produced By BEN FOLDS & BEN GROSSE
1. Annie Waits
2. Zak And Sara
3. Still Fighting It
4. Gone
5. Fred Jones Part 2
6. The Ascent Of Stan
7. Losing Lisa
8. Carrying Cathy
9. Not The Same
10. Rockin’ The Suburbs
11. Fired
12. The Luckiest
Is Ben Folds an absolute genius? Pretty tough to argue against that. This is a man who seems to easily succeed at everything he tries…acting, rock music, classical music, comedy, being in a band, being a solo artist. Ben Folds just makes everything look easy. After the first ending of his trio, Ben Folds Five, he released his first solo album, Rockin’ The Suburbs, on the unfortunate date of September 11, 2001. One of only five of the solo albums he’s recorded, this one may be the best of those. One thing that Folds is not is a hitmaker, but that’s okay. He makes coherent albums that are always worth listening to. On Rockin’ The Suburbs, it’s all Folds…he plays every instrument (except for a guitar part or two), and adds a pair of guest singers (including John McCrea of Cake of “Fred Jones Part 2”). Truly a solo album, Folds proves here how talented he really is.
The nu-metal parody of the title track is more fun than you get from most albums. “Still Fighting It” is another standout. Folds likes to use names of people in his song titles, both real and imagined. You get the impression that his writing is honest and informed, filled with interesting stories and ideas. Folds rarely falters, something he does not do here. He’s really a genius, he’s funny, articulate, and endlessly musical. This is as good a place to start with his music as anywhere. If this works for you, then it’s not a far jump to his band albums and his many collaborations with others (William Shatner’s Has Been album is surprisingly listenable…that’s thanks to Ben Folds). Rockin’ The Suburbs is a fine album, one that rewards repeated listens. Definitely recommended.
[First added to this chart: 07/08/2026]
Year of Release:
2001
Appears in:
Rank Score:
724
Rank in 2001:
Rank in 2000s:
Overall Rank:
Average Rating:
Comments:
Available from
1997 – WILL
Produced By JASON LYTLE
1. Nonphenomenal Lineage
2. A.M. 180
3. Collective Dreamwish Of Upperclass Elegance
4. Summer Here Kids
5. Laughing Stock
6. Under The Western Freeway
7. Everything Beautiful Is Far Away
8. Poisoned At Hartsy Thai Food
9. Go Progress Chrome
10. Why Took Your Advice
11. Lawn & So On
Grandaddy has always been the mostly solo project of Jason Lytle. At least on record…it is more of a band on stage. Lytle is an odd duck, a guy who doesn’t seem to want a band but always ends up in one. Grandaddy formed in California in the early nineties, and made EP’s and mini albums until they were signed to Will Records. Under The Western Freeway is their first full length record, and it looked like Grandaddy had a bright future. Will didn’t have much clout, so there weren’t a lot of sales…but the critics had nothing but praise for it. And for good reason. This is music that takes chances and succeeds nearly all of the time. Imagine maybe Radiohead fronted by Neil Young, and that’s what Grandaddy is almost like. Their career has been woefully interrupted multiple times, but there was nothing but promise in the beginning.
Under The Western Freeway is weird and almost perfect. It’s loaded with musical wonders, led by the quirky and tasty “A.M. 180”. “Everything Beautiful Is Far Away”, “Summer Here Kids” and especially “Laughing Stock” are more than worthwhile. And “Collective Dreamwish Of Upperclass Elegance”, despite its odd title, is a thing of beauty. Between this album and the even better follow up, The Sophtware Slump, the future for Grandaddy looked bright. But the band couldn’t stay together for long enough to gain traction, ending up as an extension of Lytle’s solo career. He still brings out the Grandaddy name for albums, with 2024’s Blu Wave being the most recent. But it’s the first three releases you will want the most. A great project that never quite reached what it was capable of. [First added to this chart: 06/18/2026]
Produced By JASON LYTLE
1. Nonphenomenal Lineage
2. A.M. 180
3. Collective Dreamwish Of Upperclass Elegance
4. Summer Here Kids
5. Laughing Stock
6. Under The Western Freeway
7. Everything Beautiful Is Far Away
8. Poisoned At Hartsy Thai Food
9. Go Progress Chrome
10. Why Took Your Advice
11. Lawn & So On
Grandaddy has always been the mostly solo project of Jason Lytle. At least on record…it is more of a band on stage. Lytle is an odd duck, a guy who doesn’t seem to want a band but always ends up in one. Grandaddy formed in California in the early nineties, and made EP’s and mini albums until they were signed to Will Records. Under The Western Freeway is their first full length record, and it looked like Grandaddy had a bright future. Will didn’t have much clout, so there weren’t a lot of sales…but the critics had nothing but praise for it. And for good reason. This is music that takes chances and succeeds nearly all of the time. Imagine maybe Radiohead fronted by Neil Young, and that’s what Grandaddy is almost like. Their career has been woefully interrupted multiple times, but there was nothing but promise in the beginning.
Under The Western Freeway is weird and almost perfect. It’s loaded with musical wonders, led by the quirky and tasty “A.M. 180”. “Everything Beautiful Is Far Away”, “Summer Here Kids” and especially “Laughing Stock” are more than worthwhile. And “Collective Dreamwish Of Upperclass Elegance”, despite its odd title, is a thing of beauty. Between this album and the even better follow up, The Sophtware Slump, the future for Grandaddy looked bright. But the band couldn’t stay together for long enough to gain traction, ending up as an extension of Lytle’s solo career. He still brings out the Grandaddy name for albums, with 2024’s Blu Wave being the most recent. But it’s the first three releases you will want the most. A great project that never quite reached what it was capable of. [First added to this chart: 06/18/2026]
Available from
2006 – MAPLE MUSIC RECORDINGS
Produced By 6333699 CANADA INC.
