Listed below are the best albums of the 1960s as calculated from their overall rankings in over 58,000 greatest album charts. (Chart last updated: 7 hours ago).
"The Move were one of the most talented bands of the British pop-psych-era in the late 1960's. The original line-up only recorded one album along with a string of catchy and inventive singles during 1966-69. The original album which was originally delayed several times contains their two big hits ...""The Move were one of the most talented bands of the British pop-psych-era in the late 1960's. The original line-up only recorded one album along with a string of catchy and inventive singles during 1966-69.
The original album which was originally delayed several times contains their two big hits "Flowers in the Rain" and "Fire Brigade" along with at least 4 other potential hit-recordings; "Walk Upon the Water", "Yellow Rainbow", "The Lemon Tree" and "Useless Information" - all great orignal songs from guitarist and songwriter Roy Wood. Moreover it has three slower melodic; almost folky, tracks in "Kilroy Was Here", "Mist on a Monday Morning" and "The Girl Outside" - the first two really outstanding.
There is also the controversal "Cherry Blossom Clinic", was at a certain point was planned as their fourth single - but was dropped due to scandals in connections in the promotion of "Flowers in the Rain" - the band could not afford more scandals. The B-side "Vote for Me" was not even included on the album - fortunately it has now found its place on the album.
The least interesting tracks on the album are the three covers - "Hey Grandma", "Zing Went the String" and "Weekend" - though none of them are bad at all. The two early singles "Night of Fear" and "I Can Hear the Grass Grow" along with their B-sides are also found among the bonus-tracks - both great of course, as is the weird "Disturbance".
The extended remastered version of the 1968 album contains some of the most interesting music of that era. Besides the the original 13 tracks of the album 22 extra tracks have been added - the early pre-album singles, and handful of outtakes, and newly created stereo mixes of most of the album tracks. To my ears they have never sounded better than on these newly remastered tracks.
On the 2 cd deluxe version there are also alternate stereo mixes, along with the never before released outtake "Don't Throw Stones" - all great stuff in some cases markedly different from the mono-mixes. Later incarnations of the Move recorded 3 more albums and though they were all good in their own rights, none of them has the excitement of their debut. This is really a "Classic Improved" "[+]Reply
""For Certain Because" marked the beginning of probably the most creative period in the career of the Hollies. It was also the album that introduced Tonys Hicks' banjo which is very prominent on the big single hit "Stop Stop Stop". "Butterfly" is often regarded the strongest album by the Hollies. ..."""For Certain Because" marked the beginning of probably the most creative period in the career of the Hollies. It was also the album that introduced Tonys Hicks' banjo which is very prominent on the big single hit "Stop Stop Stop".
"Butterfly" is often regarded the strongest album by the Hollies. Released in 1967 it was to be last to feature high-pitch vocalist Graham Nash, who left in late 1968 to join David Crosby and Steve Stills. Sadly the Hollies were never quite the same after his departure - they did record some fine album later, but some of the magic somehow had gone.
With the "For Certain Because" (1966) the Holles had begun to write all their material for their albums, and the this continued on the following two albums "Evolution" and "Butterfly". All 3 album contains some of the finest songwriting the Hollies ever did. Their playing and singing is impeccable like on most of their recordings - some might say that their lyrics at times tend to be a little too naive or silly.
"Butterfly" is their most adventurous album and the closest the Hollies ever came to psychedelia. Apart from "Dear Eloise" which was released as a single in some countries it is very much an "album" - not just a collection of songs built up around 3 or 4 hit singles.
It seems the Nash was the dominating force at this point, taking the lead vocal on more songs than usual lead-singer Clarke. Nash abilities as lead-singer are obvíous here, but it's usually a pleasure to listen to all singer, not least when they change lead-vocals or join in on harmonies.
It's hard to bring forward particular tracks, because all are great. Tony Hicks cute "Pegasus" was always a favourite, but the songs like "Try it", "Would You Believe" and "Dear Eloise" with Allan Clarke up-front are all classic Hollies. Nash's laid back-songs like "Wish You a Wish" are "Postcard" are close to the sound of Simon & Garfunkel. On the instrumental side, there is a lot experimenting with various instruments like citar, different keyboards and several tracks feature string-arrangements.
