Listed below are the best albums of 2021 as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 3 hours ago).
"Are we really blowing a load every time we hear a string section? I've grown to enjoy her as a personality and, well, as much as I really want to like her music I don't think I've come across an output that have felt so underwhelming compared to the hype and praise that's been heaped upon it. The...""Are we really blowing a load every time we hear a string section?
I've grown to enjoy her as a personality and, well, as much as I really want to like her music I don't think I've come across an output that have felt so underwhelming compared to the hype and praise that's been heaped upon it. There was at least some promise with her previous work that, despite not really going anywhere new, had some charm and a distinct 90s-era singer-with-a-guitar atmosphere, but that's kind of lost in what we get here- a sort of bubblegum "All Mirrors"? Given if you got more mileage than I did of that album this could work a lot better, I guess, but despite the occasionally clever lyrics the music is slanted and fluffy in mostly predictable ways and the breakup narrative feels kind of lightweight- while I still do see some promise as a songwriter, this really exposes her range limitations as a performer. Again, this is all attractive enough and certainly not unlistenable, but just nowhere near as barbed or surprising as it clearly thinks it is."[+]Reply
"This was surprisingly pleasant listen for me. Please don't immediately reject my comment here because I'm giving it 7.5/10 stars. This is coming from someone who normally has no tolerance for the really formulaic EDM that's so popular with people who fail to find music beyond Spotify premade play...""This was surprisingly pleasant listen for me. Please don't immediately reject my comment here because I'm giving it 7.5/10 stars. This is coming from someone who normally has no tolerance for the really formulaic EDM that's so popular with people who fail to find music beyond Spotify premade playlists.
I once heard the term "influencer music" tossed around to describe the EDM I just describe. You know, where you're browsing social media and see a montage of attractive individuals on vacation and the film color saturation makes everything seem brighter and cleaner and all they're doing is either doing basic touristy things or drinking hard seltzers? And in the background is the intentionally uplifting EDM following the formula of buildup to bouncy-bright bass drop? Yeah, I thought this was going to be a whole album of that crap but I'm happy to say it's not. It's a pleasant blend of EDM with folktronica that doesn't stick to the formula so heavily. It still does, but it's not as blatantly obvious. The folktronica sounds makes Nurture sound very lush and playful. And I love how the vocal performances are *slightly* buried to they aren't piercingly in your face like normal mainstream EDM and pop music.
Coming from someone who openly dislikes cheesy EDM, this was pretty good. I'm sure others will like it even more."[+]Reply
"I'll echo the same sentiments. This is Dacus's best record yet. The songwriting is sharper, tighter, and more soulful than before. Love that she's leaning into some more intense moments--both sonically and lyrically. Excellent stuff right here."Reply
"King Gizzard have somehow kept their personality while making a complete shift in sound. This album is extremely pleasant, dreamy, and, as expected, psychedelic."Reply
"This is like Pink Floyd level instrumentation. And by that I mean that words aren't needed to express the feelings meant to come from this album. The thing that makes that even more impressive is that the instrumentation on this record isn't nearly as complex as a Floyd record, it's really fairly...""This is like Pink Floyd level instrumentation. And by that I mean that words aren't needed to express the feelings meant to come from this album. The thing that makes that even more impressive is that the instrumentation on this record isn't nearly as complex as a Floyd record, it's really fairly simplistic. So the fact that it can convey so much emotion with little complexity is super impressive"[+]Reply
"Suppose you're bored one morning so you decide to time travel back to 1996. When you get there, you happen to run into Beck, Ween, and The Magnetic Fields. So you roofie them all (cuz you're gangsta like that). Then you drag them home and throw them into a blender (cuz you're Dahmer like that). T...""Suppose you're bored one morning so you decide to time travel back to 1996. When you get there, you happen to run into Beck, Ween, and The Magnetic Fields. So you roofie them all (cuz you're gangsta like that). Then you drag them home and throw them into a blender (cuz you're Dahmer like that). Then you pack the resulting cocktail into the freezer, and promptly forget about it. Fast forward back to the present and you suddenly remember, "Oh snap! I forgot about my Late 90's Hipster smoothie. That would taste pretty good right about now". So you open up your freezer, dig out the ice-crusted concoction and set it out to thaw, hoping that it will still be good after all these years.