1. Sinthtro
2. Ticket To Immortality
3. Death Or Life We Want You
4. Hate Then Love
5. There Goes My Outfit
6. Bandwagoneers
7. Fear Made The World Go ‘Round
8. You And I Are A Gang Of Losers
9. Whites Only Party
10. Ballad Of Humankindness
11. I Fell Deep
12. Find Our Way To Freedom
13. The Highest
14. Whites Only Party (Home Demo)
15. There Goes My Outfit (Acoustic Version)
The Dears are a Canadian band that has really been a revolving door of supporting musicians around the husband and wife duo of Murray Lightburn and Natalia Yanchak. They formed in 1995, and went through two full lineup changes before releasing their debut album in 2000. Gang Of Losers is their third effort, coming out in 2006. It’s the follow up to what is probably their best work, 2003’s No Cities Left. This became their highest charting album to date, and is their only album to gain any kind of success outside of Canada by flashing on the UK charts. The Dears feature interesting arrangements, and while Lightburn and Yanchak sing well together, His voice is clearly the dominant of the two…she either doesn’t have a strong voice or she’s never high enough in the mix.
The best tracks on Gang Of Losers are “Ticket To Immortality” and “Whites Only Party”’ plus the very rocking “Death Or Life We Want You”. It becomes clear pretty quickly that this is Lightburn’s band, and everyone else is along for the ride. He is the sole original member left, he writes all of the songs, sings them, and can play any instrument. This is their strength…but The Dears have never been able to gain much momentum, having to replace the entire band every few years (they all left angry after the next album, 2008’s Missiles). Their best albums are this one and No Cities left. Lightburn was at the top of his writing, and the playing is all top notch. It’s too bad they haven’t been able to reach much beyond Canada. A fine band that could use a bit more stability. [First added to this chart: 06/02/2026]
Produced By 6333699 CANADA INC.
1. Sinthtro
2. Ticket To Immortality
3. Death Or Life We Want You
4. Hate Then Love
5. There Goes My Outfit
6. Bandwagoneers
7. Fear Made The World Go ‘Round
8. You And I Are A Gang Of Losers
9. Whites Only Party
10. Ballad Of Humankindness
11. I Fell Deep
12. Find Our Way To Freedom
13. The Highest
14. Whites Only Party (Home Demo)
15. There Goes My Outfit (Acoustic Version)
The Dears are a Canadian band that has really been a revolving door of supporting musicians around the husband and wife duo of Murray Lightburn and Natalia Yanchak. They formed in 1995, and went through two full lineup changes before releasing their debut album in 2000. Gang Of Losers is their third effort, coming out in 2006. It’s the follow up to what is probably their best work, 2003’s No Cities Left. This became their highest charting album to date, and is their only album to gain any kind of success outside of Canada by flashing on the UK charts. The Dears feature interesting arrangements, and while Lightburn and Yanchak sing well together, His voice is clearly the dominant of the two…she either doesn’t have a strong voice or she’s never high enough in the mix.
The best tracks on Gang Of Losers are “Ticket To Immortality” and “Whites Only Party”’ plus the very rocking “Death Or Life We Want You”. It becomes clear pretty quickly that this is Lightburn’s band, and everyone else is along for the ride. He is the sole original member left, he writes all of the songs, sings them, and can play any instrument. This is their strength…but The Dears have never been able to gain much momentum, having to replace the entire band every few years (they all left angry after the next album, 2008’s Missiles). Their best albums are this one and No Cities left. Lightburn was at the top of his writing, and the playing is all top notch. It’s too bad they haven’t been able to reach much beyond Canada. A fine band that could use a bit more stability. [First added to this chart: 06/02/2026]
Total albums: 100. Page 1 of 10
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My Overall Chart: 2401-2500 composition
| Decade | Albums | % | |
|---|---|---|---|
| 1930s | 0 | 0% | |
| 1940s | 0 | 0% | |
| 1950s | 1 | 1% | |
| 1960s | 3 | 3% | |
| 1970s | 4 | 4% | |
| 1980s | 15 | 15% | |
| 1990s | 27 | 27% | |
| 2000s | 30 | 30% | |
| 2010s | 17 | 17% | |
| 2020s | 3 | 3% |
| Artist | Albums | % | |
|---|---|---|---|
|
|
|||
| Various Artists | 2 | 2% | |
| Rodney Crowell | 2 | 2% | |
| The Band Of Heathens | 1 | 1% | |
| Cheap Trick | 1 | 1% | |
| Devendra Banhart | 1 | 1% | |
| Black Sabbath | 1 | 1% | |
| Fiona Apple | 1 | 1% | |
| Show all | |||
| Country | Albums | % | |
|---|---|---|---|
|
|
|||
| |
74 | 74% | |
 |
11 | 11% | |
 |
6 | 6% | |
 |
2 | 2% | |
 |
1 | 1% | |
 |
1 | 1% | |
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1 | 1% | |
| Show all | |||
My Overall Chart: 2401-2500 chart changes
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My Overall Chart: 2401-2500 similar charts
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My Overall Chart: 2401-2500 ratings
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