The Hollies actually recorded at least an album's worth of material before Nash finally left. With strong material like "Wings", "Open Up Your Eyes" , "Tomorrow When it Comes", "Man With No Expression", "Do the Best You" and the two fine singles "Listen to Me" and Jennifer Eccles" another fine Hollies album (with Nash) could have been made; insted they gave us the deeply disappointing "Hollies Sing Dylan" "Butterfly" is probably their finest moment.
Here we have as bonus-tracks most of these potential final-album songs. The Nash version of "Blowing in the Wind" was another possible inclusion. A song called "Ashes to Ashes" is also said to have been recorded.
https://www.angelfire.com/nv/Badfinger/BANDhollies.html"[+]Reply
"The awesome power of the fully operational Messengers on display on this killer album. Lee Morgan had become an uncontainable monster by this point and is just ridiculously good here. The songwriting of Shorter and Timmons makes this one of the best Messengers albums to my ears; the tempos and th...""The awesome power of the fully operational Messengers on display on this killer album. Lee Morgan had become an uncontainable monster by this point and is just ridiculously good here. The songwriting of Shorter and Timmons makes this one of the best Messengers albums to my ears; the tempos and the energy, the whole album is just right in the pocket.
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"Genesis' debut album will sound familiar to anyone listening to pop music in and around 1969. I'm sure my father had it - certainly I listened to it a few times around the turn of the decade and found it acceptable, and one track, "In The Beginning" - was on the sampler album Wowie Zowie! World o...""Genesis' debut album will sound familiar to anyone listening to pop music in and around 1969. I'm sure my father had it - certainly I listened to it a few times around the turn of the decade and found it acceptable, and one track, "In The Beginning" - was on the sampler album Wowie Zowie! World of Progessive Music, which either I had or my dad did. From Genesis... is pop music of a style sometimes referred to as baroque or psychedelic. Albums from a range of artists in a similar style include Forever Changes (1967), Picturesque Matchstickable Messages from the Status Quo (1968), Shine On Brightly (1968), The Book of Taliesyn (1968), The Hurdy Gurdy Man (1968), Nazz (1968), Head (1968), The Soft Machine (1968), Odessey and Oracle (1968), and Wee Tam and the Big Huge (1968). A particular influence on the album, through the insistence of the band's manager and producer, Jonathan King, was the Bee Gees, whose Ideas album came out in 1968, and Odessa album in March 1969, the same month as From Genesis.... Also a considered influence on the band was the Moody Blues whose In Search of the Lost Chord came out in July 1968.
Compared with some of those albums the Genesis debut may appear a little light and whimsical, though it has a naïve charm which carries it along and makes it listenable enough. It's not a great album, it's not an interesting album, and it doesn't sound like the debut of a group who would go on to become one of the world's most popular, but I quite like it. Most other commentators are fairly dismissive."[+]Reply
"Possibly the greatest live album of all time? This album is certainly a candidate! Judy is one of my favorite female singers of the 20th century, and I feel as though unlike many singers, her vocal prowess grew as she aged. Sadly, this was to be her last crowing moment before she was taken away f...""Possibly the greatest live album of all time? This album is certainly a candidate! Judy is one of my favorite female singers of the 20th century, and I feel as though unlike many singers, her vocal prowess grew as she aged. Sadly, this was to be her last crowing moment before she was taken away far too soon."[+]Reply
"A similar but more consistent effort compared to their debut. The production is significantly better. Country Joe & The Fish continue their journey into electric psychedelia but incorporate more acoustics. Though the album as a whole is more tame, they still indulge themselves musically whenever ...""A similar but more consistent effort compared to their debut. The production is significantly better. Country Joe & The Fish continue their journey into electric psychedelia but incorporate more acoustics. Though the album as a whole is more tame, they still indulge themselves musically whenever they feel like it. The closer is a bit pretentious. "[+]Reply