Yeah, it's still good."[+]Reply
"The slower and more experimental tracks on here are the highlights and some of IDLES best cuts yet. Although it lacks the punch of past projects this still is quite enjoyable."Reply
"It's not bad but there are too many songs that just go on for about ten minutes where nothing really happens. Maiden struggle to write memorable melodies these days and there are certainly a lack of those here. Once a song has finished it's hard to remember anything about it. It sounds good and t...""It's not bad but there are too many songs that just go on for about ten minutes where nothing really happens. Maiden struggle to write memorable melodies these days and there are certainly a lack of those here. Once a song has finished it's hard to remember anything about it. It sounds good and there is plenty of energy, especially for a group in their mid-sixties, but there are no standout tracks here, no songs that particularly jump out at you. It's enjoyable enough I guess but it's no Seventh son of a seventh son. "[+]Reply
"Manchester Orchestra from Atlanta Georgia release another excellent conceptual album coming on the heals of the previous ‘Black Mile to the Surface’ which explored Welsh Mining and Miners, this time around its death, dying and life Simply gorgeous release"Reply
"(It's a Julien Baker album, it's a good album. One of the contenders for the championship belt of badass sad sack songwriters comes back with a whole lot more production punch than she had on her last couple albums. The result is a lush, at times overly so, but mostly gorgeous album that will abs...""(It's a Julien Baker album, it's a good album. One of the contenders for the championship belt of badass sad sack songwriters comes back with a whole lot more production punch than she had on her last couple albums. The result is a lush, at times overly so, but mostly gorgeous album that will absolutely have you sobbing in solidarity with her if you aren't careful.)
This is easily my most anticipated album of 2021 thus far. I adore Julien's debut Sprained Ankle, and, while I found her second album considerably less cathartic and powerful, I still quite liked it.
From her first 2 albums I felt that As a songwriter Julien is pretty miserable, not like she's bad, I mean she is very VERY good at just completely expressing utter despair and self-loathing like few songwriters I've ever heard. This is perhaps the main feature and most obvious aspect of her music in her career thus far. This aspect is so much on the forefront that sometimes I think her other strengths are overlooked. Lyrically she does know how to plunge the knife in and then twist it for maximum effect. Melodically she isn't an all time great, but she generally can write a good hook and a good and memorable melody. And she knows how to make just a very consistent and engaging emo album to sob along with.
In the lead up to this album I was feeling kinda meh and in the dumps and as a result I was very eagerly anticipating this album. When I heard it the night it was dropped I was initially lukewarm. Then I woke up and listened a couple more times and I started to warm to it a bit more. Now as I write this and I listen yet again, I am starting to really quite like it.
The obvious change in her production is what is probably going to get the most ink. And for good reason. Cuz this album is indeed MUCH more adorned with big synth parts and walls of electric guitar and keyboard and just a lot of embellishments that are trotting along beside Julien's familiar emotional voice and songwriting themes. This upscaling of musical...stuff... is generally well done. What the album clearly loses in terms of that intimacy and cathartic power that her first album had, it gains in terms of just a lot of beautiful moments of epic earcandy. The absolutely badass chorus of "Heatwave" is something that just couldn't happen without the new production angle and to say it works in enhancing the emotional punch of the song would be an understatement. There are other moments when the increased production touches work quite amazingly alongside Julien's songs.
There are also songs which feel somewhat overproduced and made me briefly miss that stripped down sound featured in "Sprained Ankle". An example of this arguably over-adorned style somewhat hampering the impact of a song is on "Relative Fiction". That song for me is good but coulda been great if not for those damn silly percussion sounds. Maybe that touch will grow on me, but for now I don't love it, feels a bit much especially with the big bass sounds and the several guitars also being layered on top of it with Baker's vocals also being multitracked, idk it just kinda rubs me the wrong way.
Still, the hits here and the overarching feel and flow of the album are indeed fabulous and there are some pristine and incredible moments sprinkled on this album. Tracks like "Heatwave", "Hardline", "Ringside", "Song In E", "Ziptie" are very powerful songs that are some of her best in her career thus far. While I don't love this like I love her debut, I think its a better album than her sophomore album and its great having a new Julien Baker album in my life to absorb when I'm feeling like my whole world has been bled of meaning and color. She's one of the best singer/songwriters of her generation and this album is quite solid and already has that familiar warmth connected with it in my mind that will make me revisit it often over the next long while.
"Blacked out on a weekday
Still something that I'm trying to avoid
Start asking for forgiveness in advance
For all the future things I will destroy
That way I can ruin everything
When I do, you don't get to act surprised
When it finally gets to be too much
I always told you you could leave at any time""[+]Reply